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L'Eclisse [Edizione: Regno Unito]
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Descrizione prodotto
LEclisse è stato il film finale della trilogia informale di Antonioni sul malessere contemporaneo (dopo LAvventura e La Notte), una serie di film che ha ridefinito il concetto di cinema narrativo. Girato in sontuoso bianco e nero e pieno di scene di lussureggiante e strana bellezza, racconta la storia di Vittoria (la bella Monica Vitti - Deserto Rosso - partner di Antonioni all'epoca), una giovane donna che lascia il suo amante più anziano (Francisco Rabal – Viridiana), poi si sposta in una relazione con un giovane agente di cambio fiducioso e ambizioso (Alain Delon – Le Cercle Rouge). Ma questa narrazione di base è il punto di partenza per molto, molto di più, compresa un'analisi della città come luogo di estraniamento e alienazione e una critica implicita del colonialismo. Usando l'architettura di Roma - vecchia e nuova - come sfondo per questa vicenda condannata, Antonioni raggiunge l'apoteosi del suo stile in questo ritorno al tema che lo preoccupava di più: la difficoltà di formare vere connessioni in mezzo all'insignificanza del mondo moderno. Lo scatto finale rimane uno dei più grandi finali del cinema.
Caratteristica bonus
Intervista a José Moure (biografo di Antonioni)
Dettagli prodotto
- Età consigliata : Presenza dei genitori
- Lingua : Italiano
- Dimensioni del collo : 18,03 x 13,76 x 1,48 cm; 83,16 grammi
- Formato supporto : Blu-ray
- Sottotitoli: : Inglese
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- ASIN : B00Y0HN2NG
- Numero di dischi : 1
- Recensioni dei clienti:
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The opening scene begins with a shot of a lamp that illuminates a room while the audience only can see a small portion of the room. What the light from the lamp unveils from the darkness is a number of used books, pen, paper, a painting, and a white shirt elbow. The composition of this scene brings so many things to ponder, as the scene goes on for almost 10 seconds. The audience might experience notions such as wondering what kind of books are there, what kind of painting is in the background, or whose elbow it is that can be seen. However, the most important idea might be missed in this scene, which might be the visual metaphor for enlightenment that is provided by the light. The light brings out these questions from the darkness, as it almost wants to encourage the audience to continue to read into each scene that follows the opening shot, which slowly pans to the right unveiling the identity of person whose elbow has been.
The pan reveals a man, who remains silent for what seems to be a long moment, who is in deep thoughts. Beside the man, there is a woman in the room, who plays with a picture frame. This moment is also full of artistic expression, as it initially displays the woman's interest for what is in the frame while the camera later shows the same picture frame from an angled and opposite direction. Shooting the frame from two different directions while displaying what the woman could see in the frame suggests that the audience can only see a small portion of the truth, unless the audience can manipulate the angle of what is in the frame and see it from all angles. Combining this notion with the previous of enlightenment provides the idea that the audience can manipulate the truth with their mind.
Silence hangs in the air while the man and the woman continue to exist in the same room. Eventually one of the two break the silence, as the audience gets to know the man as Riccardo (Francisco Rabal) and the woman as Vittoria (Monica Vitti). Everything is not revealed at once to the audience, only fragments and pieces, which leaves the audience guessing. Based on the images and the short dialogues it is obvious that they are breaking up a long relationship and Vittoria is not happy with the circumstances. But the reason is left for the audience to contemplate, as they can watch Riccardo agonizingly trying to mend the relationship.
After the break up the film continues into a chaotic stock market where the audience can witness people's preoccupation making money. Even Vittoria's mother is too busy making, or saving money, as she tries to tell her that she has broken up with Riccardo. Furthermore, there is a powerful scene at the stock market where the stock traders are forced to stop their trading, as they hold a moment's silence in regards to an esteemed colleague that has died. During this moment of silence the phones continue to ring, and the ringing intensifies while the moment gets longer. It is also revealed to the audience that one-minute cost everyone a lot of money. This scene brings to mind the short time people have to live, and the importance of making the most of the time alive.
The story continues as a journey for the audience through Vittoria and people she meets. This journey consists of episodes such as Vittoria meeting two beautiful neighbors one late night, the chasing a dog, the making of a short daily flight, the crash of the stock market, a deadly car accident, and the rediscovery of love among other life adventures. Each and every adventure provides enlightening wisdom, as the story continues to deal with life. Antonioni's clever direction focuses on the small details in a moment, and simultaneously depicts a greater significance in the characters' existence. This is accomplished through great eye for details, as the story visually brings several different notions for the audience to ponder.
L'Eclisse encourages the audience to participate cerebrally through its visuals, which also illustrate the importance of good cinematography, mise-en-scene, and direction. The cast performs very well and does not convey too much information while leaving the audience in an artistic twilight where only thought can guide the audience on the right track. The beauty with Antonioni's direction is in the use of symbols and signs in a manner that provides a visual meaning to the audience. Through this visual meaning the audience can interpret what Antonioni attempts to convey through his tale, yet it leaves the audience with the freedom to make their own judgment depending how they manipulate the ideas that Antonioni provides through his visual representations on the silver screen.
The Criterion Collection edition must be out of print as it is hard to find a listing for it. It is very good, but the second disc only has three extras while the first disc has only a commentary as a special feature. I had gotten mine Used, so it was rather inexpensive, not always the case with Criterion, but becoming a thing of the future. Newer editions from other distributors are soaring so that $39.00-$44.00 is commonplace for a blu-ray. The Criterion edition I saw was DVD. Blu-ray also available. b&w, 1962.
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