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To Have and Have Not Paperback – March 20, 1996

4.0 4.0 out of 5 stars 2,542 ratings

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From one of the best writers in American literature, a classic novel about smuggling, intrigue, and love.

To Have and Have Not is the dramatic story of Harry Morgan, an honest man who is forced into running contraband between Cuba and Key West as a means of keeping his crumbling family financially afloat. His adventures lead him into the world of the wealthy and dissipated yachtsmen who throng the region and involve him in a strange and unlikely love affair.

In this harshly realistic, yet oddly tender and wise novel, Hemingway perceptively delineates the personal struggles of both the "haves" and the "have nots" and creates one of the most subtle and moving portraits of a love affair in his oeuvre. By turns funny and tragic, lively and poetic, remarkable in its emotional impact,
To Have and Have Not is literary high adventure at its finest.
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Editorial Reviews

Amazon.com Review

First things first: readers coming to To Have and Have Not after seeing the Bogart/Bacall film should be forewarned that about the only thing the two have in common is the title. The movie concerns a brave fishing-boat captain in World War II-era Martinique who aids the French Resistance, battles the Nazis, and gets the girl in the end. The novel concerns a broke fishing-boat captain who agrees to carry contraband between Cuba and Florida in order to feed his wife and daughters. Of the two, the novel is by far the darker, more complex work.

The first time we meet Harry Morgan, he is sitting in a Havana bar watching a gun battle raging out in the street. After seeing a Cuban get his head blown off with a Luger, Morgan reacts with typical Hemingway understatement: "I took a quick one out of the first bottle I saw open and I couldn't tell you yet what it was. The whole thing made me feel pretty bad." Still feeling bad, Harry heads out in his boat on a charter fishing expedition for which he is later stiffed by the client. With not even enough money to fill his gas tanks, he is forced to agree to smuggle some illegal Chinese for the mysterious Mr. Sing. From there it's just a small step to carrying liquor--a disastrous run that ends when Harry loses an arm and his boat. Once Harry gets mixed up in the brewing Cuban revolution, however, even those losses seem small compared to what's at stake now: his very life.

Hemingway tells most of this story in the third person, but, significantly, he brackets the whole with a section at the beginning told from Harry's perspective and a short, heart-wrenching chapter at the end narrated by his wife, Marie. In between there is adventure, danger, betrayal, and death, but this novel begins and ends with the tough and tender portrait of a man who plays the cards that are dealt him with courage and dignity, long after hope is gone. --Alix Wilber

About the Author

Ernest Hemingway did more to change the style of English prose than any other writer of his time. Publication of The Sun Also Rises and A Farewell to Arms immediately established Hemingway as one of the greatest literary lights of the twentieth century. His classic novel The Old Man and the Sea won the Pulitzer Prize in 1953. Hemingway was awarded the Nobel Prize for Literature in 1954. His life and accomplishments are explored in-depth in the PBS documentary film from Ken Burns and Lynn Novick, Hemingway. Known for his larger-than-life personality and his passions for bullfighting, fishing, and big-game hunting, he died in Ketchum, Idaho on July 2, 1961.

Product details

  • Publisher ‏ : ‎ Scribner (March 20, 1996)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 272 pages
  • ISBN-10 ‏ : ‎ 0684818981
  • ISBN-13 ‏ : ‎ 978-0684818986
  • Item Weight ‏ : ‎ 9.5 ounces
  • Dimensions ‏ : ‎ 5.25 x 0.6 x 8 inches
  • Customer Reviews:
    4.0 4.0 out of 5 stars 2,542 ratings

About the author

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Ernest Hemingway
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Ernest Hemingway was born in 1899. His father was a doctor and he was the second of six children. Their home was at Oak Park, a Chicago suburb.

In 1917, Hemingway joined the Kansas City Star as a cub reporter. The following year, he volunteered as an ambulance driver on the Italian front, where he was badly wounded but decorated for his services. He returned to America in 1919, and married in 1921. In 1922, he reported on the Greco-Turkish war before resigning from journalism to devote himself to fiction. He settled in Paris where he renewed his earlier friendships with such fellow-American expatriates as Ezra Pound and Gertrude Stein. Their encouragement and criticism were to play a valuable part in the formation of his style.

Hemingway's first two published works were Three Stories and Ten Poems and In Our Time but it was the satirical novel, The Torrents of Spring, that established his name more widely. His international reputation was firmly secured by his next three books; Fiesta, Men Without Women and A Farewell to Arms.

He was passionately involved with bullfighting, big-game hunting and deep-sea fishing and his writing reflected this. He visited Spain during the Civil War and described his experiences in the bestseller, For Whom the Bell Tolls.

His direct and deceptively simple style of writing spawned generations of imitators but no equals. Recognition of his position in contemporary literature came in 1954 when he was awarded the Nobel Prize for Literature, following the publication of The Old Man and the Sea. He died in 1961.

Customer reviews

4 out of 5 stars
4 out of 5
2,542 global ratings
Revisiting a Flawed Classic
4 Stars
Revisiting a Flawed Classic
Interesting to revisit this book after many years passing since I first read it. It's particularly interesting to read Hemingway's view of the Cuban revolution in the making, as well as getting a view of the violence in the background of those times when Cuba was a "playground" for some pretty unsavory types. Though it probably is one of Hemingway's worst, it still has its moments--thin characters and all. This is one of the few books where I'd say the movie was better. Bogart did it justice. Still...it's a damn good book by most anyone's standards.
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Top reviews from the United States

Reviewed in the United States on November 29, 2008
This paperback is a very handsome edition of the work. It took me several goes to read this novel all the way through and I was frustrated and puzzled by it until I learned that the first two sections were originally published as short stories, and then I realized that the difficult third section, the largest of the three, might be another sequence of short stories, so that the book would then work as a sequence of short stories collectively making up a novel. I haven't tried reading it that way yet, but the problem with the book as it is presented is that the narrative keeps switching around in the third section and so does the character thread, and it feels difficult to hang on. However the writing and its evocation of the setting is superb and this is a book I shall keep. It flopped with the critics but it has a lot of great Hemingway in it.
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Reviewed in the United States on October 3, 2003
Rough. Hard. Dirty. Physical. Tough. And also lyrical, simple, emotional, indelible. All characteristics of Hemingway's writing, all present in this book. A simple story of Harry Morgan, sometime fisherman forced into smuggling and illegal immigration just to feed his family, a man who spirals down the slippery road of 'the end justifying the means' till there is nothing left but survive at any cost.

The story is told as three separate time-segments in Harry's life, which forces a certain disjointedness to the tale. But it also allows Hemingway to illuminate Harry's story with different segments of the Cuban and Key West societies at different times with changing social conditions. There are many character vignettes, people captured sometimes in only a few paragraphs, people who are desperate, silly, egotistical, idealistic, cynical, worn-out, greedy, dissolute, resigned, driven, and just coping. Albert, a man doing relief work for less than subsistence wages, is one of the clearest and most poignant images, hiring on as mate to Henry even though he knows the voyage is supremely dangerous. Within this short portrait of this man, we see not only the extremes that desperation will drive a man to, but also Hemingway's commentary on social/political organizations and economic structures that give rise to such desperation. This was quite typical of Hemingway, as he never beat his reader's over the head with his political philosophy, but showed the underpinnings of his reasoning through the circumstances of his characters.

Throughout this work, there is the sense that there is more here than what the words on the page delineate, a theme of people from all walks of life and all economic circumstances who are caught in the implacability of fate. All of these people have their own dreams, their own methods of dealing with the vagaries of life, and each is limned by the ultimate depression of life limited to only a short span.

Morgan's wife, though relegated to only a small part on these pages, shines through as one of the most engaging and durable people here, supportive of her husband's dreams, willing to forgo anything more than minimal material wealth, able to put aside her husband's foibles, and having the inner strength to continue when all her world collapses around her. The contrast between her and many of the other characters here is striking, a fine illustration of what really comprises the 'haves' and the 'have nots'.

This book is not as powerful as For Whom the Bell Tolls, mainly due to its fragmented story structure and lack of any clear objective for its main characters, but is still a fine book with many nuances hiding within its simple story. This is not a book for those who like happy, uplifting stories, but it does much to illuminate both the best and the worst of humanity's fight with the curse of living and the insurmountable wall of dying.

--- Reviewed by Patrick Shepherd (hyperpat)
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Reviewed in the United States on February 1, 2015
On the back of my copy of TO HAVE AND HAVE NOT there is a blurb which reads; "This is the dramatic story of Harry Morgan, an honest man who is forced into running contraband between Cuba and Key West as a means of keeping his crumbling family financially afloat."

Well...not exactly, and therein lays some of the problem with this novel, but I'm getting ahead of myself. TO HAVE AND HAVE NOT is indeed the story of Harry Morgan, a charter fisherman who, after resisting initial temptations in the criminal direction, is cheated so badly by a customer that he is financially ruined. In the hopes of making fast money he agrees to begin running contraband -- first illegal immigrants, then liquor, and finally revolutionaries, with each successive trip sinking him deeper into a world of criminality, violence, and deceit. In contrast with Morgan is Richard Gordon, a successful writer moving in a set of dissipated yachtsmen and their equally dissipated wives, who is just beginning to examine Key West's seamy underbelly -- a world of embittered war veterans who spend their evenings drinking and fighting. At first this is merely research for a novel, but as his marriage cracks under the strain of an affair, this "Have" gets a bloodier taste of how the "Have-Nots" live.

When I was in college, I remember someone saying this novel is Hemingway's most clumsy in terms of construction. It switches back and forth from first to third person point of view, introduces important characters rather late in the book, and only dubiously succeeds in joining the two disparite story arcs -- that of Morgan, who is supposed to represent the desperate working man forced by circumstance into criminality, and Gordon, who serves as a kind of analogy for the bored, morally decayed rich people who lounge on their yachts drinking and fornicating while the locals scrabble out desperate half-lives in the sand. All of this is true. The book is disjointed, and at the end indulges in one of Hemingway's least attractive pastimes -- endless Joyce-like stream-of-consciousness internal monologues that test the reader's patience if not his sanity ("Oh he is sweet, no he isn't, I'm sweet, yes you are lovely, oh, you're so lovely, and I didn't want to, but I am, now I am really, he is sweet, no he's not, he's not even here, I'm here, I'm the one that's always here, and cannot go away, no never.") Furthermore, I had a great problem with Harry Morgan himself. As I noted above, he's described as "an honest man," but in actuality he's anything but. In fact, from the very first illicit deal he carries out, it's clear he's a liar, double-crosser and murderer who has only refrained from criminality in the past because he didn't need it to make a living. There is never the slightest sense of moral conflict within him (not for breaking the rich man's laws, for which he could be excused, but for the things he does to people, or causes to happen to people, so he can make money, which is harder to swallow). Because of this I found him somewhat unsympathetic, and began only to care about him in context with what his incarceration or death would mean to his pathetic wife, Marie.

On the plus side: this is easily one of Hemingway's most readable novels. It lacks the triviality of THE SUN ALSO RISES or the vein of silliness and self-pity that marred A FAREWELL TO ARMS, and while it is not as consistently action-packed as THE OLD MAN AND THE SEA, it has plenty of drama and conflict to keep the story moving. It also provides an interesting picture of life in Key West during the Depression, a time when masses of desperate, half-starving people seethed in the background, almost unnoticed by a crowd of ultra-wealthy playboys scooting past them in yachts, and indeed, this sharp contrast is the whole raison d'etre of the novel. Hemingway seems to have enjoyed using his characters as analogies for whole populations and the spirits of the eras in which they lived, and if this book has anything profound to say about the dilemma of the poor, the way they are perpetually ground between the rich man's laws and the terrible alternative of revolution, it perhaps can be found in the chapters involving Morgan and the Cuban revolutionaries: "What the hell do I care about his revolution," Harry thinks. "F--- his revolution. To help a working man he robs a bank and kills a working man never did him any harm. That's a working man he kills. He never thinks of that....The hell with their revolutions. All I got to do is make a living and I can't do that."
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Reviewed in the United States on March 2, 2024
A great Hemingway book.
Reviewed in the United States on February 4, 2024
it arrived on time and in perfect condition - - much appreciated.
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Top reviews from other countries

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Manuel
5.0 out of 5 stars Have and have not
Reviewed in Mexico on February 24, 2022
Me gusto mucho. Es un gran libro. Lo recomiendo
CHRISTOPHER TRUMAN
5.0 out of 5 stars The climactic social satire worthy of Hogarth
Reviewed in the United Kingdom on November 19, 2021
Boy, did EH get to hate the standard issue Yacht Club US wealthy....the action descriptions of gunfight are stunning, but the whole book is worth reading for his prose poem near the end describing the fate of those men ruined by a corrupt grain dealer. From Mansion to running a boarding house in Brooklyn. Better than Weldon Kees...surprisingly, there is a shockingly touching scene involving a shaking Helene, deserted by her lover in mid-orgasm. No plot spoiler here!....
Peter
5.0 out of 5 stars Good book, everything ok
Reviewed in Germany on September 23, 2021
One person found this helpful
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RAJIB KUMAR GHOSH
5.0 out of 5 stars Must read
Reviewed in India on October 11, 2019
Beyond any judgement.
2 people found this helpful
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Shovelhead
1.0 out of 5 stars Racist, sexist, and full of gratuitous violence.
Reviewed in Australia on June 4, 2019
Was this the norm 80 years ago? This book is so full of anachronistic cliches that it’s almost comical. I can’t believe I wasted so much time reading it. Perhaps it has some limited value as a commentary on the desperation of the Great Depression, but it’s nearly incomprehensible. The stream of consciousness writing at the end is really the final straw. Absolute rubbish!