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Drawing for Architecture (Writing Architecture) Paperback – Illustrated, July 10, 2009
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Architect Léon Krier's doodles, drawings, and ideograms make arguments in images, without the circumlocutions of prose. Drawn with wit and grace, these clever sketches do not try to please or flatter the architectural establishment. Rather, they make an impassioned argument against what Krier sees as the unquestioned doctrines and unacknowledged absurdities of contemporary architecture. Thus he shows us a building bearing a suspicious resemblance to Norman Foster's famous London “gherkin” as an example of “priapus hubris” (threatened by detumescence and “priapus nemesis”); he charts “Random Uniformity” (“fake simplicity”) and “Uniform Randomness” (“fake complexity”); he draws bloated “bulimic” and disproportionately scrawny “anorexic” columns flanking a graceful “classical” one; and he compares “private virtue” (modernist architects' homes and offices) to “public vice” (modernist architects' “creations”). Krier wants these witty images to be tools for re-founding traditional urbanism and architecture. He argues for mixed-use cities, of “architectural speech” rather than “architectural stutter,” and pointedly plots the man-vehicle-landneed ratio of “sub-urban man” versus that of a city dweller. In an age of energy crisis, he writes (and his drawings show), we “build in the wrong places, in the wrong patterns, materials, densities, and heights, and for the wrong number of dwellers”; a return to traditional architectures and building and settlement techniques can be the means of ecological reconstruction. Each of Krier's provocative and entertaining images is worth more than a thousand words of theoretical abstraction.
- Print length248 pages
- LanguageEnglish
- PublisherThe MIT Press
- Publication dateJuly 10, 2009
- Dimensions5.5 x 0.4 x 8.1 inches
- ISBN-100262512939
- ISBN-13978-0262512930
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"Krier's is a humane and gentle vision of what a city might be, and it deserves to be the more widely studied for its refusal to announce itself--as modernism announced itself--as the voice of the Zeitgeist. Krier's urbanism is timeless common sense, transcribed into drawings that leave no room for dissent."--Roger Scruton, writer and philosopher
"The book should be a required reading for architects and urbanists, as it not only teaches the power of drawing as polemic, but also provides a master class in the relationship of architecture to the city."--Hank Dittmar, Chief Executive, The Prince's Foundation for the Built Environment
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- Publisher : The MIT Press; Illustrated edition (July 10, 2009)
- Language : English
- Paperback : 248 pages
- ISBN-10 : 0262512939
- ISBN-13 : 978-0262512930
- Item Weight : 11.7 ounces
- Dimensions : 5.5 x 0.4 x 8.1 inches
- Best Sellers Rank: #985,056 in Books (See Top 100 in Books)
- #334 in Architectural Criticism
- #757 in Architectural Drafting & Presentation
- #1,280 in Architectural History
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The ability to convey massive topics in a simple drawing is no simple task yet he does it page after page.
Sprawl and urban design to the major issues with “contemporary” architecture and construction.
My favorites are the building typologies.
Everyone who wants to be or is an architect should own this book.
Most are witty. Some are ironic to the point of being sarcastic. Some are sarcastic to the point of being cynical. Surprisingly, though not really indecent, some drawings are definitely meant for an adult audience.
This approach allows the author to very clearly express his point of view against modernist architecture and city building. Unfortunately, it does enable him to present specific solutions as to how the situation can be corrected. Changing mentalities alone is not enough to modify economic, legal and technical realities.
Thus, this book provides an entertaining diagnosis of our built environment but is short on ideas of how to improve it.
Top reviews from other countries
Most are witty. Some are ironic to the point of being sarcastic. Some are sarcastic to the point of being cynical. Surprisingly, though not really indecent, some drawings are definitely meant for an adult audience.
This approach allows the author to very clearly express his point of view against modernist architecture and city building. Unfortunately, it does enable him to present specific solutions as to how the situation can be corrected. Changing mentalities alone is not enough to modify economic, legal and technical realities.
Thus, this book provides an entertaining diagnosis of our built environment but is short on ideas of how to improve it.
Sketches are well done.