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Victor LaValle's Destroyer Kindle & comiXology
- LanguageEnglish
- PublisherBOOM! Studios
- Publication dateFebruary 28, 2018
- File size503848 KB
- Due to its large file size, this book may take longer to download
- Read this book on comiXology. Learn more
Editorial Reviews
About the Author
Product details
- ASIN : B078X3NGL5
- Publisher : BOOM! Studios (February 28, 2018)
- Publication date : February 28, 2018
- Language : English
- File size : 503848 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 159 pages
- Best Sellers Rank: #667,710 in Kindle Store (See Top 100 in Kindle Store)
- #1,051 in Mystery, Thriller & Suspense Graphic Novels
- #1,259 in Horror Graphic Novels (Kindle Store)
- #1,996 in Mystery Graphic Novels
- Customer Reviews:
About the author
Victor LaValle is the author of a short-story collection, Slapboxing with Jesus, four novels, The Ecstatic, Big Machine, The Devil in Silver & The Changeling, and two novellas, Lucretia and the Kroons and The Ballad of Black Tom.
His most recent novel, THE CHANGELING, is an old school fairy tale. It's made to keep you up at night. It's meant to make you scared.
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So Destroyer, LaValle’s first foray into graphic novels (backed by the effective art of artist Dietrich Smith), feels like a logical next step for him. Here, the classic in question is Frankenstein, which LaValle uses as a stepping stone to talk about the outcasts from society - those who so often feel like they were created only to be shunned, hated, and mistreated, and the rage that comes along with that. In Mary Shelley’s novel, of course, that rage is personified by the nameless creation, and for a while, it seems like LaValle is interested only in following that creature into the modern world, letting him see the new horrors of humanity and realizing that we haven’t changed much in 200 years.
But before long, it’s clear that LaValle has more on his mind, tapping into modern-day genetic modifying, but more importantly, focusing on a scientist operating in the tradition of Frankenstein himself - an African-American woman whose grief over the senseless death of her son brings her to resurrect the dead.
This, of course, sets up a compelling parallel, and it’s a rich one to ponder - that connection between African-American culture’s feelings of injustice, historical mistreatment, and prejudice and the creature’s own musings are solid ones, and it’s not a surprise that LaValle uses it to tap into a discussion of revenge and rage, just as Shelley did in simpler terms. Indeed, these ideas are compelling and complex, and it’s to LaValle’s credit that they’re handled this well, with LaValle embracing their difficulty and lack of easy answers unflinchingly.
What is a shame, though, is that Destroyer just doesn’t have the space to engage with them as much as you’d wish it would. Destroyer is six issues, and as such, it ends up feeling maddeningly rushed, with far too much plot to cover and not enough time, which ends up making the themes feel rushed as well. LaValle’s gifts as a novelist shine through here, with dozens of interesting characters, but many of them feel like we’re only getting the barest glimpses of what he had planned for them, or that some of their arcs are curtailed or abbreviated to fit in here. Worse, though, is the way the plot ends up feeling crammed in. There’s so much more than I want - more about the creature, who ends up feeling like a postscript to the novel; more about the agency at the heart of the book; more about the reasons why they resurrect one character at the end of the series for rushed reasons; and so forth.
The best moments of Destroyer still work - a mother’s rage and anger; the moment where a father tries to find catharsis for his loss; the use of a virtual reality space to engage with characters’ psychological depths; and so many others. But you can’t help but feel that there’s a longer version of this story, with room to breathe, where those moments feel better connected, where some of the conflict feels less rushed and more organic, where some of the villains’ motivations feel clearer. Destroyer has a surplus of ideas, which is a good thing, but when you only have a short amount of time to tell a story, sometimes you have to kill your darlings to make the whole experience truly work.