Journeys to the end of the world, fantastic creatures, and epic battles between good and evil -- what more could any reader ask for in one book? The book that has it all is the lion, the witch and the wardrobe, written in 1949 by C. S. Lewis. But Lewis did not stop there. Six more books followed, and together they became known as The Chronicles of Narnia.

For the past fifty years, The Chronicles of Narnia have transcended the fantasy genre to become part of the canon of classic literature. Each of the seven books is a masterpiece, drawing the reader into a world where magic meets reality, and the result is a fictional world whose scope has fascinated generations.

This edition presents all seven books -- unabridged -- in one impressive volume. The books are presented here according to Lewis's preferred order, each chapter graced with an illustration by the original artist, Pauline Baynes. This edition also contains C. S. Lewis's essay "On Three Ways of Writing for Children," in which he explains precisely how the magic of Narnia and the realm of fantasy appeal not only to children but to discerning readers of all ages. Deceptively simple and direct, The Chronicles of Narnia continue to captivate fans with adventures, characters, and truths that speak to all readers, even fifty years after the books were first published.

Clive Staples Lewis (1898-1963) was one of the intellectual giants of the twentieth century and arguably one of the most influential writers of his day. He was a Fellow and Tutor in English Literature at Oxford University until 1954, when he was unanimously elected to the Chair of Medieval and Renaissance Literature at Cambridge University, a position he held until his retirement. He wrote more than thirty books, allowing him to reach a vast audience, and his works continue to attract thousands of new readers every year. His most distinguished and popular accomplishments include Out of the Silent Planet, The Great Divorce, The Screwtape Letters, and the universally acknowledged classics The Chronicles of Narnia. To date, the Narnia books have sold over 100 million copies and have been transformed into three major motion pictures.

Clive Staples Lewis (1898-1963) fue uno de los intelectuales más importantes del siglo veinte y podría decirse que fue el escritor cristiano más influyente de su tiempo. Fue profesor particular de literatura inglesa y miembro de la junta de gobierno en la Universidad Oxford hasta 1954, cuando fue nombrado profesor de literatura medieval y renacentista en la Universidad Cambridge, cargo que desempeñó hasta que se jubiló. Sus contribuciones a la crítica literaria, literatura infantil, literatura fantástica y teología popular le trajeron fama y aclamación a nivel internacional. C. S. Lewis escribió más de treinta libros, lo cual le permitió alcanzar una enorme audiencia, y sus obras aún atraen a miles de nuevos lectores cada año. Sus más distinguidas y populares obras incluyen Las Crónicas de Narnia, Los Cuatro Amores, Cartas del Diablo a Su Sobrino y Mero Cristianismo.

The Chronicles of Narnia (Adult Edition)

HarperCollins Publishers

Chapter One

The Wrong Door

This is a story about something that happened long ago when your grandfather was a child. It is a very important story because it shows how all the comings and goings between our own world and the land of Narnia first began.

In those days Mr Sherlock Holmes was still living in Baker Street and the Bastables were looking for treasure in the Lewisham Road. In those days, if you were a boy you had to wear a stiff Eton collar every day, and schools were usually nastier than now. But meals were nicer; and as for sweets, I won't tell you how cheap and good they were, because it would only make your mouth water in vain. And in those days there lived in London a girl called Polly Plummer.

She lived in one of a long row of houses which were all joined together. One morning she was out in the back garden when a boy scrambled up from the garden next door and put his face over the wall. Polly was very surprised because up till now there had never been any children in that house, but only Mr Ketterley and Miss Ketterley, a brother and sister, old bachelor and old maid, living together. So she looked up, full of curiosity. The face of the strange boy was very grubby. It could hardly have been grubbier if he had first rubbed his hands in the earth, and then had a good cry, and then dried his face with his hands. As a matter of fact, this was very nearly what he had been doing.

"Hullo," said Polly.

"Hullo," said the boy. "What's your name?""Polly," said Polly. "What's yours?"

"Digory," said the boy.

"I say, what a funny name!" said Polly.

"It isn't half so funny as Polly," said Digory.

"Yes it is," said Polly.

"No, it isn't," said Digory.

"At any rate I do wash my face," said Polly. "Which is what you need to do; especially after --" and then she stopped. She had been going to say "After you've been blubbing," but she thought that wouldn't be polite.

"All right, I have then," said Digory in a much louder voice, like a boy who was so miserable that he didn't care who knew he had been crying. "And so would you," he went on, "if you'd lived all your life in the country and had a pony, and a river at the bottom of the garden, and then been brought to live in a beastly Hole like this."

"London isn't a Hole," said Polly indignantly. But the boy was too wound up to take any notice of her, and he went on --

"And if your father was away in India -- and you had to come and live with an Aunt and an Uncle who's mad (who would like that?) -- and if the reason was that they were looking after your Mother -- and if your Mother as ill and was going to -- going to -- die." Then his face went the wrong sort of shape as it does if you're trying to keep back your tears.

"I didn't know. I'm sorry," said Polly humbly. And then, because she hardly knew what to say, and also to turn Digory's mind to cheerful subjects, she asked:

"Is Mr Ketterley really mad?"

"Well, either he's mad," said Digory, "or there's some other mystery. He has a study on the top floor and Aunt Letty says I must never go up there. ell, that looks fishy to begin with. And then there's another thing. Whenever he tries to say anything to me at meal times -- he never even tries to talk to her -- she always shuts him up. She says, 'Don't worry the boy, Andrew', or, 'I'm sure Digory doesn't want to hear about that', or else, 'Now, Digory, wouldn't you like to go out and play in the garden?'"

"What sort of things does he try to say?"

"I don't know. He never gets far enough. But there's more than that. One night -- it was last night in fact -- as I was going past the foot of the attic stairs on my way to bed (and I don't much care for going past them either) I'm sure I heard a yell."

"Perhaps he keeps a mad wife shut up there."

"Yes, I've thought of that."

"Or perhaps he's a coiner."

"Or he might have been a pirate, like the man at the beginning of Treasure Island, and be always hiding from his old shipmates."

"How exciting!" said Polly, "I never knew your house was so interesting."

"You may think it interesting," said Digory. "But you wouldn't like it if you had to sleep there. How would you like to lie awake listening for Uncle Andrew's step to come creeping along the passage to your room? And he has such awful eyes."

That was how Polly and Digory got to know one another: and as it was just the beginning of the summer holidays and neither of them was going to the sea that year, they met nearly every day.

Their adventures began chiefly because it was one of the wettest and coldest summers there had been for years. That drove them to do indoor things: you might say, indoor exploration. It is wonderful how much exploring you can do with a stump of candle in a big house, or in a row of houses. Polly had discovered long ago that if you opened a certain little door in the box-room attic of her house you would find the cistern and a dark place behind it which you could get into by a little careful climbing...