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Nikon AF-S FX NIKKOR 50mm f/1.4G Lens with Auto Focus for Nikon DSLR Cameras

4.7 4.7 out of 5 stars 2,013 ratings
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Purchase options and add-ons

Brand Nikon
Focal Length Description 50 mm
Lens Type Standard
Compatible Mountings Nikon F (FX)
Camera Lens Description 50 month

About this item

  • F1.4 maximum aperture; F16 minimum
  • Ultrasonic type AF motor with full time manual focusing, 58mm filters
  • Minimum focus Distance : 0.45m/17.72 Inches. Lens Hood: HB 47
  • Nikon F mount for FX and DX DSLRs. Unparalleled autofocus performance.Mount Type: Nikon F Bayonet
  • Lens not zoomable
  • Lens not zoomable

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Nikon AF-S FX NIKKOR 50mm f/1.4G Lens with Auto Focus for Nikon DSLR Cameras (Certified Refurbished) $347.99 & FREE Shipping
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Nikon AF-S FX NIKKOR 50mm f/1.4G Lens with Auto Focus for Nikon DSLR Cameras
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Price-10% $406.95
List:$449.95
-9% $1,446.95
Typical:$1,596.95
-10% $196.95
List:$219.95
$1,164.95-9% $1,546.95
List:$1,699.95
$414.49
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Customer Ratings
Picture quality
4.6
4.9
4.7
4.4
Auto focus
4.3
4.6
4.7
4.2
Quality of material
4.2
4.7
4.7
4.4
For portrait photography
4.7
5.0
4.7
Sold By
Amazon.com
Amazon.com
Amazon.com
6ave
Amazon.com
Green's Camera World
lens type
Standard
Telephoto
Standard
Telephoto
Wide Angle
Standard
compatible mountings
Nikon F (FX)
Nikon F (FX)
Nikon F (FX)
Nikon F
Nikon F (FX)
Nikon F (FX)
lens design
Prime
Prime
Prime
Zoom
Prime
Prime
focus type
Ring-type ultrasonic
Ultrasonic
Ultrasonic
automatic
Ring-type ultrasonic
Screw drive from camera
minimum focal length
50 millimeters
85 millimeters
50 millimeters
70 millimeters
35 millimeters
50 millimeters
max focal length
50 millimeters
85 millimeters
50 millimeters
200 millimeters
35 millimeters
50 millimeters
fixed focal length
50 millimeters
85 millimeters
50 millimeters
200 millimeters
35 millimeters
50 millimeters

From the manufacturer

Your DSLR’s Best Friend

A must-have for standard portraits and everyday use, the AF-S NIKKOR 50mm f/1.4G is a lens that will absolutely surprise you. The 50mm focal length (75mm equivalent on DX format cameras) with a fast f/1.4 aperture allows you to capture stunning images with a shallow depth-of-field, letting your subjects stand out from their backgrounds. The AF-S NIKKOR 50mm f/1.4G may soon become your new favorite lens.

Brilliance In Any Light Get Astonishing Low Light Results

This lightweight standard lens is a great travel companion because you never know when a beautiful, sunny day will turn cloudy and rainy. With its fast f/1.4 aperture, the AF-S NIKKOR 50mm f/1.4G will capture even low-light situations with stunning brilliance.

Beautiful Background Blur Achieve More Natural Depth Of Field

Whether you're shooting portraits, food or nature—indoors or outdoors—the AF-S NIKKOR 50mm f/1.4G renders a beautiful, natural background blur (Bokeh) at its wider aperture settings. And its 50mm focal length is perfect for creating natural perspective in your photographs.

Capture Every Detail Shoot Tack-Sharp Portraits Every Time

Nikon's Super Integrated Coating (SIC) enhances light transmission efficiency and offers superior color consistency and reduced flare, while the AF-S NIKKOR 50mm f/1.4G's Aspherical Lens Element (AS) virtually eliminates coma and other types of aberrations, even when shooting at the widest available aperture. Pair that with Nikon's Silent Wave Motor (SWM) for fast, accurate and quiet autofocus, and you can be sure all of your portraits will be tack sharp.

Silent Wave Motor

AF-S NIKKOR lenses feature Nikon’s Silent Wave Motor (SWM). This technology converts 'traveling waves' into rotational energy to focus the optics. This enables high-speed autofocusing that's extremely accurate and super quiet.

M/A

Select NIKKOR lenses have a focusing mode which allows switching from automatic to manual focusing with virtually no lag time by simply turning the focusing ring on the lens. This makes it possible to seamlessly switch to fine manual focusing while looking through the viewfinder.

Aspherical Lens

A lens with a curved, non-spherical surface. Used to reduce aberrations and enable a more compact lens size. Aspherical lenses minimize coma and other types of lens aberrations, even when used at the widest aperture. They are particularly useful in correcting distortion in wide-angle lenses and help contribute to a lighter, more compact design by reducing the number of standard (spherical) elements necessary. Aspherical lens elements correct these distortions by continuously changing the refractive index from the center of the lens.

Super Integrated Coating

Nikon Super Integrated Coating is Nikon's term for its multilayer coating of the optical elements in NIKKOR lenses.

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Product Warranty: For warranty information about this product, please click here. [PDF ]

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Nikon AF-S FX NIKKOR 50mm f/1.4G Lens with Auto Focus for Nikon DSLR Cameras

Nikon AF-S FX NIKKOR 50mm f/1.4G Lens with Auto Focus for Nikon DSLR Cameras


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What's in the box

  • AF-S FX NIKKOR 50mm f/1.4G Fixed Zoom Lens for Nikon DSLR Cameras
  • HB-47 Bayonet Lens Hood
  • LC-58 Snap-on Front Lens Cap
  • LF-4 Rear Lens Cap
  • CL-1013 Soft Case
  • Product guides and documents

    Product Description

    Product Description

    Nikon 50mm f/1.4G SIC SW Prime Nikkor Lens for Nikon Digital SLR Cameras

    Maximum Angle of View (DX-format): 31°30'. Maximum Angle of View (FX-format): 46°. Accepts Filter Type - Screw-on

    From the Manufacturer

    Ideal for travel, event, environmental and general photography in a wide variety of conditions, with superb optical formula and an ultra-fast f/1.4 maximum aperture.

    Fast f/1.4 prime NIKKOR lens
    Perfect for low-light conditions, general and travel photography.

    Normal angle of view on FX-format cameras
    Classic, normal angle of view when used on a Nikon FX-format digital SLR or 35mm film camera.

    Ideal portrait lens on DX-format cameras
    An ideal portrait lens when used on a Nikon DX-format digital SLR, approximating the angle of view similar to that of a 75mm lens on a Nikon FX-format digital SLR or a 35mm film camera.

    Nikon Super Integrated Coating (SIC)
    Enhances light transmission efficiency and offers superior color consistency and reduced flare.

    Exclusive Nikon Silent Wave Motor (SWM)
    Enables fast, accurate, and quiet autofocus.

    Close focusing to 1.5 feet
    For extended versatility.

    Rounded 9-blade diaphragm
    Renders more natural appearance of out-of-focus image elements.

    Customer reviews

    4.7 out of 5 stars
    4.7 out of 5
    2,013 global ratings

    Customers say

    Customers like the quality, sharpness, image quality and value of the camera lens. They mention that it's well built, takes great pictures and is affordable. They also like the light performance, performance, and weight. However, some customers disagree on autofocus.

    AI-generated from the text of customer reviews

    305 customers mention283 positive22 negative

    Customers are satisfied with the quality of the lens. They mention that it is an amazing lens, with outstanding quality. They appreciate the bokeh and the fact that it gets great shots even wide open at f/1.4. The lens is well built and serves as a great all-around lens for travel. It gives images a real photojournalistic feel and the aesthetic power of well-chosen bok.

    "...It's size and weight serves as a great all around lens for travel. For me, it's a choice between my Nikon 17-35 or this lens...." Read more

    "...And I gotta say, this is a fantabulous lens, plain & simple. I honestly don't see why some people are dumping on this lens!..." Read more

    "...Even the packaging was much higher quality, it has a matching, black locking cover, whereas the 1.4D only had a clear, plastic cap that does not..." Read more

    "...on this lens is a little bit slower than the D, but it's also more accurate. I rarely have an out of focus image...." Read more

    90 customers mention78 positive12 negative

    Customers like the sharpness of the lens. They say it's a nice sharp Nikon glass, and gets quite sharp at f2. They also mention that there are noticeable improvements in sharpness and color rendition compared to the older lens. The lens is also even more crisp at higher apertures. Customers also say that there is an obvious difference in image sharpness between this lens and the kit 18-55mm lens.

    "...Image quality. Contrast, color reproduction & sharpness are superior. I was shocked at the amount of detail I've been capturing...." Read more

    "...This lens is tack sharp at f/5.6 or f/8, from center to corner...." Read more

    "...Slightly soft and glowy at 1.4, but that's to be expected. Gets quite sharp at f2...." Read more

    "...I rarely use the 18-105mm anymore because of this lens. Images are much sharper, clearer, just more pleasing overall...." Read more

    88 customers mention77 positive11 negative

    Customers like the image quality of the lens. They mention that the pictures are crisp, and the color is extremely rich. They also say that it does take great pictures, especially indoors, and that it can get really good candid shots. They appreciate the bokeh and the low-lighting performance of the product.

    "...for portraits as well (with some lighting support) and I can get really good candid shots since I can be much farther away 10-20ft from my subjects..." Read more

    "...Image quality. Contrast, color reproduction & sharpness are superior. I was shocked at the amount of detail I've been capturing...." Read more

    "Very well-made lens and takes excellent pictures with my D700...." Read more

    "...does this 50mm allow my low light photography to be easier, image quality is much better all around...." Read more

    76 customers mention67 positive9 negative

    Customers like the value of the lens. They mention it's affordable for the bokeh and sharpness you get, and a strong bargain. They also say the long-term value is unbeatable.

    "...Simply put, this lens is a strong bargain. It is well built, will last a very long time, and will perform up to expectations every time you use it." Read more

    "...It's absolutely worth $500, but I wouldn't pay more than that.Image quality: This is where I find it excels the most...." Read more

    "...But for under $500 this is a phenomenal lens. In terms of both, it's reasonable. The orbs are more octagonal than circular...." Read more

    "...I'm fantastically happy with it and think it's worth every penny." Read more

    72 customers mention72 positive0 negative

    Customers are satisfied with the light performance of the lens. They mention that it is great in low light, has fast optics, and produces crisp images. The lens is also perfect for use with available light and is very sharp in low-light conditions.

    "...use this most of the time for adult portraits and it has very good low light performance as well...." Read more

    "...Awesome in low light-how can it not be at f1.4?. 3) Smooth, quiet autofocus...." Read more

    "...Low-light performance: Stellar performance. This is really why I bought this lens...." Read more

    "...The two best things about this lens are the bokeh and the low-lighting performance...." Read more

    64 customers mention51 positive13 negative

    Customers like the performance of the lens. They say it produces excellent results, and produces great bokeh. They also say that it performs like a dream in low light and creates a wonderful blur. Some customers also mention that it works fine with a DX crop sensor.

    "F/1.4 performs like a dream in low light and creates a wonderful blur...." Read more

    "...Manual focusing. It works well, & the ability to override autofocus without flicking a switch is great, but I..." Read more

    "...The plastic hood is a twist-on bayonet type, and it works well.Very pleased with this lens...." Read more

    "...It is certainly usable at f/1.4, although it takes plenty of practice and patience to focus. At f/2.5 and onwards the sharpness is fantastic...." Read more

    49 customers mention46 positive3 negative

    Customers are satisfied with the weight of the lens. They mention that it is light weight and gives nice sharp results. Some say that it looks great, big and heavy, a real piece of glass. Overall, most are happy with the quality and weight of this lens.

    "...focal length (about 75mm on DX), large aperture, compact size, and light weight...." Read more

    "...It's a very small and light lens, which is typical for the 50mm primes...." Read more

    "...As far as build quality goes, the lens is small, light, and feels sturdy...." Read more

    "...This lens is very sharp and gets great shots even wide open at f/1.4, but one will see some color fringing at the widest apertures with high..." Read more

    148 customers mention101 positive47 negative

    Customers are mixed about the autofocus of the camera lens. Some mention that it focuses fast and quiet, making it a must have for any photographers. However, others say that it becomes very small making it tricky to focus, and that the focus ring is not very smooth.

    "...Focus is fast and quiet and it's a must have for any photographers.50mm is a must have for me...." Read more

    "...be faster focus on certain cameras but for me, the F/1.4G is very fast with nice bokeh...." Read more

    "...VR this lens is not par in terms of IQ, but considering the reach, auto-focus, contrast and sharpness nothing beat this lens, even the 18-200mmVR..." Read more

    ".../out flash (most don't allow use of flash) but you may have significant focusing issues, especially on a body like the D3100, which focuses much..." Read more

    Best lens I have ever used
    5 Stars
    Best lens I have ever used
    First prime lens. Purchasing the Nikon D750 soon. Have 3100 at the moment which isn't that great of camera. Choice was between the f/1.4G and f/1.4D. G version is made in china and newer. G version has near silent focusing compared to the older G model. Hearing the D model uses screws that allow faster focus compared to the G model. However, the G model has 8 elements compared to D lens with 7 elements. I think f/1.4 G has flare issues which is a bummer if you take pictures toward the light or sun. Very fast focusing on this crappy camera I have now. I mean very fast. Now the older D model may be faster focus on certain cameras but for me, the F/1.4G is very fast with nice bokeh. I plan on purchasing the 105 macro lens next, then the 70-200 f/2.8.I included a photo of my dog, who moves every time a camera is on her face. This was taken at around 7:30 pm at dusk. Yes, I focused on her nose because she was moving her head, but just check out the bokeh! The other picture of my dog (Chuppa) was taken at dawn inside a dark family room with no flash. And Chuppa was moving. The last picture was taken at dusk from my snowy rooftop (which I do not recommend!). You look closely and can see some flare. I will say that the F/1.4G has less chromatic Aberrations then let's say the Sigma F/1.4 and it is lighter. The next picture was of my famous Art "Deep Shadows" a painting I purchased in La Jolla, California (the good old days). Keep in mind my flash on this crappy camera is limited and I was just playing around. The last picture was taken at night, no flash; the only lighting were 8 seven watt landscape lights and partial moon on a clear dark night. I had to brace my arms on wall of an adjacent patio so I could not see to focus on redwood railings. I wonder if the F/1.8 could do this at night? Doubt it.The Lens was on sale for under $340 when I purchased. Cheaper than the Sigma and about the Same as the older D model. If you are deciding between the Nikkor F/1.4 G and D model, I recommend purchasing both and trying them out in terms of focusing. I also recommend between the F/1.4G and F/1.8 be considered because the F/1.8 is less expensive and many claim it has a sharper center focus. But if you take pictures at dusk or dawn or at higher ISO, then go for the f/1.4 G or D.
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    Top reviews from the United States

    Reviewed in the United States on April 9, 2013
    F/1.4 performs like a dream in low light and creates a wonderful blur. I also like the minimum focus distance at about a foot so I can get a tight shot even at 50mm. Focus is fast and quiet and it's a must have for any photographers.

    50mm is a must have for me. Sometimes I just want to carry it because it's smaller and doesn't make me stick out like a sore thumb with larger lens.

    Below is a summary of how I use all of my lens today and I hope it will help you find what you are looking for if you have similar needs as mine:

    * AF-S 50mm f/1.4: Great for infants and walk-around lens on the street. I use this lens most of the time for infant pictures because 1) I don't want to use flash when infants have their eyes open even if I have a softbox/umbrella. 2) lightweight 3) low light performance at f/1.4. I also uses this when I'm out of the house because it's not in-you-face when you pull it out of you bag so people won't notice you. This lens also makes me move around a bit to be more creative vs. just zoom in and out. 50mm lens makes me think more about the shots.

    * AF-S 60mm f/2.8 micro: Great macro lens: I use this for very close up shots. I can get as close to less than an inch away even though the minimum focal length isn't listed as being 1 inch away. You will want good lighting since flash will be useless when you are this close to the subject. I take photos of baby lips, eyes, face, hands and feet, & other objects such as jewelry * watches. Basically any fairly stationary subjects that I want to highlight the details and intentional imperfections/wrinkles, etc. I sometimes wonder if I should use this all the time instead of my 50mm but I find the 50mm better at non-macro shots because it focus faster and lets in 4 times more light.

    * AF-S 85mm f/1.8 : I use this most of the time for adult portraits and it has very good low light performance as well. I choose this over the f/1.4 version because the other reviews I've read on the web did not justify the extra $1000 spend for marginal performance improvement and unless I am getting paid to take pictures all the time, I don't see the need to pay the extra cost for the f/1.4. This lens also makes me move around a bit to be more creative vs. just zoom in and out.

    * AF-S 24-70mm f/2.8: I use this when I just don't know what kind of pictures I could be taking and need to have zoom & I don't have to move around as much. While I don't take landscape pictures (24mm) often, I will use this for a large group outing, birthday parties when I may need to get a wide shot of a lot of people in a room and be able to have a little bit of zoom capability and not have to walk up so close to the people's face. This allows me to get some candid shots when needed. It's fairly heavy at 2 lbs and huge when you put on the hood so I almost never use this lens when I'm on the street because it attracts a lot of unwanted attention. I wouldn't want this hanging on my neck or shoulders for a long period of time.

    * AF-S 70-200mm f/2.8 vr2 : This is one of my favorite lens only because I can use it for portraits as well (with some lighting support) and I can get really good candid shots since I can be much farther away 10-20ft from my subjects and able to get a nice picture. I do have to crop at times to get rid of the cluttered background but with the D600 camera, I have enough megapixel details to crop my pictures when needed. This is obviously a monster lens so I avoid taking it for street photos even though I've had some nice pictures and experiences on the street but it's so big... I've had people stopping me asking me if I'm a paparazzi and which celebrity I am stalking..... haha. It's almost over 3 lbs so I definitely wouldn't want this hanging on my neck or shoulders for a long period of time.

    * AF-S 70-200mm f/4: this is also a great lens and a fantastic alternative to the 2.8 version. At over $1000 less, this is a bargin and great lens if you're taking photos at good lighting conditions (outdoor, have flash or good indoor lighting). Otherwise it may be problematic for you at F/4.
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    Reviewed in the United States on September 4, 2011
    I shoot all Nikon on a D300s body (DX), multiple speedlights (SB-700's and an SB-900), and the full array of Nikon pro glass. This lens is the "holy grail" due to it's mid-range focal length (about 75mm on DX), large aperture, compact size, and light weight. However, some people moving from a kit lens and used to a consumer level DSLR body (slower focusing, different expeed engines, no AF Fine Tuning), may run into some issues.

    Before I go further, please accept this review as a pragmatic, rather than technical review. I focus on end-user usability in the consumer to intermediate range. Other's like to focus on numbers and other technical aspects and they do a great job for nerds like me.

    This lens will surely appeal to consumer level shooters considering "moving up" in glass. These are shooters that typically spend less than $1,000 on a DSLR body and start with a "kit lens." Larger apertures such as the 1.4 are not panacea's for every shooting situation, whether you shoot with a DX or FX sensor, or a D700 or D300s or D3100. Yes, you will be able to shoot in lower light. However, significant depth of field considerations now come into play. So, shooting your daughter's ballet recital is more likely possible w/out flash (most don't allow use of flash) but you may have significant focusing issues, especially on a body like the D3100, which focuses much slower than a D300s. So, you could expect more blurry shots when dealing with a moving subject and shooting at 1.4,even when using continuous focus. Outdoors in daylight, these considerations are mitigated, but some remain. For example, moving subjects shot at 1.4 may have the wrong area in focus and the rest out of focus due to depth of field, leaving you with an image that cannot be salvaged through post processing. And, the 1.4 aperture will typically yield soft focus, while arguably preferable for portraits, but not so for landscape.

    Many people also believe a 1.4 aperture eliminates the need for outdoor fill flash or, any flash. I find this to not be the case unless I am going for a specific type of shot where natural soft light source is illuminating my subject from the front (think window illumination). With this particular lens, you will want to shoot in the f2.8 to 8 range for most situations. Since I prefer shooting at ISO 100 or 200, this means I will probably have to rely on at least one speedlight. This lens provides good color rendition at a contrast level to be admired. However, it is a lens best shot in manual mode and under complete user control. You will want to integrate post processing distortion and sharpening control to play it safe. So, shoot in RAW format whenever possible to provide maximum flexibility with this lens (a good idea anyway- I always shoot RAW). This lens provides nice compression for portraits at an equivalent of 75mm, while wide enough, even on a DX for landscape. It's size and weight serves as a great all around lens for travel. For me, it's a choice between my Nikon 17-35 or this lens. I usually take this lens.

    Side note: Many people seem to have complained about the AF accuracy of this lens. I would suggest you test for AF accuracy and then use AF Fine Tune if your camera has it (D300 and above do). Every lens can have particular quirk's when paired with a body. Nikon offers the best quality control in the industry, but they cannot pair for every DSLR body differential. It is possible to get a bad copy of the lens, especially if Amazon shipped it in a large box with no packing.

    So, in summation, if you are moving from a kit lens on a consumer grade body, this is a great pro level FX/DX lens to consider. But I have to wonder of the cheaper Nikon 50mm 1.8 DX Lens(
    Nikon 35mm f/1.8G AF-S DX Lens for Nikon Digital SLR Cameras ) would serve you just as well. I would definitely compare the two for your needs.
    51 people found this helpful
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    Top reviews from other countries

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    Arvind Bhoir
    5.0 out of 5 stars One of the finest lens
    Reviewed in India on December 27, 2023
    Build quality of this lens is good. It produces sharp images with impressive bokeh. You can see second image of the box which is clicked by this lens. Bokeh effect is super smooth. This lens works awesome in low light conditions as well.
    Customer image
    Arvind Bhoir
    5.0 out of 5 stars One of the finest lens
    Reviewed in India on December 27, 2023
    Build quality of this lens is good. It produces sharp images with impressive bokeh. You can see second image of the box which is clicked by this lens. Bokeh effect is super smooth. This lens works awesome in low light conditions as well.
    Images in this review
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    Customer imageCustomer image
    5.0 out of 5 stars Excelente lente. No puede faltar en tu set de objetivos
    Reviewed in Mexico on April 20, 2021
    El 1.4 es un bokeh delicioso. Tomando en cuenta que es un 1.4 está a un precio bastante accesible. No es de la línea “N” de Nikon, sin embargo es un magnífico objetivo para diferentes tipos de situaciones. Yo soy fotógrafo de quinceañeras y bodas, le he sacado bastante provecho.

    Con este ya tengo las medidas de 24, 35 y 85 en 1.8. Este 50mm es el único que tengo en 1.4 y de verdad que es una delicia el retrato con él. No dudes en adquirirlo.
    6 people found this helpful
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    shirokamaitachi
    5.0 out of 5 stars 思っていたより良いものでした。
    Reviewed in Japan on February 17, 2024
    想像していたよりはるかに良い品ものでした。
    ありがとうございました。
    NappyDappy
    5.0 out of 5 stars Quality lens for FX camera!
    Reviewed in the United Kingdom on May 7, 2015
    I've had this lens now for over a year and a half so this review is based on significant everyday use.

    The lens is excellent in every way. It's not a light lens but that is what a lens like this should feel like. The overall construction is really good quality with both metal and plastic. It is weather sealed so can be used in light rain.

    It comes with a lens hood and bag to store when not in use.

    The quality of the pictures when used with a D800 has been unbelievable. I am an old school photographer and still have my FM2 and the original Nikkors made of steel and proper glass. Though not comparable to these, this lens is worth every penny and it does cost a lot of pennies!

    The colours and contrast are spot on and any minor aberrations can be corrected quite easily in Lightroom.

    I use this all the time and it focuses quickly and quietly without any problems. Really tough construction and has taken a few knocks but still looks new. Use a good quality 77mm UV filter though to protect from dust and scrapes.

    Pictures viewed on a large 40" HDTV are flawless. You cannot appreciate the quality and depth until you see pictures at this size. The combination is the lens and the D800 is fantastic.

    Really pleased after a year and a half of use.
    18 people found this helpful
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    turma
    5.0 out of 5 stars Excelente objetivo
    Reviewed in Spain on May 25, 2014
    Es un objetivo que no me ha decepcionado. Había leído en foros y en web de fotografía sobre él y no dudé en ahorrar para comprarlo. Tenía duda entre este y el de 1.8 , pero al final me decidí por el 1.4.
    Estoy muy contenta, hace una fotografía muy nítida y la luminosidad es excelente. En interiores con el 18-55 mm, aún poniendo la Iso en valores altos, tenía ruído, oscuras,etc. con este objetivo con Iso bajos salen fotos muy bien iluminadas. Es ideal para fotografía nocturna o en interiores con poca luz.
    Ideal para fotografía de desenfoque y efecto bokeh. he conseguido fotografías como quería , que con el otro objetivo me quedaba un poco corto.
    Soy principiante, y partía de un objetivo 18-55 mm, el que trae la nikon que compré y sin duda estoy disfrutando mucho este objetivo fijo de 50 mm. He apartado casi completamente el otro.
    Una joya, merece la pena ahorrar y comprar el objetivo. Sin duda lo aconsejo.
    54 people found this helpful
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