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SLACKER (Richard Linklater)

4,0 4,0 su 5 stelle 50 voti

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Genere Comédie Dramatique
Formato Colore
Collaboratore Rudy Basquez, Mark James, Jean Caffeine, Terrence Kirk, Keith McCormack, Jan Hockey, Stephan Hockey, Bob Boyd, Richard Linklater, Samuel Dietert Mostra altro
Lingua Inglese
Tempo di esecuzione 1 ora e 37 minuti
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Descrizione prodotto

Edition réalisée en partenariat avec le Centre Pompidou
Contient :
- le Blu-ray du film
- le DVD du film
Boîtier Blu-ray avec fourreau

Dettagli prodotto

  • Aspect Ratio ‏ : ‎ 1.37:1
  • Età consigliata ‏ : ‎ Universale
  • Lingua ‏ : ‎ Inglese
  • Regista ‏ : ‎ Richard Linklater
  • Formato supporto ‏ : ‎ Colore
  • Tempo di esecuzione ‏ : ‎ 1 ora e 37 minuti
  • Attori ‏ : ‎ Richard Linklater, Rudy Basquez, Jean Caffeine, Jan Hockey, Stephan Hockey
  • Doppiaggio: ‏ : ‎ Inglese
  • Sottotitoli: ‏ : ‎ Francese
  • Lingua ‏ : ‎ Inglese (DTS-HD 2.0)
  • Studio ‏ : ‎ EXTRALUCID FILMS
  • Garanzia e recesso: Se vuoi restituire un prodotto entro 30 giorni dal ricevimento perché hai cambiato idea, consulta la nostra pagina d'aiuto sul Diritto di Recesso. Se hai ricevuto un prodotto difettoso o danneggiato consulta la nostra pagina d'aiuto sulla Garanzia Legale. Per informazioni specifiche sugli acquisti effettuati su Marketplace consulta la nostra pagina d'aiuto su Resi e rimborsi per articoli Marketplace.
  • ASIN ‏ : ‎ B08CP7JK11
  • Numero di dischi ‏ : ‎ 2
  • Recensioni dei clienti:
    4,0 4,0 su 5 stelle 50 voti

Recensioni clienti

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brunix
5,0 su 5 stelle Culte
Recensito in Francia il 11 gennaio 2020
j'avais une vingtaine d'année et je vivais au US quand ce film est sorti. Il décrit parfaitement et très réalistement l'ambiance que j'ai connu là bas. Je regarde pour la Xème fois de temps à autres, par nostalgie.
Una persona l'ha trovato utile
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R. Kenyon
5,0 su 5 stelle Masterpiece
Recensito nel Regno Unito il 30 ottobre 2019
One of those movies that changes your life. Nothing less. I cannot imagine anyone watching this without feeling utterly inspired, and mesmerised.
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Keller Hanspeter
5,0 su 5 stelle ENDLICH EINE AUSGABE MIT DEUTSCHEN UNTERTITELN
Recensito in Germania il 2 settembre 2017
Dieser Film ist sicher einer der besten und originellsten von Linklater. Leider gibt es keine DVD mit deutscher Sprache oder deutschen Untertiteln. Auf dieser Videokassette ist aber jetzt eine Fassung mit deutschen Untertiteln verfügbar, denn in der Originalsprache versteht man als Deutscher den amerikanischen Slang kaum.
Hurra, und Danke! H Keller
2 persone l'hanno trovato utile
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cookieman108
5,0 su 5 stelle "It's like premeditated fun."
Recensito negli Stati Uniti il 20 agosto 2005
Slacker (1991) One who shirks work or responsibility: "In terms of their outlook on the future, slackers regard tomorrow with a studied cynicism or... don't even conceive of one" (Julie Caniglia). So you're a disenfranchised, overeducated, out of work (perhaps never worked) individual in the latter 20th century...what's to do? Sit around in your blue jeans, torn t-shirt, and well-worn Chuck Connors sneakers, drink coffee, and intensely dissect the most meaningless bit of minutia and effluvia (an example being the relatively non-existent, societal influences of cartoon characters) from the past and present as to preoccupy ones mind as so they won't have to deal with the fact that they have virtually no prospects. Seems like a particularly shallow way to go through life, but then I've been working since I was fifteen, so perhaps I'm just jealous of those who've managed to find a way to avoid the shackles of responsibility and shirk of the conventions of a capitalist culture.

Written a directed by Richard Linklater (Dazed and Confused, Waking Life), the film begins as we see a young man on a bus (played by Linklater), arriving in Austin, Texas. From there he takes a cab and proceeds to figuratively hold the driver hostage with non-stop stream of verbal free form, discussing his dreams (dreams are only interesting to the people who actually have them...trying to explain your dream to another who doesn't care is the absolute worst), realities formed from the choices one makes...the passenger is eventually dropped off, makes contact with another individual to which he then begin following that person...and so on, and so on, and so on...there are no central characters, only a seemingly continuous passing of an imaginary baton as we come in contact with a great number of individuals within the Austin area, all living within their particular moment. The film develops into sort of a walking tour of individuals where the viewer is a relative non-existent entity peeping through a window into a culture they may not understand or connected with...personally I found it hard to identify with many of the individuals, but that's not to say they don't exist. Every generation has its ne'er-do-well sub sect (greasers, hippies, etc.) who seek those like themselves, usually converging into an area where the cost of living is relatively cheap (until corporate America realizes the economic potential, starts buying up the properties, basically ousting those who made the area interesting and worthwhile), and every generation has at least one who tries to commit them to film. When I first started watching, I couldn't help feel a sense of pretension within the material, but then I realized it wasn't so much coming from the director, but more so inherent within the some of the subjects themselves. Perhaps this was part of the humor, highlighting the absurdity that can be found within any grouping. The film felt like one, continuous shot, but it wasn't, as there were cuts, but they were pretty well hidden. There was one sequence in the film that summed up this particular generational mindset (for lack of a better term) in that of the young couple in their crummy apartment. The woman wants to do something seemingly, like go to the lake, to which the man then begins to dissect all the elements necessary to proceed on such a venture, his objection being the amount of time needed to prepare for the excursion don't justify the excursion itself, which seemed ironic to me because in the time it took him to relate all of this, they probably could have been to where she wanted to go...which wasn't really the point, I suppose as the guy just didn't want to go because he was lazy. It's like those people you work with who expend great amounts of energy doing whatever they have to in getting out of work, which usually ends up being more work than their actual work. One sequence I really liked was near the beginning, featuring a man on the street that glommed onto another, following him, spewing forth every conspiracy theory you've ever heard of in a tireless, endless barrage. All in all I did enjoy this unconventional film, but I'm unsure who I recommend it to...I guess if you don't have a taste for the experimental side of cinema or a yearning to explore past the boundaries of conventional filmmaking, you should probably pass this one by...

You know, for a film made by a slacker about slackers, there sure seemed un-slacker like effort put into this Criterion Collection DVD release. There are actually two DVDs, as the copious nature of the extras could not be contained on one. The Amazon website does a good job in listing the extras, so I won't bother, but I will say they tie in well with the film giving the viewer more than they probably ever needed (or wanted).

Cookieman108
15 persone l'hanno trovato utile
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Mark Bloemeke
5,0 su 5 stelle A very interesting first!
Recensito in Germania il 23 aprile 2016
Have seen that way back when and remembered nice pictures of Austin TX and a weird story! It is Madonna's pubic hair that made me want to see it again!