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It's Not TV: The Spectacular Rise, Revolution, and Future of HBO Hardcover – 1 November 2022

4.4 4.4 out of 5 stars 146 ratings

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Review

Praise for It's Not TV

"A revealing picture of a cultural and business institution from its beginnings to the challenges it now faces. . . . A fascinating account of HBO's business practices show how the cable network and eventual streaming service struggled to keep up with the world it helped create. . . . Gillette and Koblin's deep reporting and sourcing are what make
It's Not TV come together so well. The result is a read so riveting, it's not hard to imagine watching it unfold on Sunday nights."
--The Associated Press

"An incisive account that is more than a rosy victory lap for one of TV's most influential channels."
--Eric Deggans, NPR's "Books We Love"

"
It's Not TV proves to be a lively companion to all these shows."
--Andrew O'Hagan, The New York Review of Books

"Full of arresting insights."
--The New York Times Book Review

"Page-turning."
--The Washington Post

"A story of risk, reward, power, money, celebrity, and the fate of modern media so delicious that it could be pulled straight from a Sunday-night prestige drama-no wonder, it's the no-hold-barred history of HBO. In this fascinating look at one of the defining entertainment juggernauts of our time, John Koblin and Felix Gillette get to the heart of what made HBO the towering success it became, how that success was almost thwarted by the very people who built it, and what the future holds for one of the most recognizable brands in culture."
--Town and Country's "45 Must-Read Books of Fall"

"Meticulously researched."
--The Guardian

"Breezy and gripping."
--Richard Rushfield, The Ankler

"You've likely heard the expression 'Peak TV' to describe the era we're living through. HBO has been a big part of that, both in terms of its cultural footprint and the template it established for numerous networks and streaming services. Felix Gillette and John Koblin's new book revisits the network's past and chronicles how it continues to shape the medium of television."
--Inside Hook

"Comprehensive and brisk. . . . The authors are especially sharp in highlighting the contradictions in HBO's recent investment in 'female-centric' shows. . . . A thorough, warts-and-all account of an entertainment industry giant."
--Publishers Weekly

"Throughout their comprehensively detailed account, Gillette and Koblin remain fair-minded in their reportage, accentuating not only HBO's successes, but also its many failures. Though their brisk narrative is straightforward, it contains plenty of business melodrama. . . . Entertainment buffs will find this report of a risk-taking network fascinating."
--Kirkus Reviews

"Bringing in business, media, and art history, journalist-raconteurs Gillette (of
Bloomberg News) and Koblin (The New York Times) snappily tell the sprawling life story of cable network HBO, from a destination for boxing matches broadcast around the world via new satellite technology in the 1970s, through its Y2K heyday with such hit Sunday nights shows as The Sopranos and Sex and the City, to its power plays in the arena where everyone, and everything, is streaming. . . . Bingeworthy material for fans of behind-the-scenes media tales."
--Booklist

"Felix Gillette and John Koblin go well beyond a simple history of the seminal pay TV channel. It's Not TV is also the thrilling story of our modern lives--a surprisingly deep chronicle about technology, shifting workplace mores, bare-knuckle industry politics and the franchises that shaped a generation, from The Sopranos to Game of Thrones."
--Brad Stone, New York Times bestselling author of The Everything Store and Amazon Unbound

"A sweeping, deeply reported chronicle of one of the great media and business stories of the last 50 years. It's Not TV delivers the definitive account of all the drama at HBO--on-camera and off--and in the process illuminates the rise of television's new Golden Age and the vivid characters and personalities that have driven it."
--Joshua Green, #1 New York Times bestselling author of Devil's Bargain

"Tony Soprano, Selena Meyer, the House of Stark: It's nearly impossible to think of the recent decades of popular culture without thinking of HBO. And in this engaging, clear-eyed, and spirited book, Felix Gillette and John Koblin take us inside one of the most essential American institutions of the last forty years. History isn't just politics and presidents; it's also artists and writers, directors and producers, executives and showrunners. Here is their story."
--Jon Meacham, #1 New York Times bestselling author of The Soul of America

"A gripping account of the reinvention of television, at a perfect and pivotal cultural moment, just as television is being re-invented, yet again. This exploration of HBO's coming of age is as dynamic as one of the cable channel's own hits, complete with compelling characters and dramatic plot twists."
--Emily Chang, author of National Bestseller Brotopia

"
It's Not TV isn't just a journey through the cultural nostalgia of an era-defining network, it's a peek into the machinery of the dream factory itself--how a few cable cowboys and unlikely executives exploded the concept of televised storytelling, employing risk-taking auteurs who could mine the darker corners of the American psyche and adding a healthy dose of marketing moxie. Journalists Felix Gillette and John Koblin report the hell out of the history and uncover the secret corners and untold tales of an American institution. A must-read for media obsessives."
--Joe Hagan, author of Sticky Fingers

"It's not just the definitive story of the most influential media businesses of all time;
It's Not TV is the definitive cultural history of the age of peak TV. Felix Gillette and John Koblin have uncovered a gripping behind-the-scenes narrative that will change the way you see the shows you thought you knew so well."
--Max Chafkin, author of The Contrarian

"A riveting, lively account that brings us inside the boardrooms, high end restaurants and talent trailers of the people who brought us HBO, one of the great cultural forces of our time."
--Sheelah Kolhatkar, New Yorker staff writer and New York Times bestselling author of Black Edge

"
It's Not TV is not a perfect hero's journey; the people building HBO into a cultural behemoth don't always get it right and are not always role models. But as HBO's creative minds would tell you, human complexity is exactly what makes a good story. Felix Gillette and John Koblin take you into the writers' rooms and executive suites where all the thorny decisions get made about what's worth putting on our screens. The result is lively and revealing, and will compel you to re-watch some favorite series--and TV in general--through an entirely different lens."
--Sarah Frier, author of No Filter

"To understand the last 50 years in American culture, you need to understand HBO, and Felix Gillette and John Koblin get it better than anyone ever has.
It's Not TV documents the staggering rise of an entertainment behemoth, but it never devolves into hagiography. This is a messy, infuriating, and inspiring story about human brilliance and human frailty."
--Josh Levin, author of The Queen

"Media-focused readers may enjoy the executives', actors', directors', and producers' personal accounts and the abbreviated storylines that review salient aspects of popular culture and iconic shows like The Sopranos, The Wire, Game of Thrones, Six Feet Under, The Larry Sanders Show, and Succession."
--Library Journal

About the Author

Felix Gillette is the enterprise editor for Bloomberg News's media, entertainment, and telecom team, as well as a features writer for Bloomberg Businessweek. He has covered the business of media and technology for over a dozen years and has worked as a staff writer at the Washington City Paper, the Columbia Journalism Review, The Village Voice, and The New York Observer.

John Koblin is a media reporter for The New York Times, covering the television industry. He reports on the companies and personalities behind the scripted-TV boom as well as the networks that broadcast the news. Prior to joining the Times, he covered media at The New York Observer, Women's Wear Daily, and Deadspin.

Product details

  • Publisher ‏ : ‎ Viking (1 November 2022)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 416 pages
  • ISBN-10 ‏ : ‎ 0593296192
  • ISBN-13 ‏ : ‎ 978-0593296196
  • Dimensions ‏ : ‎ 16.38 x 3.43 x 23.57 cm
  • Customer Reviews:
    4.4 4.4 out of 5 stars 146 ratings

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Jessica T.
5.0 out of 5 stars I was really into it
Reviewed in the United States on 1 May 2023
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2 people found this helpful
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Toni Marić
4.0 out of 5 stars Great history and overview of HBO story
Reviewed in the United States on 6 January 2023
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One person found this helpful
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DES
5.0 out of 5 stars Despite Its Early Success, What Is The Future of HBO?
Reviewed in the United States on 7 April 2023
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DES
5.0 out of 5 stars Despite Its Early Success, What Is The Future of HBO?
Reviewed in the United States on 7 April 2023
At one time, HBO was seen as the cutting edge of entertainment in the home. The book “It’s Not TV: The Spectacular Rise, Revolution and Future of HBO” chronicles the history of the cable TV channel, including its programming, technology challenges, and corporate takeovers.

HBO launched when most of us only had a handful of channels to choose from. But it eventually became mainstream and popular. Authors Felix Gillette and John Koblin tell us that it premiered many award-winning series and became one of the most attractive elements of cable TV. But the entertainment world changed. It faced many new competitors, many of who occupied the same space on cable, but as technology evolved, it saw new competitors who depositioned HBO and saw greater success. That included Netflix, which changed how we access the programs and movies we enjoy.

Among the main things we learned in this book:

Before HBO was launched on November 8, 1972, its prototype name was the “Green Channel .”It launched as HBO with 375 test subscribers in Wilkes=Barre, Pennsylvania, with a lineup of movies and a New York Rangers game. It joined the satellite world in 1974, which propelled its growth.

HBO had to convince cable operators to include them among their offerings. They promised that the cable operators could keep about half the subscription fee as a new revenue source.

As new competitor channels launched, HBO launched its second service called Cin
emax. “While HBO offered mainstream Hollywood movies, Cinemax loaded up on foreign films, karate flicks, grind-house movies, soft-core erotica, and spaghetti westerns. HBO packaged the services together at a discount, hoping to box out Showtime and the rest.”

Eventually, the cable industry faced new competition when Director TV launched a satellite-delivered service ‘to millions of paying subscribers in the United States, Latin America, and the Caribbean. It began to drive loads of additional customers into the laps of HBO. In 1994, HBO and Cinemax had added 2.3 million subscribers, the best gain since the early 1980s, while generating a hefty $257 million of profits on revenue of $1.5 billion. “

The book also focuses on some of HBO’s programming successes and challenges. “HBO had a difficult decision to make on The Sopranos. After David Chase finished the pilot episode, HBO set up a test screening with an audience chosen to satisfy certain demographic criteria. When the results came back, HBO executives faced a dilemma. The pilot had scored poorly, suggesting they ought to cancel the project. For months, HBO dithered. There were plenty of reasons not to go forward with The Sopranos. It would cost a fortune to make and market. Chase’s cast featured a bunch of largely unknown actors. At over $2 million per episode, The Sopranos was HBO’s most expensive show yet. But splurging on original series, as opposed to original movies, was well worth it, the network’s executives explained to reporters, because the serialized format helped HBO pull in and retain subscribers much better than one-off events.”

“In late 2008, (executives) were weighing whether to order a pilot of Game of Thrones, a fantasy series based on the dragon-laden novels by George R. R. Martin. There were several obstacles. The show would be a significant investment for the network. Fantasy shows are the most expensive of any genre, and movies like Lord of the Rings set a high bar. Audiences expected lavish special effects. HBO would shell out some $10 million, more than double what most networks paid for a drama series. With the network’s bountiful support, the showrunners started in late 2009, shooting elaborate scenes in exotic locations stretching from Northern Ireland to Morocco. But when the pilot came in, it was terrible—a convoluted, off-putting mess. The costumes looked funny. The hair and makeup looked worse. The relationships between characters were confusing. “

Anyone who has enjoyed programs on HBO will find this retrospective very interesting.
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Robert Vale
5.0 out of 5 stars A fine abalysus…
Reviewed in the United States on 12 November 2022
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Corwin Haught
5.0 out of 5 stars Good
Reviewed in the United States on 8 May 2024
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