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Shutter Island (4K Ultra HD + Blu-ray Limited Edition Steelbook) [4K UHD]
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From the manufacturer
Synopsis:
Celebrate the tenth anniversary of Academy Award winning director MARTIN SCORSESE’s spine-chilling thriller that takes you to places that never let you go. U.S. Marshal Teddy Daniels (LEONARDO DiCAPRIO) navigates what appears to be a routine investigation that quickly turns sinister. Featuring an all-star cast, including Mark Ruffalo, Ben Kingsley, Max von Sydow, Michelle Williams, and based on the best-selling novel by Dennis Lehane.
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Leonardo DiCaprio as Teddy Daniels |
Mark Ruffalo as Chuck Aule |
Ben Kingsley as Dr. Cawley |
Michelle Williams as Dolores |
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Product Description
Celebrate the tenth anniversary of Academy Award winning* director Martin Scorsese’s spine-chilling thriller that takes you to places that never let you go. U.S. Marshal Teddy Daniels (Leonardo DiCaprio navigates what appears to be a routine investigation that quickly turns sinister. Featuring an all-star cast, including Mark Ruffalo, Ben Kingsley, Max von Syndow, Michelle Williams, and based on the best-selling novel by Dennis Lehane, Shutter Island “sizzles with so much suspense that it’s hot to the touch.”**
Product details
- Package Dimensions : 8.03 x 7.2 x 1.26 inches; 9.14 ounces
- Media Format : 4K
- Release date : February 11, 2020
- Studio : PARAMOUNT
- ASIN : B081WQS8SN
- Number of discs : 2
- Best Sellers Rank: #66,837 in Movies & TV (See Top 100 in Movies & TV)
- #1,468 in Mystery & Thrillers (Movies & TV)
- Customer Reviews:
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𝑪𝒓𝒂𝒛𝒚 𝑷𝒆𝒐𝒑𝒍𝒆 - 𝑻𝒉𝒆𝒚'𝒓𝒆 𝑻𝒉𝒆 𝑷𝒆𝒓𝒇𝒆𝒄𝒕 𝑺𝒖𝒃𝒋𝒆𝒄𝒕𝒔.
𝑻𝒉𝒆𝒚 𝑻𝒂𝒍𝒌, 𝑵𝒐𝒃𝒐𝒅𝒚 𝑳𝒊𝒔𝒕𝒆𝒏𝒔
Shutter Island is a 2010 American neo-noir psychological thriller film directed by Martin Scorsese and written by Laeta Kalogridis, based on Dennis Lehane's 2003 novel of the same name.
Leonardo DiCaprio stars as Deputy U.S. Marshal Edward "Teddy" Daniels, who is investigating a psychiatric facility on Shutter Island after one of the patients goes missing. As the investigation deepens, Teddy realizes he will have to confront his own dark fears if he hopes to make it off the island alive. Mark Ruffalo plays his partner and fellow deputy marshal, Ben Kingsley is the facility's lead psychiatrist, Max von Sydow is a German doctor, and Michelle Williams is Daniels' wife.
While 𝑺𝒉𝒖𝒕𝒕𝒆𝒓 𝑰𝒔𝒍𝒂𝒏𝒅 and the facility featured in it are fictitious, Boston harbor - where author Lehane is originally from - would provide inspiration for the original story’s context.
Home to a collection of social institutions - prisons, psychiatric centers, and the like - Long Island in particular was established in 1893 and remained operational until the mid 1900s. Despite there being no evidence of surgical interventions (like lobotomies) being performed at this institution, it was no stranger to allegations of abuse or mistreatment: with some accusations of staff knowingly poisoning patients with strychnine and withholding much needed medical attention.
𝑺𝒉𝒖𝒕𝒕𝒆𝒓 𝑰𝒔𝒍𝒂𝒏𝒅 ‘s source material highlights a claustrophobic environment ; it’s bleak, laughably small when compared to Scorsese’s set design, and depends on the tight knit nature of its components to drive the tension for readers in a complimentary fashion. This same island and its notable landmarks - specifically, the lighthouse and specified wards - have an imposing (yet elegant) aesthetic in this cinematic adaptation: mirroring 𝑻𝒉𝒆 𝑺𝒉𝒊𝒏𝒊𝒏𝒈 in terms of the palpable discomfort and highlighted sense of isolation plaguing its protagonist
(Sort of a #funfact, even though some of the locations were created using CGI, one of the more important filming locations was actually Medfield State Hospital, which was the first Asylum established for mentally ill individuals in Massachusetts that was founded in 1892. It has been closed as of 2003, but it’s grounds remain open to the public)
Speaking of its protagonist, Teddy Daniel’s personality is given a facelift of sorts, with Scorsese and screenwriter Laeta Kalogridis emphasizing attributes likely to draw sympathy from viewers as opposed to aversion. In line with Lehane’s bibliography, the original version of Daniel’s is morally ambiguous (though, at times, glistening with ill intent), and could be perceived in some ways as worse than the patients he searching for: both with permission and for his own chance at vigilante justice. Vindicated by an intermittent veil of moral righteousness (and confidence in what is right and wrong), and yet complicated by a montage of obviously traumatizing experiences, 𝑺𝒉𝒖𝒕𝒕𝒆𝒓 𝑰𝒔𝒍𝒂𝒏𝒅 is the gift that keeps on twisting: both predictably and exclusively in tandem.
Fast paced in comparison to Lehane’s writing, 𝑺𝒉𝒖𝒕𝒕𝒆𝒓 𝑰𝒔𝒍𝒂𝒏𝒅 is meticulous in not letting audience members linger in uncertainty for too long by reducing the deduction time needed for specific motifs (In example, a note) while maintaining the integrity of the overarching plot. I can only say in retrospect that the presence of Daniel’s delusions (or, what could most accurately be described as nightmares and intrusive thoughts) insist upon themselves: acting as could be party favors and taking away from the 𝒊𝒏𝒕𝒆𝒏𝒔𝒊𝒕𝒚 of the final twist as opposed to reinforcing it.
There is, however, a sustained strength in 𝑺𝒉𝒖𝒕𝒕𝒆𝒓 𝑰𝒔𝒍𝒂𝒏𝒅’s largest deviance from the book it is inspired by: a final question that delves into the relationship between perception and perspective, and moreover, the extent in a which a moment of mental clarity can offset a history clouded by hallucinations, culpability, and judgment. This makes each viewing vastly different as they relate to the conclusions viewers might draw, and differs substantially from Lahane’s closed (and definite) ending.
One of the better book-to-film adaptations to date, 𝑺𝒉𝒖𝒕𝒕𝒆𝒓 𝑰𝒔𝒍𝒂𝒏𝒅 has bragging rights as a well developed thriller that makes Lehane’s material complex without needless patronizations. Compromised in some ways - as some surprises are less obscure than others - Scorsese’s charm is preserved through his inclination towards ambiguity in its final stretch: surmounting, as an actual shutter might, rigid control over what viewers can see, and only pliable influence over what viewers might feel.
Highly recommend
8/10
Can watch once a year during the rainy season.
Top reviews from other countries
A mio parere si tratta di un film molto ben girato, molto ben interpretato da un cast di attori abbastanza numeroso e valido.
La trama è avvincente. Mi guardo bene dallo svelare alcunché, tuttavia posso anticipare che ci sono due livelli di lettura, che si intrecciano molto abilmente. Azione e psicologia sono ben miscelati.
Da vedere.
So what's it about? Well, the less said going in to the movie the better.. suffice to say, that DiCaprio (on blistering form) and his colleague (Mark Ruffalo - understated yet also excellent in the role) arrive in 1954 on the eponymous island as two Marshalls, sent to investigate reports of a missing person. The island is a sanatorium for the criminally insane, lending a creepy and unsettling atmosphere from the first moment it appears through the mists. They meet the doctors, Ben Kingsley and Max von Sydow in their wonderfully Gothic setting, crackling fireplace and thundery soundtrack from the brewing storm. However, as time goes by, DiCaprio feels his grip on reality loosening. Is there a conspiracy on the island? Is his past trauma in the war catching up with him? Why do the facts signally fail to add up? It's a great build - and even, if some have said, the plot is somewhat easy to guess at early on, the machinations to get there never fail to be interesting at the least, and mesmerising if like me you really get into the atmosphere of the movie.
Much credit to maintaining the atmosphere goes to the cinematography which is simply magnificent, lending an eerie, sepia toned hue to the period setting, and yet some startling colour imagery in the dream scenes. The soundtrack too should get an honourable mention, using modern classical music to create the off kilter feel, rather than one sound from one composer to unite the tone. You really get the feeling that Marty was enjoying himself to bits making this - if giving him an Oscar encourages him to have this much fun without the weight of expectation, for goodness sake give him another one.
Bluray serves this movie very well - the clarity of those sounds, the storm, even the aforementioned crackle of the fireplace, all feel exactly where they should be, and the images are so vivid and startling in high definition it's worth going blu on this one. If I didn't have a BR player already, this may well be the one that would tempt me to get one.
In a nutshell, this is utterly brilliant - at the same time revelling in the love of cinema of old, while adding his own distinctive Scorcese touch, topped with a performance from DiCaprio which roots you in the drama, this is one for those who love pure cinema. It's eminently watchable, and as the best movies are, eminently rewatchable too. Recommended.