Buy new:
-39% $11.63
FREE delivery Thursday, May 16 on orders shipped by Amazon over $35
Ships from: Amazon.com
Sold by: Amazon.com
$11.63 with 39 percent savings
List Price: $18.99

The List Price is the suggested retail price of a new product as provided by a manufacturer, supplier, or seller. Except for books, Amazon will display a List Price if the product was purchased by customers on Amazon or offered by other retailers at or above the List Price in at least the past 90 days. List prices may not necessarily reflect the product's prevailing market price.
Learn more
Get Fast, Free Shipping with Amazon Prime FREE Returns
FREE delivery Thursday, May 16 on orders shipped by Amazon over $35. Order within 3 hrs 23 mins
In Stock
$$11.63 () Includes selected options. Includes initial monthly payment and selected options. Details
Price
Subtotal
$$11.63
Subtotal
Initial payment breakdown
Shipping cost, delivery date, and order total (including tax) shown at checkout.
Ships from
Amazon.com
Ships from
Amazon.com
Sold by
Amazon.com
Sold by
Amazon.com
Returns
30-day easy returns
30-day easy returns
This item can be returned in its original condition for a full refund or replacement within 30 days of receipt.
Returns
30-day easy returns
This item can be returned in its original condition for a full refund or replacement within 30 days of receipt.
Payment
Secure transaction
Your transaction is secure
We work hard to protect your security and privacy. Our payment security system encrypts your information during transmission. We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. Learn more
Payment
Secure transaction
We work hard to protect your security and privacy. Our payment security system encrypts your information during transmission. We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. Learn more
$10.72
Get Fast, Free Shipping with Amazon Prime FREE Returns
FREE delivery May 26 - June 7 on orders shipped by Amazon over $35
Or fastest delivery May 25 - June 5
$$11.63 () Includes selected options. Includes initial monthly payment and selected options. Details
Price
Subtotal
$$11.63
Subtotal
Initial payment breakdown
Shipping cost, delivery date, and order total (including tax) shown at checkout.
Access codes and supplements are not guaranteed with used items.
Kindle app logo image

Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.

Read instantly on your browser with Kindle for Web.

Using your mobile phone camera - scan the code below and download the Kindle app.

QR code to download the Kindle App

Something went wrong. Please try your request again later.

Just Kids: A National Book Award Winner Paperback – Deckle Edge, November 2, 2010

4.5 4.5 out of 5 stars 9,947 ratings

on 1 when you buy 2 Shop items
{"desktop_buybox_group_1":[{"displayPrice":"$11.63","priceAmount":11.63,"currencySymbol":"$","integerValue":"11","decimalSeparator":".","fractionalValue":"63","symbolPosition":"left","hasSpace":false,"showFractionalPartIfEmpty":true,"offerListingId":"MpkmGlzuOQp7ig3aDacYO7Yh9RwkaNpXp%2BIXfaYXe7s%2B26a3A%2FfQWX2reGxj1bX1u5gYBfkyUUVzsn%2BhPebGx9%2BhGXONKqx%2BLJ8eYdfcg%2FtV%2FnjAk6PAGOFkiytkebvsn%2B7GQ9iOtCE%3D","locale":"en-US","buyingOptionType":"NEW","aapiBuyingOptionIndex":0}, {"displayPrice":"$10.72","priceAmount":10.72,"currencySymbol":"$","integerValue":"10","decimalSeparator":".","fractionalValue":"72","symbolPosition":"left","hasSpace":false,"showFractionalPartIfEmpty":true,"offerListingId":"MpkmGlzuOQp7ig3aDacYO7Yh9RwkaNpXmqqlPNdK44USxAgIw6XkCrb0OUWUQ3gaC%2Fhs4WqwpZnJWyRt2tJ0I9A8sQyxm9JBcx5%2FvVpRrfmUhYt4oHKbuLgPCgWfgmX99LwmM1kzxi9TzAE5tgkhL%2FHwHSbkQx%2ByX4o0GLOypGLkoUdkvOEp75CRkD0S6cx4","locale":"en-US","buyingOptionType":"USED","aapiBuyingOptionIndex":1}]}

Purchase options and add-ons

WINNER OF THE NATIONAL BOOK AWARD

“Reading rocker Smith’s account of her relationship with photographer Robert Mapplethorpe, it’s hard not to believe in fate. How else to explain the chance encounter that threw them together, allowing both to blossom? Quirky and spellbinding.” -- People

It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.

Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence and enthusiasm, they traversed the city from Coney Island to Forty-Second Street, and eventually to the celebrated round table of Max’s Kansas City, where the Andy Warhol contingent held court. In 1969, the pair set up camp at the Hotel Chelsea and soon entered a community of the famous and infamous, the influential artists of the day and the colorful fringe. It was a time of heightened awareness, when the worlds of poetry, rock and roll, art, and sexual politics were colliding and exploding. In this milieu, two kids made a pact to take care of each other. Scrappy, romantic, committed to create, and fueled by their mutual dreams and drives, they would prod and provide for one another during the hungry years.

Just Kids begins as a love story and ends as an elegy. It serves as a salute to New York City during the late sixties and seventies and to its rich and poor, its hustlers and hellions. A true fable, it is a portrait of two young artists’ ascent, a prelude to fame.

Read more Read less

Books with Buzz
Discover the latest buzz-worthy books, from mysteries and romance to humor and nonfiction. Explore more

Frequently bought together

$11.63
Get it as soon as Thursday, May 16
In Stock
Ships from and sold by Amazon.com.
+
$10.79
Get it as soon as Thursday, May 16
In Stock
Ships from and sold by Amazon.com.
+
$7.78
Get it as soon as Thursday, May 16
In Stock
Ships from and sold by Amazon.com.
Total price:
To see our price, add these items to your cart.
Details
Added to Cart
Choose items to buy together.

From the Publisher

Entertainment Weekly quote

Maureen Dowd quote

Washington Post quote

Editorial Reviews

Review

“[Just Kids] reminds us that innocence, utopian ideals, beauty and revolt are enlightenment’s guiding stars in the human journey. Her book recalls, without blinking or faltering, a collective memory ― one that guides us through the present and into the future.” — Michael Stipe, Time magazine

“Reading rocker Smith’s account of her relationship with photographer Robert Mapplethorpe, it’s hard not to believe in fate. How else to explain the chance encounter that threw them together, allowing both to blossom? Quirky and spellbinding.” — People, Top 10 Books of 2010

“The most enchantingly evocative memoir of funky-but-chic New York in the late 1960s and early 1970s that any alumnus has yet committed to print.” — Janet Maslin's top 10 books of 2010, New York Times

“Composed of incandescent sentences more revelatory than anything from Patti Smith’s poems or songs, her romantic memoir also reveals what blunt narrative instruments the earlier career bios of her and photographer Robert Mapplethorpe have been.” — Village Voice, Best Books of 2010 Round-Up

“Smith’s beautifully crafted love letter to her friend Robert Mapplethorpe functions as a memento mori of a relationship fueled by passion for art and writing. Her elegant eulogy lays bare the chaos and the creativity so embedded in that earlier time and in Mapplethorpe’s life and work.” — Publishers Weekly, Top Ten Books of the Year

“Poetically written and vividly remembered. [Smith] reminded me of the idealism of art.” — Matthew Weiner, creator of MAD MEN, in New York magazine

“A spellbinding portrait of bohemian New York in the late 1960s and early ‘70s.” — New York Times Book Review, Paperback Row

“One of the best things I’ve ever read in my life.” — Don Imus

“Sometimes there is justice in the world. That was my first thought when I heard that Patti Smith had won the National Book Award this fall for her glorious memoir, Just Kids.” — Maureen Corrigan's favorite books of 2010, NPR's Fresh Air

“[JUST KIDS] offers a revealing account of the fears and insecurities harbored by even the most incendiary artists, as well as their capacity for reverence and tenderness.” — USA Today

“Smith’s writing about her early days with Mapplethorpe is fervid and incantatory but never falls into incoherence.” — The Oregonian (Portland)

“A heartbreakingly sweet recollection of just that sort of vanished Bohemian life...Just as [Smith] stands out as an artiste in a movement based on collectivism, her singular voice gleams among rock memoirs as a work of literature.” — Boston Globe

“Just Kids shows how Smith integrated the romance of her twenty-year friendship with Mapplethorpe with her historical preoccupations, elevating them to an almost sacred status. The past, for Smith, has always driven her life forward. If only we could all be so free-spirited.” — The Rumpus

“Patti Smith’s telling of the years she spent with Robert Mapplethorpe is full of optimism sprinkled with humor...JUST KIDS...is sorely lacking in irony or cynicism; Smith’s worldview is infectious. She’s a jumble of influences, but that’s part of her charm.” — Austin American-Statesman

“A moving portrait of the artist as a young woman, and a vibrant profile of Smith’s onetime boyfriend and lifelong muse, Robert Mapplethorpe, who died of AIDS in 1989...JUST KIDS is ultimately a wonderful portal into the dawn of Smith’s art.” — Los Angeles Times

“A remarkable book --sweet and charming and many other words you wouldn’t expect to apply to a punk-rock icon.” — Newsday

” A story of art, identity, devotion, discovery, and love, the book is [Smith’s] first prose work...[it] conjures up the passionate collaboration--as lovers, friends, soul mates, and creators--that she and Mapplethorpe embarked on from the summer they met in Brooklyn in 1967.” — Elle

“Deeply affecting...a vivid portrayal of a bygone New York that could support a countercultural artistic firmament...the power of this book comes from [Smith’s] ability to recall lucid memories in straightforward prose.” — BookForum

“Funny, fascinating, oddly tender.” — O, The Oprah Magazine

“Patti Smith’s memoir of her youth with Robert Mapplethorpe testifies to a rare and ferocious innocence...’Just Kids’ is a book utterly lacking in irony or sophisticated cynicism.” — Salon.com

“A shockingly beautiful book...a classic, a romance about becoming an artist in the city, written in a spare, simple style of boyhood memoirs like Frank Conroy’s ‘Stop Time.’” — New York Magazine

“[A] beautifully crafted love letter to [Robert Mapplethorpe]...Smith transports readers to what seemed like halcyon days for art and artists in New York...[a] tender and tough memoir...[an] elegant eulogy.” — Publishers Weekly (starred review)

“Riveting and exquisitely crafted.” — Kirkus Reviews (starred review)

“Captivating....a poignant requiem...and a radiant celebration of life. Grade: A.” — Entertainment Weekly

“More than 30 years after its release, Horses still has the power to shock and inspire young musicians to express themselves with unbridled passion. Now she brings the same raw, lyrical quality to her first book of prose.” — Clive Davis, Vanity Fair

“In the end, [JUST KIDS is] not just an ode to Mapplethorpe, but a love letter to New York City’s ‘70s art scene itself.” — Time Out New York

“The most compelling memoir by a rock artist since Bob Dylan’s ‘Chronicles: Volume One,’ written with intimacy and grace....” — Chicago Tribune

“Astonishing on many levels, most notably for Smith’s lapidary prose....[JUST KIDS] is simply one of the best memoirs to be published in recent years: inspiring, sad, wise and beautifully written.” — San Francisco Chronicle

“[JUST KIDS] is funny and sad but always exhilarating.” — Tampa Tribune

“Terrifically evocative and splendidly titled...the most spellbinding and diverting portrait of funky-but-chic New York in the late ’60s and early ’70s that any alumnus has committed to print....This enchanting book is a reminder that not all youthful vainglory is silly; sometimes it’s preparation.” — New York Times Book Review

“A touching tale of love and devotion.” — Lisa Ko, author of The Leavers

“JUST KIDS describes [Smith and Mapplethorpe’s] ascent with a forthright sweetness that will ring true to anyone who knows her work.” — Bloomberg.com

“To read JUST KIDS is to be struck by how powerfully the two, especially Smith, believed in the power of art....Despite her music’s angry clamor, despite his sometimes revolting images, Smith and Mapplethorpe retain, in her telling, a primal, childlike innocence.” — Dallas Morning News

“One of the best books ever written on becoming an artist...Jesus may have died for somebody’s sins, but Patti Smith lives and writes and sings for all of us.” — Washington Post

“Remarkable, evocative... JUST KIDS is more than just a gift to [Smith’s] ex-lover; it’s a gift to everyone who has ever been touched by their art, and to everyone who’s ever been in love. Like the best of Smith’s music and Mapplethorpe’s art, this book is haunting and unforgettable.” — NPR Boston

“A revelation. In a spellbinding memoir as notable for its restraint as for its lucidity, its wit as well as its grace, Smith tells the story of how she and Robert Mapplethorpe found each other... beautifully crafted, vivid, and indelible.” — Booklist

“An utterly charming, captivating, intimate portrait of a late 1960s and early 1970s period of intense artistic ferment in downtown Manhattan significantly shaped and keenly observed by rock firebrand Smith.” — Philadelphia Inquirer

“Smith lovingly depicts the denizens of the Chelsea Hotel - is that Janis Joplin at the bar? - and the rock club CBGB, all the while pondering how to be an uncompromising artist who nonetheless needs to pay the rent.” — Boston Globe

“Possibly the most spellbinding account of New York in the ‘70’s ever written." — Dua Lipa

From the Back Cover

It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.

Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence and enthusiasm, they traversed the city from Coney Island to Forty-second Street, and eventually to the celebrated round table of Max's Kansas City, where the Andy Warhol contingent held court. In 1969, the pair set up camp at the Hotel Chelsea and soon entered a community of the famous and infamous—the influential artists of the day and the colorful fringe. It was a time of heightened awareness, when the worlds of poetry, rock and roll, art, and sexual politics were colliding and exploding. In this milieu, two kids made a pact to take care of each other. Scrappy, romantic, committed to create, and fueled by their mutual dreams and drives, they would prod and provide for one another during the hungry years.

Just Kids begins as a love story and ends as an elegy. It serves as a salute to New York City during the late sixties and seventies and to its rich and poor, its hustlers and hellions. A true fable, it is a portrait of two young artists' ascent, a prelude to fame.

Product details

  • Publisher ‏ : ‎ Ecco; Reprint edition (November 2, 2010)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 320 pages
  • ISBN-10 ‏ : ‎ 0060936223
  • ISBN-13 ‏ : ‎ 978-0060936228
  • Item Weight ‏ : ‎ 12.8 ounces
  • Dimensions ‏ : ‎ 0.9 x 5.4 x 8.2 inches
  • Customer Reviews:
    4.5 4.5 out of 5 stars 9,947 ratings

About the author

Follow authors to get new release updates, plus improved recommendations.
Patti Smith
Brief content visible, double tap to read full content.
Full content visible, double tap to read brief content.

Patti Smith is a writer, performer, and visual artist. She gained recognition in the 1970s for her revolutionary merging of poetry and rock. She has released twelve albums, including Horses, which has been hailed as one of the top one hundred debut albums of all time by Rolling Stone.

Smith had her first exhibit of drawings at the Gotham Book Mart in 1973 and has been represented by the Robert Miller Gallery since 1978. Her books include Just Kids, winner of the National Book Award in 2010, Wītt, Babel, Woolgathering, The Coral Sea, and Auguries of Innocence.

In 2005, the French Ministry of Culture awarded Smith the title of Commandeur des Arts et des Lettres, the highest honor given to an artist by the French Republic. She was inducted into the Rock and Roll Hall of Fame in 2007.

In 1980, she married the musician Fred Sonic Smith in Detroit. They had a son, Jackson, and a daughter, Jesse. Smith resides in New York City.

Customer reviews

4.5 out of 5 stars
4.5 out of 5
9,947 global ratings
Ragged pages?
4 Stars
Ragged pages?
The book is really good, but the edges of the pages are like uneven and jagged, if that makes sense. And i dont know if its designed like this or not?
Thank you for your feedback
Sorry, there was an error
Sorry we couldn't load the review

Top reviews from the United States

Reviewed in the United States on February 17, 2010
Have you ever awoken from a dream and yearned to tell someone close by all the seemingly concrete details that made so much sense in unconsciousness, but upon consciousness are rendered incomprehensible, even worse, banal when spoken? Or, have you ever had to retreat midway through a story about how interesting a scene or city was to have experienced with that sad qualifying statement: "Well, I guess you had to be there," those blank stares and yawns from listeners way too much to bear?

Well, I have. Patti Smith has not, at least not in the case of her exquisite new memoir, "Just Kids". The difference between me and her is that my attempts to transcend mere description when writing about my past always deflates either into senseless name dropping or banal "my summer vacation essay" style explorations, whereas Smith, in "Just Kids," transcends all the pitfalls of the memoir genre and tells a poignant tale of two struggling artists in the late 60s - 70s in New York City--her and Robert Mapplethorpe--without sounding pompous, pretentious or boring.

It's always the inexplicable that's most interesting. If you strip away what's ineffable about the spirit of a defining period of time you are left mainly with the banal: eating, sitting, hanging out, arguing, making money, paying rent, and so on. That's why memoirs are so difficult to execute and only a talented writer tempered with restraint, such as Patti Smith, can adequately do the genre any justice.

As I was reading "Just Kids" I was continually struck with just how easy this book could have degenerated into a self-absorbed, indulgent tale of bohemianism and name dropping. The story itself is set up to lend itself to this sort of abuse. The fact is that Patti Smith and Robert Mapplethorpe were in New York City during an especially vibrant and exciting time for art and artists and otherwise bohemian types. The beats, rock and roll, which was still relatively new and exciting, Andy Warhol, the Velvet Underground: the list goes on: see, I'm name dropping; it's hard not to do!

Instead, Smith uses a contemplative voice to recount her and Mapplethorpe's travails as they both went from two unknown starving artists to the great stars they later became. Where it could have been an appallingly boring story of braggadocio, such as telling the story of their ascendancy from front of the house to the "round table" at Max's Kansas City, instead is done masterfully through Smith's self-depreciation and reluctance.

As much as the reader gets an insight into Robert Mapplethorpe, his personality, sexuality, and art, he still never lets the mystery of his character bleed through, certainly not a two dimensional character. In a way, he's the one holding the reader in suspense throughout the book. This demonstrates just how talented Smith was to carry this off--and how telling! for it was ultimately Smith who never completely came to an understanding of him. For instance, on numerous occasions she states her bewilderment at a finished piece of art, or his subject matter (the gay S&M underworld of New York City, e.g.) or the sudden choices he would make, for instance running off to San Francisco. The true nature of the cohesion in their relationship was not in the things Mapplethorpe did, per se, but in the transparency of the processes behind Mapplethorpe's art and life. Isn't it the processes of an artist that other artists are most drawn to?

In some key ways, the two were very different. He was supremely ambitious and she was content at creating her art in obscurity, at least in the beginning. In a way, she was the grounding figure, ultimately benefiting him with some stability, whereas he was the ambitious figure ultimately benefiting her with some will to achieve. What a perfect match! They were each other's greatest champions! and it's this element that is the most important narrative thread throughout the book. Could they have done it without each other?

Smith's perspective on this fascinating period in New York's art-bohemian scene is insightful. Having an avid interest in this cultural phenomenon, I especially enjoyed it. I am familiar with many of the people who fill these pages and the intimacy with which Smith tells the story brings me closer to their cultural milieu.

In the end, the two (as happens so often in life) drifted apart: not out of transgression, betrayal, loss of interest, but because they were maturing and finding their own ways to carry on the art and life they dreamed of together, that they promised one another they would never abandon. She eventually moved to Detroit to marry Fred Sonic Smith of MC5 and he stayed in NYC.

The last chapter describing Mapplethorpe's death and Smith's presence during it is nothing less than heart wrenching. I knew it was coming, but was not prepared for the impact his death would have on me that afternoon. This is where Smith really shines! Her tender ruminations on the dying and death of her lover and friend, her soul mate, is perfect. She adroitly straddles the line between sentimentality and description masterfully, never letting you stray too far into the sadness of it (as she did not let herself get lost in the despair of his death) while also avoiding mere description, leaving you to perhaps, say to yourself: "Ah, drag," close the book and go on about your business. This book sticks with you.

As a side note: God! how I would have loved being there in New York City at this time! I grew up in North Jersey in the seventies. I was too young to have had access to NYC during most of the period discussed in this book. But, even if I did, I was unlucky to have been a philistine Jersey redneck (which is different than any other redneck, but not necessarily in a good way). I did actually go to NYC often in the late-late 70s and early 80s, but thought it was bohemian enough to walk around the West Village and hang out in Washington Square Park doing whippets until one in the morning. How sad. What a squandered opportunity! Oh well, I guess there's a reason why I went to diesel school, instead. Reading Patti Smith's book, at least, allowed me to live vicariously for awhile.

I also recommend seeing Patti Smith live. She drew blood for us, literally. I will never forget her.
120 people found this helpful
Report
Reviewed in the United States on May 5, 2024
If you love New York, you just have to read this book.
One person found this helpful
Report
Reviewed in the United States on April 5, 2010
"Just Kids" is just another Jersey-factory-girl-runs-to-New York-and-hooks-up-with-bisexual-art-pornographer-on-her-way-to-rock 'n roll-stardom story.

It details Patti Smith's evolution from tentative neophyte to rock-and-roll poetess, woven through with her unique relationship to Robert Mapplethorpe, a triumphant artist whose own untimely ending, alas, makes for engaging literature.

The place is lower Manhattan. The time-period is the mid-1960s and 1970s when Mapplethorpe and Smith are, age-wise, a "beat behind" the reigning princes and princesses of rock's golden age.

As such, she is influenced artistically by the Rolling Stones, The Beatles, Jimi Hendrix, Bob Dylan, and Janice Joplin for whom she pens poetic cycles while absorbing political pointers from Jean-Luc Goddard's "One-Plus-One."

The life-as-artist anecdotes have a familiar ring: hunger, rejection, perseverance, and a healthy amount of name dropping.

Smith has affairs with Jim Carroll, Sam Sheppard and a guy from Blue Oyster Cult. Allen Ginsberg mistakes her for a pretty boy in the Automat, and Gregory Corso imparts stern advice to the budding scribe inside her.

They are revealing tales that highlight Smith's achievement as survivor of an era peopled with fascinating characters demolished by addictions and carelessness.

"Just Kids" is the portrait of a New York City not completely subsumed into the grid of overpriced realty, before the Internet, where artistic ambition had a geographic component and required settling into some dump on the mighty Isle.

Here is "art" before its subsequent elevation to bourgeois respectability. To an artist of today's saturated market, the idea that you could install yourself at the Chelsea Hotel and initiate apprenticeships with living legends seems, with the benefit of hindsight, a no-brainer.

One can only assume that, in those days, choosing art meant the painful burden of rejection from loved ones and dangerous uncertainty on the path ahead.

So, as time capsule, "Just Kids" is just great.

But autobiographies should tell us something we don't know about somebody. They can be intriguing when it comes to artists, because they are usually reinvented characters very mindful of their own brands, of what they show and don't show the world.

And who does Patti Smith tell us who she is/was?

For starters, because it's really how she got it going, Patti Smith is/was American as apple pie; thrifty, industrious, entrepreneurial, and self-involved, her Rimbaud-inspired disdain and punk rock posture notwithstanding.

Here Smith describes her efforts in the opening stanzas of the couple's bohemian idyll:

"I scoured secondhand stores for books to sell. I had a good eye, scouting rare children's books and signed first editions for a few dollars and reselling them for much more. The turnover on a pristine copy of 'Love and Mr. Lewisham' inscribed by H.G. Wells covered rent and subway fares for a week."

And she is a fashionista of the first rank.

Long before Patti Smith was confident enough to confront an imposing poetry world, she parsed a personal vocabulary in clothing ensembles that, 30 years on, she remembers down to the last accessory.

In this passage she describes a successful attempt at sartorially seducing Television guitar-star Tom Verlaine to work with her band:

"I dressed in a manner that I thought a boy from Delaware would understand: black ballet flaps, pink shantung capris, my kelly green silk raincoat, and a violet parasol, and entered Cinemabilia where he worked part time."

And she is materialistic. Not flat-screen TV materialistic, for sure, but tightly tied to and moved by objects tactile and tangible.

Before joining Mapplethorpe for a photography shoot she, "laid a cloth on the floor, placing the fragile white dress Robert had given me, my white ballet shoes, Indian ankle bells, silk ribbons, and the family Bible, and tied it all in a bundle."

During the shoot she is stricken with anxiety that is eased by Mapplethorpe's knowing voice and a change into dungarees, boots, an old black sweatshirt.

Smith interprets this evolution as an expression of certain ideas she and the photographer have discussed prior. Ideas about the artist seeking contact with the gods, but returning to the world for the purpose of making things.

Her conclusion to the section does not surprise: "I left Mephistopheles, the angels, and the remnants of our hand-made world, saying, 'I choose Earth.'"

As for Mapplethorpe, especially if you're a foot soldier in the art world, he seems a rather common phenomenon: ambitious and single-minded in his craving for fame. Patti's lazy percolation into what she would ultimately become makes for an infinitely more interesting yarn.

One gets the feeling he might agree. In one of the most charming parts of the book he tells her through a cloud of cigarette smoke, "Patti, you got famous before me."

She dubs Mapplethorpe her "knight," but this reader cared thanks to the love she invested in him.

Mapplethorpe, of course, was an artist and all the writing about art in the world cannot replace the actual experience of it. Perhaps he is shortchanged by the autobiographical form; try as his muse does to honor him.

Although we rarely accuse anybody of being too old to rock 'n roll anymore, writing remains a mature person's game. So it was Smith's good fortune to be a writer first, a musician later, and a writer now, because she brings lit-passion and a high level of skill to "Just Kids."

This is especially true towards the end of the book. In earlier stanzas she is more a chronicler of the famous and idiosyncratic characters surrounding. When the poetess describes the artistic vision, purpose, and goals upon which she ultimately settles, the narrative assumes the force of that direction:

"We imagined ourselves as the Sons of Liberty with a mission to preserve, protect, and project the revolutionary spirit of rock and roll. We feared that the music which had given us sustenance was in danger of spiritual starvation. We feared it was losing its sense of purpose, we feared it falling into fattened hands, we feared it floundering in a mire of spectacle, finance, and vapid technical complexity. We would call forth in our minds the image of Paul Revere, riding through the American night, petitioning the people to wake up, to take up arms. We too would take up arms, the arms of our generation, the electric guitar and the microphone."

Pretty grandiose stuff.

But she is, in "Just Kids," nothing if not a dramatist scripting the play of her own life, decorating it with universal symbols, inserting Patti Smith into art history's larger arc.

There are persons and outlets, many in the cultural current Smith helped generate, who find such self-positioning both cloying and pretentious.

Not highwayscribery.

Worms squirm in the mud and we are all welcome to join them. Walking with the deities is the tougher task and should be worthy of our admiration.
35 people found this helpful
Report

Top reviews from other countries

Translate all reviews to English
KarensHonestReview
5.0 out of 5 stars Love! Love! Love!
Reviewed in Canada on November 18, 2023
I love the simplicity of the book. I love Patty's language and way of writing. It gives me inspiration to continue on my own path.
Jime
5.0 out of 5 stars 10/10
Reviewed in Mexico on March 2, 2023
llego perfecto y amo la música de Patti Smith así que veamos qué onda
Francine
5.0 out of 5 stars Muito bom
Reviewed in Brazil on February 28, 2023
Chegou bem embalado e a entrega foi rápida.
Customer image
Francine
5.0 out of 5 stars Muito bom
Reviewed in Brazil on February 28, 2023
Chegou bem embalado e a entrega foi rápida.
Images in this review
Customer image Customer image
Customer imageCustomer image
Rybka Aleksandr
5.0 out of 5 stars Ok
Reviewed in Germany on January 31, 2024
Matilda
4.0 out of 5 stars just kids
Reviewed in Sweden on July 30, 2022
have been really excited for this one! it came in very good condition and also arrived one day earlier than the ordered said!:)) super happy with my this book:)