Human
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曲目リスト
1 | Time |
2 | Mystery and Illusions |
3 | Human |
4 | GG |
5 | The Thief's Dream |
6 | Hank and Charlie |
7 | Compassion |
8 | Prayer |
9 | They Went to War |
10 | In a Sentimental Mood |
11 | Ima (For Talma Maestro) |
商品の説明
超強力盤)巨匠キース・ジャレットからも賞賛され、次世代ECMを担う若き天才ジャズ・ピアニスト、2年ぶりとなる初のカルテット作品。
登録情報
- 製品サイズ : 12.7 x 14.3 x 1.6 cm; 110 g
- メーカー : ECM
- EAN : 0602508906701
- 商品モデル番号 : 60720054
- オリジナル盤発売日 : 2021
- レーベル : ECM
- ASIN : B08PX8ZHNT
- ディスク枚数 : 1
- Amazon 売れ筋ランキング: - 181,206位ミュージック (ミュージックの売れ筋ランキングを見る)
- - 45,521位輸入盤
- カスタマーレビュー:
カスタマーレビュー
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5つのうち4.5つ
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トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
2021年6月4日に日本でレビュー済み
Amazonで購入
Shai Maestro(P)の「Humam」がアマゾンより届いた。早速「SENNHEISER」のヘッドフォンで聴いている。紛れもなく「ECMの音」である。「反響と無音」それを新人のシャイマエストロ に託したのであろう。これでマルのフリーアトラストから、キースジャレツト、ヤンガルバルク、メセニー等を経て半世紀後の2021年に、アイヒァーは自身の意図と意思と信念を一本の線で結んだ。私がまだまだ若い頃、B/NがNYのジャズシーンを推し進めていた。ECMが発足の頃(1970年前半)には、ECMの音はjazzではないと毛嫌いしたのを覚えている。今考えると最初からJazzを遣ろうとはしていなかった。Contemporary Musicを目指したのだから。B/Nとは明らかにコンセプトを異にしていたのである。私は普段はJBLのコンパクト モニターのスピーカーで聴いている。それはB/Nが中心であったから。お金に厭目を付けなければB&Wで聴いて見たいと思う。そんな訳で「ゼンハイザーのヘッドフォン」が登場するのです。トランペットのPhilip Dizacも初めて聴くが、カーラブレイのザロストコーズファンドの「パオロフレス」とよく似ている。これもECMの兄弟カンパニーWATTの作品である。「親の小言と冷酒は後から効いて来る」はECM Musicも同じ。ECMのジャケットデザイン凡て★★★★★。ECM1001番Free At Lastの意味がやっと解ったような気がする。本来はキング牧師の演説かららしいが、freejazzへの抵抗。B/Nへの抵抗もあったのだろうと。(B/NはBlueNoteレーベル。アルフレッドライオン氏)を指します。
他の国からのトップレビュー
PCH
5つ星のうち5.0
re: utterly beautiful
2021年3月24日にアメリカ合衆国でレビュー済みAmazonで購入
Shai Maestro has joined that rare group of pianists who have redefined the genre. Maestro brings to jazz improvisation an Israeli harmonic sensibility, and the results are just spectacular. The final notes of the album, I should add, are extraordinary in their simplicity and beauty.
Buy this album. You will listen to it over and over again!
Buy this album. You will listen to it over and over again!
Gary
5つ星のうち5.0
Human
2021年5月6日にイタリアでレビュー済みAmazonで購入
L'ampio pianismo di Shai è ben bilanciato dall'approccio attento e rapido all'improvvisazione di Dizack. E, come sempre, Maestro porta avanti la musica rispettandone il senso della tradizione. Verso la fine di un programma composto quasi interamente da originali del Maestro, esplorando una gamma di temperamenti,
Ian Thumwood
5つ星のうち3.0
ECM Identikit jazz
2021年3月24日に英国でレビュー済みAmazonで購入
I really liked the samples form this album which encouraged me to buy the first new ECM album that I have bought in years. My impression of this label has seriously diminished over the years and there always seemed to me to have been a point reached by the late 1990s where the music put out by this label had ceased to represent the most interesting elements of jazz. Twenty -five years later, the label feels like it is remarkedly set in it's ways and as cliched as any Trad jazz line up with clunking banjos. Whereas Manfred Eicher could justifiably consider himself to have captured the zeitgeist of the 1970s and 80s', his label seems content to churn out records by journeymen or perpetuate a house style which stifles the work of established jazz musicians when they record for the label. (A bit like Jazz's equivalent to Everton FC where similar big signings seem destined to disappoint.) As a huge fan of ECM as a teenager, I was intrigued to be reacquainted with what they are producing these days.
This record is a bit hit and miss for me. Maestro's piano playing is the best thing about this record and it is fair enough to say that it is frequently sublime. I think that the bassist Jorge Roeder and drummer Ofri Nehemya combine to form an effective team even if this approach has been ubiquitous throughout much of the 21st Century. American trumpeter Philip Dizack seems more problematic - a flat pack version of Tomasz Stanko. The writing is decent enough and there is an undertone of Jewish folk music in some of the material. As ever with ECM, the star is the audio production which remains high and adds a veneer to the music which suits it's introspective nature. However, as is the case with much of his label's output, you wonder whether it is the production values which ultimately elevate your perception of the material they release.
I felt compelled to write this review to add a bit of balance to the current ratings for this disc. It is perfectly pleasant to listen to and I like Maestro's piano playing. Much of the material follows the same ECM trope of brooding introspection and the funky version of Ellington's "In a sentimental mood" offers the disc's only, true contrast. No one will find the music on this disc repellent. It will not present a challenge to any listeners unfamiliar with jazz whereas I would expect that a younger audience for the music might appreciate this more. Those of us of all older generation may recall a time when ECM had pianists such as Chick Corea, John Taylor Richie Beirach and Paul Bley on it's books and you wonder if the audience for these great players would be satisfied with the current generation of identikit pianists ECM seems to churn out these days. To my ears, Maestro sound no different to so many younger pianists the label was promoted recently although he had impressed me in concert many years previously in part of Avishai Cohen's trio.
Eicher's obsession with a European aesthetic no longer seems quite as forward thinking as it was in ECM's halcyon days and it is probably fair to say that the recent albums are almost suggestive that Eicher's decisions to delve into a broader global context has seen the originality replaced by conformity. This music is ultra-conservative. All in all, this is an excellently produced CD by four talented musicians yet the musical personalities are pretty anonymous . It is almost like there is an ECM factory somewhere in Munich mass producing these ultra-polite jazz musicians who all share the same DNA. You wonder how a label that once included bands like AEoC and Old & New Dreams on it's roster seems content to issue music quite so reserved and conservative. ECM is all rather formulaic these days. This is ideal music to listen to late a night where your senses can fully absorb the introspective nature of the music.
This record is a bit hit and miss for me. Maestro's piano playing is the best thing about this record and it is fair enough to say that it is frequently sublime. I think that the bassist Jorge Roeder and drummer Ofri Nehemya combine to form an effective team even if this approach has been ubiquitous throughout much of the 21st Century. American trumpeter Philip Dizack seems more problematic - a flat pack version of Tomasz Stanko. The writing is decent enough and there is an undertone of Jewish folk music in some of the material. As ever with ECM, the star is the audio production which remains high and adds a veneer to the music which suits it's introspective nature. However, as is the case with much of his label's output, you wonder whether it is the production values which ultimately elevate your perception of the material they release.
I felt compelled to write this review to add a bit of balance to the current ratings for this disc. It is perfectly pleasant to listen to and I like Maestro's piano playing. Much of the material follows the same ECM trope of brooding introspection and the funky version of Ellington's "In a sentimental mood" offers the disc's only, true contrast. No one will find the music on this disc repellent. It will not present a challenge to any listeners unfamiliar with jazz whereas I would expect that a younger audience for the music might appreciate this more. Those of us of all older generation may recall a time when ECM had pianists such as Chick Corea, John Taylor Richie Beirach and Paul Bley on it's books and you wonder if the audience for these great players would be satisfied with the current generation of identikit pianists ECM seems to churn out these days. To my ears, Maestro sound no different to so many younger pianists the label was promoted recently although he had impressed me in concert many years previously in part of Avishai Cohen's trio.
Eicher's obsession with a European aesthetic no longer seems quite as forward thinking as it was in ECM's halcyon days and it is probably fair to say that the recent albums are almost suggestive that Eicher's decisions to delve into a broader global context has seen the originality replaced by conformity. This music is ultra-conservative. All in all, this is an excellently produced CD by four talented musicians yet the musical personalities are pretty anonymous . It is almost like there is an ECM factory somewhere in Munich mass producing these ultra-polite jazz musicians who all share the same DNA. You wonder how a label that once included bands like AEoC and Old & New Dreams on it's roster seems content to issue music quite so reserved and conservative. ECM is all rather formulaic these days. This is ideal music to listen to late a night where your senses can fully absorb the introspective nature of the music.
G. Davidson
5つ星のうち4.0
Shal Maestro's Human
2021年4月14日にアメリカ合衆国でレビュー済みAmazonで購入
Another beautifully recorded item from EMC. Exhibits all of Manfred Eicher's preferences: Quiet, subtle, reflective moments coupled with passion.
Maestro is a young Israeli pianist I am not familiar with. He certainly has been influenced by Keith Jarrett and other EMC artists, but his voice is distinctive and his original compositions are really good.
Maestro is a young Israeli pianist I am not familiar with. He certainly has been influenced by Keith Jarrett and other EMC artists, but his voice is distinctive and his original compositions are really good.
Mina
5つ星のうち3.0
Du tres Bon jazz. Musique de fond
2021年6月28日にフランスでレビュー済みAmazonで購入
Excellente qualite. Un peu soporifique !!!!du tres