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Harry Potter and the Order of the Phoenix Kindle Edition
Dark times have come to Hogwarts. After the Dementors' attack on his cousin Dudley, Harry Potter knows that Voldemort will stop at nothing to find him. There are many who deny the Dark Lord's return, but Harry is not alone: a secret order gathers at Grimmauld Place to fight against the Dark forces. Harry must allow Professor Snape to teach him how to protect himself from Voldemort's savage assaults on his mind. But they are growing stronger by the day and Harry is running out of time ...
- LanguageEnglish
- Grade level4 - 7
- Lexile measure950L
- PublisherPottermore Publishing
- Publication dateDecember 8, 2015
- ISBN-13978-0439358071
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Editorial Reviews
From School Library Journal
Barbara Wysocki, Cora J. Belden Library, Rocky Hill, CT
Copyright 2003 Reed Business Information, Inc.
About the Author
J.K. ROWLING is the author of the enduringly popular, era-defining Harry Potter seven-book series, which have sold over 600 million copies in 85 languages, been listened to as audiobooks for over one billion hours and made into eight smash hit movies. To accompany the series, she wrote three short companion volumes for charity, including Fantastic Beasts and Where to Find Them, which went on to inspire a new series of films featuring Magizoologist Newt Scamander. Harry’s story as a grown-up was continued in a stage play, Harry Potter and the Cursed Child, which J.K. Rowling wrote with playwright Jack Thorne and director John Tiffany.
In 2020, she returned to publishing for younger children with the fairy tale The Ickabog, the royalties for which she donated to her charitable trust, Volant, to help charities working to alleviate the social effects of the Covid 19 pandemic. Her latest children’s novel, The Christmas Pig, was published in 2021.
J.K. Rowling has received many awards and honours for her writing, including for her detective series written under the name Robert Galbraith. She supports a wide number of humanitarian causes through Volant, and is the founder of the international children’s care reform charity Lumos. J.K. Rowling lives in Scotland with her family.
Mary GrandPré has illustrated more than twenty beautiful books, including The Noisy Paint Box by Barb Rosenstock, which received a Caldecott Honor; Cleonardo, the Little Inventor, of which she is also the author; and the original American editions of all seven Harry Potter novels. Her work has also appeared in the New Yorker, the Atlantic Monthly, and the Wall Street Journal, and her paintings and pastels have been shown in galleries across the United States. Ms. GrandPré lives in Sarasota, Florida, with her family.
Product details
- ASIN : B0192CTMXM
- Publisher : Pottermore Publishing (December 8, 2015)
- Publication date : December 8, 2015
- Language : English
- File size : 5586 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Not Enabled
- Sticky notes : On Kindle Scribe
- Print length : 412 pages
- Best Sellers Rank: #861 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the author
J.K. Rowling is the author of the enduringly popular, era-defining Harry Potter book series, as well as several stand-alone novels for adults and children, and a bestselling crime fiction series written under the pen name Robert Galbraith.
The Harry Potter books have now sold over 600 million copies worldwide, been translated into 85 languages and made into eight blockbuster films. They continue to be discovered and loved by new generations of readers.
Alongside the Harry Potter series, J.K. Rowling also wrote three short companion volumes for charity: Quidditch Through the Ages and Fantastic Beasts and Where to Find Them, in aid of Comic Relief, and The Tales of Beedle the Bard, in aid of her international children’s charity, Lumos. The companion books and original series are all available as audiobooks.
In 2016, J.K. Rowling collaborated with playwright Jack Thorne and director John Tiffany to continue Harry’s story in a stage play, Harry Potter and the Cursed Child, which opened in London, and is now thrilling audiences on four continents. The script book was published to mark the plays opening in 2016 and instantly topped the bestseller lists.
In the same year, she made her debut as a screenwriter with the film Fantastic Beasts and Where to Find Them. Inspired by the original companion volume, it was the first in a series of new adventures featuring wizarding world magizoologist Newt Scamander. The second, Fantastic Beasts: The Crimes of Grindelwald, was released in 2018 and the third, Fantastic Beasts: The Secrets of Dumbledore was released in 2022.
The screenplays were published to coincide with each film’s release: Fantastic Beasts and Where to Find Them - The Original Screenplay (2016), Fantastic Beasts: The Crimes of Grindelwald - The Original Screenplay (2018) and Fantastic Beasts: The Secrets of Dumbledore - The Complete Screenplay (2022).
Fans of Fantastic Beasts and Harry Potter can find out more at www.wizardingworld.com.
J.K. Rowling’s fairy tale for younger children, The Ickabog, was serialised for free online for children during the Covid-19 pandemic in the summer of 2020 and is now published as a book illustrated by children, with her royalties going to her charitable trust, Volant, to benefit charities helping alleviate social deprivation and assist vulnerable groups, particularly women and children.
Her latest children’s novel The Christmas Pig, published in 2021, is a standalone adventure story about a boy’s love for his most treasured thing and how far he will go to find it.
J.K. Rowling also writes novels for adults. The Casual Vacancy was published in 2012 and adapted for television in 2015. Under the pseudonym Robert Galbraith, she is the author of the highly acclaimed ‘Strike’ crime series, featuring private detective Cormoran Strike and his partner Robin Ellacott. The first of these, The Cuckoo’s Calling, was published to critical acclaim in 2013, at first without its author’s true identity being known. The Silkworm followed in 2014, Career of Evil in 2015, Lethal White in 2018, Troubled Blood in 2020 and The Ink Black Heart in 2022. The series has also been adapted for television by the BBC and HBO.
J.K. Rowling’s 2008 Harvard Commencement speech was published in 2015 as an illustrated book, Very Good Lives: The Fringe Benefits of Failure and the Importance of Imagination, sold in aid of Lumos and university-wide financial aid at Harvard.
As well as receiving an OBE and Companion of Honour for services to children’s literature, J.K. Rowling has received many other awards and honours, including France’s Legion d’Honneur, Spain’s Prince of Asturias Award and Denmark’s Hans Christian Andersen Award.
J.K. Rowling supports a number of causes through her charitable trust, Volant. She is also the founder and president of Lumos, an international children’s charity fighting for every child’s right to a family by transforming care systems around the world.
www.jkrowling.com
Image: Photography Debra Hurford Brown © J.K. Rowling
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Granted, the readers receive a far deeper exploration of Holden Caulfield's psychological makeup than Twain or Dickens ever offered a reader, but we have paid a terrible price for this exploration. Authors and critics stepped forward to claim that solipsistic self-exploration was "what it's about," and few seemed ready to say, "Yes, this is what adolescence is like, but you've got to step out and take on the world even though the entirety of William James's 'blooming buzzing confusion' seems to be doing its blooming and its buzzing within the confines of your emotions."
Can one experience the confusion of Holden Caulfield and yet set forth boldly as Huck Finn? Harry Potter tries, as the many of us who have not grown up to be self-indulgent agoraphobics have done exactly that. We've sorted through the world, discovered the faults and flaws of the outside world, come to terms with our own weaknesses, and occasionally saved the world (or some tiny little piece of it) in the process.
Harry Potter is a real adolescent, writ large. He is a wizard; he has a Destiny; he is the hero of childhood fantasy. He is confused, impulsive, traumatized, and full of both anger at the world and self-doubt. In Harry Potter and the Order of the Phoenix, Harry suffers all the deep pangs that are the fodder of modern literature yet manages to stand true to himself at the end. Harry has heart, and, as Dumbledore notes, that is what matters.
In the Harry Potter books, Harry tends to create or force the final confrontations. Harry unintentionally cooperates with Voldemort again in this piece, propelled, as always by selflessness rather than malice. Harry may need Voldemort in order to discover what is within himself; Harry also feeds Voldemort as he presses ever greater challenges onto himself, leaving us to ask: is Harry responsible for Voldemort's increasing power and the consequences of these ever more violent confrontations? It is dangerous to act in a world where we posses only incomplete knowledge, but part of Harry�s appeal is that he does act, rather than retreating Hamlet-like into indecision.
Harry also must discover that his finest role models are not perfect; this is another element of the adolescent rite of passage. Harry, always the underdog in the Muggle world and always the defender of the underdog in the world of wizardry, discovers something unsettling in the form of one of Snape's memories. The revelation explains much of Snape's animosity toward the Potters and Black, and offers Rowling's readers an uncomfortable window into the adolescent world. The more rambunctious behavior of Harry and his friends, throughout the books, has consistently appeared as either benign or justified. In our real world, the behavior of "good kids" is all too often neither. Rowling reminds us of the adolescent play that is scarring to all involved: victims, victimizers, and even those who would object but were powerless to do so. And she leaves Harry with the choices of justifying (improperly) his heroes' actions, rejecting his heroes, or accepting that even the best wizards have flaws.
The new Defense Against the Dark Arts teacher epitomizes the Dark Art of the Twentieth Century. Those of us who have lived through 1984 may see her as a figure of ultimate evil, one far more depraved than the merely malicious Voldemort. She is the bureaucrat, the agent of societal convenience and unquestioning obedience to authority. All who would argue with her are not merely wrong, they are misguided or deceitful obstacles to the Truth. Order is all, and Order derives only from unquestioned obedience to the rules as delineated by the State. Her methods of punishment are Kafkaesque; her aims include the destruction of independent thought. Question Nothing! It is basic nature for an adolescent to rebel against such a figure; what is difficult is efficacious rebellion, rather than pointless or self-destructive opposition. Can an adolescent learn when to fight and when to pretend acquiescence?
Yes, this book is dark in tone, raw with the emotions of adolescence and with its external actions a perfect mirror to Harry's confused, angry young mind. In the world of childhood, tomorrow always dawns fresh and new; for an adult, tomorrow's dawn carries the consequences, for good or bad, of the night before. For an adolescent, the dawn is always painful as consequences are a fresh addition to the world, and last night's experiments in living were sure to have produced at least some undesired results. The lessons are intense, the learning rapid, but understanding may be long years away. The brightest thought, and Rowling lets us end with this thought, is that there are others who have felt the pain of adolescence, who have confronted the great human questions, and who have not only survived but have grown into strong, effective adults.
Harry Potter may be letting a generation of kids know that one's life matters, even in its harshest, most confused periods. It should be letting a generation of critics know that there is more to adolescent self-discovery than simpering self-indulgence. This book suggests that Huck Finn can feel like Holden Caulfield on the inside, yet still behave as Huck Finn. It also suggests that there is no excuse for behaving like Holden Caulfield -- and I like that suggestion.
With each passing novel from JKR, I become more apprehensive that she will have lost her touch, that the shine will be gone. Rest assured, dear readers, that this novel has all the magic, all the excitement, all the adventure that we have come to expect--and more.
The appearance of darker themes (death, consequences, truly evil villains who have an agenda that is definitely not wholesome) that marked the end of novel four were an unexpected twist for me. I had heard that this was not a fluke, that she was taking the septology into a serious examination of what happens when someone truly evil rises to power; this is indeed what she appears to be doing. Serious themes such as these form the backbone of the novel, and are apparent from the first pages. This disconcerted me a bit, as I was expecting the usual romp through Privet drive, a la Dobby; instead, I got a much different thing. The New York Times calls this section somewhat "ponderous", but I think that that is a specious view. In reality, it was important to change the tone of the world, and she wanted to make sure that we understood that all was not mandarin oranges and ice cream here.
As JKR has admitted in interviews, Harry is much more angry in this novel. I felt that she handled this reasonably well--she does an excellent job portraying adolescent confusion. It feels like Harry spends a lot of time being very distressed, but when you imagine yourself, at 15, in his situation, he is not necessarily unrealistic. Teenage angst has been done better, but seeing this side of Harry is important in understanding how he is growing.
The plot is where Ms. Rowling really shines. The Order of the Phoenix his one has significant plot twists where they should be, as well as where you least expect them. Ron and Hermione are there in spades, and there is significant character development for all the major characters as well as a few minor characters. We see new sides of McGonagall, Dumbledore, and Black, and Neville. I was thrilled to see threads from novels 1-4 that seemed unimportant at the time be picked up and woven skillfully into the narrative. Her grasp of the overall plan for her septology is admirable, and I am pleased that she even more careful a writer than any of us had anticipated. This is a united whole, a well planned world. This 7 book series has a definite beginning, middle, and an end, and we are in the thick of things now.
All the old charm is back as well. Rowling's wit seems mostly absent for the first 100 pages, but don't give up hope. She was not not attempting to make the first hundred pages funny--she wants us to know she is in deadly earnest. The wit is always bubbling under the surface, however, and later in the novel, there are a number of laugh out loud funny passages.
Descriptions, as always, are excellent. I needn't add that the names of her characters are always interesting, funny, and often revealing. Spells play an important role, of course, and their magic words never fail to amuse.
Please note: This is not a novel for 6 year olds. They won't understand the adolescent issues. The plot is not as scary as the end of the fourth novel, but the overall tone is dark, as has been much discussed. Her literary style is much the same as the previous novels, but her vocabulary is becoming more advanced as Harry ages. This is an excellent novel for the precocious 10 year old; I'm not sure I would let 7-8 year olds read it unless they are exceptionally mature. No sex, but there is some violence, and as above, the dark themes.
Overall, I would say that this is--hands down--her best novel yet. The climax left me literally breathless, turning pages as fast as I could, unable to believe what I was reading. I look forward to her 6th installment in this series.
Well done, Ms. Rowling. Keep up the amazing work. Take your time on the next one--it will be well worth it when you do. And whenever it comes, we'll still be here.
Top reviews from other countries
“Youth can not know how age thinks and feels. But old men are guilty if they forget what it was to be young.”
Reviewed in Australia on November 30, 2023
“Youth can not know how age thinks and feels. But old men are guilty if they forget what it was to be young.”