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A Psalm for Lost Girls Hardcover – March 14, 2017
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Tess da Costa is a saint—a hand-to-god, miracle-producing saint. At least that’s what the people in her hometown of New Avon, Massachusetts, seem to believe. And when Tess suddenly and tragically passes away, her small city begins feverishly petitioning the Pope to make Tess’s sainthood official. Tess’s mother is ecstatic over the fervor, while her sister Callie, the one who knew Tess best, is disgusted—overcome with the feeling that her sister is being stolen from her all over again.
The fervor for Tess’s sainthood only grows when Ana Langone, a local girl who’s been missing for six months, is found alive at the foot of one of Tess’s shrines. It’s the final straw for Callie. With the help of Tess’s secret boyfriend Danny, Callie’s determined to prove that Tess was something far more important than a saint; she was her sister, her best friend and a girl in love with a boy. But Callie’s investigation uncovers much more than she bargained for—a hidden diary, old family secrets, and even the disturbing truth behind Ana’s kidnapping. Told in alternating perspectives, A Psalm for Lost Girls is at once funny, creepy and soulful—an impressive debut from a rising literary star.
- Reading age12 years and up
- Print length368 pages
- LanguageEnglish
- Grade level7 - 12
- Dimensions5.8 x 1.13 x 8.5 inches
- PublisherG.P. Putnam's Sons Books for Young Readers
- Publication dateMarch 14, 2017
- ISBN-100399545255
- ISBN-13978-0399545252
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Editorial Reviews
From School Library Journal
Review
A Barnes & Noble Most Anticipated YA Debut of 2017
A BustleMost Anticipated Young Adult Debut of 2017
A Spring 2017 Amazon Pick – Spring’s Best Young Adult Fiction
★ “[A] gripping story of loss and grace. . . .Richly and evocatively written, Bayerl’s story is ideal for fans of Jandy Nelson and Melina Marchetta.”—Publishers Weekly, starred review
★ “Fans of realistic fiction, mystery, or crime thrillers will find themselves at home in this spectacular debut. . . . A compelling must-have for YA collections.”—School Library Journal, starred review
“Now and then comes a book that is able to put it all together: real and compelling characters, page-turning suspense, brilliant writing. This is one of those books.”—Francisco X. Stork, award-winning author of Marcelo in the Real World and The Last Summer of the Death Warriors
“[P]acked with vivid cultural scenery, this ambitious debut offers readers a journey worth taking.”—Kirkus Reviews
“Many issues are presented in Bayerl’s novel—mental illness, modern sainthood, sisterly love, family dynamics, romance—giving it wide appeal among readers.”—VOYA
“Ideal for fans of both mysteries and character-driven novels.”—Booklist
“Lyrical and nuanced . . . Bayerl’s debut will appeal to a wide range of readers. . . . A haunting tale of family, first love, and miracles.”—RT Book Reviews
“A mystery, a thriller, and a prayer, gripping and anguished, told in the poignant weaving of voices from beyond and voices left behind.”—Julie Berry, Printz Honor author of The Passion of Dolssa
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
I go to all the services at first. I listen to grandmothers, shopkeepers, and schoolkids testify. I stand by my smiling, weeping mother to accept the hugs and offerings. Watch an entire city light candles beneath your giant portrait. I let them do this.
To you, my sister.
But it’s been a long, hot summer, and I don’t know how much more I can take. My fibers are stretched thin, my insides shredded. Everyone looks at me, impatient, like I should be okay by now, damage contained. Four months have passed since early April. That’s almost eighteen weeks since the ambulance, yellow lights whirling, took you away. One hundred and twenty- four days of me without you. And either they don’t understand grief or I’m more screwed up than we thought, Tess, because somehow each day bites deeper than the one before.
The last thing you said to me was, “Where’s the toothpaste?”
And the thing before that? Those words I said before I slammed the door, an extra- loud snap to make you flinch (Did you flinch, Tess?), well, those are the ones I prefer to forget.
I suppose that’s the problem with last words. You don’t realize what they’ll be until it’s too late.
Instead, I like to replay a different conversation, something you told me a long time ago. Would you remember it now? It had been another ugly day at school, the sort that was common back then. I was at the top of my class in those days, a fact that made nobody happy. You sat me on your bed and told it to me straight: “Other kids will bring you down, Callie. It’s the way things go. We’re lucky, though. We don’t need them because we’ve got each other. Sisters are forever.”
The way you said it, I knew it was true: we’d stick together, best of friends, till the very end.
Of course, we didn’t know then how it would happen — that first incident two years ago, June, a voice that came out of nowhere, telling you things we couldn’t explain. Strange messages that got surprised looks as soon as you said them aloud. People started coming to you, seeking answers and healing. Their stories soon piled one upon the next: a woman cured of cancer, a family reunited, a bullet lodged safely in a rib. Anywhere else these things would’ve been chalked up to luck, Tess. To fate. To good doctors, maybe, or poor aim. But the people of New Avon had another explanation . . . you.
The first time they called you a saint, we looked at each other, shook our heads, and asked, really?
I mean, really?
“Yes, really,” they said, nodding brightly. (Or creepily, depending on your point of view.)
You and I exchanged another glance. Creepy, we decided. Definitely creepy.
It only got weirder. During your sophomore year, believers poured from every crack and crevice of this city, drawn to you like cockroaches to a sticky feast. It wasn’t just the Portuguese grandmas and Jesus freaks either. There were old people, young people, smart people, dumb people. Okay, if we’re being honest, mostly dumb people. Really dumb. As in, If I rub this doorknob that she touches every day, will God take away all my troubles and make me rich and beautiful? Uh, let’s see. I’m going to go with a big fat no on that one. The people of New Avon are as cash- strapped and ugly as ever, Tess. A truly pitiful bunch. All that’s changed is our doorknob, which has acquired an impressive shine.
“I don’t know why they think I can help,” you told me one night after the crowds left.
“Maybe it’s like when you’re a little kid and you wish on a star,” I said. “Maybe they just want to believe in something.”
You nodded, but your eyes stayed cloudy. “What if sometime they pray to me and they realize I can’t help? What happens then?”
“Tess. No one ever blames a star when their wish doesn’t come true.”
I thought my reasoning was solid. Which it was, until it wasn’t. Until that little girl went missing and prayers became useless. I guess that’s all it takes— one disappointment— for it all to come undone.
Your most loyal believers say it was all meant to happen this way, that even the failure of your big heart was the work of God. When they say that, I do my best not to vomit up my own organs. Because honestly. Since when do people celebrate a seventeen- year-old dying of a freak heart attack? Since when is an undetected birth defect a gift from God?
I’ll stick with science, thanks. God can keep her lousy gifts.
One small problem: When you’re sixteen years old, what you believe is basically irrelevant. This Sunday, like every Sunday since this whole thing started, Ma drags me to church. We arrive a little late and make our way to our usual spot in the second pew, a Tess- sized space between us. It’s a hot morning, muggy as only August can get, and the seats are packed. (Funny how many people found their way back as soon as they heard you were dead.) Around us, parishioners fan themselves with prayer cards, even the most pious among them beginning to droop. Not Ma. She holds her head high, glossy curls styled for the throngs that will greet us afterward. My spine aches just to look at her.
There’s no one to nudge, though, no one to share that secret eye roll that would soak up my irritation. So it just sits there, growing more salty.
You should’ve heard Ma last night, Tess, going on about white flowers or pink, almond cake or sponge. What sort of turnout should we expect for your birthday memorial? she wondered. Should the parish consider ordering incense sticks in bulk? Would enough people come?
I tried to be calm, patient. Ma must be grieving too, even if she has a strange way of showing it. “Tess hated pink,” I reminded her. “She hated attention. Incense gave her allergies!!!”
So much for calm. By the end of it, I probably looked like one of those cartoon characters with pitchforks in her eyes, smoke coming out her ears, hair turned to corkscrews. Ma stabbed me back with pitchforks of her own, hazel- gray and extra- sharp.
I deflated and went to my room.
Because there’s no point, is there? If our own mother doesn’t remember how much you hated incense, there’s nothing left to say.
The organist strikes a note and a rustle spreads through the pews. We stand and flip to the first psalm. It’s one of the sad ones, the type you’re supposed to sing softly, lip- synching recommended. Ma belts out the opening bars like it’s a show tune.
I hear your muffled giggle, follow its round notes upward, where dozens of angels perch along the arches, their mouths frozen open like they can’t believe this shit either.
Ma elbows me in the ribs. “Cut it out,” she whispers. “This is the important part.”
I bring my gaze down from the ceiling. You say that about every part, I want to growl back. (It’s true, Tess. You know she does.) But around us, people are watching and Ma’s eyes flash danger. I clench my mouth shut.
Father Macedo has stepped to the front of the altar. “Brothers and sisters, I have an unusual departure from today’s Mass.” His gaze drifts across the congregation, resting for a second on Ma and me. It’s one of those moments, right before a glass hits the ground. You see it happening, falling so slowly, and you know if you just reached out you could catch it, but your arms are frozen. The thing keeps falling.
The priest unclasps his hands, and the words scatter like shards.
“Missing child.
Early yesterday.
Injured but alive.
Abducted six months ago . . .
No sign of who . . . or why . . .
Neighbors found . . .
unconscious . . .
head trauma . . .
beside a shrine.”
There’s a long silence and then, as the pieces click together, murmurs rise from the pews. Could he mean . . . ? Is it really . . . ?
He means one of your shrines, Tess. He means they found that missing girl: Ana Langone.
Father Macedo continues. “This morning before Mass I received a call from the hospital. It appears that a little over an hour ago, quite unexpectedly, the child awoke.”
My insides catapult upward, knocking against my throat. This is it— the moment they’ve all been waiting for. One word bounces from pew to pew, a question at first, then louder, gathering courage. Miracle? Miracle. It’s a MIRACLE!
Father Macedo waves his hands, attempting to calm the crowd. He’s saying something about tests and time, but it’s impossible to hear him. I can’t breathe. There’s no air, only thick clouds of incense. My eyelid has gone spastic. I push past Ma, tumble into the aisle.
I’ve had enough. My sister is dead. These people are crazy. Right now, I feel crazy. I ignore the silence at the altar, the buzzing fans and the wide eyes that follow me down the long granite aisle. Ma’s angry yelp.
“Is that the sister?”
“What’s the matter with her?”
“A real wild one, they say.”
I press forward until the wooden doors swing open with a bang. Outside, the sun blazes hot, blinding. I teeter on the steps.
What’s wrong with me? Miracles are supposed to be good things. Miracles make people happy. A little girl survived something horrible. I should be happy for her, for her grandmother, for all of us. For you, Tess. Instead I feel like I’ve been gutted all over again, my chest torn wide.
No one ever talks about this side of sainthood, do they? They ask what the saints can do for them, but no one ever asks a girl if she wants to be their savior. They definitely don’t ask her sister.
In the distance, the harbor glints brilliant blue. Rooftops stagger downhill to meet it, tiered and spiny, like the teeth of an open- mouthed beast.
I kick off my church shoes and run.
Product details
- Publisher : G.P. Putnam's Sons Books for Young Readers (March 14, 2017)
- Language : English
- Hardcover : 368 pages
- ISBN-10 : 0399545255
- ISBN-13 : 978-0399545252
- Reading age : 12 years and up
- Grade level : 7 - 12
- Item Weight : 1.07 pounds
- Dimensions : 5.8 x 1.13 x 8.5 inches
- Best Sellers Rank: #1,584,812 in Books (See Top 100 in Books)
- #1,185 in Teen & Young Adult Siblings Fiction
- #4,611 in Teen & Young Adult Mysteries & Detective Stories
- #282,240 in Children's Books (Books)
- Customer Reviews:
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About the author

When Katie Bayerl isn’t penning stories, she coaches teens and nonprofits to tell theirs. She holds an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts and has taught creative writing in schools, after-school programs, and a variety of community settings. She currently leads the VCFA Young Writers Network and teaches classes for teens at Grub Street. Katie has an incurable obsession with saints, bittersweet ballads, and murder. A Psalm for Lost Girls is her first novel. Visit her: www.katiebayerl.com
Sign up for monthly writing tips, heart-lifting goodies, and giveaways through Katie's newsletter: http://bit.ly/2eyJPY8
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Although the book description seems to place a lot of weight on the disappearance and reappearance of young Ana, I felt that that was almost a very minor aspect of this novel rather than a focus. It's definitely not a traditional-type "mystery novel" and those looking for a straight up mystery with major tension and action might want to know ahead of time that it's not going to be an episode of CSI or something. The mystery aspect is actually used as a vehicle to drive the story forward, sort of a train that carries the characters and the readers on the journey. That said, I thought the mystery was very well done and suspenseful and the conclusion was quite satisfying.
I loved the questions surrounding Tess's sainthood, or as Callie insists, ordinary personhood. Family history and context is woven throughout to lend clues, but the subject is approached from multiple angles without harsh judgment or didacticism from the writer. Rather than just giving me a solid answer from the get-go, I found that plotline to be very thought-provoking and I continued to digest it long after the book was over.
Most notably, though, A Psalm for Lost Girls is a story of fierce love, grief, and devotion. Central to the novel was that Tess was deeply loved by many, many people--her family, friends, and strangers--and the complexity and depth of that love as filtered through people's relationship and perception of who Tess was, both on the outside and on the inside. The most moving aspect for me was the strength of the relationship between Tess and Callie--heartbreakingly beautiful and authentic. Neither girl is perfect, nor is their relationship, but Callie coming to terms with the death of her sister and the way Callie strives to protect Tess's humanity is masterful. The relationships with other characters like Danny and Tess's immediate family are all well-handled and satisfying.
In short, get your tissues ready for this beautiful novel, and leave some time for contemplation afterwards. It's definitely one that will stick with you.
Bayerl skillfully interweaves Callie's personal struggles with a compelling mystery to find Ana's abductor. It's masterfully written and thrill to read.
Favorite bits:
Eerie excerpts from the POV of Ana Langone
Cavalier Callie and Danny investigating a crime scene at night! So creepy.
The evolution of Callie as she found her way from grief to acceptance. She definitely ended with a sense of peace, for the time being.
The tender moments were written with such a voice...chill-inducing. Katie has a gift for sentiment without being saccharine.
Rudy, the neighborhood dog. There was a cringey moment at the end where I was about to send Katie an angry email, but luckily did not have to.
Author: Katie Bayerl
Age Group: Teen/Young Adult
Genre: Contemporary Fiction/Mystery/Thriller
Series: Standalone
Star Rating: 4 out of 5 Stars
I borrowed this book through my local library and reviewed it.
I came across an interesting article online about the new books of March, and this book was listed as one of them. I'll be honest, though: that beautiful, creepy cover caught my eye, even before the tantalizing, sparse synopsis. So, in short, this was a recommendation, and I was more than a little apprehensive about it when I realized that faith was a central theme in the book. I have nothing against people who practice it, but because of events in my personal life, I have no idea if I believe in God or not. This resulted in mixed feelings about the book, but it was quite enjoyable nonetheless. A haunting story about family, faith, and the price of grief, with a slow-burn romance and a dark mystery at its center, A Psalm for Lost Girls was simply fantastic! What a promising, thought-provoking debut! I can't wait for more from this hard-hitting author! What a book for 2017!
Callie de Costa (Diverse books for the win, forever! What a touchdown!) is still grieving for her older sister, Tess, even though she passed away a few years ago. She and her mother are still reeling from the loss, each woman dealing with it in her own way. As if losing her big sister weren't enough on her, Tess was also hailed as an honest to God, real-life, modern-day saint. When Callie discovers evidence about Tess's death, she begins to dig deeper, even when it means crossing her mother, the law, and the rest of her neighborhood. But she realizes that, even as she begins to get closer to her sister's boyfriend, that finding out the truth about what really happened to Tess may cost her everything...
This book was amazing. I really enjoyed it. The prose was haunting and beautiful, and I was absolutely spellbound by Callie's voice. I also really liked the themes used in the book: family, coming of age, faith, grief, and first love, even though, at times, it made me uncomfortable. The pacing was breakneck, and I loved the way the book seemed to jump genres. I was honestly surprised when I discovered that A Psalm for Lost Girls was Bayerl's first novel; this book was just so good! I finished it the day before yesterday, and honestly I'm still dumbstruck. Callie's family and friends has carved a permanent place in my heart, and I will never forget them. Also, I loved the way that mental illness was addressed in this book, with an unexpected degree of understanding and sensitivity. And that ending! All the ugly crying! What a great book, with a dark, twisty mystery at its center! As I said, the frank discussion of faith made me uncomfortable, but it wasn't so off-putting that I didn't like the book. The bottom line: A book about faith, grief, and love in all its forms, A Psalm for Lost Girls is a thought-provoking, hard-hitting debut that I loved--highly recommended, especially for mystery fans! Next on deck: The Heartbeats of Wing Jones by Katherine Webber!