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Brain and Music Pocketbok – Illustrerad, 20 April 2012

4,5 av 5 stjärnor 11

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Köpalternativ och tillägg

A comprehensive survey of the latest neuroscientific research into the effects of music on the brain

  • Covers a variety of topics fundamental for music perception, including musical syntax, musical semantics, music and action, music and emotion
  • Includes general introductory chapters to engage a broad readership, as well as a wealth of detailed research material for experts
  • Offers the most empirical (and most systematic) work on the topics of neural correlates of musical syntax and musical semantics
  • Integrates research from different domains (such as music, language, action and emotion both theoretically and empirically, to create a comprehensive theory of music psychology

Produktbeskrivning

Från fliken på insidan

Making and listening to music engages a large array of psychological processes, including perception, attention, learning and memory, syntactic processing, the processing of meaning, and social cognition. This richness makes music the ideal tool to investigate human psychology and the workings of the human brain, and in recent years neuroscientists have increasingly used this tool to inform and extend their ideas. This book offers a comprehensive survey of the current state of knowledge in the cross-disciplinary field of music psychology.

An expert in his field, Stefan Koelsch establishes basic neuroscientific, music-theoretical, and music-psychological concepts, before presenting the brain correlates of music perception, musical syntax, musical semantics, music and action, and music and emotion.

Koelsch synthesizes all these conceptual threads into a new theory of music psychology. His theory integrates different areas such as music, language, action, and emotion that are traditionally treated as separate domains.

Från baksidan

Making and listening to music engages a large array of psychological processes, including perception, attention, learning and memory, syntactic processing, the processing of meaning, and social cognition. This richness makes music the ideal tool to investigate human psychology and the workings of the human brain, and in recent years neuroscientists have increasingly used this tool to inform and extend their ideas. This book offers a comprehensive survey of the current state of knowledge in the cross-disciplinary field of music psychology.

An expert in his field, Stefan Koelsch establishes basic neuroscientific, music-theoretical, and music-psychological concepts, before presenting the brain correlates of music perception, musical syntax, musical semantics, music and action, and music and emotion.

Koelsch synthesizes all these conceptual threads into a new theory of music psychology. His theory integrates different areas such as music, language, action, and emotion that are traditionally treated as separate domains.

Produktinformation

  • Utgivare ‏ : ‎ John Wiley & Sons; 1:a utgåvan (20 April 2012)
  • Språk ‏ : ‎ Engelska
  • Pocketbok ‏ : ‎ 324 sidor
  • ISBN-10 ‏ : ‎ 0470683392
  • ISBN-13 ‏ : ‎ 978-0470683392
  • Kundrecensioner:
    4,5 av 5 stjärnor 11

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Jeff Victoroff, M.D.
5,0 av 5 stjärnor The go-to textbook on a thrilling new domain of human discovery
Granskad i USA den 6 februari 2017
Why does music have the profound effects it does on the human nervous system? Even Darwin wrestled with that question and came up baffled. HOW does music have the profound effects it does on the human nervous system? That is different question--an empirical question currently yielding to scholarly inquiries using methods of hypothesis testing that have only just become available. 30 years ago, one was obliged to either conduct experiments in psychoacoustics, or to measure peripheral responses of the autonomic nervous system, or to try to infer brain function from scalp electroencephalography [EEG]--a method from the 1930s that relies on pitifully weak head surface signals. Research on the neurobehavioral effects of music and sound has exploded since the advent of functional neuroimaging. What Dr. Koelsch and others (e.g., Bob Zatorre at McGill) have recently done is to employ advanced imaging in elegant experiments to investigate exactly what goes on in the head when one hears (or reads, or performs, or thinks about) music. If one has, for decades, been both deeply moved by music and deeply curious about why that happens, one dreamed of this day.

Brain & Music is a 2012 update of Dr. Koelsch's important 2000 essay on this subject. Although it is already somewhat dated, it is the best compact summary of the state of the art of which I am aware. It is, however, a textbook, not a beach read. Dr. Koelsch is not a science-popularizer, like the authors of some other very good books on this subject. He is a scientist, writing for those with scientific backgrounds. Perhaps the major stumbling block for many will be the neuroanatomy. Still, the later chapters are packed with knowledge and one could skip to them and still profit handsomely. Readers looking for a more accessible introduction to this thrilling field might prefer--for example--Dan Levitin's "This is your brain on music," or even Jourdain's old "Music, the brain, and ecstasy." But if one wished to teach an inspiring course on this new discipline, Brain & Music would probably be the go-to textbook.
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5,0 av 5 stjärnor Brilliant!
Granskad i Storbritannien den 18 februari 2014
I'm using this book heavily to support my thesis studying music and emotions. A very well articulated and technical work I would not recommend this as light reading but rather an invaluable resource for anyone genuinely interested in current research detailing how music "works" in relation to the brain and emotions
plan_b
3,0 av 5 stjärnor depends on what you are looking for...
Granskad i Tyskland den 3 januari 2013
What you should know about this book:

- it covers a wide area of music perception research. as such, it is an interesting course book for psychology students interested in music psychology.
- the reader should however bear in mind that the book is colored by Stefan Koelsch' (who is a renowned researcher in the field) perspective on how all the different research areas come together
- it is definetely not a book for lay people. (a) because of its quite in depth content but much more because (b) the writing style is far complex.
- thus in all, it really depends on what you are looking for if you will like this book or not.

The reason i only rate this book with 3 stars is because of the writing style and the way each chapter is build up (in a quite complex way). Because for me personally, I find this a major drawback. Even for people interested in this research field, this book is not a "pleasure to read".
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5,0 av 5 stjärnor Five Stars
Granskad i Storbritannien den 5 juni 2016
perfect. tks
Mary Ryan
2,0 av 5 stjärnor Review of 'Brain & Music'
Granskad i Storbritannien den 21 maj 2013
I was disappointed because the book was far too technical for me to understand. Even the English was highly specialised. The chapters on the structure of the brain, the ear and the nervous system probably required a degree in anatomy which most musicians do not possess. I realise that this is a highly complex subject but even the diagrams often left me quite baffled so I did not obtain the understanding of the interaction between the brain and music that I had hoped..
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