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On Such a Full Sea: A Novel Paperback – December 2, 2014

3.7 3.7 out of 5 stars 969 ratings

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“Watching a talented writer take a risk is one of the pleasures of devoted reading, and On Such a Full Sea provides all that and more. . . . With On Such a Full Sea, [Chang-rae Lee] has found a new way to explore his old preoccupation: the oft-told tale of the desperate, betraying, lonely human heart.”—Andrew Sean Greer, The New York Times Book Review

“I've never been a fan of grand hyperbolic declarations in book reviews, but faced with
On Such a Full Sea, I have no choice but to ask: Who is a greater novelist than Chang-rae Lee today?”—Porochista Khakpour, The Los Angeles Times

From the beloved award-winning author of
Native Speaker,The Surrendered, and My Year Abroad, a highly provocative, deeply affecting story of one woman’s legendary quest in a shocking, future America.

On Such a Full Sea takes Chang-rae Lee’s elegance of prose, his masterly storytelling, and his long-standing interests in identity, culture, work, and love, and lifts them to a new plane. Stepping from the realistic and historical territories of his previous work, Lee brings us into a world created from scratch. Against a vividly imagined future America, Lee tells a stunning, surprising, and riveting story that will change the way readers think about the world they live in.

In a future, long-declining America, society is strictly stratified by class. Long-abandoned urban neighborhoods have been repurposed as highwalled, self-contained labor colonies. And the members of the labor class—descendants of those brought over en masse many years earlier from environmentally ruined provincial China—find purpose and identity in their work to provide pristine produce and fish to the small, elite, satellite charter villages that ring the labor settlement.

In this world lives Fan, a female fish-tank diver, who leaves her home in the B-Mor settlement (once known as Baltimore), when the man she loves mysteriously disappears. Fan’s journey to find him takes her out of the safety of B-Mor, through the anarchic Open Counties, where crime is rampant with scant governmental oversight, and to a faraway charter village, in a quest that will soon become legend to those she left behind.
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Editorial Reviews

Review

“Watching a talented writer take a risk is one of the pleasures of devoted reading, and On Such a Full Sea provides all that and more. . . . Lee has always been preoccupied by the themes of hope and betrayal, by the tensions that arise in small lives in the midst of great social change. His marvelous new book, which imagines a future after the breakdown of our own society takes on those concerns with his customary mastery of quiet detail—and a touch of the fantastic. . . . With On Such a Full Sea, he has found a new way to explore his old preoccupation: the oft-told tale of the desperate, betraying, lonely human heart.”—Andrew Sean Greer, The New York Times Book Review

“I've never been a fan of grand hyperbolic declarations in book reviews, but faced with
On Such a Full Sea, I have no choice but to ask: Who is a greater novelist than Chang-rae Lee today?”—Porochista Khakpour, The Los Angeles Times

“In his latest and boldest novel,
On Such a Full Sea, Lee’s characters are Chinese immigrant workers in the United States—specifically Chinese workers from a long-elapsed China toiling in a fast-declining America a century or so from now. For Lee’s heroine, Fan, the issue is not acclimatization but self-discovery. The adventures of this feisty yet wary protagonist, together with a bleak but arresting vision of the future, keep the reader rapt and concerned for the fate of both beleaguered character and battered brave new world.”—Minneapolis Star Tribune

“Now with
On Such a Full Sea, one of our most silken storytellers, Chang-rae Lee, has imagined how it all goes wrong in the darkest installment of this literary night terror yet. The menace of Lee’s book derives from how closely it resembles reality. The haves and have-nots in his world are neatly balkanized. Cities produce, suburbs consume, and only the rich can afford the health care that keeps them alive. . . . With this strange and magically grim book, Chang-rae Lee has allowed us to leave the familiar behind, all so we can see it more clearly.”—The Boston Globe

“[
On Such a Full Sea is] not just a fully realized, time-jumping narrative of an audacious young girl in search of lost loved ones, but an exploration of the meaning and function of narrative, of illusion and delusion, of engineered personalities and faint promises of personhood, and of one powerful nation's disappearance and how that indelibly affects another.”—Chicago Tribune

"The most striking dystopian novels sound an alarm, focus our attention and even change the language.
The Handmaid’s Tale crystallized our fears about reproductive control; Fahrenheit 451 still flames discussions of censorship; and 1984 is the lens through which we watch the Obama administration watching us. Chang-rae Lee’s unsettling new novel, On Such a Full Sea, arrives from that same frightening realm of total oversight and pinched individuality. . . . A brilliant, deeply unnerving portrait."—The Washington Post

"Should every talented novelist have a go at dystopia? Probably not, but we can thank the gods of chaos that the trendy genre fell into the hands of Chang-rae Lee. Over four novels, Lee has mastered the art of lyrical realist portraiture, breathing life into immigrants at sea in modern America. Taking a bold turn with his fifth,
On Such a Full Sea, he's equally deft at envisioning a failed America. . . . As Fan's wild journey takes her across the socioeconomic strata, Lee's novel brilliantly satisfies the genre's prime directive, which is to reveal the awful present by means of the terrible future."—GQ

"[The] haunting
On Such a Full Sea . . . recalls the work of Cormac McCarthy and Kazuo Ishiguro. Here Lee weaves multiple plots into an ambitious epic showcasing a fearless fish-tank-diver heroine as she treks across a devastated landscape. . . . With its appealing protagonist as narrative glue, On Such a Full Sea layers stories within stories, building to its final, resonant catharsis."—O, The Oprah Magazine

"Chang-rae Lee . . . is best known for realistic fiction about displaced characters of Asian descent. He sets his latest work,
On Such a Full Sea, in a chaotic, dystopian America, but I'm happy to report that at its heart it's still very much another deeply soulful Chang-rae Lee novel. . . . The dystopia of On Such a Full Sea isn't showy. As in Kazuo Ishiguro's Never Let Me Go, there's a welcome absence of sterile white laboratories and grand displays of oppression. instead Lee relies on specific, indelible images—a family of toothless acrobats who feed humans to their dogs, a group of anime-eyed girls held captive in a wealthy Charter woman's home—and his usual perceptive writing to get at the warped morality that can drive a world into decline."—Entertainment Weekly

“Chang-rae Lee’s
On Such A Full Sea is so elegiac that it almost collapses into a morass of sorrow, yet it’s so well crafted it’s impossible not to see the story to its end. With his latest novel, Lee creates a world far into the future, where the boundaries between countries have frayed and a semi-dystopian state has arisen. Although Orwellian themes linger in the background, the book itself is really about one woman, and the symbol she becomes to the village she leaves behind.”—A.V. Club (A)

"[A] moving new novel."—
Vanity Fair

"[A] riveting story . . . Lee’s brilliantly rendered dystopia resembles our America.”—
More

"Lee's prose is sumptuous and at dimes discursive, and for that reason, this is a novel that demands the reader's full engagement. The rewards for that commitment are considerable;
On Such a Full Sea is an elegiac and often unsettling glimpse of a future that could be closer than we'd like to think."—Bookpage

"It's an engrossing read, and Lee's skills as a world builder of the finest order are evident in every chapter."—
Publishers Weekly (starred review)

“Lee, always entrancing and delving, takes a truly radical leap in this wrenching yet poetic, philosophical, even mystical speculative odyssey. . . . Lee brilliantly and wisely dramatizes class stratification and social disintegration, deprivation and sustenance both physical and psychic, reflecting, with rare acuity, on the evolution of legends and how, in the most hellish of circumstances, we rediscover the solace of art. Electrifying.”—
Booklist (starred review)
 
“The title alone is an astonishing feat of encapsulated genius from the inimitable Lee. . . . Brilliant . . . A heart-thumping adventure.”—
Library Journal (starred review)

"A harrowing and fully imagined vision of dystopian America from Lee. . . . The potency and strangeness of [his]characters never diminish the sense that Lee has written an allegory of our current predicaments, and the narration, written in the collective voice of B-Mor, gives the novel the tone of a timeless and cautionary fable. Welcome and surprising proof that there’s plenty of life in end-of-the-world storytelling."—
Kirkus (starred review)

About the Author

Chang-rae Lee is the author of Native Speaker, winner of the Hemingway Foundation/PEN/Hemingway Award for first fiction; A Gesture Life; Aloft; and The Surrendered, winner of the Dayton Peace Prize and a finalist for the Pulitzer Prize. Selected by The New Yorker as one of the “20 Writers for the 21st Century,” Chang-rae Lee is Professor professor in the Lewis Center for the Arts at Princeton University and the a Shinhan Distinguished Visiting Professor at Yonsei University.

Product details

  • Publisher ‏ : ‎ Riverhead Books; 1st edition (December 2, 2014)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 432 pages
  • ISBN-10 ‏ : ‎ 1594632898
  • ISBN-13 ‏ : ‎ 978-1594632891
  • Item Weight ‏ : ‎ 12 ounces
  • Dimensions ‏ : ‎ 5.19 x 0.94 x 7.93 inches
  • Customer Reviews:
    3.7 3.7 out of 5 stars 969 ratings

About the author

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Chang-Rae Lee
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Chang-Rae Lee is the author of Native Speaker, winner of the Hemingway Foundation/PEN Award for first fiction, A Gesture Life, and Aloft. Selected by The New Yorker as one of the twenty best writers under forty, Chang-Rae Lee teaches writing at Princeton university.

Customer reviews

3.7 out of 5 stars
3.7 out of 5
969 global ratings
A 16 year-old makes her dark and gloomy way through a meadering, yet gracefully, intelligently written novel
2 Stars
A 16 year-old makes her dark and gloomy way through a meadering, yet gracefully, intelligently written novel
Having read two of Chang-rae Lee's earlier novels, I thought I'd try another. This after seeing his latest was nominated for a major literary award. His longest, this one a page or two over 400 pages. In the dystopian style of Cormac McCarthy's "The Road" which put a father and son in search of what was left of the world. This degradation features a smidge less than five feet girl whose job is to "husband and nurture" fish. "Not one of them" this 16-year-old with her snorkel circles around these unclassified fish, and from the time they are hatched she herself becomes part of the waterscape. To these newly born hatchlings the movement of her flippered feet are like "a mother's lullaby." Fearful fish, we're told, are not happy fish. These swarms of babies reside in tanks, each the size of a badminton court.All this care and feeding before leaving "B-Mor"--formerly Baltimore before global warming gutted civilization--this decision to abandon her urban neighborhood driven also by her undying love for Reg who's disappeared. We begin Fan's inexorable search for her young lover. During which she discovers long abandoned neighborhoods, each environmentally ruined by carbon belching China. In the more hostile "open counties" as he continues her search our sixteen-year-old encounters shantytowns and murderous gangs (lucky victims are kept as slaves). Slowly, the novel shifts toward a wealthy settlement where Fan believes her boyfriend may be. Abiding by a maniacal work ethic the people of Charter, as this more affluent neighborhood is called, are "famously nervous." This edginess feeds their obsession of minimizing hazards of any kind. Our heroine of course is less inclined to protect herself as she continues her maniacal search, emboldened no doubt by her still vivid memories of her daily feeding and swimming around all those fish, who were almost as close to her, both emotionally and physically, as this more elusive boyfriend. By which time I was wanting to escape myself from this search of hers.
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Top reviews from the United States

Reviewed in the United States on February 2, 2024
I always review immediately after reading but think maybe I shouldn't this time. The ending, while not unexpected, is wrenching. Lee builds a world much like but apart from our own. And it's mesmerizing but utterly hopeless. I found myself speeding forward toward a train wreck instead of savoring the depths that her writing plumbs. I'm blown away but also disappointed that's it's over but also exhausted. The author is talented.
Reviewed in the United States on January 23, 2014
Chang-Rae Lee's last novel, The Surrendered, was haunting and beautifully written. Native Speaker was smart and engaging, as was A Gesture Life. Because Lee is a generous, probing author and because I am a fan of SF, I was very excited to learn On Such a Full Sea was set in the future. I wondered what Lee would do if he let himself explore "what might be" and this novel is quite amazing.

A young woman named Fan is the heroine from B-more, a hard-working facility/town that provides farmed seafood and vegetables for the privileged few. The unnamed narrator, who is also from B-more, speaks of "we" and "us" and is nearly omniscient. Lee doesn't let on whether the narrator is female or male, whether middle-aged or elderly. This is a pleasure to read and worth taking the time to savor.
3 people found this helpful
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Reviewed in the United States on March 12, 2014
I had high hopes for Chang-rae Lee’s On Such a Full Sea. A literary author turning his hand to a post-apocalyptic tale that would focus less it seems on zombies and cannibals etc., but take the opportunity to make some searing points about class and globalization and other current issues. But has been the case with a distressingly large number of my reads lately, while I ended up appreciating the starting premise and also what Lee was trying to do, he lost me in the execution.

On Such a Full Sea is set in the not-too-far future U.S., which has roughly broken down along class lines into three segments of society. The one-percenters live in luxurious, protected enclaves called “Charters.” Their food, and one assumes other items (we only see the food one), are produced in worker towns. And the rest of the country—wild, dangerous, left to itself, is made up of “the counties.” The novel is narrated by an unusual plural-first-person: the populace of B-Mor one of those food-producing worker colonies. B-Mor is the former Baltimore, which was near-abandoned until workers were imported from China several generations ago. The protagonist is a young girl named Fan, who does what is nearly impossible to imagine—she leaves Fan, seemingly (though it is not clear) in search of her lover Reg, who disappeared soon after the Charters discovered he might be immune to the “C-disease” that everyone has and eventually dies from. Fan’s episodic journey from one settlement type to another and finally to the third is narrated as almost a fable by those she left behind in B-Mor (how they know what happens is left unexplained), both with regard to her adventures but also in regard to the impact her absence has on B-Mor’s community and its relationship to the Charters. As they say: “we can’t help but build upon what is known, our elaborations not fantastical or untrue but at times vulnerable to our wishes for her, and for ourselves.”

Her departure’s impact on B-More was without a doubt my favorite part of the novel and might have been the only aspect where I felt On Such a Full Sea mostly succeeded. Lee does an excellent job of showing the slow, subtle effects upon the B-Mor community. It is a quiet impact even at its “loudest” moment, and then (perhaps much to many readers’ dismay—it certainly was to those in my reading group), that impact seems to dissipate either entirely or not-so-entirely, depending on one’s interpretation (I fell into the latter category). I liked the slow pace of the change, the quietness of it, the tiny steps forward and backward and I also liked the idea that small, seemingly inconsequential lives and events (Fan + Reg’s disappearance) can ripple throughout a society. Unfortunately, that was, as I said, about the only element of the book I responded positively toward.

Lee spends next to no time on how this America came to be, though there are spot references to global warming, the rise of powerful corporations (especially agri- and pharma- corps). While part of me actually liked the way those sort of things played as mere side allusions in terms of their individual references, I never really felt the world held together as a real one. It felt a bit like the western town at the end of Blazing Saddles. For those unfamiliar with the movie (and shame on you), a better analogy might be as if I picked up the tools/materials of a master carpenter and built a chair that appears fine to the eye, but collapses once someone sits in it. In this case, they were the tools and materials not of a carpenter but a genre-writer. That’s not to say non-genre authors shouldn’t ever pick up a hammer (or FTL drive), but that they might be surprised how much study and practice is entailed in doing it well. In the case of On Such a Full Sea, it just seemed to me that the world, when examined too closely, revealed some cracks and called up some inevitable questions.

While I did like some of the ways Lee used this futuristic setting to make some points about our current society—upper and middle-class competition, testing, our obsession with food purity, the way many of our goods are made by workers in terrible situations—at times the targets felt a bit easy or the targeting a bit too on the nose.

These probably would have been minor complaints had the novel grabbed me more fully, but both the narration style and the characterization had their own issues, meaning they couldn’t make up for the weak world building. I have no issue with the choice of plural first person, as I’ve run across several examples where it works quite well, such as The Virgin Suicides or (if I recall correctly) The Dress Lodger. But here, the voice was just too flat and too often felt either contrived or faux profound, or both.

Fan didn’t help matters, in that she is one of the most passive characters I’ve come across in some time, showing initiative once when she leaves the town (though it’s a very muddied “initiative”) and then only one other time in the entire novel, and that time feeling wholly out of character from what came before or after. Now, I think that part of the reason for this is that narrative voice, for in many ways (perhaps in fact solely that way), she is seen as more symbol that real-life person. Nor is she meant to be heroic; she is a small (literally and metaphorically) person. As the narrators realize: “she is not quite the champion we would normally sing; she is not the heroine who wields the great sword . . . She is one of the ranks, the perfectly ordinary, exquisitely tiny person.” But that makes for a very thin tightrope for an author to walk—to have us engaged by or care much about a character that never really comes alive—and I can’t say Lee succeeded here.

Pacing is a problem, with a very slow beginning, so much so that it was a real struggle to continue. And I say this as one who is generally a fan of slow and quiet. Implausibilities and coincidences mar the plot at various points, which I will not detail so as to avoid spoilers. Though I will mention that simply pointing out via narration that something would be a heck of a coincidence doesn’t actually make it less annoying when it does happen. Really authors. It doesn’t. Trust me.

As I said above, I liked much of what was intended here, especially that portrayal of a small community slowly evolving, but the execution left me more than a little cold. And of the six of us in the book club, I probably responded most positively to it. On Such a Full Sea has garnered lots of praise though, so perhaps you want to keep that in mind. I, however, can’t quite recommend it.
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Reviewed in the United States on February 28, 2016
I love dystopian books and Chang-Rae's novel is something I'd recommend for those who enjoy Margaret Atwood's dystopian novels. This isn't a book that neatly presents and wraps up a plot with a clear beginning and end and a hero that promises to upend a distorted society and it's rules - it's a novel that moves slowly at times but so articulately identifies and illustrates even the dullest moments that you can feel every emotion, intention and tension of a snapshot in time.
I think, when I was first reading this, I expected Fan, the main character/heroine and her boyfriend, Reg, to inspire the whole B-mor community to successfully overthrow the Charters and create a more fair version of society but instead I read about this symbiotic relationship between the B-mor community and Fan. The way Chang-Rae Lee narrates throughout is as if he is speaking for Fan's family within B-mor and it's brilliant the way he makes you feel the tight-knit closeness of the community and how Fan's departure leaves silent and steady ripples behind that everyone struggles to understand and express. But nothing is some grand gesture and like Chang Rae says, Fan isn't some great heroine, she's often swept away in her own series of events. I loved that about this book and the way he developed the characters to be a little contradictory but very distinct in the way they carried themselves or approached their own fate. The dystopian society is interesting, too. There's darkness expressed differently within the groups, the Charters who live extravagantly and obsess over their material possessions and county folks who are generally left to fend for themselves among strangers.
The ending is left open-ended, to my surprise, but it made sense to me. It was less about the plot, anyway and more about the ripple of relationships, the current of Fan's life, and the characters she encountered in her desperate search for Reg. All in all, a great read.
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Top reviews from other countries

Lindsay Wincherauk
5.0 out of 5 stars An enthralling, captivating, gripping, dystopian (?) read.
Reviewed in Canada on March 14, 2021
How did the book make me feel/think?

I’ve read a few dystopian-themed books lately. What I’ve discovered: there might not be such a thing as a dystopian world. We’ve arrived. We’re living it. Open your eyes + ears. The truth is often accepted as the words of those with the loudest talking sticks. But the thing is, it’s not really the truth.

Cards are dealt. If you’re lucky, you’ve been dealt a decent hand. Or if you are fortunate (?) your generational cards have given you an unearned upper hand.

We’re tossed into our lots in life. Climbing out, is insurmountable at best. We are dropped into set categories. Some of us must make the best of menial in an angry world. Some of those dealt strong non-generational hands forget where they’ve come from. They’re small people, often with ginormous trucks. A silver spoon drops out of one of their mouths; he/she doesn’t realize he/she is being used as well. It doesn’t matter. A safety net is in place; he/she will never fall far.

As for the rest of us, we must fight and claw, often over each other, as we desperately try to make our way through the impossible. Kindness is often replaced by struggle.

We are all sick. Nobody is immune, except for one man, who may be the cure for all - the entitled want to use him, to harvest the cure.

Eyes always darting. Never connecting. Money comes before humanity. Business is heartless. We’re the product: Humans. Damaged. Flawed. Barely holding on. We shamelessly hide behind a shaded false mask of direction, when used up – you tell the broken: This is no longer for you. Each time, your soul dies a little more. You don’t care; you drive a big truck.

But I have nowhere else to go. Life has ravaged me. You are draining the last droplets of my plasma.

Go. It’s not working anymore.

Please. I have another drop, you futilely plead.

A week later: Hey, did you hear, So-and-so died?

We pretend to care. So-and-so had nowhere else to go. We took what we could. There is no time to mourn; another soul who is barely holding on is waiting to take So-and-so(s)’ place.

ON SUCH A FULL SEA is an enthralling, captivating, gripping, dystopian read where we might, if we don’t take a moment to pause and realize, as Chang-Rae Lee weaves this breathtaking futuristic tale of where we might be heading—in reality, we may already have arrived—now our challenge is to have the dealer deal fairer hands.

That’s how this book made me feel.

WRITTEN: March 19, 2021
Corinne04
5.0 out of 5 stars A metaphor for our world
Reviewed in France on August 11, 2022
Sophisticated writing and intimate knowledge of human emotions. You cannot stop wanting to know about Fan and her journey(sorry, had to use the 'j' word.....). You get sometimes lost in the meanderings of the writer's mind but the point is always relevant.
GFK
5.0 out of 5 stars This is a great read. The premise is a little like California ...
Reviewed in the United Kingdom on February 8, 2016
This is a great read. The premise is a little like California - also set in a post-apocalyptic world - but so much better. The narrator switches from the facility B- mor, where our 'heroine' Fan comes from to chart her 'adventures' outside in the unregulated counties. Adventures isn't quite the right word as it sounds like a Famous Five yarn, which it certainly isn't. The narrator also philosophises on life in the somewhat sterile facility before getting back to the main story. We get a glimpse of this new world though have to imagine a lot, which I think works.
Fan comes across some tricksy people but she's versatile and inventive. And the end of the book is amazing.
Heidi D.
5.0 out of 5 stars On such a full sea
Reviewed in Germany on November 6, 2014
What a philosophical, sad and deep story. I love Chang-Rae Lee's stories. To tell the truth: I am a long-time fan of his!
Mig Bardsley
4.0 out of 5 stars Interesting
Reviewed in the United Kingdom on July 4, 2017
I enjoyed this but I did find the narrative style a little stilted. Fan, the heroine, leaves her rigidly defined existence as a labourer caring for fish in this slightly dystopian world in search of her vanished lover. She experiences other classes and groups in her search and her journey is described as a series of musings by the collective imagination of those she left behind. It's an odd way to tell a story but although it does often ramble and digress more than I'd like, in the end I found that the changes in the community she left made it grow almost like a character. So, while I sometimes found it tedious, it was essential to the story, which in the end seemed to be as much about the community as about Fan's quest.