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“The books in Reid’s famous women quartet stand alone. . . . But each of the books centers a vibrant protagonist managing the tensions between her glamorous life in the public eye and the pressures she feels in private . . . with Reid meticulously collecting minute yet meaningful details to help build immersive worlds”—Time
“Carrie Soto [Is Back] . . . is like other sports novels in which underdogs punch, volley, bat and birdie their way to victory or additional defeat, but it goes beyond this to explore sexism and racism in the tennis world in the 1990s. . . . This novel will grab you. You’ll tear through blow-by-blow descriptions of championship matches on some of the most famous tennis courts in the world. . . .”—The Washington Post
“An epic story about bravery, endurance, but also the power of vulnerability.”—BuzzFeed
“Reid . . . draws on the lives of actual tennis pros (think Serena, Sharapova) to build a world of believable rivalries and intrigue infused with the whiplash suspense of a nail-biting tennis match.”—People (Book of the Week)
“Nearly every Taylor Jenkins Reid novel reads like a survey course in some flagrantly glamorous specialty and era. . . . Come for the King Richard–level attention to the art of the game; stay for the more personal soap operas unfolding off the court, and the final score.”—Entertainment Weekly
“Taylor Jenkins Reid’s latest is set in the world of the tennis elite, following a ruthless former champion who—after losing her record to a rising star—decides to come out of retirement at 37 in order to reclaim her title. It’s seriously inspiring.”—Cosmopolitan
“Reid writes about the game with suspense, transforming a tennis match into a page-turner even for readers who don’t care about sports. . . . A compulsively readable look at female ambition.”—Kirkus Reviews (starred review)
“Reid has written another knockout of a book.”—Library Journal (starred review)
“Reid captures the excitement of elite sports in her descriptions of Carrie’s games, as well as the struggle that women athletes face when their ambition and confidence is ‘too much.’ It’s another triumph for bestselling author Reid, and her growing number of fans . . . ”—Booklist (starred review)
“Another ace by Taylor Jenkins Reid, straight to the baseline! . . . An immersive delight.”—Emma Straub
抜粋
US Open
September 1994
My entire life’s work rests on the outcome of this match.
My father, Javier, and I sit front row center at Flushing Meadows, the sidelines just out of reach. The linesmen stand with their arms behind their backs on either side of the court. Straight in front of us, the umpire presides over the crowd high in his chair. The ball girls crouch low, ready to sprint at a moment’s notice.
This is the third set. Nicki Chan took the first, and Ingrid Cortez squeaked out the second. This last one will determine the winner.
My father and I watch—along with the twenty thousand others in the stadium—as Nicki Chan approaches the baseline. She bends her knees and steadies herself. Then she rises onto her toes, tosses the ball in the air, and with a snap of her wrist sends a blistering serve at 126 miles per hour toward Ingrid Cortez’s backhand.
Cortez returns it with startling power. It falls just inside the line. Nicki isn’t able to get to it. Point Cortez.
I let my eyes close and exhale.
“Cuidado. The cameras are watching our reactions,” my father says through gritted teeth. He’s wearing one of his many panama hats, his curly silver hair creeping out the back.
“Dad, everyone’s watching our reactions.”
Nicki Chan has won two Slam titles this year already—the Australian Open and the French Open. If she wins this match, she’ll tie my lifetime record of twenty Grand Slam singles titles. I set that record back in 1987, when I won Wimbledon for the ninth time and established myself as the greatest tennis player of all time.
Nicki’s particular style of play—brash and loud, played almost exclusively from the baseline, with incredible violence to her serves and groundstrokes—has enabled her to dominate women’s tennis over the past five years. But when she was starting out on the WTA tour back in the late eighties, I found her to be an unremarkable opponent. Good on a clay court, perhaps, but I could beat her handily on her home turf of London.
Things changed after I retired in 1989. Nicki began racking up Slams at an alarming rate. Now she’s at my heels.
My jaw tenses as I watch her.
My father looks at me, his face placid. “I’m saying that the photographers are trying to get a shot of you looking angry, or rooting against her.”
I am wearing a black sleeveless shirt and jeans. A pair of tortoiseshell Oliver Peoples sunglasses. My hair is down. At almost thirty-seven, I look as good as I’ve ever looked, in my opinion. So let them take as many pictures as they want.
“What did I always tell you in junior championships?”
“Don’t let it show on your face.”
“Exacto, hija.”
Ingrid Cortez is a seventeen-year-old Spanish player who has surprised almost everyone with her quick ascent up the rankings. Her style is a bit like Nicki’s—powerful, loud—but she plays her angles more. She’s surprisingly emotional on the court. She hits a scorcher of an ace past Nicki and hollers with glee.
“You know, maybe it’s Cortez who’s going to stop her,” I say.
My father shakes his head. “Lo dudo.” He barely moves his lips when he talks, his eye consciously avoiding the camera. I have no doubt that tomorrow morning, my father will open the paper and scan the sports pages looking for his photo. He will smile to himself when he sees that he looks nothing short of handsome. Although he lost weight earlier this year from the rounds of chemo he endured, he is cancer-free now. His body has bounced back. His color looks good.
As the sun beats down on his face, I hand him a tube of sunscreen. He squints and shakes his head, as if it is an insult to us both.
“Cortez got one good one in,” my father says. “But Nicki saves her power for the third set.”
My pulse quickens. Nicki hits three winners in a row, takes the game. It’s now 3–3 in the third set.
My father looks at me, lowering his glasses so I can see his eyes. “Entonces, what are you going to do?” he asks.
I look away. “I don’t know.”
He puts his glasses back on and looks at the court, giving me a small nod. “Well, if you do nothing, that is what you are doing. Nothing.”
“Sí, papá, I got it.”
Nicki serves wide. Cortez runs and scrambles to catch it on the rise, but it flies into the net.
I look at my father. He wears a slight frown.
In the players’ box, Cortez’s coach is hunched over in his seat, his hands cupping his face.
Nicki doesn’t have a coach. She left her last one almost three years ago and has taken six Slams since then without anyone’s guidance.
My dad makes a lot of cracks about players who don’t have coaches. But with Nicki, he seems to withhold judgment.
Cortez is bent over, holding her hand down on her hips and trying to catch her breath. Nicki doesn’t let up. She fires off another serve across the court. Cortez takes off running but misses it.
Nicki smiles.
I know that smile. I’ve been here before.
On the next point, Nicki takes the game.
“Dammit,” I say at the changeover.
My father raises his eyebrows. “Cortez crumbles as soon as she doesn’t control the court. And Nicki knows it.”
“Nicki’s powerful,” I say. “But she’s also hugely adaptable. When you play her, you’re playing somebody who is adjusting on the fly, tailoring their game to your specific weakness.”
My father nods.
“Every player has a weak spot,” I say. “And Nicki is great at finding it.”
“Right.”
“So what’s hers?”
My father is now holding back a smile. He lifts his drink and takes a sip.
“What?” I ask.
“Nothing,” my father says.
“I haven’t made a decision.”
“All right.”
Both players head back out onto the court.
“Nicki is just a tiny bit slow,” I say, watching her walk to the baseline. “She has a lot of power, but she’s not fast—not in her footwork or her shot selection. She’s not quite as quick as Cortez, even today. But especially not as quick as Moretti, Antonovich, even Perez.”
“Or you,” my father says. “There’s nobody on the tour right now who is as fast as you were. Not just with your feet, but with your head, también.”
I nod.
He continues. “I’m talking about getting into position, taking the ball out of the air early, taking the pace off so Nicki can’t hit it back with that power. Nobody on the tour is doing that. Not like you did.”
“I’d have to meet her power, though,” I tell him. “And somehow still maintain speed.”
“Which will not be easy.”
“Not at my age and not with my knee,” I say. “I don’t have the jumps I used to have.”
“Es verdad,” my father says. “It will take everything you have to give.”
“If I did it,” I say.
My father rolls his eyes but then swiftly paints another false smile on his face.
I laugh. “Honestly, who cares if they get a picture of you frowning?”
“I’m staying off your back,” my father says. “You stay off mine. ¿Lo entendés, hija?”
I laugh again. “Sí, lo entiendo, papá.”
Nicki takes the next game too. One more and it’s over. She’ll tie my record.
My temples begin to pound as I envision it all unfolding. Cortez is not going to stave off Nicki Chan, not today. And I’m stuck up here in the seats. I have to sit here and watch Nicki take away everything I’ve worked for.
“Who’s going to coach me?” I say. “You?”
My father does not look at me, but I can see his shoulders stiffen. He takes a breath, chooses his words.
“That’s for you to answer,” he finally says. “It’s not my choice to make.”
“So, what? I’m gonna call up Lars?”
“You are going to do whatever you want to do, pichona,” my father says. “That is how adulthood works.”
He is going to make me beg. And I deserve it.
Cortez is busting her ass to make the shots. But she’s tired. You can see it in the way her legs shake when she’s standing still. She nets a return. It’s now 30–love.
Motherf***er.
I look around at the crowd. People are leaning forward; some are tapping their fingers. Every one of them seems to be breathing a little faster. I can only imagine what the sportscasters are saying.
The spectators sitting around us are looking at my father and me out of the corner of their eyes, watching my reaction. I’m starting to feel caged.
“If I do it . . .” I say softly. “I want you to coach me. That’s what I’m saying, Dad.”
著者について
Taylor Jenkins Reid is the #1 New York Times bestselling author of eight novels, including Carrie Soto Is Back, Malibu Rising, Daisy Jones & The Six, and The Seven Husbands of Evelyn Hugo. She lives in Los Angeles with her husband and their daughter.
