Enjoy fast, free delivery, exclusive deals, and award-winning movies & TV shows with Prime
Try Prime
and start saving today with fast, free delivery
Amazon Prime includes:
Fast, FREE Delivery is available to Prime members. To join, select "Try Amazon Prime and start saving today with Fast, FREE Delivery" below the Add to Cart button.
Amazon Prime members enjoy:- Cardmembers earn 5% Back at Amazon.com with a Prime Credit Card.
- Unlimited Free Two-Day Delivery
- Streaming of thousands of movies and TV shows with limited ads on Prime Video.
- A Kindle book to borrow for free each month - with no due dates
- Listen to over 2 million songs and hundreds of playlists
- Unlimited photo storage with anywhere access
Important: Your credit card will NOT be charged when you start your free trial or if you cancel during the trial period. If you're happy with Amazon Prime, do nothing. At the end of the free trial, your membership will automatically upgrade to a monthly membership.
-32% $11.54$11.54
Ships from: Amazon.com Sold by: Amazon.com
$8.63$8.63
FREE delivery May 24 - 31
Ships from: Kuleli Books Sold by: Kuleli Books
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
OK
Jane Austen and Shelley in the Garden: A Novel with Pictures Paperback – September 7, 2021
Purchase options and add-ons
Eccentric Fran wants a second chance. Thanks to her intimacy with Jane Austen, and the poet Shelley, she finds one.
Jane Austen is such a presence in Fran's life that she seems to share her cottage and garden, becoming an imaginary friend.
Fran’s conversations with Jane Austen guide and chide her – but Fran is ready for change after years of teaching, reading and gardening. An encounter with a long-standing English friend, and an American writer, leads to new possibilities. Adrift, the three women bond through a love of books and a quest for the idealist poet Shelley at two pivotal moments of his life: in Wales and Venice. His otherworldly longing and yearning for utopian communities lead the women to interrogate their own past as well as motherhood, feminism, the resurgence of childhood memory in old age, the tensions and attractions between generations. Despite the appeal of solitude, the women open themselves social to ways of living - outside partnership and family. Jane Austen, as always, has plenty of comments to offer.
The novel is a (light) meditation on age, mortality, friendship, hope, and the excitement of change.
- Print length304 pages
- LanguageEnglish
- PublisherFentum Press
- Publication dateSeptember 7, 2021
- Dimensions5 x 1 x 7.75 inches
- ISBN-101909572276
- ISBN-13978-1909572270
Books with Buzz
Discover the latest buzz-worthy books, from mysteries and romance to humor and nonfiction. Explore more
Customers who bought this item also bought
Editorial Reviews
Review
“A beautiful book - a true treat and gift. Todd gives us an allusive dialogue of the living in vivid conversation with the illustrious dead. The voices of her learned, witty, aging twenty-first-century characters—like present-day Mrs. Dalloways going about their business in provocative daily routines—bring new life to the great authors of the past. This is a wonderful, moving novel of playful experimentation, gorgeous image, and brilliantly irreverent juxtaposition.” Devoney Looser, Foundation Professor of English, Arizona State, and author of The Making of Jane Austen.
“Dazzlingly inventive, fabulously enjoyable” Sandi Toksvig.
Washington Post
"A charming new novel about friendship and the literary life."
"In this delightful novel, Virginia Woolf, William Wordsworth, Elizabeth Bishop, Dr. Samuel Johnson and Lord Byron all make cameos, along with, of course, Jane Austen .... what great company these characters and the many writers who inhabit this novel make. It's as if we readers are taking a trip to Cambridge, Wales and Venice, too, and encounter in the local pubs a few witty, quirky locals who just happen to be literary scholars. They regale us with their favorite lines from poems while they share a glass of wine or a pint of ale, as if we are all friends just enjoying each other's company in a summer that — in our imagination anyway — can go on as long as we'd like."
Booklist
"Todd's charming, quirky, thoughtful, challenging, and encouraging tale includes engaging photos and illustrations that enhance the story, adding up to an unusual and intriguing literary romp."
"Fran and Annie have been friends for decades, from their time teaching in higher education and experiencing motherhood to Annie's current visit to Fran's remote retirement cottage in South Norfolk, England. While contemplating the next phase of their friendship, Fran consults with Jane Austen, a ghostly presence in her life. A group of earthly friends is loosely formed, and they embark on a journey tracing the footsteps of the poet Percy Bysshe Shelley, although the growth of their friendships may be the most rewarding discovery they make. Literary critic, biographer, and novelist Todd provides a variety of reading experiences, ranging from reflections on gender inequities of the past and present to multiple viewpoints on the prospect of aging, investigating the consequences of Shelley's dramatic life choices, considering the role of women in Austen's world, and navigating the difficulties involved in following your own path while trying to fulfill the expectations of friends, family, and society. Todd's charming, quirky, thoughtful, challenging, and encouraging tale includes engaging photos and illustrations that enhance the story, adding up to an unusual and intriguing literary romp."
Foreword Magazine
"With consuming literary passion, Janet Todd's complex novel combines the past and the present together with the living and the dead."
"Fran is a widow who spent her life immersed in teaching, reading, and gardening. Her retirement (and her reluctant glances at herself in mirrors) reminds her that she is getting on in years. The thought of making a major life change while there's still time plays at the edge of her mind.
"Somewhat obsessed with Siberian recluse Agafia Lykova, who cracked nuts with her teeth while alone on the tundra, reclusive Fran thinks, 'I may have to learn to live with people before it's too late.' But Fran is not alone: the ghost of Jane Austen haunts her, making unsolicited comments on her thoughts, beliefs, and choices. Though sometimes resentful of Austen muttering in her ear, Fran accepts that her presence "makes the world a little less cold.
"Then Fran bonds with two other women over their mutual love of literature: Annie, a longtime English friend, and Rachel, an American writer. Under the influence of poet Percy Bysshe Shelley's dreams of a utopian community, the three contemplate creating a home together--a hedge against a lonely old age. Putting their musings aside, the women find a place together, only to have to serve time in lockdown there as a "family," with the ghosts of Jane Austen and Shelley happy to inhabit their garden.
"Mirrors play an important role in the tale: reflecting the passage of time, highlighting the difference between outer appearances and secret inner lives, and forcing confrontations with mortality. Hints of the homoerotic arise and are tantalizing.
Jane Austen and Shelley in the Garden layers emotions within the intellectual discourses of a literary community, thinning the veil between what's real and imagined."
The Herald
"(Examining) friendship, feminism and finding one’s way through life, this novel cultivates a gentle, autumnal mood."
- PRAISE FROM AUTHORS AND BOOKSELLERS FOR JANET TODD’S RECENT WRITING
“Todd has a good ear for tone and a deep understanding” Emma Donoghue
“Janet Todd’s interweaving of life and literature is a good book - frank, wry and unexpectedly heartening” Hilary Mantel
“A haunting, a gothic novel with a modern consciousness” Philippa Gregory
“A quirky, darkly mischievous novel about love, obsession and the burden of charisma, played out against the backdrop of Venice’s watery, decadent glory” Sarah Dunant
“A mesmerizing story of love and obsession: dark and utterly compelling." Natasha Solomons
"Intriguing and entertaining; clever, beguiling." Salley Vickers
“A stunningly good, tight, intelligent truthful book and one of the most touching love letters to literature I have ever read. Ah, so that’s why we write, I thought” Maggie Gee
“Beautifully written, viscerally honest, horribly funny” Miriam Margolyes
“A real knack for language with some jaw-droppingly luscious dialogue. I can see the author’s pedigree in the story, style, and substance of the book. It seems like a wonderful sleeper: think Elegance of the Hedgehog.” Geoffrey Jennings, Rainy Day Books
About the Author
Janet Todd (Jane Austen's Sanditon, Don't You Know There's a War On? Radiation Diaries, Aphra Behn: A Secret Life, A Man of Genius) is a novelist, literary critic and the biographer of Mary Wollstonecraft and her daughters Mary Shelley and Fanny Wollstonecraft. She has written widely on Jane Austen's work and is the General Editor of The Cambridge Edition of the Works of Jane Austen. A former president of Lucy Cavendish College, Cambridge, an Emerita Professor at the University of Aberdeen and an Honorary Fellow of Newnham College, Cambridge. Born in Wales, she grew up in Britain, Bermuda and Ceylon/Sri Lanka and has worked at universities in Ghana, Puerto Rico, India, the US (Douglass College, Rutgers, Florida), Scotland (Glasgow, Aberdeen) and England (Cambridge, UEA). She lives in Cambridge and Venice.
Excerpt. © Reprinted by permission. All rights reserved.
Excerpt from the novel
“It is a truth universally…” begins Jane Austen.
“Shhh,” says Fran, finger on lips. “Not subtle. Money and sex. How many versions before you settled on that flirtatious, teasing opening?”
The amazing Agafia Lykova, reclusive and garrulous, lives alone in the wilderness of the Siberian Taiga. The last survivor of a family of Old Believers who fled Stalin’s persecutions in 1936, Agafia traps animals and grows potatoes. In a lean year, like Charlie Chaplin in The Gold Rush she eats her leather shoes. Excluding the shoes, the diet’s good—in her ‘70s she retains her teeth, though filed down from cracking nuts. Now a world-famous hermit, she receives numerous letters and presents. The donated modern food may cause tooth decay. Fran smiles with Jane Austen over this account. “I know,” she says, “the material is so intense we should focus on trifles. Those shoes, the fan letters.“ Nothing is trifling in the life of the isolate, the miraculous Lykova. Nor in the life of Jane Austen. Both are celebrities.
“I am a fridge magnet and banknote,” remarks Jane Austen. “Miss Lykova, I believe, is on YouTube.”
Fran looks through her kitchen window. Bare trees and flat, sodden, sewage-coloured February fields below a greyish sky. If the sky came lower-- moist, cold and alive-- would it squash the mushroom-smelling earth, leave a slug-trail? I may have to learn to be with people before it’s too late, she thinks. “You’d be happier if you had work, observes Jane Austen. Your Agafia’s busy fishing, digging, praying. You need intricate sewing. Men don’t sew. Men have guns,” says Jane Austen (contrary to admiring views, she’s not always in universal touch), “they get up with the lark to shoot things. Remember Robinson Crusoe, his fingers always moving…”
Annie suspects Jane Austen of haunting her friend. Not quite, Fran would say if they discussed the matter. The woman’s there, often uninvited. Like a dream she ambles in, sits down and won’t leave despite batting eyelids. Or an intruder, settled where a shadow should be. Is Fran grateful? Dickens’s Mrs Blimber from Dombey and Son said, if she could have known Cicero, she’d have died contented. Fran sometimes resents her Author muttering in her ear. Mind’s ear, Annie might have said had the discussion occurred.
“The fact is you’re too isolated here now you’ve retired. You’ll get weird if you stay much longer. Well, weirder.”
“I know,” says Fran, unable to repress a smile. She’s pleased when someone analyses her. “Dr Johnson thought solitude and idleness roads to madness. Can’t do idleness,” grins Fran fingering the small screwdriver in the drooping front pocket of her jumpsuit. She stares at the drizzle doing pointillism on the small-paned windows, then swivels her eyes towards thin cracks in the bulging plaster round the nobbled wood frames. Mice scamper along private alleyways. To prevent Annie noticing, she speaks loudly, “I’m planning to write now I’ve time. Something oblique, a little personal.” A recounted life’s the thing, she thinks, heading boldly into what must be a short and always maybe future.
“Writing in solitude may be as mad as talking to yourself. Virginia Woolf’s room of her own was in a big family house. You’ll never have a writing group out here. You haven’t even joined a book club.” Fran avoids looking at Jane Austen, who, she guesses, smirks by the window. She hears the Author saying (for the umpteenth time) that she never wrote alone, someone was always at home to applaud a paragraph, laugh at a witticism. Women do not need rooms of their own--we do not all live in Bloomsbury, she rumbles on. We were a big bustling family, extra young people about, father’s pupils, friends, relations. Just Mum, Dad and Me, sighs Fran. But we were content.
What, thinks Annie, can Fran write about? She has no fierceness about lost life. Those dear shapeless parents in their warm little bungalow? Then she recalls drowned Andrew.
“One can live alone without finding oneself lonely.”
“Naturally.” Annie winces at the pronoun. She’d been mocked as bourgeois and (paradoxically) an echo of that fossil Prince Charles for using it in a lecture. Now she forces herself into ungrammatical obscenity, while feeling the impatience of a convert.
“I don’t miss teaching,” says Fran. “It was just entertainment. But I wanted some swagger in my life.” Fran hesitates, “I guess I feel a bit of a failure.” She wishes she’d not had to work hard for everything. So much nicer to have it through luck.
Annie glances benignly at her friend. “Not a failure, you just chose a profession you were ill-equipped for.”
“You mean you’re competent and I’m not?”
“No, but I persevered at….’ Fran isn’t listening. She doesn’t want to hear Annie say again how little her efforts have been rewarded. Fran relishes her friend’s successes.
“You’ll be retired soon. A Senior Railcard takes you anywhere.” Old age is an equalizer, Fran means. It can, should they choose, be daisy-time together.
The Author sits in a nook alone. “I never fail,” she remarks. Fran stares towards the darkness. She knows what Jane Austen thinks of her quiet mastery, her magical tactile density. She also knows what she thinks of her author’s faux humility, those little pieces if ivory she claimed to be writing on with little effect. Really!
“There are readers who say my books repeat themselves,” continues Jane Austen; “pretty girl catches eligible man. Common romances. Not so. Only a jealous person understands real love, always one-sided. Fanny Price, my heroine with the undiverted heart.”
“You wrote she’d have taken another man, you betrayed her.”
“I am a realist. I deal in probabilities.”
“Pride and Prejudice: the girl who gets it all?”
“Things exactly as they are,” murmurs Jane Austen dreamily, “a crimson horse and blue guitar.” She pulls herself back to her time. One must earn pewter.
“You created weak Fanny Price to atone for Lizzie Bennet’s ludicrous luck and rudeness. Is it a virtue to be healthy?”
Copyright Janet Todd, 2021
Product details
- Publisher : Fentum Press (September 7, 2021)
- Language : English
- Paperback : 304 pages
- ISBN-10 : 1909572276
- ISBN-13 : 978-1909572270
- Item Weight : 2.31 pounds
- Dimensions : 5 x 1 x 7.75 inches
- Best Sellers Rank: #1,584,772 in Books (See Top 100 in Books)
- #3,388 in Friendship Fiction (Books)
- #4,997 in Biographical Fiction (Books)
- #8,925 in Women's Friendship Fiction
- Customer Reviews:
About the author
JANET TODD was born in Wales and grew up in Britain, Bermuda and Sri Lanka. She has worked in Ghana, Puerto Rico, India, Scotland and England. In the US, at the University of Florida and Douglass College, Rutgers, she became active in the feminist movement and began the first journal devoted to women's writing. She has published on memoir and biography, as well as on authors including Jane Austen, Mary Wollstonecraft, Aphra Behn, Byron and members of the Shelley circle. Her lifelong passion has been for female novelists, both the little known and the famous.
A Professor Emerita at the University of Aberdeen and Honorary Fellow of Newnham College, Janet Todd is a former President of Lucy Cavendish College, Cambridge, where she inaugurated a festival of women writers and established the Lucy Cavendish Fiction Prize. She lives in Cambridge and Venice.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
The first academic we meet, Fran, has retired to a dilapidated cottage in Norfolk, where she stumps about exchanging muttered commentary with an imagined Jane Austen. Fran’s best friend, Annie, is still teaching but close to the end of her career; they visit each other in Norfolk and Cambridge and have a series of those seemingly rambling and random conversations, with Jane Austen inserting her thoughts and Fran answering either silently or sotto voce (paying attention to punctuation helps one follow here, though the book is somewhat ill-proofread).
Fran and Annie connect with a creative writing teacher, Rachel, and Thomas, a younger scholar obsessed with Percy Bysshe Shelley, as well as a bright butterfly of a postgrad named Tamsin, who is portrayed as what my fellow Californians would call a Val though that isn’t really fair to her. Anyway, Tamsin chews gum and clicks away on her phone and works at her social media persona, but she’s actually a scholar like all the rest, just of a newfangled ilk.
This ill-assorted fivesome meets in various cafés and weinstuben and makes disjointed idle conversation that can be rather hard for the reader to follow. It is sporadically entertaining but also intentionally mystifying—the author makes the mistake of not wanting us to know enough about the characters early on for us to care much about them, making stretches of the book less jeu d’esprit and more dreary slog. They are really like academics everywhere—competitive, insecure, hierarchical, self-obsessed—not a favorite character type for me, I’m afraid. They all think too much and try too hard to both follow and outdo one another, and since we’re never in one character’s point of view for long, some of it leaves the reader panting after them.
Eventually Fran, Rachel, and Thomas head off to Wales to visit places where Shelley lived, all now under water after a dam was built. Here, like distant flashes of lightning, we start to get a few moments of enlightenment about why these people are pursuing Shelley (not except in Thomas’s case for professional reasons) and how the bits of Shelley biography they discuss relate to their own lives. But most of it is just more wine-drinking and lounging about, which they could as easily have done in Cambridge. It all feels rather slight and surface.
Next all five of the group go to Venice for more of the same, and here we start to get those lightning strikes for other characters, especially Rachel. But the author stays firmly in realist vein so I missed the satisfying symmetry that comes from a true parallel narrative of Shelley’s brutal Romanticism set against the past traumas of the characters’ lives. To me this is realism misinterpreted, the notion that if you talk about buttocks and smoking you’re being true to life instead of merely distracting from the ideas of the story. Jane Austen continues to remark, the living characters continue to compete and negotiate, and somehow they start to develop a degree of affection for one another. It all ends up with **spoiler** the three older women retiring to a house together, where Jane Austen and Shelley dwell politely in the garden **spoiler**.
For my part I enjoyed some of the social satire of academic lives (some of it was too England-specific for me to get), and did develop a degree of sympathy for the characters; but bringing their humanity into the story earlier would have increased my pleasure in following them around.
{Note: I was sent an ARC by a publicist in exchange for an honest review.}