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Educated: A Memoir Hardcover – February 20, 2018
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“Extraordinary . . . an act of courage and self-invention.”—The New York Times
NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW • ONE OF PRESIDENT BARACK OBAMA’S FAVORITE BOOKS OF THE YEAR • BILL GATES’S HOLIDAY READING LIST • FINALIST: National Book Critics Circle’s Award In Autobiography and John Leonard Prize For Best First Book • PEN/Jean Stein Book Award • Los Angeles Times Book Prize
Born to survivalists in the mountains of Idaho, Tara Westover was seventeen the first time she set foot in a classroom. Her family was so isolated from mainstream society that there was no one to ensure the children received an education, and no one to intervene when one of Tara’s older brothers became violent. When another brother got himself into college, Tara decided to try a new kind of life. Her quest for knowledge transformed her, taking her over oceans and across continents, to Harvard and to Cambridge University. Only then would she wonder if she’d traveled too far, if there was still a way home.
“Beautiful and propulsive . . . Despite the singularity of [Westover’s] childhood, the questions her book poses are universal: How much of ourselves should we give to those we love? And how much must we betray them to grow up?”—Vogue
ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, O: The Oprah Magazine, Time, NPR, Good Morning America, San Francisco Chronicle, The Guardian, The Economist, Financial Times, Newsday, New York Post, theSkimm, Refinery29, Bloomberg, Self, Real Simple, Town & Country, Bustle, Paste, Publishers Weekly, Library Journal, LibraryReads, Book Riot, Pamela Paul, KQED, New York Public Library
- Print length352 pages
- LanguageEnglish
- PublisherRandom House
- Publication dateFebruary 20, 2018
- Dimensions6.3 x 1.1 x 6.5 inches
- ISBN-100099511029
- ISBN-13978-0399590504
- Lexile measure870L
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Editorial Reviews
Review
“Westover is a keen and honest guide to the difficulties of filial love, and to the enchantment of embracing a life of the mind.”—The New Yorker
“An amazing story, and truly inspiring. It’s even better than you’ve heard.”—Bill Gates
“Heart-wrenching . . . a beautiful testament to the power of education to open eyes and change lives.”—Amy Chua, The New York Times Book Review
“A coming-of-age memoir reminiscent of The Glass Castle.”—O: The Oprah Magazine
“Westover’s one-of-a-kind memoir is about the shaping of a mind. . . . In briskly paced prose, she evokes a childhood that completely defined her. Yet it was also, she gradually sensed, deforming her.”—The Atlantic
“Tara Westover is living proof that some people are flat-out, boots-always-laced-up indomitable. Her new book, Educated, is a heartbreaking, heartwarming, best-in-years memoir about striding beyond the limitations of birth and environment into a better life. . . . ★★★★ out of four.”—USA Today
“[Educated] left me speechless with wonder. [Westover’s] lyrical prose is mesmerizing, as is her personal story, growing up in a family in which girls were supposed to aspire only to become wives—and in which coveting an education was considered sinful. Her journey will surprise and inspire men and women alike.”—Refinery29
“Riveting . . . Westover brings readers deep into this world, a milieu usually hidden from outsiders. . . . Her story is remarkable, as each extreme anecdote described in tidy prose attests.”—The Economist
“A subtle, nuanced study of how dysfunction of any kind can be normalized even within the most conventional family structure, and of the damage such containment can do.”—Financial Times
“Whether narrating scenes of fury and violence or evoking rural landscapes or tortured self-analysis, Westover writes with uncommon intelligence and grace. . . . One of the most improbable and fascinating journeys I’ve read in recent years.”—Newsday
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
I’m standing on the red railway car that sits abandoned next to the barn. The wind soars, whipping my hair across my face and pushing a chill down the open neck of my shirt. The gales are strong this close to the mountain, as if the peak itself is exhaling. Down below, the valley is peaceful, undisturbed. Meanwhile our farm dances: the heavy conifer trees sway slowly, while the sagebrush and thistles quiver, bowing before every puff and pocket of air. Behind me a gentle hill slopes upward and stitches itself to the mountain base. If I look up, I can see the dark form of the Indian Princess.
The hill is paved with wild wheat. If the conifers and sagebrush are soloists, the wheat field is a corps de ballet, each stem following all the rest in bursts of movement, a million ballerinas bending, one after the other, as great gales dent their golden heads. The shape of that dent lasts only a moment, and is as close as anyone gets to seeing wind.
Turning toward our house on the hillside, I see movements of a different kind, tall shadows stiffly pushing through the currents. My brothers are awake, testing the weather. I imagine my mother at the stove, hovering over bran pancakes. I picture my father hunched by the back door, lacing his steel-toed boots and threading his callused hands into welding gloves. On the highway below, the school bus rolls past without stopping.
I am only seven, but I understand that it is this fact, more than any other, that makes my family different: we don’t go to school.
Dad worries that the Government will force us to go but it can’t, because it doesn’t know about us. Four of my parents’ seven children don’t have birth certificates. We have no medical records because we were born at home and have never seen a doctor or nurse.* We have no school records because we’ve never set foot in a classroom. When I am nine, I will be issued a Delayed Certificate of Birth, but at this moment, according to the state of Idaho and the federal government, I do not exist.
Of course I did exist. I had grown up preparing for the Days of Abomination, watching for the sun to darken, for the moon to drip as if with blood. I spent my summers bottling peaches and my winters rotating supplies. When the World of Men failed, my family would continue on, unaffected.
I had been educated in the rhythms of the mountain, rhythms in which change was never fundamental, only cyclical. The same sun appeared each morning, swept over the valley and dropped behind the peak. The snows that fell in winter always melted in the spring. Our lives were a cycle—the cycle of the day, the cycle of the seasons—circles of perpetual change that, when complete, meant nothing had changed at all. I believed my family was a part of this immortal pattern, that we were, in some sense, eternal. But eternity belonged only to the mountain.
There’s a story my father used to tell about the peak. She was a grand old thing, a cathedral of a mountain. The range had other mountains, taller, more imposing, but Buck’s Peak was the most finely crafted. Its base spanned a mile, its dark form swelling out of the earth and rising into a flawless spire. From a distance, you could see the impression of a woman’s body on the mountain face: her legs formed of huge ravines, her hair a spray of pines fanning over the northern ridge. Her stance was commanding, one leg thrust forward in a powerful movement, more stride than step.
My father called her the Indian Princess. She emerged each year when the snows began to melt, facing south, watching the buffalo return to the valley. Dad said the nomadic Indians had watched for her appearance as a sign of spring, a signal the mountain was thawing, winter was over, and it was time to come home.
All my father’s stories were about our mountain, our valley, our jagged little patch of Idaho. He never told me what to do if I left the mountain, if I crossed oceans and continents and found myself in strange terrain, where I could no longer search the horizon for the Princess. He never told me how I’d know when it was time to come home.
*Except for my sister Audrey, who broke both an arm and a leg when she was young. She was taken to get a cast.
Product details
- ASIN : 0399590501
- Publisher : Random House; First Edition (February 20, 2018)
- Language : English
- Hardcover : 352 pages
- ISBN-10 : 0099511029
- ISBN-13 : 978-0399590504
- Lexile measure : 870L
- Item Weight : 2.31 pounds
- Dimensions : 6.3 x 1.1 x 6.5 inches
- Best Sellers Rank: #3,207 in Books (See Top 100 in Books)
- #11 in Religious Leader Biographies
- #52 in Women's Biographies
- #146 in Memoirs (Books)
- Customer Reviews:
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About the author
Tara Westover is an American author living in the UK. Born in Idaho to a father opposed to public education, she never attended school. She spent her days working in her father's junkyard or stewing herbs for her mother, a self-taught herbalist and midwife. She was seventeen the first time she set foot in a classroom, and after that first taste, she pursued learning for a decade. She graduated magna cum laude from Brigham Young University in 2008 and was subsequently awarded a Gates Cambridge Scholarship. She earned an MPhil from Trinity College, Cambridge in 2009, and in 2010 was a visiting fellow at Harvard University. She returned to Cambridge, where she was awarded a PhD in history in 2014.
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Tara Westover’s emotional story broke my heart even as she tells it in a very matter of fact style. She’s raw and honest about her own self and shortcomings, she turns the lens on herself many times in the book, shining a light on her own bad behaviors and choices. Her story is shocking, infuriating and at times just plain, disturbing, but I couldn’t stop reading it. I didn’t feel it was redundant at all, although you can say, many of the same bad things happen to her over and over again; car accidents, freak accidents in the junkyard, physical and verbal abuse from her older brother and worst of all, the sheer lack of protection she had from her parents. The hardest thing to grasp about Tara’s story is how easily her parents did not protect her from so much, time and time again. To come from all that and to be as articulate as she is and as grounded as she seems is astonishing. Just pull up an interview of Tara Westover talking to Oprah or Ellen DeGeneres and you’ll find yourself thinking what a lovely person she appears to be. She doesn’t seem fueled with anger or overcome with emotion, she holds herself upright gracefully and tells her truth, straight. She doesn’t even talk badly about all of the ones who have hurt her so deeply. I believe that is a testament to who Tara Westover is as a person.
As far as her education, I read the many naysayer comments barking about her “too good to be true” Ivy League education and dismissing or denying how she could have not gone to public school and gotten a high school education before going off to these colleges based on what little education and home schooling she did have. I admit, it does sound too good to be true…but in some cases, some people just have what it takes; the talent, the brains, the drive and determination and the luck to get far in life. I think Tara always had it in her and the people who met her, the bishop and the professors who supported and encouraged her, felt very strongly about what Tara was capable of and I think they helped her as much as they could along the way. I think they wrote recommendation letters, persuaded her numerous times to apply for grants and funding and to take her knowledge as far as it could go. I think it was easy to see in Tara, a success story of sorts. She’s someone who transformed themselves into who she was meant to be, someone who could change her life (if not her story or her past) and transcend even her wildest dreams. I admire Tara and her success and applaud her for telling such a raw story—even if it meant risking estrangement from the people she loves.
Tara Westover has written a brilliant story and proves what a good writer she is. A good story in the hands of a bad writer would not end up being as beloved and popular as Educated is. As far as I can see, she was meant to have all her success.
Top reviews from other countries
Fascinating, descriptive, much to learn, one grows up in a familihood, it is an individual decision to break family patterns to be different. Tara took the best part and had natural talents to embrace successfulness.
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The book was first published in 2018, it has 377 pages and 40 chapters. First impression is good as there are some top quality quotes of praise at the start.
I hadn't appreciated that so much of the book would be about the author's childhood. Her education at home was very limited and she describes the varying levels of work she had to do to survive.
The writing is engaging and the reader is encouraged to care about Tara. The narrative is first person so is very personal - you can't help but feel her experiences with her.
Alongside the straightforward narrative. the reader has to look behind the writing as the motives and emotions are a huge part of this story. Tara rarely judges and simply accepts most of her life - it's the reader who is given the space to analyse and has time to stand back to get the full picture.
Tara's life is hard to comprehend - she tells us about it sensitivity yet managing to retain a disconnect that appears to be her coping mechanism. She thought that everything was normal and that there were no options. Its inspiring to read about her small moments of realisation when she starts to acknowledge what is happening, accepts them as wrong and starts to consider alternatives. I was surprised there wasn't one big moment of rebellion away from her world but just small movements and tiny mind shifts until one day she found she had gone far enough mentally not to have to go back. This multitude of tiny steps are almost imperceptible until she learns to believe in herself - this creates a wave of emotion for the reader and it can be seen how life changing the process was for Tara.
Brilliant account of a life turning towards the world rather than running away from it.
This is all well written as a retrospective account and it is as I would normally expect a memoir to be - evenly paced and with a consistent tone. This book seems to do so much more though - at the start the narrative is naïve and basic, as the author grows the phrasing becomes more confident and articulate. This development is cleverly written.
Ein unglaubliche Geschichte, die an Herz und Nieren geht! Unbedingt lesen! Sollte auf keiner reading list fehlen!