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The Hobbit Paperback – September 18, 2012
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The journey through Middle-earth begins here with J.R.R. Tolkien's classic prelude to his Lord of the Rings trilogy.
“A glorious account of a magnificent adventure, filled with suspense and seasoned with a quiet humor that is irresistible... All those, young or old, who love a fine adventurous tale, beautifully told, will take The Hobbit to their hearts.”—The New York Times Book Review
"In a hole in the ground there lived a hobbit." So begins one of the most beloved and delightful tales in the English language—Tolkien's prelude to The Lord of the Rings. Set in the imaginary world of Middle-earth, at once a classic myth and a modern fairy tale, The Hobbit is one of literature's most enduring and well-loved novels.
Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely traveling any farther than his pantry or cellar. But his contentment is disturbed when the wizard Gandalf and a company of dwarves arrive on his doorstep one day to whisk him away on an adventure. They have launched a plot to raid the treasure hoard guarded by Smaug the Magnificent, a large and very dangerous dragon. Bilbo reluctantly joins their quest, unaware that on his journey to the Lonely Mountain he will encounter both a magic ring and a frightening creature known as Gollum.
- Reading age12 years and up
- Print length300 pages
- LanguageEnglish
- Grade level7 - 9
- Lexile measure1000L
- Dimensions5.25 x 1 x 8.5 inches
- PublisherHoughton Mifflin Harcourt
- Publication dateSeptember 18, 2012
- ISBN-10054792822X
- ISBN-13978-0547928227
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A hobbit joins a group of dwarves and a wizard on a quest to reclaim their homeland from a dragon, discovering a magic ring and encountering a creature known as Gollum.Amazon editors say...
This adventure is many readers' leaping-off point for a lifetime of reading about elves, dwarves, and wizards.
Adrian Liang, Amazon EditorPopular highlight
If more of us valued food and cheer and song above hoarded gold, it would be a merrier world.13,827 Kindle readers highlighted thisPopular highlight
It does not do to leave a live dragon out of your calculations, if you live near him.7,440 Kindle readers highlighted thisPopular highlight
“Go back?” he thought. “No good at all! Go sideways? Impossible! Go forward? Only thing to do! On we go!”5,794 Kindle readers highlighted this
From the Publisher
The Fellowship of the Ring | The Two Towers | The Return of the King | The Lord of the Rings | The Lord of the Rings | The Fellowship of the Ring [TV Tie-In] | |
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The Return of the King [TV Tie-In] | The Two Towers [TV Tie-In] | The Fellowship of the Ring | The Two Towers | The Return of the King | The Lord of the Rings | |
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Customer Reviews |
4.9 out of 5 stars
10,927
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4.8 out of 5 stars
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4.8 out of 5 stars
13,649
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Price | $16.75$16.75 | $17.99$17.99 | $20.01$20.01 | $12.49$12.49 | $19.49$19.49 | $12.49$12.49 |
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Editorial Reviews
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The Hobbit
Six Different Editions
Pick the version of the Hobbit that best suits your needs.
The Hobbit; or, There and Back Again
The Hobbit; or, There and Back Again
A great modern classic and the prelude to The Lord of the Rings, with an iconic cover inspired by Tolkien’s designs.
The Hobbit: Deluxe Pocket EditionThe Hobbit: Deluxe Pocket Edition
This charming deluxe pocket-sized edition contains the complete unabridged text and features a beautiful leatherette cover and gilt-edging. The perfect gift for little Hobbits everywhere!
Hobbit Illustrated EditionHobbit Illustrated Edition
A beautiful gift edition of J.R.R. Tolkien's enchanting tale, fully illustrated by Jemima Catlin.
Hobbit 75th Anniversary EditionHobbit 75th Anniversary Edition
This deluxe hardcover edition of J.R.R. Tolkien's classic prelude to his Lord of the Rings trilogy contains a short introduction by Christopher Tolkien, a reset text incorporating the most up-to-date corrections, and all of Tolkien’s own drawings and full-color illustrations, including the rare “Mirkwood” piece.
Hobbit Young Reader’s EditionHobbit Young Reader’s Edition
The text in this 372-page paperback edition is based on that first published in Great Britain by Collins Modern Classics (1998), and includes a note on the text by Douglas A. Anderson (2001).
Hobbit Collector’s EditionHobbit Collector’s Edition
This deluxe collector's edition of Tolkien's modern classic is boxed and bound in green leatherette with gold and red foil rune stamping on the spine and cover. The text pages are printed in black with green accents. It includes five full page illustrations in full color and many more in two colors, in addition to Thror's map -- all prepared by the author.
Review
"All those, young or old, who love a finely imagined story, beautifully told, will take The Hobbit to their hearts." Horn Book Guide
"A flawless masterpiece." The Times of London —
From the Back Cover
Now a major motion picture
A great modern classic and the prelude to The Lord of the Rings
Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely traveling any farther than his pantry or cellar. But his contentment is disturbed when the wizard Gandalf and a company of dwarves arrive on his doorstep one day to whisk him away on an adventure. They have launched a plot to raid the treasure hoard guarded by Smaug the Magnificent, a large and very dangerous dragon. Bilbo reluctantly joins their quest, unaware that on his journey to the Lonely Mountain he will encounter both a magic ring and a frightening creature known as Gollum.
“A glorious account of a magnificent adventure, filled with suspense and seasoned with a quiet humor that is irresistible . . . All those, young or old, who love a fine adventurous tale, beautifully told, will take The Hobbit to their hearts.” – New York Times Book Review
J.R.R. TOLKIEN (1892–1973) is the creator of Middle-earth and author of such classic and extraordinary works of fiction as The Hobbit, The Lord of the Rings, and The Silmarillion. His books have been translated into more than fifty languages and have sold many millions of copies worldwide.
www.readthehobbit.com
About the Author
J.R.R. Tolkien (1892–1973) was a distinguished academic, though he is best known for writing The Hobbit, The Lord of the Rings, and The Silmarillion, plus other stories and essays. His books have been translated into over sixty languages and have sold many millions of copies worldwide.
Product details
- Publisher : Houghton Mifflin Harcourt (September 18, 2012)
- Language : English
- Paperback : 300 pages
- ISBN-10 : 054792822X
- ISBN-13 : 978-0547928227
- Reading age : 12 years and up
- Lexile measure : 1000L
- Grade level : 7 - 9
- Item Weight : 11.2 ounces
- Dimensions : 5.25 x 1 x 8.5 inches
- Best Sellers Rank: #623 in Books (See Top 100 in Books)
- #36 in Classic Literature & Fiction
- #126 in Literary Fiction (Books)
- #161 in Epic Fantasy (Books)
- Customer Reviews:
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About the author
J.R.R. Tolkien was born on 3rd January 1892. After serving in the First World War, he became best known for The Hobbit and The Lord of the Rings, selling 150 million copies in more than 40 languages worldwide. Awarded the CBE and an honorary Doctorate of Letters from Oxford University, he died in 1973 at the age of 81.
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P.S. The Hobbit is a great book, arguably the greatest, certainly the greatest in its own league. It was written by an adult and is absolutely suitable for adults. The fact that it may also be enjoyed and understood by children is only a further credit to Tolkien's genius. Don't let the altogether too commonly found ramblings that this is a book for children discourage you from reading it if you haven't already. While not everyone is capable of enjoying it, it is criminal not to at least expose everyone to this book for anyone who is capable of enjoying it who is denied the oppurtunity has been cheated of one of the finest intellectual pleasures of this past century. My advice to you is to read it slowly and thoroughly. It is an experience like nothing else that will never be quite as magical the second time around.
P.P.S. If you don't know what The Hobbit is about, in short, it is about Adventure. A great Adventure full of Swords and Magic; of Dwarves and of Elves and of Wizards and Hobbits; Good, Evil; Trolls and Goblins; Suspense, Excitement, Comedy and Tragedy; Music, Riddles and Poetry. All of this presented in one of the most unique styles of writing ever encountered; a style of writing that paints every detail of Tolkien's fantastic world in your mind as if you were there. Not a single word is wasted and every element of the story is to be enjoyed. If any of these things sound even remotely fascinating then read this book- you won't be disappointed.
P.P.P.S. Comments about the illustrated versions for those trying to decide between the two illustrated versions of The Hobbit done by Alan Lee and Michael Hague: I recommend the Michael Hague edition hands down. The illustrations seem to fit the book much more than Lee's. Lee's anything but poor, but Mague's are more merry, bright and rich. The characters appear heartier and the colors set a better mood. More simply put, when I look at Lee's illustrations I feel like I'm standing in the dining room of somebody's grandmother- wallpaper, china dolls, lace and all- they just seem old and dry. Hague's characters, the dragon especially, seem more believable- when I turn the page I don't get a feeling like what I'm looking at is out of place. Another difference with Hague is that I am confident that anybody would enjoy his illustrations, but with Lee I merely see why some people 'might prefer it.' Hague really does have that illustration feeling I expect to see in a book; Lee's look like they belong on a museum wall. Also, I feel that Hague took a more direct interpretation of the book while Lee seemed to illustrate as he liked to fit his own style without much less regard to the book. Still, before buying I suggest you sample the art on the internet just to be sure of your tastes. However, if you're uncertain then I am confident that you and especially your children will enjoy Hague.
TITLE: *Martin's Freeman's Bilbo Baggins is inspired!*
[***** 5 stars. Until *The Hobbit, Part I* becomes available on DVD, I'm posting the film review here.]
WARNING: Spoilers ahead!
While Gandalf the Wizard [Ian McKellan] remains timeless, it was obvious from the start that the Bilbo Baggins of three *The Lord of the Rings* films fame [Ian Holm, now pushing 80 years old] would have to bow out for the making of *The Hobbit*. Director Peter Jackson had surely asked himself, "Who could portray a young Ian Holm?", (but not necessarily a younger Bilbo Baggins since we now perceive Bilbo to look like the actor.) Answer: Martin Freeman. And he was right - Freeman effortlessly coalesced into the lead role.
In the first of the two *The Hobbit* entries [sub-titled: *Into The Wilderness*], a more youthful Bilbo Baggins is craftily crow-barred by Gandalf into embarking upon a great adventure (Hobbits *despise* adventures!) and by serving as a burglar for a grumbly troupe of thirteen dwarves, all of whom are determined to reclaim their lost family treasure from the Evil dragon, Smaug; however, the actual battle with Smaug at the Lonely Mountain will have to wait until Part II [to be entitled: *Into the Fire*] is released.
Part I largely focuses upon the history of the dwarves and the initial hazards that they encounter during their single-minded quest, chiefly battling orcs in the Misty Mountains and finishing with their tribulations with the giant spiders of the vast and ominous Mirkwood forest.
It's worth noting right off that the screenwriters very shrewdly rehabilitated the puerile songs of the dwarves [found throughout the book], transforming them into a range of vivid action scenes. This strategy achieved a pair of worthy ends: 1. I've heard audio versions of this story and to include the dwarf renderings of these archaic and lengthy songs would have been in profound conflict with an effective film conveyance. 2. These newly-fashioned scenes provide additional fodder for the artful expansion of the general lack of book material, thereby reinforcing audience interest.
Honestly, a movie version of Tolkien's *The Hobbit* could feasibly have been corralled within a single feature-length film [just think of all the ground that was covered in Avatar (Original Theatrical Edition) ] -- but the financial anticipations of the producers [greed], which tended to tenon seamlessly with Peter Jackson's lust for detail, had dictated long ago that viewers would have to hang on for a "final" conclusion. Part I features an ending of a sort but perhaps it would be more forthright to regard it as a dramatic finale.
One looming uncertainty which has kept Tolkien fans off-balance was whether the screenwriters would go dark with *The Hobbit* in an effort to effectively link it up with The Lord of the Rings - The Motion Picture Trilogy (Platinum Series Special Extended Edition) series, particularly since Tolkien originally penned the earlier work as a sort of kids' fairy tale. In retrospect the answer to the question was probably evident to Peter Jackson from his earliest conception of a film version, noting additionally that his time-honored philosophy is that first-class films cannot simply mirror the books from which they are taken. A good screenplay massages a book for all it's worth but the visual and audio aspects must be fully accommodated too.
Particular figures such as Gandalf, Elrond [Hugo Weaving], Galadriel [Cate Blanchett] and, Gollum [Andy Serkis] have already been firmly established in terms of image and it would be less than prudent at this juncture to radically manipulate the personalities of these prominent returning characters. And speaking of Galadriel, she was never a personage to be found in *The Hobbit* but Peter Jackson mined her from Tolkien's trilogy, casting her very strategically in his film version (along with Legolas, played by Orlando Bloom who also did not appear in *The Hobbit*) to further expand the script. Blanchett's presence additionally helped to overcome the gender gap of the book version. Still, these two actors are not in any way just add-ons -- their respective roles and performances have imparted considerable gravity to the story.
It is impossible to separate this film's noir-ish ambiance from Howard Shore's magnificent soundtrack. He's done it again! Upbeat and even a bit frivolous at the outset, the filmscore soon slips furtively into darker realms as the story advances, a few heroic themes being reserved for the appropriate dramatic moments. One is acutely taken with the leitmotif which Shore appended to Beorn, a Prokofiev-ish ponderousness integrated with a more serious Beethoven-like dignity... the perfect musical emulsion for the venerated skin-changer.
Once initial New Zealand and Australian actors' guild stumbling blocks were surmounted, the Kiwi locations again became a reality, a twin-island geography wholly adequate for the production when supplemented by studio settings, all of which have lead to the presentation of an astonishingly exceptional end-product. It would certainly have proven problematic to reproduce The Shire's Hobbiton in Eastern Europe, a location which was suggested during the early union-troubled days.
Martin Freeman's dazzling performance has eclipsed even that of Elijah Wood's stellar lead role in *The Lord of the Rings* films. The former's ebullient energy ironically seems to have retrospectively amplified Ian Holm's earlier portrayal of Bilbo in the New Line Cinema trilogy of films. The remaining cast members have also set the viewers at complete ease as they creatively played out their respective roles. Peter Jackson undoubtedly learned early in his career that, given spot-on casting, at least half the battle is won. And it's hardly surprising that a particular limelight shines on Fili [Robert Kazinski] and Kili [Aidan Turner] since this caveat, for those of us who already know the story, will markedly impact most of us when we get to view the second film. The director is clearly looking ahead.
In the larger view *The Hobbit* story lacks the bulwark of heroic figures which we encountered throughout *The Lord of the Rings* series, Aragorn, Boromir, Theoden, Faromir, and so on. Still, imposing characters such as Elrond, Beorn, and Bard the Bowman provide us with a subliminally more-than-adequate melodramatic security blanket. The bottom line is that this superb movie is not simply the detritus of *The Lord of the Rings* films. It's gratifying that Peter Jackson was shrewd enough to not endeavor upon such a futile follow-up attempt -- he created this film from scratch. Embracing that same notion, the screenwriters saw to it that the storyline endured sufficient jumbling so that the tale is not precisely as linear as the one we encounter in the book. This film stands on its own.
With better than a baker's dozen of little folks in starring roles the temptation to over-incorporate moments of comic relief [vignettes of Gimli] must have rivaled the gnawing urge which only The One Ring could normally generate. While some tasteful levity fell well within the bounds of a palatable script, I did actually breathe a sigh of relief once I realized that few such incidents were forthcoming.
The computer generated images aspect of the movie, while perfectly executed and integral to the overall work, are nicely supplemented by scale doubles, forced perspective images, miniatures, and other Jackson-ish tricks of the trade. No fear -- these facets of the film are all first-class and delightfully palatable. Gollum is better than ever. Additionally, due accolades can hardly be suitably imparted to all the folks who helped to polish this film to excellence by means of effective make-up, articulate stunt work, unequaled cinematography, precise production design, and all the other crew activities which only ever seem to rate a fleeting line of scrolled credit.
One is pleased to observe that the new role of Warner Brothers and MGM [Hollywood-based companies which recently acquired New Line Cinema] did not perceptibly obstruct Peter Jackson's proclivity for artistic detail. The casual but essential impedimenta present at every place where the Dwarfish Crusaders land aids us all to subconsciously believe in the reality of Middle Earth along with its numerous and varied inhabitants. Probably much credit for the focused attention upon the near-infinite number of magical nuances should go largely to Alan Lee, a man with an unbounded imagination coupled with a vast artistic talent.
I present only a singular critique of this film and it has nothing to do with the body of the movie itself: I feel compelled to comment that the decision to incorporate the endless scroll of Tolkien Fan Club members' names within the end credits is ill-advised and indirectly demeaning to the actual cast and crew. What do these people actually contribute to the film's production? Loyalty and moral support? The folks who have indeed delivered something more tangible are appropriately noted elsewhere within the credits. But most of the listed individuals have played no real part whatever, regardless of the syrupy patronization conducted by the film-makers toward this particular faction of Tolkien enthusiasts. Including these names in the film credits, which also takes in the so-called self-appointed "guardians" of Tolkien's work [a trivial minority of Tolkien Fan Club members], amounts to little more than a shallow ego-bribe. It's presumptuous as the devil to assert that Tolkien's books *need* guarding by anyone -- the affiliation here is more akin to pretentious posthumous tail-gating on the venerable Old Master.
The credits perquisite imparted by the film producers, appears in my view to ostensibly head off any whining outrage raised on the internet by those Tolkien radicals who are wholly unyielding in regard to the slightest manipulation of Tolkien's texts. This posture is pure nonsense. In the end, if one's name is included in the film credits then how can s/he ever issue an untainted appraisal of the film? In truth, such an individual could never ethically issue a fruitful critical review, (nor would they likely be *inclined* to criticize, which leads me to question the motives and ethics of the producers on this front.) But here I ramble witlessly upon a topic which only faintly deserves to be dignified by my attentions to it. In truth, my mini-rant is not even a legitimate film criticism - it's really just a pet peeve.
In summary, *The Hobbit* contains enough MacGuffins and other surprise moments to make it seem like a new story while still paying a more than adequate tribute to Tolkien's original manuscript. Martin Freeman was surely a brilliant choice to play Bilbo. I can hardly wait to see Part II!
Top reviews from other countries
Penned by the incomparable J.R.R. Tolkien, The Hobbit whisks readers away to the enchanting world of Middle-earth, where hobbits, dwarves, elves, and dragons roam. At the heart of the story is Bilbo Baggins, a reluctant hero who finds himself swept up in an epic quest to reclaim a lost kingdom and treasure guarded by the fearsome dragon Smaug.
What sets The Hobbit apart is its masterful storytelling and richly imagined world. Tolkien's prose is both lyrical and evocative, painting vivid images of lush landscapes, treacherous mountains, and ancient forests. From the cozy comforts of the Shire to the perilous depths of the Misty Mountains, each setting is brought to life with breathtaking detail.
One of the standout features of The Hobbit is its cast of unforgettable characters. From the wise wizard Gandalf to the noble dwarf Thorin Oakenshield, each member of Bilbo's company brings their own unique personality and strengths to the quest. And of course, there's Gollum, the tragic and enigmatic creature whose encounter with Bilbo in the depths of the Misty Mountains is one of the most iconic moments in fantasy literature.
In terms of quality, The Hobbit is a timeless classic that continues to captivate readers of all ages. Its themes of courage, friendship, and the triumph of good over evil resonate just as powerfully today as they did when the book was first published.
Furthermore, I was delighted by the fast delivery time and overall great service provided by the seller. The book arrived promptly and in perfect condition, ready to be enjoyed by readers old and new.
In conclusion, The Hobbit is a must-read for anyone who loves fantasy literature. Its timeless tale of adventure and discovery is as enchanting today as it was when it was first published, making it a beloved classic that will continue to inspire readers for generations to come.