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CANON DIGITAL CAMERA EOS REBEL SL3 (BK) Body With EF 50mm f/1.8 STM Lens
Bundle Price: | $774.00$774.00
|
Purchase options and add-ons
Compatible Mountings | Canon EF |
Aspect Ratio | 4:3 |
Photo Sensor Technology | CMOS |
Supported File Format | RAW |
Image Stabilization | Digital |
Maximum Focal Length | 50 Millimeters |
Maximum Aperture | 1.8 f |
Expanded ISO Minimum | 100 |
Brand | Canon |
Model Name | eos |
About this item
- Lightest, Smallest EOS DSLR Camera*.
- High Image Quality with 24.1 Megapixel CMOS (APS-C) Sensor.
- Fast and Accurate Dual Pixel CMOS AF with Eye Detection AF.
- 50mm focal length and maximum aperture of f/1.8
- Great for portraits, action, and nighttime photography; Angle of view (horizontal, vertical, diagonal): 40º, 27º,46º
- Minimum focusing distance of 1.15 ft. (0.35m) and a maximum magnification of 0.21x
Consider a similar item
Bundle Price: | $774.00 |
- Lightest, smallest EOS DSLR camera*.
- High image quality with 24. 1 Megapixel CMOS (APS-C) sensor.
- Fast and accurate dual Pixel CMOS AF with eye detection AF.
- Turn your Canon camera into a high-quality webcam--Learn more: canon.us/livestream
- Use the EOS Utility Webcam Beta Software (Mac and Windows) to turn your Canon camera into a high-quality webcam, or do the same using a clean HDMI output.
- Video capture resolution: 4K UHD 2160p
- 50 millimeter focal length and maximum aperture of f/1.8
- Great for portraits, action, and nighttime photography; Angle of view (horizontal, vertical, diagonal): 40º, 27º,46º
- Minimum focusing distance of 1.15 feet (0.35 meter) and a maximum magnification of 0.21x
- Stepping motor (STM) delivers near silent, continuous move Servo AF for movies and smooth AF for stills
- 80 millimetre effective focal length on APS C cameras, 50 millimetre on full frame cameras. Lens construction: 6 elements in 5 groups
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This Item CANON DIGITAL CAMERA EOS REBEL SL3 (BK) Body With EF 50mm f/1.8 STM Lens | Recommendations | dummy | dummy | dummy | dummy | |
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Price | $774.00$774.00 | $379.00$379.00 | -20% $1,199.00$1,199.00 List: $1,499.00 | -17% $499.00$499.00 List: $599.99 | $479.00$479.00 | $3,899.00$3,899.00 |
Delivery | — | Get it as soon as Friday, May 17 | Get it as soon as Sunday, May 19 | Get it as soon as Sunday, May 19 | Get it as soon as Sunday, May 19 | Get it as soon as Sunday, May 19 |
Customer Ratings | ||||||
Auto focus | 4.6 | 4.6 | 4.8 | 4.0 | 4.4 | 4.1 |
Image stabilization | 4.5 | 4.8 | 4.3 | 4.1 | 4.6 | 4.4 |
Picture quality | — | 5.0 | 4.7 | 4.2 | 4.5 | 4.5 |
Value for money | 4.7 | — | 4.7 | — | 4.3 | — |
Sold By | Amazon.com | Adorama | Amazon.com | Amazon.com | Amazon.com | Amazon.com |
display type | LCD | LCD | LCD | LCD | LCD | LCD |
display size | — | 2.7 inches | 3 inches | 3 inches | 3 inches | — |
lens type | — | Telephoto | Telephoto | Telephoto | Wide Angle | Telephoto |
zoom type | — | Digital Zoom | — | Optical Zoom | Optical Zoom | — |
shooting modes | Night Portrait | Automatic | Automatic, Movie, Shutter Priority | Automatic | Landscape; portrait mode; close-up; night portrait; food; sports mode | Scene Intelligent Auto, Flexible priority AE, Program AE, Shutter priority AE, Aperture priority AE, Manual, Bulb and Custom (x3). Movie: Scene Intelligent Auto, Program AE, Shutter priority AE, Aperture priority AE, Manual, Bulb and Custom (x3) |
connectivity tech | USB | Wi-Fi | Bluetooth, Wi-Fi, Micro HDMI, USB | Bluetooth, Wi-Fi, USB | NFC, HDMI, USB | Bluetooth, Wi-Fi |
video resolution | 1080p | 1080p | 4320p | 2160p | FHD 1080p | 8K UHD 4320p |
From the manufacturer
CANON DIGITAL CAMERA EOS REBEL SL3 (BK) Body
Compact with Impact
Whether you're a first time SLR user, an aspiring photo enthusiast, or someone looking to capture those amazing family moments, the Canon EOS Rebel SL3 can be the perfect companion. It's the smallest and lightest EOS DSLR camera to date*, and is equipped with 4K recording capability, Canon's Dual Pixel CMOS AF, and a vari-angle LCD for selfies and fun angles. Its 24.1 Megapixel (APS-C) CMOS Sensor combines with the powerful DIGIC 8 Processor for amazing performance and results, and the EOS Rebel SL3 even lets you channel your creativity with options like 4K Time-lapse movies and Creative Assist. Wherever you are and wherever you go, the EOS Rebel SL3 camera makes it simple to capture stunning photos and videos to view and share.
Lightest, Smallest EOS DSLR Camera
The EOS Rebel SL3 is the lightest and smallest Canon EOS DSLR camera to date*. Its compact construction is accompanied by excellent usability, including a rounded grip that can sit comfortably in your hand. Conveniently sized for everyday use, the EOS Rebel SL3 means less missed opportunities and more memories preserved.
High Image Quality with 24.1 Megapixel CMOS (APS-C) Sensor
The Canon EOS Rebel SL3 camera features a powerful 24.1 Megapixel CMOS (APS-C) sensor that can capture high-resolution images and beautiful 4K video. Take photos and videos with fine details and dynamic, rich colors from the deepest reds to emerald greens to lush blues and purples. Simply turn the camera on and feel confident that the results will be stunning.
Fast and Accurate Dual Pixel CMOS AF with Eye Detection AF
The EOS Rebel SL3 lets you shoot with Dual Pixel CMOS AF for fast, accurate autofocus that helps you get the photo you want right as the moment happens. The EOS Rebel SL3 camera features an expansive focus area of approx. 88% horizontal and 100% vertical^ when working with select compatible EF lenses. The Eye Detection AF analyzes the image and automatically determines where to focus based on your subject's eyes, helping you capture a treasured headshot or a once-in-a-lifetime moment with your best friend in sharp detail.
4K Video, 4K Time-lapse Movie
Capture 4K videos at a frame rate of up to 24p for high definition, cinematic results. Recording at almost four times the resolution of Full HD, you can see your subject in stunning clarity. Beautiful time-lapse videos can also be created in 4K simply and easily with the dedicated Time-lapse Movie mode. You can also harness the power of 4K frame cropping to extract still images from your video recordings. All of this is possible in-camera without the need for additional software.
Vari-angle Touch Screen, 3.0-inch LCD
The EOS Rebel SL3 camera features a 3.0-inch Vari-angle Touch Screen LCD that can be ideal for composing and reviewing your photos. Tap the screen during Live View while taking photos or videos and thanks to Dual Pixel CMOS AF, the EOS Rebel SL3 will quickly lock focus to that location in the image. Touch gestures can be used for zooming in or swiping through images after you've taken them, and menu and quick control settings can be accessed quickly and easily. In addition, the Vari-angle Touch Screen LCD lets users capture high-quality selfie shots with ease.
Easy Operation
The EOS Rebel SL3 is designed to allow users to operate almost every feature while looking through the OVF (optical viewfinder). The camera features various operating controls, such as buttons, switches, and dials, that make them easy for the user to locate and operate.
Canon EF 50mm f/1.8 STM Lens
Overview
Compact and lightweight-an outstanding walk-around lens-Canon's EF 50mm f/1.8 STM is a great entry into the world of EOS prime lenses. With an 80mm effective focal-length on APS-C cameras, 50mm on full-frame cameras, it's an excellent prime lens for portraits, action, even nighttime photography. Its bright maximum aperture of f/1.8 helps it not only to excel in low light, but also to capture gorgeous, sharp images and movies with beautiful background blur thanks to its circular 7-blade design. An updated lens arrangement with new lens coatings helps render images with excellent color balance, plus minimized ghosting and flare. Performance is brilliant, with a stepping motor (gear-type STM) to deliver near silent, continuous Movie Servo AF for movies plus speedy, smooth AF for stills. A redesigned exterior with improved focus ring placement makes manual focus adjustments a breeze. Canon's most compact 50mm lens, the EF 50mm f/1.8 STM has a rugged metal mount, plus an improved minimum focusing distance of 1.15 ft. (0.35m) and a maximum magnification of 0.21x. Offering sharp performance for the best in movies and stills, it's a fixed focal length gem-the perfect lens for photographers and moviemakers to expand the creative possibilities with their EOS cameras.
Features
- Compact, lightweight fixed focal length lens ideal for everyday photos, and with a large f/1.8 aperture, a perfect lens for low-light photography and creative background blur
- 80mm effective focal-length when attached to an APS-C camera, optimal for portraits and photos of fast moving subjects such as children and pets
- A stepping motor (Gear-type STM) supports the Movie Servo AF function in providing smooth and quiet continuous AF during video recording, as well as when shooting photos
- Improved exterior design includes new focus ring placement making it the most compact Canon 50mm lens
- Metal mount helps provide stability and ruggedness
- Optimized lens placement and coatings help deliver outstanding color balance, while minimizing ghosting and flare
- Circular aperture (7 blades) helps deliver beautiful, soft backgrounds
- Minimum focusing distance of 1.15 ft. (0.35m); maximum magnification of 0.21x
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Canon SL3 - Watch Before You Buy
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Canon EOS Rebel SL3 Digital SLR Camera
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Before You Buy Canon EOS Rebel SL3 Digital SLR Camera
Review For You ⭐
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Impressive autofocus with Canon 18-55 lens
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Product information
Auto Focus Technology | Phase Detection, Contra, Multi area, sensor |
---|---|
Aspect Ratio | 4:3 |
Photo Sensor Size | APS-C |
Photo Sensor Technology | CMOS |
Effective Still Resolution | 24.1 MP |
Frame Rate | 60 FPS |
White balance settings | Auto |
JPEG quality level | Basic, Fine, Normal |
Image Stabilization | Digital |
Flash Modes Description | [Auto, On, Off, Slow Synch] |
Supported Image Format | JPEG, RAW |
Video Capture Resolution | 1080p |
Connectivity Technology | USB |
---|---|
Special Feature | Image Stabilization |
Skill Level | Professional |
Specific Uses For Product | Photography |
Form Factor | DSLR |
Photo Sensor Technology | CMOS |
Warranty & Support
Feedback
Aperture Modes | F1.8-F22 |
---|---|
Maximum Aperture | 1.8 f |
Minimum Aperture | 1.8 |
Compatible Mountings | Canon EF |
Maximum Focal Length | 50 Millimeters |
Expanded ISO Maximum | 25600 |
---|---|
Expanded ISO Minimum | 100 |
Shooting Modes | Night Portrait |
Viewfinder Type | LCD screen |
---|---|
Display Type | LCD |
Model Name | eos |
---|---|
Brand | Canon |
Customer Reviews |
4.7 out of 5 stars |
Best Sellers Rank | #438,692 in Electronics (See Top 100 in Electronics) #865 in DSLR Cameras |
ASIN | B07QJ7VPD4 |
Color | Black |
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers like the quality, picture quality, ease of use, and weight of the digital camera. For example, they mention it's a great camera for all levels, takes great video, and has fast transfers of photos to their phone. That said, they like the value, difficulty, and size. Opinions are mixed on performance.
AI-generated from the text of customer reviews
Customers like the quality of the camera. They say it's a wonderful camera, an amazing starter camera, and a great camera for all levels. It takes great video and has fast transfers of photos to your phone. It's nice and compact, with a good quality sensor. Customers also love the old school viewfinder.
"...It's actually useful for some of the shooting I am doing these days, but the lens feels cheap...." Read more
"...large 3" LCD touchscreen provides menu navigation and the option of shooting in Live View vs. viewfinder, and snapping photos by touching the screen..." Read more
"...In summary, this camera is a really good. Easy to use, has all of the essentials...." Read more
"...I rarely have to do any post editing from the pictures. It takes great video and had fast transfers of photos to your phone...." Read more
Customers are satisfied with the picture quality of the camera. They mention that the pictures are clear, crisp, and impressive. They also appreciate the amazing details in the photos and videos. Overall, customers are happy with the quality and functionality of the product.
"...It lets me name pictures with a handy YY-MM-DD-filename format, which keeps all my pictures in Chronological order and they go into a folder..." Read more
"...Image cropping itself reduces file size. Hi-Res provides maximum detail to take full advantage of editing software, and less likely that cropping..." Read more
"...Aka it takes very nice portrait photos with the blurry background. Also check out the Sony a6000 series." Read more
"...BATTERY LIFE IS AMAZING!!* Oh . . .did i mention it takes gorgeous photos and video?Cons:*..." Read more
Customers find the digital camera easy to use. They mention it's responsive, has a flip-out touch screen, and has an easy-to-use menu system. Some appreciate the in-camera instructions and guides that help new photographers understand the features. They also mention that the size and weight are simple.
"...Installation was a breeze as was connecting it to my desktop...." Read more
"...gap with simplified menus, fewer seldom-used settings, pop-up descriptive/tutorial info (that can be modified/turned off), scene-specific automated..." Read more
"...My favorite parts of this camera is the flip out touch screen, Easy to use menu system (I miss it), small light comfortable build, and the touch to..." Read more
"...Intuitive menu system* Many different settings from full auto to manual, to give you as much control as you want*..." Read more
Customers find the weight of the lens to be very light. They mention that it has a small, comfortable build, and is easy to carry around. Some say that the lens is an excellent lightweight inexpensive lens that is easy on the pocket.
"...compact and lightest DSLR system on the market, making it easier to handle and carry while also enabling use of a thinner, lighter strap and smaller..." Read more
"...out touch screen, Easy to use menu system (I miss it), small light comfortable build, and the touch to focus. Touch to focus is really nice...." Read more
"...Here's the quick and dirty:Pros:* Lightweight* Compact*..." Read more
"...lens (18-55mm) is sub-par in performance but it's an excellent lightweight inexpensive lens if weight is an issue...." Read more
Customers like the value of the digital camera. They say the sensor is great for the price, the body is sturdy, and the PC is lightweight and less costly to make. The white camera is distinct amongst the common black.
"...2. Lens Hoods and Filters: Being relatively cheap, hoods not only reduce flaring and other undesirable light effects, perhaps even more important..." Read more
"...Also no 24fps in Full HD mode. Still a great value for the money. Pic quality is super. Love viewfinder for photos but won’t work for videos...." Read more
"This is an awesome camera for the price...." Read more
"...I am very pleased with this model and its capabilities at this price point." Read more
Customers like the size of the camera. For example, they mention it's compact, and produces common-sized, quality prints. Some say the raw files are very large, so large memory cards are in order. That said, they say it'd be a great entry-level compact DSLR.
"...A camera less complicated than typical DSLR/Mirrorless• A compact/lighter camera system designed for portability•..." Read more
"...Here's the quick and dirty:Pros:* Lightweight* Compact*..." Read more
"...This battery lasts forever, and it's a perfect fit for my hand. Great overall quality, and I'm very happy with my purchase." Read more
"...The wife transfer function is amazing. I love the size and weight and the simple controls...." Read more
Customers find the digital camera easy to use and recommend it for beginners and video bloggers.
"...the all white color it stands out really well it's also a great camera for beginners" Read more
"A great beginner camera for someone who wants to start learning how to use a camera...." Read more
"An excellent choice for beginner/intermediate photography...." Read more
"...A fabulous camera for beginners. Easy to learn and adjust setting. Overall I’m very very satisfied with my purchase." Read more
Customers are mixed about the performance of the camera. Some mention that it works great for them, performs better than their son's SL1 and has much better video, while others say that it doesn't work with their third-party accessories, stops working within 2 months, and the viewfinder only works for taking photos.
"...That is the reason for 4 stars also. The viewfinder only works for taking photos! You cannot take video thru the viewfinder...." Read more
"...This is the first thing I tested when I activated the camera and it works great...." Read more
"...The thing just won't work. I even dropped a few hundred dollars on a new setup, assuming my mic and cables were the issue. NOPE!..." Read more
"...Now I have this camera. It performs better than my sons SL1, and has much better video capability. I am very happy with this camera so far...." Read more
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For me it came down to the following "Have to have" points:
24 MegaPixel resolution:
24Mpx allows me to take one product picture and still have enough resolution to zoom in on a portion of the frame and still have Amazon spec (3k x 3k px) image size (resolution). I have an older Rebel (from the late 2000, plus a Rebel SL1 that I borrowed and an Equivalent Nikon from the mid-2010s. This is the only camera that allows me to take a single product picture and still have sufficient resolution to post on Amazon and other places. With the other cameras even the RAW version was not large enough to satisfy Amazon requirement for picture size (so I had to upsample my pictures) after allowing for a modicum of cropping. With the SL1 and the Nikon, I had to take 2 to 3 additional pictures to have a decent resolution sample of the product's smaller features. My old Rebel is about as useful as a hole in the head these days. A shame. This camera is amazing when it comes to that.
Hinged Touchscreen:
The older SL1 Rebel is a nice camera, but feels cheaper and it has a fixed LCD screen. Since I shoot many products on the floor, with the camera at 90 degrees, being able to tilt the LCD screen for framing saves me time and resolution. I can close in tighter than I can with the SL1 because I can see the product better.
Even handheld shooting reminds me of the old days with my Rolleifles and Hasselblad. I don;pt kn ow how much fre hand photography I'll do, but being able to get a lower POV without thrashing on the floor is nice. I remember spending $500 many years ago just to have a periscope viewfinder on an old Minolta film camera I used at the time. This is better.
Wi-Fi/Bluetooth connection:
This is the first thing I tested when I activated the camera and it works great. It lets me name pictures with a handy YY-MM-DD-filename format, which keeps all my pictures in Chronological order and they go into a folder properly named directly on my computer. With the Nikon I could do the same thing using an Open Source program, but I had to connect with a USB cable and frankly having one less cable in the studio is a blessing. Especially a cable connecting my laptop to the camera since I am continuously moving from behind the computer to the stage to place new products on it. I don't know if I'll use the bluetooth to my phone, but my wife might and it's nice to have.
BTW, another thing I bought is a 2 batteries charger so now I have 3 batteries ready to go at all times. It's must for serious shooting.
18-55mm Lens:
I almost didn't buy a camera with a lens, because I already have a legacy of Canon lenses, including one that at the time cost me about three times what I paid for the camera body.
I wasn't thrilled about the 18-55mm lens because it is the same as the one on the borrowed SL1. It's actually useful for some of the shooting I am doing these days, but the lens feels cheap. The manual focusing ring on the SL1 lens felt like a cheap plastic toy that came with a happy meal.
GOOD NEWS: when I received the new camera, sporting the exact same lens, I was thrilled to find that in this new lens the focusing ring behaves much better. While the other lens' focusing ring spins with almost no friction, the one that came with my camera is smooth and offers just enough resistance for proper manual focusing. I do wish it was a bit wider, but it's a lot wider than other lenses I have and it's very useful. I don't know if I got lucky or what, since as best I can tell, they are identical lenses, but the one that came with this camera has excellent manual focusing.
All in all, I made a good choice because I can work with this lens for some of the shooting I do. I needed another 50mm equivalent lens like I need a third eye. I have a collection of them. Having this zoom is going to make my life easier and save me time when shooting many products one after the other.
Stability Control:
Sometimes I have to shoot hundreds of products in a short time. While I have a pretty good tripod setup, it's in a small, hot room with lots of cables, lights reflectors, etc. I always shoot at 200 ISO, maybe 400 on a bad day so the exposure tends to be wide open and shutter speed very long.
Well, the stability control on all my lenses (of the digital generation) is very impressive. I had to shoot a number of T-shirts very quickly and given that it was 110 degrees inside the room, I simply could not bother to set up the tripod and do the usual "Leopard military walk" to change subject, align them, etc.
I decided to shoot them handheld. I was always good at it, but in this case I need to do it with my arms extended and the camera pointing down. Shutter speed 1/15. Crazy. Anything below 1/60 looks like a drunk was behind the lens.
I thought "no way I could end up with a sharp picture" with that setup, but I did. Even with the older SL1 (and no tilting LCD) I tested the handheld and tripod mounted version of the same picture side by side. Obviously, the tripod mounted one had better depth of field so it was as sharp as it could be, but I could only tell the difference if I enlarged things like the stitching of a coat. Once compressed and uploaded to a web site, the difference was not only negligible, it was invisible.
I am adding more lights so I can use a faster shutter speed, but I know that push come to shove, I can handhold the camera at 1/15 and get very sharp pictures. The Smithsonian may not be calling me anytime soon, but these pictures are not for museums.
Video:
This is the only disappointment, but not really a critical problem since I will seldom use the video feature and if I do, it's certainly good enough for my purposes. Somehow, I thought the camera could shoot in 4K, but instead it only shoots in 1080p. I think one has to spend an extra $300 to get one that shoots in 4K. Bummer, but again, not a big concern for me and the video quality (on my 4K 32" monitor) is still excellent. 4K would have been better but whaat the hell. I was already $200 over budget with the camera.
Software and Interface:
The camera interface, while not winning any prizes, is serviceable. I have not explored every little crevice, but it's a lot better than my old Rebel and looks better organized than the SL1 I was using until my SL3 arrived.
I had to shoot with a Nikon for about a year (provided by my client) and that camera had a pretty bad interface, plus Nikon did not include remote shooting software with it. Or, I should say, they didn't include it for free, which I think is criminal.
My older Rebel did and I was happy to see that this SL3 does too. Installation was a breeze as was connecting it to my desktop.
Now I am curious to see how it will handle connecting to my devices. I have a Desktop, a Laptop, a Music/Video production laptop, 2 ipads and a iPhone. I am slightly concerned about using my laptop as a remote control and repository for the pictures. I need it to easily switch from one computer to the other without too much fussing. I will update if this proves to be cumbersome, at which point I will slave the camera to my laptop instead of my desktop and save directly to my cloud drive, that way all computers will receive the same picture (I shoot with my laptop, I do post-production on my desktop and sometimes I master video on the other laptop attached to my music studio. It can be confusing)
Other than the above, it all seems serviceable and I am really happy with this camera.
It's a plastic body Rebel, so if you are a war correspondent, maybe it's not the camera for you. If you need 4K video, again, you want to spend a bit more for that.
But if you need excellent pictures and the features I listed above, this camera will do the job.
If you are thinking "Do I really need the tilting LCD?", only you can answer that question. If you are a tourist or need to be light product shooting, maybe not, but for me it was important enough to pick this camera over the T7, which has pretty much similar characteristics but no tilting LCD.
I did a few shooting sessions with the SL1 and I missed the ability to tilt the LCD every single shot, and I am very experienced at shooting handheld, framing the photo in my mind. Someone with less experience (or not as steady hands) would have to take a lot of shots before ending up with a decent one.
Final thoughts: It's a good camera for photographers. Videographers may want to look at the next camera up for 4K (assuming I am correct mine doesn't do 4K)
Mirrorless cameras are gaining traction w/similarities to DSLRs, and like the SL3, offer a smaller form factor. However, reviewers identify some growing pains, e.g., poor battery life, overheating, and a lack of native lens options. An adapter is required to use Canon’s EF or EFS DSLR lenses. But the bulkier, heavier (and costlier) EF lenses somewhat negate the benefits of having a more compact camera, while the more compact EFS lenses (designed for crop sensor DSLRs) limit the full capability of Mirrorless full-frame (FF) sensors. And unlike the SL3, there is presently no comparable Mirrorless model that offers more simplified operation and convenient features SP and P&S users prefer, and anyone new to DSLR/Mirrorless cameras will appreciate.
For portability and price SP and P&S cameras can’t be beat, but that comes with compromises. Some of the more expensive P&S cameras come w/megapixel (MP) counts and video capability similar to the SL3 (24.1MP for photos; 4K@25fps or Full HD@60fps video). However, the result is a bulkier P&S and pricing similar to the SL3 DSLR—but w/o the SL3’s additional features and technology that also factor into image and video quality:
• The SL3 has a much larger sensor (APS-C) than all but the most expensive P&S cameras, e.g., PowerShot G1 X Mark III, which uses the same sensor. But the Mark III is more expensive than the SL3 +EFS lens, and is bulky for a P&S camera.
• The SL3 and native EFS (or optional EF) lenses are better equipped to handle motion (photographer’s and/or subject) and dim lighting, w/fast, accurate autofocus, including auto-tracking of moving subjects.
• With the SL3, there are numerous compatible EF and EFS fixed, wide angle, and telephoto lenses to obtain the best quality imaging to best match your subjects of interest (e.g., urban settings, architecture, portraits, landscapes, wildlife, etc.) and shooting conditions (i.e., dim lighting, darkness, action, etc.). SP and P&S cameras rely on a single lens for all applications—sort of like the handyman who is a jack of all trades, but master of none. (FYI the biggest complaint among PowerShot G1 X Mark III reviewers is its integrated lens.)
• The SL3 offers the flexibility of add-on accessories to further improve image quality, e.g., lens filters and hoods, a boot for supplemental flash, etc.
• The SL3 can save images in JPEG and RAW format (even both formats simultaneously). RAW format provides the greatest ability to post-edit and enhance photos (w/capable photo editing software), as the files contain everything captured by the sensor w/no camera processing or compression. RAW format is preferred by many photo pros and nerds, although anyone can use it. RAW files are very large, so large memory cards are in order.
The SL3 is equipped with convenient features that SP and P&S camera owners are accustomed to and prefer:
• Form Factor: Although not as compact as P&S, the SL3 w/EFS lenses is the most compact and lightest DSLR system on the market, making it easier to handle and carry while also enabling use of a thinner, lighter strap and smaller case. The SL3 also has great ergonomics including a deep, rounded, rubberized finger grip that can accommodate a wide range of hand/finger sizes.
• Automated Settings: Like most cameras, the SL3 is equipped w/“Auto” mode to determine aperture, speed, ISO and if necessary, flash. But Auto mode can’t effectively adjust settings for all shooting conditions, e.g., moving subjects, low contrast, etc. or desired outcomes. The SL3 has an additional “Scene” mode to better optimize settings for scene of choice, e.g., portrait, landscape, handheld night scene, close-up, sports/action, and others. (These selections can be made on the touchscreen w/o opening the menus.)
• Sharing and Downloading: The SL3 is equipped w/built-in W-Fi, Bluetooth, and HDMI and USB ports. You can also transfer files using a memory card reader.
• LCD Touchscreen: A large 3" LCD touchscreen provides menu navigation and the option of shooting in Live View vs. viewfinder, and snapping photos by touching the screen vs. shutter button. The screen displays focus point(s), which can be moved by touch to adjust composition, and displays shooting mode, settings and other info (e.g., battery life, remaining shots), and allows quick adjustments to key settings w/o opening menus. The screen is fully-articulating to enable selfies, vlogging, and taking difficult shots. Turning the screen up or down allows me to compose tough shots w/o kneeling, laying down, or standing on something. Images can be reviewed by swiping across the screen. You can adjust the screen’s brightness and touch sensitivity.
• Convenience and Practicality: Those new to DSLR/Mirrorless cameras will find a fairly steep learning curve that can be intimidating, w/manuals that can resemble a textbook and assumptions that you know more than you probably do. The SL3 helps bridge this gap with simplified menus, fewer seldom-used settings, pop-up descriptive/tutorial info (that can be modified/turned off), scene-specific automated settings, and other helpful features.
• Battery Life: The battery can support up to 1630 shots using the pentamirror viewfinder w/screen off, or 350 shots in Live View. I could not find related specs for video, but some reviewers indicate battery life is very good shooting video.
Capability: The SL3 is still a capable, versatile DSLR, and a great camera for mastering DSLR/Mirrorless basics if you later desire to move on to a more advanced (and more expensive) camera system. However, many will likely be content with the SL3 for years to come in providing sufficient artistic control and quality photos/video.
Bang-for-the-Buck: The SL3 w/kit lens costs more than typical P&S cameras, but less than the large majority of DSLR and Mirrorless cameras (w/kit lens or equivalent). At this time, the SL3 body can cost from $550 to $650, or $750 for the kit (w/EFS 18-55mm f/3.5-5.6 Lens). Most intermediate-level DSLR/Mirrorless kits or bodies w/kit-equivalent lens will set you back double or more. For the cost savings, you can buy 2 more EFS lenses for the SL3 along w/capable photo editing software and money left over for lens filters, hoods, strap, case, and more. And if you lose or damage the SL3 and/or lens, it will cost much less to replace them.
Additional Considerations: The SL3 and EFS lenses are built to withstand more physical abuse than most P&S cameras, and are generally as rugged as the more expensive DSLR/Mirrorless systems.
TRADE-OFFS
To reduce size and weight while providing a feature-packed DSLR system at an entry-level price point, Canon had to make a few trade-offs, but made sensible ones:
1. Fewer Setting Options and Features: The SL3 is not loaded down with seemingly endless setting options and nice but largely unnecessary bells and whistles found on more expensive DSLR and Mirrorless cameras that photo nerds and pros may desire, but the average person not so much.
2. Smaller Sensor: Cameras w/smaller sensors can be made smaller, lighter, and at less cost, and in turn, so can their native lenses. Most full-sized DSLR/Mirrorless cameras use a “full frame” sensor equivalent to yesteryears’ 35mm negative frame size and “field of view” (FOV). The SL3, along w/most entry level and some intermediate DSLRs use the ASP-C “crop” sensor. This sensor is still much bigger than those in most P&S cameras, but FF sensors are tops in capturing detail, especially in low-light, along w/expanded FOV. APS-C sensors offer an advantage over FF in Macro Photography, e.g., landscapes and other distant subjects, as they provide greater depth of field, i.e., sharper foregrounds and backgrounds relative to your subject.
3. Structural Composition: Smaller camera systems use less material, and less-costly ones use less expensive materials, though the predominant composition of most all DSLR/Mirrorless cameras and lens is polycarbonate (PC). PC is lightweight and less costly to make, yet very durable and resistant to abrasion, scratches, dents, and shock. You can often find more metal on costlier models, and even exclusive materials like magnesium alloy and/or carbon-fiber reinforced plastic (Sereebo). But their application may have as much or more to do with brand/model distinction than anything else. Metal is still used on all DSLR/Mirrorless cameras and lenses where essential, e.g., lens/camera interface.
4. Lens: Compared to the SL3’s native EFS lenses, Canon’s EF series are designed to take full advantage of FF sensors on all Canon DSLRs (including the most expensive pro cameras). EF lenses utilize better optics w/higher grade glass that enable lower F-stops w/wider apertures to improve light gathering, and an ultrasonic motor (USM) for focusing, which is a bit faster than the SL3’s stepped motor (STM)—although STM is preferred for video due to smoother AF. These attributes also make EF lenses bulkier, heavier, and more expensive (some lens cost more than the camera itself). EF lenses will fit and work on the SL3 (no adapter necessary), but FOV will not expand due to the smaller sensor. It should be noted most EFS lenses are highly rated by the majority of AMZ reviewers (I own four EFS lenses and concur), and like the SL3 camera are very good quality and a great value.
5. Weather Sealing: The SL3 is not fully weather sealed, so avoid using in rain.
THE GREAT EQUALIZERS
Despite some trade-offs, you will likely be surprised at the quality of images the SL3 and EFS lenses produce (along w/easier portability and handling, and lower cost). A few photos taken w/my SL3 system are attached. (FYI, photos of the fox and squirrels were taken through a double-pane window.)
1. The SL1 served my needs well for 6 years, but the SL3’s imaging and other features have markedly improved w/tech upgrades typically found in more expensive DSLR/Mirrorless cameras: 1) A DIGIC 8 Image Processor improves imaging speed and detail (esp. in low light), 2) the Dual Pixel CMOS AF improves focusing speed and accuracy, 3) improved ergonomics, 4) a new vari-angle screen, 5) improved resolution from 18MP to 24MP and from HD to 4K video, 6) longer battery life, 7) other improvements. Remarkably, the SL3 sells for only $50 more than the SL1 (still sold). The pricing and the fact the SL2 was sold for only 2 years before debut of the SL3 may indicate Canon felt its dominance in this market niche slipping due to new offerings by competitors. This may have precipitated loading up the SL3 with advanced features it may not have had otherwise, and/or bringing it to market faster than originally planned, and w/o significant mark-up. Ultimately, SL3 buyers greatly benefit.
2. Regardless of camera and lenses, advancements in Photo Editing Software can significantly improve image quality by compensating for underexposure, less-than-sharp imaging, noise, low contrast, inaccurate color rendering, etc., while also providing tools to simply enhance photos. For more information on Photo Editing Software, see “TIPS” below.
SUMMARY
Full-frame intermediate or pro DSLRs best meet the needs of photo pros, nerds, and anyone who wants the latest/greatest features and better/best artistic control and imaging. Of course, these systems are larger, heavier, costlier, and more complex.
Mirrorless cameras offer a smaller footprint and will eventually outsell DSLRs, but for now are still going through growing pains, and present models do not offer the native lens choices or simplified operation and features the SL3 does. Mirrorless cameras are priced similar to FF DSLRs.
The Canon EOS Rebel SL3 camera system may be your cup of tea if you’re mostly interested in:
• Sharing high quality photos on social media or similar applications
• A camera less complicated than typical DSLR/Mirrorless
• A compact/lighter camera system designed for portability
• Convenient features found on SP and P&S cameras
• A quality DSLR system at a fraction of the price
• Producing common-sized, quality prints
TIPS
1. Lenses: Instead of purchasing the Canon SL3 kit w/EFS 18-55mm f/3.5-5.6 lens, consider buying camera body separately and put the savings toward the highly-rated and more versatile EFS 18-135mm telephoto STM AF lens.
2. Lens Hoods and Filters: Being relatively cheap, hoods not only reduce flaring and other undesirable light effects, perhaps even more important they protect the lens from drops and scrapes that are inevitable. A hood has saved my lens on more than one occasion. Also invest in a quality UV lens filter, which also provides physical protection for your lens. Make sure the diameter (mm) matches your lens.
3. Save Images in Max Resolution: You’ll be surprised at how many Hi-Res photos you can save on a moderately-sized card. You can always reduce file size later, if desired. Image cropping itself reduces file size. Hi-Res provides maximum detail to take full advantage of editing software, and less likely that cropping or other editing will result in graininess, pixelation, or loss of detail. Hi-Res is also best if you want (or may later want) to print photos.
4. Photo Editing Software: Invest in quality software to clean up photos and even remove unwanted objects (e.g., people, utility poles/lines, vehicles, etc.). You can also enhance images to make them “pop.” I chose PhotoWorks (not FotoWorks) after much research. It’s powerful yet easier to use and cheaper than more well-known, but typically bloated and less user-friendly offerings, many that require recurring subscription fees. It’s much better than anything you can get for free, and far more than any editing or enhancement features found on cameras. You can edit both JPEG and RAW files, and convert RAW to JPEG format after editing. Dual mode allows you to see changes alongside the original, and when you decide to save your edited photo, it automatically saves the original along with it. I was skeptical at claims it can effectively remove utility lines from a photo, but it does, and well. I have a lifetime license for PhotoWorks Ultimate w/pro-level tools and ability to transfer the license to another device. This version costs $80 at this time. You can also download a free version to try out, or purchase a subscription for less, although these versions are missing some features.
5. Used Cameras/Lenses: Sellers typically rate condition by “physical appearance.” I purchased a “used, like new” lens only to discover there was no electrical communication between camera and lens, w/error code indicating it needs “servicing” by Canon. These items are generally no longer under Canon warranty. Sellers often stipulate you can return it within 30 days, but you may have to pay for shipping. At the very least, you may be largely inconvenienced and back to square one.
6. Pricing and Sellers: Canon (and other camera manufacturers) tightly control pricing so they can’t be sold for less than what Canon directly sells them for (if Canon is still selling the item). To get around this, many sellers include “free” add-ons, e.g., lens filters, strap, case, cleaning materials, lens hood, etc. Know these items generally come from the bottom of the barrel as far as quality and value. What’s more important is who the seller is and what their (not the product’s) ratings are. Click on the seller’s name where it is highlighted in blue to find out (if the rating is not posted on the product’s page). If their overall rating is not in the high 80s or above, it’s best to look for another seller. Also, avoid sellers that are new or w/only a handful of viewer ratings. While many are legit, others have re-entered the arena under a new profile/name after terrible reviews caught up to them and cut into sales. Also avoid foreign sellers and foreign versions of the item. Often these items are not under warranty, even if new.
Reviewed in the United States on May 28, 2022
Mirrorless cameras are gaining traction w/similarities to DSLRs, and like the SL3, offer a smaller form factor. However, reviewers identify some growing pains, e.g., poor battery life, overheating, and a lack of native lens options. An adapter is required to use Canon’s EF or EFS DSLR lenses. But the bulkier, heavier (and costlier) EF lenses somewhat negate the benefits of having a more compact camera, while the more compact EFS lenses (designed for crop sensor DSLRs) limit the full capability of Mirrorless full-frame (FF) sensors. And unlike the SL3, there is presently no comparable Mirrorless model that offers more simplified operation and convenient features SP and P&S users prefer, and anyone new to DSLR/Mirrorless cameras will appreciate.
For portability and price SP and P&S cameras can’t be beat, but that comes with compromises. Some of the more expensive P&S cameras come w/megapixel (MP) counts and video capability similar to the SL3 (24.1MP for photos; 4K@25fps or Full HD@60fps video). However, the result is a bulkier P&S and pricing similar to the SL3 DSLR—but w/o the SL3’s additional features and technology that also factor into image and video quality:
• The SL3 has a much larger sensor (APS-C) than all but the most expensive P&S cameras, e.g., PowerShot G1 X Mark III, which uses the same sensor. But the Mark III is more expensive than the SL3 +EFS lens, and is bulky for a P&S camera.
• The SL3 and native EFS (or optional EF) lenses are better equipped to handle motion (photographer’s and/or subject) and dim lighting, w/fast, accurate autofocus, including auto-tracking of moving subjects.
• With the SL3, there are numerous compatible EF and EFS fixed, wide angle, and telephoto lenses to obtain the best quality imaging to best match your subjects of interest (e.g., urban settings, architecture, portraits, landscapes, wildlife, etc.) and shooting conditions (i.e., dim lighting, darkness, action, etc.). SP and P&S cameras rely on a single lens for all applications—sort of like the handyman who is a jack of all trades, but master of none. (FYI the biggest complaint among PowerShot G1 X Mark III reviewers is its integrated lens.)
• The SL3 offers the flexibility of add-on accessories to further improve image quality, e.g., lens filters and hoods, a boot for supplemental flash, etc.
• The SL3 can save images in JPEG and RAW format (even both formats simultaneously). RAW format provides the greatest ability to post-edit and enhance photos (w/capable photo editing software), as the files contain everything captured by the sensor w/no camera processing or compression. RAW format is preferred by many photo pros and nerds, although anyone can use it. RAW files are very large, so large memory cards are in order.
The SL3 is equipped with convenient features that SP and P&S camera owners are accustomed to and prefer:
• Form Factor: Although not as compact as P&S, the SL3 w/EFS lenses is the most compact and lightest DSLR system on the market, making it easier to handle and carry while also enabling use of a thinner, lighter strap and smaller case. The SL3 also has great ergonomics including a deep, rounded, rubberized finger grip that can accommodate a wide range of hand/finger sizes.
• Automated Settings: Like most cameras, the SL3 is equipped w/“Auto” mode to determine aperture, speed, ISO and if necessary, flash. But Auto mode can’t effectively adjust settings for all shooting conditions, e.g., moving subjects, low contrast, etc. or desired outcomes. The SL3 has an additional “Scene” mode to better optimize settings for scene of choice, e.g., portrait, landscape, handheld night scene, close-up, sports/action, and others. (These selections can be made on the touchscreen w/o opening the menus.)
• Sharing and Downloading: The SL3 is equipped w/built-in W-Fi, Bluetooth, and HDMI and USB ports. You can also transfer files using a memory card reader.
• LCD Touchscreen: A large 3" LCD touchscreen provides menu navigation and the option of shooting in Live View vs. viewfinder, and snapping photos by touching the screen vs. shutter button. The screen displays focus point(s), which can be moved by touch to adjust composition, and displays shooting mode, settings and other info (e.g., battery life, remaining shots), and allows quick adjustments to key settings w/o opening menus. The screen is fully-articulating to enable selfies, vlogging, and taking difficult shots. Turning the screen up or down allows me to compose tough shots w/o kneeling, laying down, or standing on something. Images can be reviewed by swiping across the screen. You can adjust the screen’s brightness and touch sensitivity.
• Convenience and Practicality: Those new to DSLR/Mirrorless cameras will find a fairly steep learning curve that can be intimidating, w/manuals that can resemble a textbook and assumptions that you know more than you probably do. The SL3 helps bridge this gap with simplified menus, fewer seldom-used settings, pop-up descriptive/tutorial info (that can be modified/turned off), scene-specific automated settings, and other helpful features.
• Battery Life: The battery can support up to 1630 shots using the pentamirror viewfinder w/screen off, or 350 shots in Live View. I could not find related specs for video, but some reviewers indicate battery life is very good shooting video.
Capability: The SL3 is still a capable, versatile DSLR, and a great camera for mastering DSLR/Mirrorless basics if you later desire to move on to a more advanced (and more expensive) camera system. However, many will likely be content with the SL3 for years to come in providing sufficient artistic control and quality photos/video.
Bang-for-the-Buck: The SL3 w/kit lens costs more than typical P&S cameras, but less than the large majority of DSLR and Mirrorless cameras (w/kit lens or equivalent). At this time, the SL3 body can cost from $550 to $650, or $750 for the kit (w/EFS 18-55mm f/3.5-5.6 Lens). Most intermediate-level DSLR/Mirrorless kits or bodies w/kit-equivalent lens will set you back double or more. For the cost savings, you can buy 2 more EFS lenses for the SL3 along w/capable photo editing software and money left over for lens filters, hoods, strap, case, and more. And if you lose or damage the SL3 and/or lens, it will cost much less to replace them.
Additional Considerations: The SL3 and EFS lenses are built to withstand more physical abuse than most P&S cameras, and are generally as rugged as the more expensive DSLR/Mirrorless systems.
TRADE-OFFS
To reduce size and weight while providing a feature-packed DSLR system at an entry-level price point, Canon had to make a few trade-offs, but made sensible ones:
1. Fewer Setting Options and Features: The SL3 is not loaded down with seemingly endless setting options and nice but largely unnecessary bells and whistles found on more expensive DSLR and Mirrorless cameras that photo nerds and pros may desire, but the average person not so much.
2. Smaller Sensor: Cameras w/smaller sensors can be made smaller, lighter, and at less cost, and in turn, so can their native lenses. Most full-sized DSLR/Mirrorless cameras use a “full frame” sensor equivalent to yesteryears’ 35mm negative frame size and “field of view” (FOV). The SL3, along w/most entry level and some intermediate DSLRs use the ASP-C “crop” sensor. This sensor is still much bigger than those in most P&S cameras, but FF sensors are tops in capturing detail, especially in low-light, along w/expanded FOV. APS-C sensors offer an advantage over FF in Macro Photography, e.g., landscapes and other distant subjects, as they provide greater depth of field, i.e., sharper foregrounds and backgrounds relative to your subject.
3. Structural Composition: Smaller camera systems use less material, and less-costly ones use less expensive materials, though the predominant composition of most all DSLR/Mirrorless cameras and lens is polycarbonate (PC). PC is lightweight and less costly to make, yet very durable and resistant to abrasion, scratches, dents, and shock. You can often find more metal on costlier models, and even exclusive materials like magnesium alloy and/or carbon-fiber reinforced plastic (Sereebo). But their application may have as much or more to do with brand/model distinction than anything else. Metal is still used on all DSLR/Mirrorless cameras and lenses where essential, e.g., lens/camera interface.
4. Lens: Compared to the SL3’s native EFS lenses, Canon’s EF series are designed to take full advantage of FF sensors on all Canon DSLRs (including the most expensive pro cameras). EF lenses utilize better optics w/higher grade glass that enable lower F-stops w/wider apertures to improve light gathering, and an ultrasonic motor (USM) for focusing, which is a bit faster than the SL3’s stepped motor (STM)—although STM is preferred for video due to smoother AF. These attributes also make EF lenses bulkier, heavier, and more expensive (some lens cost more than the camera itself). EF lenses will fit and work on the SL3 (no adapter necessary), but FOV will not expand due to the smaller sensor. It should be noted most EFS lenses are highly rated by the majority of AMZ reviewers (I own four EFS lenses and concur), and like the SL3 camera are very good quality and a great value.
5. Weather Sealing: The SL3 is not fully weather sealed, so avoid using in rain.
THE GREAT EQUALIZERS
Despite some trade-offs, you will likely be surprised at the quality of images the SL3 and EFS lenses produce (along w/easier portability and handling, and lower cost). A few photos taken w/my SL3 system are attached. (FYI, photos of the fox and squirrels were taken through a double-pane window.)
1. The SL1 served my needs well for 6 years, but the SL3’s imaging and other features have markedly improved w/tech upgrades typically found in more expensive DSLR/Mirrorless cameras: 1) A DIGIC 8 Image Processor improves imaging speed and detail (esp. in low light), 2) the Dual Pixel CMOS AF improves focusing speed and accuracy, 3) improved ergonomics, 4) a new vari-angle screen, 5) improved resolution from 18MP to 24MP and from HD to 4K video, 6) longer battery life, 7) other improvements. Remarkably, the SL3 sells for only $50 more than the SL1 (still sold). The pricing and the fact the SL2 was sold for only 2 years before debut of the SL3 may indicate Canon felt its dominance in this market niche slipping due to new offerings by competitors. This may have precipitated loading up the SL3 with advanced features it may not have had otherwise, and/or bringing it to market faster than originally planned, and w/o significant mark-up. Ultimately, SL3 buyers greatly benefit.
2. Regardless of camera and lenses, advancements in Photo Editing Software can significantly improve image quality by compensating for underexposure, less-than-sharp imaging, noise, low contrast, inaccurate color rendering, etc., while also providing tools to simply enhance photos. For more information on Photo Editing Software, see “TIPS” below.
SUMMARY
Full-frame intermediate or pro DSLRs best meet the needs of photo pros, nerds, and anyone who wants the latest/greatest features and better/best artistic control and imaging. Of course, these systems are larger, heavier, costlier, and more complex.
Mirrorless cameras offer a smaller footprint and will eventually outsell DSLRs, but for now are still going through growing pains, and present models do not offer the native lens choices or simplified operation and features the SL3 does. Mirrorless cameras are priced similar to FF DSLRs.
The Canon EOS Rebel SL3 camera system may be your cup of tea if you’re mostly interested in:
• Sharing high quality photos on social media or similar applications
• A camera less complicated than typical DSLR/Mirrorless
• A compact/lighter camera system designed for portability
• Convenient features found on SP and P&S cameras
• A quality DSLR system at a fraction of the price
• Producing common-sized, quality prints
TIPS
1. Lenses: Instead of purchasing the Canon SL3 kit w/EFS 18-55mm f/3.5-5.6 lens, consider buying camera body separately and put the savings toward the highly-rated and more versatile EFS 18-135mm telephoto STM AF lens.
2. Lens Hoods and Filters: Being relatively cheap, hoods not only reduce flaring and other undesirable light effects, perhaps even more important they protect the lens from drops and scrapes that are inevitable. A hood has saved my lens on more than one occasion. Also invest in a quality UV lens filter, which also provides physical protection for your lens. Make sure the diameter (mm) matches your lens.
3. Save Images in Max Resolution: You’ll be surprised at how many Hi-Res photos you can save on a moderately-sized card. You can always reduce file size later, if desired. Image cropping itself reduces file size. Hi-Res provides maximum detail to take full advantage of editing software, and less likely that cropping or other editing will result in graininess, pixelation, or loss of detail. Hi-Res is also best if you want (or may later want) to print photos.
4. Photo Editing Software: Invest in quality software to clean up photos and even remove unwanted objects (e.g., people, utility poles/lines, vehicles, etc.). You can also enhance images to make them “pop.” I chose PhotoWorks (not FotoWorks) after much research. It’s powerful yet easier to use and cheaper than more well-known, but typically bloated and less user-friendly offerings, many that require recurring subscription fees. It’s much better than anything you can get for free, and far more than any editing or enhancement features found on cameras. You can edit both JPEG and RAW files, and convert RAW to JPEG format after editing. Dual mode allows you to see changes alongside the original, and when you decide to save your edited photo, it automatically saves the original along with it. I was skeptical at claims it can effectively remove utility lines from a photo, but it does, and well. I have a lifetime license for PhotoWorks Ultimate w/pro-level tools and ability to transfer the license to another device. This version costs $80 at this time. You can also download a free version to try out, or purchase a subscription for less, although these versions are missing some features.
5. Used Cameras/Lenses: Sellers typically rate condition by “physical appearance.” I purchased a “used, like new” lens only to discover there was no electrical communication between camera and lens, w/error code indicating it needs “servicing” by Canon. These items are generally no longer under Canon warranty. Sellers often stipulate you can return it within 30 days, but you may have to pay for shipping. At the very least, you may be largely inconvenienced and back to square one.
6. Pricing and Sellers: Canon (and other camera manufacturers) tightly control pricing so they can’t be sold for less than what Canon directly sells them for (if Canon is still selling the item). To get around this, many sellers include “free” add-ons, e.g., lens filters, strap, case, cleaning materials, lens hood, etc. Know these items generally come from the bottom of the barrel as far as quality and value. What’s more important is who the seller is and what their (not the product’s) ratings are. Click on the seller’s name where it is highlighted in blue to find out (if the rating is not posted on the product’s page). If their overall rating is not in the high 80s or above, it’s best to look for another seller. Also, avoid sellers that are new or w/only a handful of viewer ratings. While many are legit, others have re-entered the arena under a new profile/name after terrible reviews caught up to them and cut into sales. Also avoid foreign sellers and foreign versions of the item. Often these items are not under warranty, even if new.
My favorite parts of this camera is the flip out touch screen, Easy to use menu system (I miss it), small light comfortable build, and the touch to focus. Touch to focus is really nice. You don't have to rely on the camera to find focus for you, you can just tap the screen. If you come from a camera that you use a joystick to move focus then this touch screen focus will spoil you. Also there's wifi/Bluetooth connection so you can save photos directly to your phone quickly.
Things I don't like. This camera is not so forgiving in low light. You get noise pretty quickly in dark situation. Also there's no in body image stabilization. This means hand held shots will need to be shot with a higher shutter speed to avoid blur. But these things can be fixed with a tripod, remote shutter, and or a better lit area.
In summary, this camera is a really good. Easy to use, has all of the essentials. The most important part is that it takes high quality photos and it does. I was personally looking for a camera with more bells and whistles but it was at the cost of my wallet. You can't go wrong with this camera
Tips: If I were to buy this again I'd get Body Only. And buy a lens separately. The 50mm f1.8 lens is <$150 and its basically an 85mm lens because of the crop factor. Aka it takes very nice portrait photos with the blurry background. Also check out the Sony a6000 series.
Top reviews from other countries
Só não gostei do fato do flash ser ativado manualmente, mas nada que modifique a experiência positiva de ter um equipamento ótimo de entrada.
Reviewed in Brazil on March 27, 2024
Só não gostei do fato do flash ser ativado manualmente, mas nada que modifique a experiência positiva de ter um equipamento ótimo de entrada.
Reviewed in Canada on August 19, 2023
Overall great product highly recommend!