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Deep Water Paperback – May 28, 2012
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Now a major motion picture starring Ben Affleck and Ana de Armas
In Deep Water, set in the quiet, small town of Little Wesley, Patricia Highsmith has created a vicious and suspenseful tale of love gone sour.
Vic and Melinda Van Allen's loveless marriage is held together only by a precarious arrangement whereby, in order to avoid the messiness of divorce, Melinda is allowed to take any number of lovers as long as she does not desert her family. Eventually, Vic can no longer suppress his jealousy and tries to win back his wife by asserting himself through a tall tale of murder―one that soon comes true. In this complex portrayal of a dangerous psychosis emerging in the most unlikely of places, Highsmith examines the chilling reality behind the idyllic facade of American suburban life.
- Print length272 pages
- LanguageEnglish
- PublisherW. W. Norton & Company
- Publication dateMay 28, 2012
- Dimensions5.5 x 0.8 x 8.3 inches
- ISBN-109780393324556
- ISBN-13978-0393324556
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Editorial Reviews
Review
― Sarah Weinman, New York Times
"Highsmith is crime fiction's most lethal existentialist…[She] simultaneously makes the subconscious smile and the skin crawl."
― Ed Siegel, Boston Globe
"So good and utterly addictive."
― Megan Abbott, author of You Will Know Me
About the Author
Product details
- ASIN : 0393324559
- Publisher : W. W. Norton & Company; Reissue edition (May 28, 2012)
- Language : English
- Paperback : 272 pages
- ISBN-10 : 9780393324556
- ISBN-13 : 978-0393324556
- Item Weight : 8.5 ounces
- Dimensions : 5.5 x 0.8 x 8.3 inches
- Best Sellers Rank: #207,480 in Books (See Top 100 in Books)
- #4,180 in Murder Thrillers
- #5,697 in Psychological Thrillers (Books)
- #14,737 in Suspense Thrillers
- Customer Reviews:
About the author
Patricia Highsmith (1921-1995) was the author of more than twenty novels, including Strangers on a Train, The Price of Salt and The Talented Mr. Ripley, as well as numerous short stories.
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Vic, the typically Highsmithian hero, is almost too good to be true, as a father, as a friend, as a neigbour, as an employer, as a professional. And then of course he isn't all that good. We might have guessed.
We have a hard time understanding his patience with his wife. We never quite understand how he can play along for years.
The plot starter is quite original: Vic's wife is outrageously unfaithful, but he is not yet known to be in the least jealous; surprisingly, he starts a rumour that he killed a former lover of his wife's. This is for a time quite effective in scaring away new suitors. Then, in a way unfortunately, the real killer gets caught. Vic has lost some of his status in the neighbourhood, and then he crosses the step from fantasy to reality. In order to rebuild the mystery surrounding him?
One wishes him well, hopes he will get away with it. That is the main driver of considerable suspense in this masterpiece.
One of her best.
Highsmith's recurring device of illuminating the evil that lurks beneath the surface in seemingly unremarkable individuals is very much on display here. The problem is that Mr. and Mrs. Van Allen are so bizarre to begin with, their personality types are unrecognizable. Many things about the both of them just do not ring true.
Yes, Deep Water is shocking and viscerally disconcerting. So it does engage the reader to that extent. But compared to her many brilliant character driven novels, it comes off as contrived, tedious and ultimately disappointing.
I had to return it for a refund.
This being a Patricia Highsmith novel, it cannot be a good thing for our put-upon protagonist to confess to a murder he did not commit, and the reader begins at once to wonder how this misstep of Victor's will lead to his undoing. But it is unlikely that readers will correctly anticipate precisely how Victor's story plays itself out.
Patricia Highsmith--the author of, among many other novels, Strangers on a Train and The Talented Mister Ripley--is a master of suspense. Deep Water shares with her other books a certain remarkable slowness. Highsmith's characters unhurriedly attend to the minutiae of their lives. They entertain friends and admire artwork and do the gardening, they take drives and prepare supper. Very often it seems that nothing is happening in one of her books, and yet as the pages turn the reader becomes more and more tense, wondering when precisely the axe will fall--for it certainly will fall. By the end of Deep Water the pages turn very fast indeed.
[Deep Water also shares with some of Highsmith's other novels (Found in the Street) a bizarre vision of parenthood. The Van Allens have a highly disposable daughter, perhaps eight years old, who spends her days in other people's homes, or playing contentedly by herself in her own room. She is sometimes left alone in the house. She is abandoned at the movies when her mother forgets to pick her up. Meanwhile the Van Allens' social calendar is chock full of late-night dinner parties and those uncomfortable threesomes in the living room. Part of this abuse of the daughter has to do with the storyline: Melinda is intended to be a very poor mother. But Victor, the "good" parent, leaves the house for those parties just as often as his wife does.]
Reviewed by Debra Hamel, author of Trying Neaira: The True Story of a Courtesan's Scandalous Life in Ancient Greece
I guessed the ending early on, worth .5 of a star as well. That said, the slow poisonous atmosphere, mounting tension and brooding character of Vic are so perfectly rendered that I couldn't wait to get back to the story. His snail collection, meticulous printing and strange bond to the natural and mechanical world held my fascination.
Highly stylized, funny and dark.
Top reviews from other countries
Highsmith concentrates on pedestrian details in a disarming writing style, and the unexpectedly clumsy reactions and conversations between the main characters create an unsettling atmosphere that adds to the horror of the events.
The goodness of Vic in his love for his daughter is genuine and contrasts with the fake goodness he constructs for public view. That his repressed anger is justified by his wife’s behaviour also adds to the complexity in the reader of not quite knowing who to side with.
You half want Vic to get away with his crimes, but you’re equally repulsed by them and by his sociopathic arrogance. The ending didn’t make sense on a logical level - his final murder was surprisingly clumsy and convenient for narrative ends, but it somehow matched the not-quite-rightness of the whole story.
Gone Girl has been compared to this novel, but that is an unfair comparison which only benefits Gone Girl. Gone Girl is written in an overwrought style that I cannot admire and the story itself is beyond ridiculous. Deep Water is pure elegant brilliance. Patricia Highsmith is a first class writer who does not have to reach for a far-fetched plot to engage the reader and carry them along in the event of poor writing style. The simplicity of her writing elegantly delivers the authenticity of this plot, driven by real and excellently drawn characters whom we all recognise. The combination of flawlessly simple writing style and the common or garden suburban environment slowly stifling the characters within its confines, is what makes this novel so gripping, stark and disturbing,
I am only sorry that I did not discover this author's work sooner and will definitely be reading 'Strangers on a Train', next.