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Wonder Woman (4K Ultra HD) [4K UHD]
Additional 4K options | Edition | Discs | Price | New from | Used from |
4K
November 2, 2017 "Please retry" | — | 2 |
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| — | $12.53 |
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Wonder Woman | — | — |
Genre | Action & Adventure |
Format | 4K |
Contributor | Charles Roven, Richard Suckle, Ewen Bremner, Jon Berg, Connie Nielsen, Robin Wright, Patty Jenkins, Wesley Coller, Geoff Johns, Elena Anaya, Allan Heinberg, Jason Fuchs, Stephen Jones, David Thewlis, Danny Huston, Chris Pine, Deborah Snyder, Zack Snyder, Rebecca Steel Roven, Saïd Taghmaoui, Gal Gadot See more |
Initial release date | 2017-09-19 |
Language | English |
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From the manufacturer
Wonder Woman 4K Ultra HD
Gal Gadot stars as the title character in the epic action-adventure from director Patty Jenkins. Joining Gadot in the international cast are Chris Pine, Robin Wright, Danny Huston, David Thewlis, Connie Nielsen, Elena Anaya, Ewen Bremner, Lucy Davis, Lisa Loven Kongsli, Eugene Brave Rock and Saïd Taghmaoui.
Before she was Wonder Woman, she was Diana, princess of the Amazons, trained to be an unconquerable warrior. Raised on a sheltered island paradise, when an American pilot crashes on their shores and tells of a massive conflict raging in the outside world, Diana leaves her home, convinced she can stop the threat. Fighting alongside man in a war to end all wars, Diana will discover her full powers…and her true destiny.
Product Description
Wonder Woman (4K Ultra HD + Blu-ray) Before she was Wonder Woman, she was Diana, princess of the Amazons, trained to be an unconquerable warrior. Raised on a sheltered island paradise, when an American pilot crashes on their shores and tells of a massive conflict raging in the outside world, Diana leaves her home, convinced she can stop the threat. Fighting alongside man in a war to end all wars, Diana will discover her full powers…and her true destiny
Product details
- Is Discontinued By Manufacturer : No
- MPAA rating : PG-13 (Parents Strongly Cautioned)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 2.72 ounces
- Director : Patty Jenkins
- Media Format : 4K
- Release date : September 19, 2017
- Actors : Gal Gadot, Chris Pine, Robin Wright, Danny Huston, David Thewlis
- Dubbed: : Spanish
- Subtitles: : French, Spanish
- Producers : Charles Roven, Stephen Jones, Geoff Johns, Deborah Snyder, Jon Berg
- Studio : Studio Distribution Services
- ASIN : B0714QRG51
- Writers : Allan Heinberg, Zack Snyder, Jason Fuchs
- Number of discs : 2
- Best Sellers Rank: #27,589 in Movies & TV (See Top 100 in Movies & TV)
- #2,762 in Action & Adventure Blu-ray Discs
- Customer Reviews:
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Top reviews
Top reviews from the United States
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While every aspect of this film was outstanding, it was ultimately Gadot's performance that really put it over the top for me. In partiular, her facial expressions were just fantastic all throughout this film. Some great examples include the scene where she first meets Chris Pine's character, Steve Trevor, after dragging him out of the water, the scene where she charges the machine gun nest and deflects the bullet fire with her armguards, the look she gives the final solider she shield bashed out the window, the scene where she see's snow for the first time, and the last moments of the final fight scene where she is watching the lighting bounce around her armguards without hurting her. I really had no idea that Gadot has this level of nuance in her acting ability. After seeing this film, I would go as far as saying Gadot was literally born to play this role as she really does an exceptional job at bringing Wonder Woman to life on the big screen. I just have a completely new level of respect for Gadot. She nailed this role just as well as Robert Downey Jr nailed Iron Man and Chris Evans nailed Captain America.
Thankfully, Gadot's amazing performance is backed up with the best script we have seen to date with the DCEU, an absolutely amazing directing job by Patty Jenkins, a beautiful job by the director of photography, and a supporting cast that was absolutely perfect. In particular, I really loved Connie Nielsen's performance as Hippolyta and Robin Wright's performance as Antiope. There really are no negative aspects of this film. The overall tone of the film is just a huge step forward from the far too serious tone that previous DCEU films have had, which is actually my biggest issue with the previous DCEU movies we have seen to date. It just does a great job balancing the more serious scenes and action scenes with the more comedic moments and more light hearted character driven moments. Again, this is EASILY DC's best DCEU film to date in this regard. Had DC stuck with the more serious tone that we have seen with previous films, I don't think this film would have been anywhere near as good as it was. I really hope that the overall tone that this film has will be the kind of tone DC aims for with all of their future DCEU films. I don't have a problem with superhero films wanting to take things more seriously, but you really do need at least some comedic moments and more light hearted character driven scenes to break up all the action scenes and more serious exposition scenes.
And I have to say that setting this film during World War I was just a briliant move. Were so used to seeing super hero's with modern settings that the contrast of Wonder Woman with a WWI battlefield made for some exceptional scenes and it just offered the perfect backdrop for the film. The glass plate picture that was taken by the large format photographer after they freed the town, and was sent to Diana in the beginning of the film by Bruce Wayne, is just a perfect example of that beautiful contrast. Seeing Wonder Woman's shiny armor and sword and shield while she's climbing a rickety wooden ladder out of the trench during that machine gun nest scene was just a truly spectacular scene.
Honestly, I could go on and on and on as there were so many amazing aspects of this film. On top of the aspects I have already touched on you also had beautiful set design, brilliant costume design (especially with Wonder Woman's outfit and the Amazon's armor), a great soundtrack, amazing action choreography, and just beautiful lighting and attention to detail. This will go on to become one of the all time great super hero films and I am really looking forward to the sequel, especially since Patty Jenkins is coming back to direct again.
Bottom line - DC absolutely knocked this one out of the park and it ultimately gave the DCEU a big boost and a much needed change in overall tonality. Again, I sincerely hope this is the kind of tonality we can expect from DC in the future. IMO, DC has a much stronger roster of characters than Marvel so its really a shame that DC has struggled to find its footing with the DCEU. Thankfully there was no struggling with Wonder Woman. This is just an exceptional super hero film from start to finish. Its hard to believe it took this long for Wonder Woman to finally get a solo film, but DC made sure the wait was well worth it. Gadot really was born to play this role. Just an absolutely brilliant super hero film.
5 Stars!!!
Ever since the divisive "Man of Steel", DC's answer to the Marvel Cinematic Universe has struggled to deliver even a decent superhero film. Even "Suicide Squad", which at first seemed so promising, only proved to be a hot, awful mess ranking among my worst movies of 2016. With three misses in a row, the DCEU was in desperate need of its own superhero, and since she unequivocally stole the show in "Batman v Superman", many genre fans - like myself - hoped Wonder Woman would be that savior. The fact that it would be the first female superhero film to come from either the DC or Marvel cinematic universes, and the first live-action solo outing for the character, AND the first big-budget release of its genre to be directed by a woman, only made its success more necessary.
No pressure, right?
Thankfully, "Wonder Woman" is not just a good superhero film - it's a GREAT one. Patty Jenkins proves here that she was the perfect choice to bring the origin story of Diana Prince to the big screen, delivering a seamlessly entertaining and emotionally poignant action/war movie that takes itself seriously as often as it has fun with itself. The setting of World War I makes for a fantastic stage, as it forces Diana to reckon with the harsh realities of our world and come to terms with the nature of humanity . . . . and it's also a delicious aesthetic for Wonder Woman to kick ass in. One of the film's first major action scenes - when Diana helps the British advance their front and liberate a small town from the Germans - is one of its most triumphantly thrilling sequences, and the movie's big villain, Ares, is not only a worthy match for Wonder Woman, but is himself a symbol representing the darkness of humanity, cleverly completing the circle of thematic ideas so sharply tackled here.
I wasn't worried about Gal Gadot's ability to portray Wonder Woman - she had already proved herself a badass in "Batman v Superman", and now that she's given a chance to fully embrace the role, she brings the character to life beautifully, giving us a sympathetic, relatable Diana Prince who also happens to be able to toss tanks around like toys. What DID worry me just a little was how they would treat the male characters, especially Steve Trevor, and if they would be too marginalized for the sake of the film's inevitably feminist themes . . . . but even here, my worries were quickly allayed. Chris Pine's Trevor is honestly the best character in the movie besides Diana - he's likable, funny, and quite the hero of his own. The emotional impression he leaves is a strong one, both for us and our heroine, and the dialogue they share exemplifies the smart writing that went into this film. In fact, there's really not a single character anywhere in this movie that isn't memorable. The only real exception is Ludendorff, though his comparatively small role makes this a nitpick, and I wouldn't have minded getting more backstory on the mysterious Dr. Poison. But our heroes shine bright, whether they're fighting or talking, and that's especially true with our two leads.
More than any other movie this year, I wanted this one to be good . . . . and oh, how wonderful it is that my hopes were finally satisfied. With its awesome action scenes, thematic tones, touches of romance and sense of humor, "Wonder Woman" is a visually glorious and emotionally resonant home run, delivering everything the DCEU has thus far been so sorely lacking while breaking new ground for women in movies and doing long-overdue justice to the world's most famous female superhero. Not since 2008's "Iron Man" have we gotten an origin story in the genre this outstanding, and it's a victory well worth celebrating. Huge kudos to Patty Jenkins, and a round of applause for Gal Gadot, Chris Pine, and everyone else involved. Let's hope the future of the DCEU - and superhero films in general - are as bright as this.
Top reviews from other countries
Es gibt einen Film, der das unerhörte Kunststück vollbringt, einem den Glauben an das Blockbusterkino Hollywoods als verläßlicher Hoflieferant phantastischer Träume zurückzugeben. Wonder Woman schafft es, sich von den Stereotypen der zweidimensionalen Vorlage iher Graphic Novel Quellen abzuheben und in der Welt der Menschenkinder zu etablieren. Die erste Comicverfilmung seit langer, langer Zeit, die neben spektakulärer Optik auch emotionale Akzente zu setzen weiß.
Nach dem letzten jämmerlichen Thor Ableger begeistert der neueste Superheldenstreifen durch erzählerische Qualität. In Rückbesinnung auf die alte Gewißheit, daß überbordendes Effektgewitter niemals eine qualitativ hochwertige Story ersetzen kann, fokussiert sich das Team um Zack Snyder und Regisseur Patty Jenkins auf sympathische Charaktere und einen für Comicverfilmungen erstaunlich komplexen Handlungsverlauf, in dem gehobener Wert auf dramaturgische Elemente und zwischenmenschliche Töne gelegt wird.
Was zuallererst ins Auge sticht, ist, daß trotz aller Superpower, die Geschichte im Reich der realen Befindlichkeiten verortet ist. Beginnend bei Wonder Women fällt sofort angenehm auf, daß es sich bei dieser Amazonin nicht, wie man leicht hätte meinen können, um eine verhärmte, von maskulinen Attributen durchwirkte Kampflesbe handelt, sondern um eine echte Frau, wenn nicht sogar empfindsames weibliches Wesen, welches glaubwürdige Gefühle entwickelt und echte Anteilnahme am menschlichen Schicksal nimmt.
Die Menschen sind hier nicht beliebige, verzichtbare, seelenlose Dutzendware, deren massenhaftes Ableben den effekthascherischen Showeffekt der Spezialeffekte steigern soll, sondern echte Wesen aus Fleisch und Blut mit ihrer eigenen Geschichte.
Zu Ungunsten der Effekte wird behutsam eine Beziehung zwischen der Kämpferin und dem englischen Spion Steve aufgebaut. Ohne sich zu sehr auf Kitsch zu versteifen oder ins romantische der schmalztriefenden Schmonzette abzugleiten, findet der Film genau die richtige Balance zwischen Gefühl, Humor und Seriosität. Glücklicherweise zünden hierbei die dezent eingefügten Gags und sind meilenweit von der schenkelklopfrigen Infantilität eines Thor oder der Guardians of the Galaxy entfernt.
Auf der mystischen, von der Weltöffentlichkeit durch einen Nebelschleier verborgenen, Insel Themyscira wächst die spätere Wonder Woman Diana, zunächst noch als kleine Göre, heran und wird im Lauf der langen Jahre zur Kriegerin aufgebaut. Mit der Idylle ist es allerdings jäh vorbei, als der britische Spion Steve Trevor mit einem Flugzeug den Schutzschild Themysciras durchbricht und notwassert.
Von Diana gerettet, berichtet der Agent, seine Welt befinde sich in einem furchtbaren Krieg und der Menschheit drohe die Ausrottung.
Schnell stellt sich heraus, daß Steve selbst in den ersten Weltkrieg verwickelt ist und und mit seinem gestohlenen Wissen den weiteren Verlauf des Kampfgeschehens nicht unwesentlich beeiflussen kann. Der deutsche General Ludendorf und seine diabolische Chefchemikerin, Dr. Poison, sind kurz davor, den Feind mit brutalen Giftgasen für alle Zeiten vom Antlitz der Erde zu wischen.
Diana hat auf Thymoscira eine klassisch humanistische Bildungskarriere mit Schwerpunkt auf antike Götterwelt und Altgriechisch durchlaufen und schließt daher aus den ihr zur Verfügung stehenden Informationen folgerichtig, daß der Kriegsgott Ares in der Inkarnation Ludendorfs seine Hände mit im Spiel haben muß.
Wonder Woman sieht daher in der Errettung der Welt und der Tötung Ares ihre Bestimmung.
Über das quirlige und üppige Londen der 1910er Jahre verschlägt es Wonder Woman, Steve und eine Clique aus der Not geborenen und mehr schlecht als recht gecasteten Haudegen, über die umkämpften Schützengräben der belgischen Front, schließlich mitten hinein in das Herz des Bösen...
Actionscenen werden bei diesem Feldzug gegen das personifizierte Übel dieser Welt wohltuend zurückhaltend eingesetzt und sind eher im konventionellem Stil eines Abenteuer- oder Kriegsfilmes gehalten, in dem sich die Überschaubarkeit des Geschehens über den Actiobombast Overkill erhebt. Wenn es dann schließlich doch mal knallt, fliegen zwar auch ordentlich die Fetzen, bleiben aber im Rahmen eines handelsüblichen Explosionsgewitters.
Die Zeit zwischen den Feuerwerken, wird mit allerlei Verästelung der Handlung, Beleuchtung der Charaktere ausgefüllt (wie es Spud aus Trainspotting in den Film geschafft hat, ist mir ein Mysterium, paßt aber!) und schwelgen im dunstig-schwülen Ambiente des Londons im ausklingenden victorianischem Zeitalter.
Obwohl der Film nicht von einer Scene zur nächsten poltert, kommt keine Sekunde Langeweile auf.
Im ausgedehnten Mittelteil rückt die sich hauchzart anbahnende Liebesgeschichte zwischen Steve und Wonder Woman, mit all den unschuldigen Neckereien zweier Turteltäubchen, etwas in den Vordergrund. Wonder Woman mutiert dadurch zwar nicht zur Romanze, würde hier aber beinahe ohne den ganzen Superheldenquatsch auskommen.
Bis zum fulminanten Finale, in dem Wonder Woman ihr gesamtes in den Tiefen ihres Uterus schlummernden Potential zum Erwachen verhilft, wird der Film von der sympathischen Ausstrahlung Dianas getragen, ohne jedoch jemals einen Abstecher ins Reich des Pathetischen oder Seichten nehmen zu müßen.
Hollywood demonstriert der Welt mit Wonder Woman vorbildlich, was möglich ist, wenn man sich am Drehbuchautorenpult mal wieder etwas am Riemen reißt und sein Publikum mit Würde behandelt, statt es permanent intellektuell zu unterfordern.
DC zeigt Marvel mal wieder wo der Hammer hängt und etabliert sich mit seinem Franchise tendenziell eher im Erwachsenensegment, während MARVEL sich mit Siebenmeilenstiefeln der Erstürmung der Kitapforten verdächtig macht...
Das sich die Imposanz des Filmes erst in 3D voll entfaltet, versteht sich von selbst, wenn auch die beiden stereoskopischen Bilder zum Leidwesen des zahlenden Kunden, nicht immer zu einer Einheit verschmolzen werden können...
La réalisation : parlons en et bien elle est superbe ! Le peu de scènes d action qu' il y a sont vraiment réussies, à par peut être la dernière qui n' en est pas vraiment une puisque c 'est un dialogue à la fois, mais qui reste réalisé sublimement bien donc on lui pardonne sans problème.
Et cette ambiance de guerre historique et vraiment réussi et original pour un film de super-héros.