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Bullhead [Analog]

Melvins 形式: CD

4.6 113個の評価

￥3,132 税込

ポイント: 31pt (1%) 詳細はこちら

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CD, リミックス含む, インポート, 2018/5/25

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Available again with updated artwork and a new gatefold sleeve! Melvins' follow-up to 1989's Ozma was 1991's groundbreaking Bullhead. The songs are longer, the mood is calmer, yet more menacing. "Boris" (which gave the Japanese group their name) is a long, slow, low death march of addiction and self-abuse. "Zodiac" is a frantic punk rock machine gun blasting away at Buzz's demons (both inner and outer). "Cow" is a happy baboon bashing away at the best drum solo of his life. "It's Shoved" is a groovy beat for the cast of Shindig to bop along to, until their carefree performances of The Pony, The Mashed Potato, and The Watusi are horribly interrupted by the soundstage tilting up and sliding them all into a mangled heap of screaming dancers, broken cameras and flaming electronic equipment at the bottom.

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製品サイズ ‏ : ‎ 31.29 x 31.39 x 0.79 cm; 235.87 g
メーカー ‏ : ‎ Konkurrent
EAN ‏ : ‎ 0038161002519
商品モデル番号 ‏ : ‎ WA-36217342
オリジナル盤発売日 ‏ : ‎ 2018
レーベル ‏ : ‎ Konkurrent
ASIN ‏ : ‎ B00008ESH1
原産国 ‏ : ‎ アメリカ合衆国
ディスク枚数 ‏ : ‎ 1

Amazon 売れ筋ランキング: - 89,881位ミュージック (ミュージックの売れ筋ランキングを見る)
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4.6 113個の評価

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横ノリのオンパレード

2016年8月18日に日本でレビュー済み

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決して疾走することなく、遅いリズムで全てが統一されているのにもかかわらず、聞きまくってしまう。不思議なアルバムだ。

4人のお客様がこれが役に立ったと考えています

役に立った

deathdiedead

最高

2003年6月21日に日本でレビュー済み

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このアルバムを車の中で、ガンガンにカケルと、速度があがります。buzzのヴォｰカルは、さすがに今より若いけど、バンドとしては、かなり勢いが、ありますよん。良いアルバムだと思う！

13人のお客様がこれが役に立ったと考えています

役に立った

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Grava

Recomendado

2023年10月4日にスペインでレビュー済み

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Muy bueno

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Andrea

Bullhead

2023年7月16日にイタリアでレビュー済み

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Classico dello sludge metal.

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Joe Hiles

heavy sludge punk

2009年10月8日にアメリカ合衆国でレビュー済み

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The Melvins started in 1983 and have been consistantly releasing albums since '86. From out of a typical American hardcore punk sound they invented their own style of heavy sludge rock with unusual rhythms changes and song structures. The Melvins have experimented with their sound so much even die hard fans don't have a clue to expect from each album. If you don't own any Melvins album Bullhead is the one to start with. If you're already into the band you need to own this one. Released in 1991, Bullhead is not a huge departure from Gluey Porch Treatments or Ozma. The main difference is that now the songs are more focused. Songs: BORIS- the same riff over and over for nearly 9 minutes with pounding drums accenting every note with the guitar tuned down really low. This is music to get stoned and watch a spider slowly crawl on the ceiling to. A sludge masterpeice. The band, Boris is named after this song. ANACONDA- this song has a weird groove to it and lots of bendy notes and guitar slides. Punk on downers? I can't tell what the lyrics are but the song is somehow catchy. LIGATURE- jerky rhythms played heavy and slow (actually kinda midtempo Black Sabbathy). Ends with a drum solo played over feedback. ITS SHOVED- waaay different from the rest of the album. An upbeat rocker with almost a funk beat. The standout track along with Boris. ZODIAC- punk all over the guitar neck. The song morphs into another headbangin weird rhythm. Definetly Melvins, noone else could right a song like this. It was interesting to hear Napalm Death-clones, Brutal Truth cover this years later. IF I HAD AN EXORCISM- sounds like an exorcism complete with inaudible mumbling and groanings ending with a high e chord played over and over as the bass and drums lay out a steady rhythm and King Buzz exorcises them demons out. Strange song, can't get enough. YOUR BLESSENED- the Melvins' hit breakthrough single right behind "Smells Like Teen Spirit" with the feedback and heavily bended bar chords that MTV audiences just loved! Ha! Just yankin your colon. Ends with lots of feedback and pounding drums while echoey vocals proclaim something about "mans only distant relative" before going back into the heavy guitars and jerky rhythm. COW- demonic sounding metal and some more strange mumbling vocals like on Exorcism. Ends with feedback fading out and the drums continue on their own till the end of the album and that's it. I cannot recomend this album enough! Any self respecting punk rock, metalhead, weird stoner, noise rocker, prentious record collector, and their grandma should own this. If you like the Melvins this is essential. If you're interested this is a good place to start. The Melvins are a strange band and might have to grow on you but if you start getting into it, its more addictive than heroin and you'll want every album. However, despite what people write on the internets and despite how they were Kurt Cobain's musical heroes and friends: I don't think that a typical Nirvana fan would like this. If you like early Swans, Rollins-era Black Flag, St Vitus, Flipper, Sex Pistols, Butthole Surfers, and more experimental punk or heavy rock like Black Sabbath or Blue Cheer you'll dig the Melvins. They were a bigger influence the sound of Sunn 0)), Earth, Boris, and bands like that than the whole 90s grunge thing. Nirvana were poppy enough to appeal to mainstream. Melvins are too weird and idiosyncratic for that audience. However, maybe the Melvins will drag you into their strange world and you'll begin discovering underground music. If so I suggest The Stooges, Black Flag, Dead Kennedys, Butthole Surfers, MDC, Dead Milkmen, JFA, Ween, Nomeansno, The Dicks, and Flipper. Then find out their influences from back in the day. There are several great newer bands too, like AIDS Wolf and Arab On Radar. BUY BULLHEAD!!!!!

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Rush Shukla

the only one you need to know?

2011年5月3日に英国でレビュー済み

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This is the only Melvins album i have and quite frankly the only one i care to know about. It is the least commercial yet consolidate outing before they signed to a major on the back of Nirvana's success, which may or may not have been a mistake. Only time will tell and time certainly rolls on as this was recorded 20yrs ago and still blows me away.
Opener Boris is a pure slab of deathly downtuned dirge with Buzz Ozbournes vocals conjuring up all manner of disturbed thoughts and concerns. Its almost hardcore punk in reverse which really works here.
Other highlights are Ligature, Its Shoved and the mind blowing Zodiac which sees them deliver some cool dynamics and speed shifts courtesy of Dale's amazing drumming that only augment their slow black crude hash oil of a sonic template. Indeed this is purist stoner rock that at times borrows from Black Flag and Sabbath before them but builds into possibly one of the most unique bands i have ever heard in my life.
Song titles with the Melvins are of little importance really as this record has to be listened to in its entirety from start to finish, like one whole song if you will. Another moot point in question is Shirley Temple's daughter Lori 'Lomax' Black contributes bass guitar here as she was a member of the band up until this point on and off; and she does a splendid job in keeping their sound where it should be; slow dark and downright weird!
But like i say, names or name checks are irrelevant with the Melvins as they are one of the few bands that march on their own merits and not the tune of some corporate entity trying to squeeze as much capital from them, which is probably what finished Cobain and co off.
Sure they arguably went on to 'bigger and better' things with their Atlantic recordings, but for the purists, Bullhead is right where their sound should be and thats

BULLSEYE!!!!!!!!!!!!!!!

Get this.

2人のお客様がこれが役に立ったと考えています

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Clay E.

Wow, what an album!

2019年2月21日にアメリカ合衆国でレビュー済み

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How can anyone truly hate a band on an indie label called Boner Records? The Melvins will probably never see much radio airplay or win any big-time awards, but that's one reason why I now like them. I never heard any of their songs until recently- now I wonder why I never came across them before. This is great! I don't know if some of what they did on these songs was in the interest of showing a musical sense of humor or not. Not everyone will "get it," but those who do are in for a treat. Some of the songs are fast, some are sluggishly slow, all are heavy and noisy. It's just beautiful. The last song on here (Cow) is about 4 minutes long, and King Buzzo and Lorax simply quit playing their instruments about halfway through. The remainder consists of the drummer playing the rest of the song alone, but it's pretty much the basic drum part with a few fills here and there, certainly not a flashy drum solo done to show off. If you don't find this kind of stuff interesting or at least amusing, then the Melvins are probably not for you. From what I've been reading, the band tends to reinvent their style with almost each album, so you never know what you're gonna get with them. Looking forward to hearing more of these guys!

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