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Beach Boys' Party! (Mono & Stereo Remastered)

Mono

Beach Boys (Artista, Collaboratore) Formato: Audio CD
4,5 4,5 su 5 stelle 54 voti
55,35 €
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Nuovo a partire da Usato da
Musica MP3, 8 Nov 1965
9,99 €
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CD audio, 8 aprile 2016
41,08 €
41,08 € 32,55 €
CD audio, CD, 24 settembre 2012
55,35 €
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Tracklist

1 Hully Gully (Mono) [2012 - Remaster]
2 I Should Have Known Better (Mono) [2012 - Remaster]
3 Tell Me Why (Mono) [2012 - Remaster]
4 Papa-Oom-Mow-Mow (Mono) [2012 - Remaster]
5 Mountain of Love (Mono) [2012 - Remaster]
6 You've Got to Hide Your Love Away (Mono) [2012 - Remaster]
7 Devoted to You (Mono) [2012 - Remaster]
8 Alley Oop (Mono) [2012 - Remaster]
9 There's No Other Like My Baby (Mono) [2012 - Remaster]
10 I Get Around/Little Deuce Coupe (Medley) (Mono) [2012 - Remaster]
11 The Times They Are A-Changin' (Mono) [2012 - Remaster]
12 Barbara Ann (Mono) [2012 - Remaster]
13 Hully Gully (Stereo) [2012 - Remaster]
14 I Should Have Known Better (Stereo) [2012 - Remaster]
15 Tell Me Why (Stereo) [2012 - Remaster]
16 Papa-Oom-Mow-Mow (Stereo) [2012 - Remaster]
17 Mountain of Love (Stereo) [2012 - Remaster]
18 You've Got to Hide Your Love Away (Stereo) [2012 - Remaster]
19 Devoted to You (Stereo) [2012 - Remaster]
20 Alley Oop (Stereo) [2012 - Remaster]
21 There's No Other Like My Baby (Stereo) [2012 - Remaster]
22 I Get Around/Little Deuce Coupe (Medley) (Stereo) [2012 - Remaster]
23 The Times They Are A-Changin' (Stereo) [2012 - Remaster]
24 Barbara Ann (Stereo) [2012 - Remaster]

Descrizione prodotto

2012 MONO & STEREO edition of joyful & relaxed doo-wop/covers album. Features "Barbara Ann'

Dettagli prodotto

  • Fuori produzione ‏ : ‎ No
  • Dimensioni prodotto ‏ : ‎ 14,1 x 11,33 x 0,48 cm; 31,75 grammi
  • Produttore ‏ : ‎ EMI Mktg
  • Data di prima pubblicazione ‏ : ‎ 2012
  • Etichetta ‏ : ‎ EMI Mktg
  • Garanzia e recesso: Se vuoi restituire un prodotto entro 30 giorni dal ricevimento perché hai cambiato idea, consulta la nostra pagina d'aiuto sul Diritto di Recesso. Se hai ricevuto un prodotto difettoso o danneggiato consulta la nostra pagina d'aiuto sulla Garanzia Legale. Per informazioni specifiche sugli acquisti effettuati su Marketplace consulta la nostra pagina d'aiuto su Resi e rimborsi per articoli Marketplace.
  • ASIN ‏ : ‎ B008LA7RHU
  • Paese di origine ‏ : ‎ Francia
  • Numero di dischi ‏ : ‎ 1
  • Recensioni dei clienti:
    4,5 4,5 su 5 stelle 54 voti

Recensioni clienti

4,5 su 5 stelle
4,5 su 5
54 valutazioni globali

Recensioni migliori da Italia

Michael Dobey
5,0 su 5 stelle beach boys party on!
Recensito in Italia il 30 dicembre 2016
Acquisto verificato
The beach boys are one of the best musical groups of all time. Their melodies and concerts have been for many people a wonderful escape. This release was perhaps their weakest and yet it's still a fun listen too. The premise is that the boys and their women are at a party and well under the influence of some wine or such. But in reality this was done live in a studio. The songs are good though mostly a few are well done as if they are drunk. They weren't. In spite of this we got the top ten classic hit 'barbara ann' Which sounds actually better live. I saw the boys do this live just two nights ago. I have seen them many times in the last forty years though. This version gives you a mono and a stereo mix. Which is why I bought it. Casual fans however would enjoy one of their regular cds probably more than this one. It's still a 'party' cd though. Which takes you back to a simpler time when music was full of melody and made by humans instead of a machine. the sound is remastered here and that's a good things as well.
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maurizio.48
3,0 su 5 stelle Divertente.
Recensito in Italia il 15 aprile 2018
Acquisto verificato
Disco uscito nel 1965, a mio parere da la sensazione che più che fare un nuovo disco si stiano divertendo tra di loro. Contiene dodici canzoni tra cui tre dei Beatles e una di Bob Dylan, nella ristampa vengono proposte sia in mono che in stereo. Consigliato a chi vuol ascoltare un po di musica senza impegno.
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The Dreamer
4,0 su 5 stelle They Go Party!
Recensito in Italia il 16 dicembre 2015
Mentre Brian Wilson stava cominciando a lavorare sulla musica "Pet Sounds", il loro capolavoro, il gruppo pubblicò un disco di cover di brani rock e R'n'B degli anni '50 e '60. Realizzato come se fosse stato registrato durante un party vero e proprio, l'Album venne messo a punto in poche sedute, col coinvolgimento di amici e familiari intenti ad aggiungere voci e suoni tipici di un'informale atmosfera festaiola. La strumentazione essenzialmente acustica (ad esclusione della chitarra basso) conferisce al disco il sound evocativo dei canti estivi attorno ad un falò.
Ben accolto dalla critica, quando uscì, per la sua atmosfera sciolta, informale ed intima, l'Album intriga ancor oggi poiché diverte e coinvolge; contiene, tra l'altro, il loro megahit "Barbara Ann", con Dean Torrence alla voce solista, una entusiasmante "Mountain Of Love", un'inconsueta versione di "The Times They Are A Changin'" cantata da Al Jardine e tre cover dei Beatles.
La ristampa in formato CD del 2012 contiene sia la versione mono che quella stereo dell'Album originale.
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Le recensioni migliori da altri paesi

Traduci tutte le recensioni in Italiano
Charlotte Dahlgren
5,0 su 5 stelle Vilka låtar som ingår på cd n
Recensito in Svezia in data 16 ottobre 2022
Acquisto verificato
En minnescd för mig så älskar den så glad att jag kunde köpa den hos er
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Alex
5,0 su 5 stelle Five Stars
Recensito in Canada il 1 marzo 2018
Acquisto verificato
Love it or hate it, it's still a fun album. It's nice to hear it in stereo too
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LAURENT Alain
3,0 su 5 stelle INDISPENSABLE DANS UNE COLLECTION, MAIS SÛREMENT PAS LE MEILLEUR DES BEACH BOYS
Recensito in Francia il 27 novembre 2014
Acquisto verificato
Tout amateur des Beach Boys connait parfaitement le contexte dans lequel cet album a été produit et mis sur le marché, et sait fort bien qu'il n' y a pas grand chose à en retenir, si ce n'est une version de "Barbara Ann" qui semble être - avec "Good Vibrations" et "I Get Around" - l'un des seuls titres des BEACH BOYS ayant le privilège d'être diffusés par nos stations de radio nationales. D'où un sentiment de "Ras le Bol" !
Reste que cette version "stéréo" lui redonne un peu d'intérêt et se doit de figurer parmi les autres albums de la même époque réédités en stéréo par CAPITOL, et que l'on peut aujourd'hui se procurer à un prix raisonnable.
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steve_manassas
5,0 su 5 stelle Best-sounding of the new Beach Boys reissues
Recensito negli Stati Uniti il 6 novembre 2012
Acquisto verificato
In late 1965, Brian Wilson was preparing material for what would become the PET SOUNDS album. He also released the experimental single "The Little Girl I Once Knew," but Capitol Records demanded a new Beach Boys album for the Christmas buying season. Since Brian was determined not to rush his new album, the group had already released live and Christmas albums the year before, and a best-of collection was ruled out because it would have signaled the end of The Beach Boys' career, it was decided to record a live-in-the-studio album with a party atmosphere (though the music was recorded informally at Western Studios on acoustic instruments, with the "party" sounds overdubbed later). Thus, BEACH BOYS' PARTY was born. It was a Top Ten album in late 1965, produced the hit single "Barbara Ann," and two B-sides: "There's No Other (Like My Baby)" was the B-side of "The Little Girl I Once Knew," and "Devoted To You" was the B-side of the Brother Records single "Gettin' Hungry," which was credited to "Brian and Mike."

The album also includes three Beatle covers - "I Should Have Known Better," "Tell Me Why," and "You've Got To Hide Your Love Away," along with a comedy medley of "I Get Around" and "Little Deuce Coupe," and several other classics from the '50s and '60s. It was originally released as a "two-fer" CD ( Party / Stack-O-Tracks ) in 1990, 1997 (Canadian import), and 2001, and as an  individual mono CD  in 1994.

The 2012 reissue of BEACH BOYS' PARTY not only contains the original mono mix of the album, but also the first-ever true stereo mix, and it is fantastic - the best-sounding of all The Beach Boys' reissues. In addition, the annoying scraping sound that appears after the first line of "Barbara Ann" on previous CD issues has finally been removed (thanks, Mark Linett). Although this is not The Beach Boys' best work, it is a lot of fun, and I recommend this new disc above all of the others (although I would keep the "two-fer," if you have it, for STACK-O-TRACKS).
12 persone l'hanno trovato utile
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Freidun Taravosh
5,0 su 5 stelle Gather round, all you clowns! And expect the unexpected
Recensito nel Regno Unito il 3 aprile 2013
Acquisto verificato
Background

There are two ways to view `Party' either as an album with one big hit (Barbra Ann) and a lot of sub par filler tracks, or it can just be seen as a fun loving, laid back swinging 60's sensastion of an album. Don't expect a prelude to Pet Sounds and you will be fine, the band has contractual obligations at this time, Pet Sound wasn't ready, so with Brian in the producers chair, the threw something together without thinking twice, and the result was `Party' and album I've been thinking about getting but haven't gotten around to doing - UNTIL NOW! (Round, Round Get Around! I Get Around)

Actual Review

I doubt you will ever hear about someone who talks about the intriguing atmosphere on this one, on the contrary some people are directly put of by the (some say overdubbed) studio chatter that is sprinkled here, there and everywhere, such as `classy' comments like "Shut up or go home" and the like, you might think it's even ludicrous to waste time listening to this album, why not say just skip forward to Barbra Ann and leave the rest? This sounds like a valid point to address but believe it or not, I like this whole album and in some ways even more than the literally more majestic `Pet Sounds'. Looking at the back of the LP cover, and you must see it to believe it, `Party' was also produced by Brian Wilson.
Saying Party and Pet Sounds are like day and night is an accurate description but still a vague understatement! Still both can be considered essential listening at top jobs atleast as far as 60's are concerned. Pet Sounds (`or Beach Boys: go mature') is a timepiece unlike any other.
Some make this aforementioned claim and for some reason it is also true, with introspective, subtle and extentially philosophic tunes like That's not me ` I Guess I Just Wasn't Made For These times' and the ethereal `God Only Knows' it is easy to judge just by reading the tracklist to `Party': `Alley Oop' `Hully Gully' `I Get Around' or the above mentioned `Barbra Ann' that party is a different story, or rather with `Party' there is no story! It is under produced my default, it is basicly unplugged, and a set of tunes that just happened to end up in their repertoire at this point, just for good measure, and no artistic statement, to speak of.

You might ask if there was some special thought behind it, my guess is, not necessarily all the thinking went into `Pet Sounds'. Party on the other hand is far from that lush and sort of magic atmosphere, but it is not bad. Maybe it's me just being a sucker for this fun loving attitude, but I really like it.

A few favourites

Devoted to you is swift in performance yet delicately melodic, sounds somewhat like pre Columbia records (mainly acoustic and Sugarcoated non refined) Byrds and one curious question remains-
Did Beach Boys have access to some of those demos especially `Tomorrow is a long ways away'? As Gene clark's spirit is definitely around this recording.

Times are a Changing

Byrds (again) had been working around this time to release a striking jangle and beat driven version of this folksy classic. After some (to them) unsatisfying takes, it failed to resurface as a single (Bummer to that - it would have been killer] There was one version included on the second side of Turn Turn Turn, although good it was badly received, and generally considered a misfire for the group, around critics as well as laymen. (apart from Byrdmaniacs like me who love as good as anything they put out).

Now I know what's on your mind: "this is not a Byrds review" but to my defence with Byrds (and NOT Dylan)
being the group that got me familiar with this said song, the inclusion of them in this comment was justified, as it is never wrong to talk about them when discussing the swinging 60's scene, as far as Beach Boys are concerned it is somewhat legit to say, at least to some extent that Beach Boys and Byrds were to sides of the same coin.

Beach Boys reading of the song , in this unplugged, fun loving laidback atmosphere is very far from the refined jangle pushing the rolling limits, of any of the Byrds 1965 versions and a far cry from the mellow country rock version of `Easy Rider' era Byrds, Okay I confess, you got me it's true, but the beach boys version is still really Good, they freakin make the song their own and tongue in cheek at that. This laidback approach also does effect the performance of a few Lennon McCartney (or is it Mccartney Lennon?) penned material. Honestly. I was never too into their slick pop sensations. The tracks the Boys chose to perform here were never favourites of my own, never found the that intriguing, but as with the Dylan material and this well needed and refreshing self distance, they `rule the joint' to use a modern expression and totally makes these songs their own, despite (or maybe because of?) the slimmed down arrangement.
I guess the background crowd noises is just something to get used to, for I am totally taken by Dennis emotive delivery of `Hide Your Love Away' when I read online it was he who performed it, I was struck by amazement i.e to me it was incredible. I didn't know he had it in him!

Now there are people who will claim that `Party' is `just lousy or `a `waste of recording space' to be frank : answered them like you would those who half heartedly advocate the principle that `Smiley Smile' is `just bizarre' with three simple words `it is NOT'.
Well you could say `Party' is different, those who have heard only 'Good Vibrations' and associate this band only with this lush pop, in hearing the aforementioned `Hide Your Love Away' or `Changing' it may be so that some people who aren't well versed with their recording output and will wonder even if this is the same group.

To answer the above, yes, it is the very same group, but `Party' and `Smiley Smile' are rather two sides of the same coin.

The Final Say

There is nothing wrong with all that, take this album for what it is.

As it was never meant to be understood as a magnum Opus or even a Prelude to a Magnum Opus, the sound here is low fi, for that reason alone and there are no secret messeages or hidden truths that will unravel if played backwards.

True, maybe it won't make everyone grow as a human being, maybe it is not a `Giant Leap Forward' and Party is not a spiritual experience; there are many things that `Party' is not, but among all these things it is not a bad album.
I am a theology student and I like it like no other. Might be too controversial to say it is my favourite Beach Boys album so I am just going to say: it is nice and I like it a lot, (especially side one)
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