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Death in the Andes: A Novel Paperback – October 2, 2007

4.1 4.1 out of 5 stars 501 ratings

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Plunge into the heart of the remote Peruvian Andes in Mario Vargas Llosa's stunning novel, Death in the Andes.

This narrative weaves an intricate tapestry of stark political realities, age-old Andean mysticism, and a chilling mystery that leaves no stone unturned.

The book promises a riveting blend of genres, serving as both a political allegory and a gripping detective novel. It shimmers with an undercurrent of magical realism, embroiling readers in the nooks and corners of an isolated community caught in the web of violent guerrilla warfare.

Immerse yourself in the ancient Dionysian rituals of Greece mirrored in unsettling, cannibalistic sacrifices, unveiling profound connections to Peru's Indian heritage and pre-Hispanic mysticism. The narrative's panoramic view of Peruvian society illuminates its violent present, deeply entrenched in its rich yet haunting past.

A breathtaking exploration of South American literature from Nobel Prize-winning author Vargas Llosa,
Death in the Andes is a resounding tribute to Latin American literature and an unforgettable journey into the pulsating heart of Peru.

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Editorial Reviews

Review

“Peru's best novelist--one of the world's best.” ―John Updike, The New Yorker

“Well-knit social criticism as trenchant as any by Balzac or Flaubert . . . This is a novel that plumbs the heart of the Americas.” ―
The Washington Post Book World

“Remarkable . . . a fantastically picturesque landscape of Indians and llamas, snowy peaks, hunger, and violence.” ―
Raymond Sokolov, The Wall Street Journal

“Meticulously realistic descriptions of this high, unforgiving landscape and the haunted people who perch there . . . merge into a surreal portrait of a place both specific and universal.” ―
Time

About the Author

Mario Vargas Llosa was awarded the Nobel Prize in Literature "for his cartography of structures of power and his trenchant images of the individual's resistance, revolt, and defeat." He has also won the Miguel de Cervantes Prize, the Spanish-speaking world’s most distinguished literary honor. His many works include The Feast of the Goat, In Praise of the Stepmother, and Aunt Julia and the Scriptwriter, all published by FSG.

Edith Grossman (1936 - 2023) translated the poetry and prose of major Spanish-language and Latin American authors, including Nobel laureates Gabriel García Marquez and Mario Vargas Llosa, as well as Alvaro Mutis, Mayra Montero, and Miguel de Cervantes.

Product details

  • Publisher ‏ : ‎ Picador; First Edition (October 2, 2007)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 276 pages
  • ISBN-10 ‏ : ‎ 0312427255
  • ISBN-13 ‏ : ‎ 978-0312427252
  • Item Weight ‏ : ‎ 9.1 ounces
  • Dimensions ‏ : ‎ 5.43 x 0.75 x 8.31 inches
  • Customer Reviews:
    4.1 4.1 out of 5 stars 501 ratings

About the author

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Mario Vargas Llosa
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MARIO VARGAS LLOSA, nacido en Arequipa, Perú, en 1936, académico de la lengua, crítico literario, periodista, político y escritor, comenzó su carrera literaria y periodística con tan solo dieciséis años de edad. Sus primeras novelas cosecharon un gran éxito en la década de los sesenta, época en la que aprovechando su prestigio, marchó a Europa y Estados Unidos para fijar su residencia durante varios años. Sus obras son una verdadera exhibición de virtuosismo literario y su prosa integra abundantes elementos experimentales, tales como la mezcla de diálogo y descripción y la combinación de acciones y tiempos diversos. Ganador de múltiples galardones, en su haber cuenta con los premios Planeta, Cervantes, Príncipe de Asturias y el Premio Nobel de Literatura 2010.

La Editorial Alvi Books le dedicó, como tributo y reconocimiento, este espacio en Amazon en 2013.

MARIO VARGAS LLOSA was born in Arequipa, Peru, in 1936. In 1958 he earned a scholarship to study in Madrid, and later he lived in Paris. His first story collection, The Cubs and Other Stories, was published in 1959. Vargas Llosa’s reputation grew with the publication in 1963 of The Time of the Hero, a controversial novel about the politics of his country. The Peruvian military burned a thousand copies of the book. He continued to live abroad until 1980, returning to Lima just before the restoration of democratic rule.

A man of politics as well as literature, Vargas Llosa served as president of PEN International from 1977 to 1979, and headed the government commission to investigate the massacre of eight journalists in the Peruvian Andes in 1983.

Vargas Llosa has produced critical studies of García Márquez, Flaubert, Sartre, and Camus, and has written extensively on the roots of contemporary fiction. For his own work, he has received virtually every important international literary award. Vargas Llosa’s works include The Green House (1968) and Conversation in the Cathedral (1975), about which Suzanne Jill Levine for The New York Times Book Review said: “With an ambition worthy of such masters of the 19th-century novel as Balzac, Dickens and Galdós, but with a technical skill that brings him closer to the heirs of Flaubert and Henry James . . . Mario Vargas Llosa has [created] one of the largest narrative efforts in contemporary Latin American letters.” In 1982, Farrar, Straus and Giroux published Aunt Julia and the Scriptwriter to broad critical acclaim. In 1984, FSG published the bestselling The War of the End of the World, winner of the Ritz Paris Hemingway Award. The Real Life of Alejandro Mayta was published in 1986. The Perpetual Orgy, Vargas Llosa’s study of Flaubert and Madame Bovary, appeared in the winter of 1986, and a mystery, Who Killed Palomino Molero?, the year after. The Storyteller, a novel, was published to great acclaim in 1989. In 1990, FSG published In Praise of the Stepmother, also a bestseller. Of that novel, Dan Cryer wrote: “Mario Vargas Llosa is a writer of promethean authority, making outstanding fiction in whatever direction he turns” (Newsday).

In 1990, Vargas Llosa ran for the presidency of his native Peru. In 1994, FSG published his memoir, A Fish in the Water, in which he recorded his campaign experience. In 1994, Vargas Llosa was awarded the Cervantes Prize, the Spanish-speaking world’s most distinguished literary honor, and, in 1995, the Jerusalem Prize, which is awarded to writers whose work expresses the idea of the freedom of the individual in society. In 1996, Death in the Andes, Vargas Llosa’s next novel, was published to wide acclaim. Making Waves, a collection of his literary and political essays, was published in 1997; The Notebooks of Don Rigoberto, a novel, was published in 1998; The Feast of the Goat, which sold more than 400,000 copies in Spanish-language, was published in English in 2001; The Language of Passion, his most recent collection of nonfiction essays on politics and culture, was published by FSG in June 2003. The Way to Paradise, a novel, was published in November 2003; The Bad Girl, a novel, was published in the U.S. by FSG in October, 2007. His most recent novel, El Sueño del Celta, will be published in 2011 or 2012. Two works of nonfiction are planned for the near future as well.

Customer reviews

4.1 out of 5 stars
4.1 out of 5
501 global ratings

Top reviews from the United States

Reviewed in the United States on April 24, 2011
I went on vacation to Peru a few years ago. I visited the ruins, saw all the modern sights, and ate a ton of (super delicious) food. But I guess you could do any of those things on any number of vacations, right? What I think really made my vacation extra cool was having a much more well-rounded perspective of Peru, the people I met, and the somewhat odd history/relationship Latin America has had with leftist guerilla forces. These are all topics you'll encounter in the book, which go deeper than the articles you read in Lonely Planet Peru or things like that.

In terms of the book on its own: it's a great book. The story-telling, word usage, and sense of foreboding that permeate the novel really draw you in. The usage of the supernatural (I use that term to describe our Western point of view) really pushes the novel forward, and allows you to look more closely at the characters and their internal truths. I know that some reviews tell you this is a mystery or whodunit-type book, and I'm not sure I would agree. Certainly there's a sense of unraveling the mystery about what it's going on, but there's so much more than that. To just say this is a mystery is really to short-sell the novel. There are also some who to criticize the novel for being too vulgar or crass -- arguments that do hold some water. But when you read the novel, fully understand what's going on, get a complete picture of the situation these people are in, then the word usage is appropriate. You wouldn't expect to watch a movie about the war in Afghanistan and not hear more than a few profanities, would you?

Just so you know, I feel like a lot of Mario Vargas Llosa's writings are really one step ahead of me the whole way. Because there are so many elements to the novel, it doesn't feel super linear to me. It isn't just a protagonist versus an antagonist. This book feels more like Man v Nature, Self, Man, Technology... everything. I think with some other books, you can see where the novel is going... you can tell maybe this one character is not the best, or you can detect what the outcome might be. I don't feel that way about this book.

If you're a fan of Gabriel Garcia Marquez, you'll like this book. If you're a fan of MVL's, you'll like this book. If you're a fan of books in general, you'll like this book.
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Reviewed in the United States on February 3, 2013
This is the second novel I've read by MVL.It's not the tour de force that CONVERSATION IN THE CATHEDRAL is.DEATH is easier to read and more straightforward.While CONVERSATION takes place largely in Lima and routinely crosses class and racial boundaries,DEATH is narrower.It is , unsurprisingly set largely in the Andes and focuses primarily on the highland Indian culture.

To some degree ,the novel revolves around Corporal Lituma and his de facto sidekick, Private(I assume)Carreno.Lituma is a decent enough sort who isn't exactly thrilled to be assigned to the mountain mining town of Naccos.He doesn't speak Quechua and can't really bond with the natives who treat him as a bit of a joke.He is preoccupied with the disappearance of three local men and knows perfectly well the locals aren't telling him what happened.This is the time of the Shining Path insurrection and he knows if they get a hold of him , he will die a brutal death.So not only is he in a permanent state of anxiety, he's offended.He is paid peanuts and harms no one.So it seems ridiculous that the only people who may take him seriously are guerrillas who want to kill him because he is a class enemy.During the day , he gets to talk to the local witch and her weird husband who runs a cantina where the miners get blind drunk.At night, he is entertained by Carreno's tale of romance.Carreno has in the past supplemented his civil guard income working as a body guard for criminals.One day one of the criminals starts beating a woman in some kind of SM ritual and Carreno shoots him dead , falls in love and takes off with the woman ,who abandons him.Carreno narrates this tale and tells it in his sleep.Alternating between boredom, fascination and amusement, Lituma continually listens to this tale.(Naccos is a pretty dull place).

MVL interweaves several narrative threads.There is Carreno's story, Litumas observations, the witches story and a number of anecdotes dealing with the Shining Path murdering class enemies.You don't even have to be human to be a class enemy.At, one point the guerrillas slaughter a group of essentially tame vicunas because they sense they are capitalist tools.I'm being flip but this is a disturbing, chilling sequence.Near the end Lituma learns what happened to the three men who disappeared and wishes he hadn't.

This is a rich , fascinating novel and a pretty quick read.
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Reviewed in the United States on June 17, 2019
Having a trip into the Andes I selected a book written by a well regarded author !Mario Vargas Llosa, to learn moe about the Andean r cent history (having read Adams Turn Right at Macchu Picchu. While the writing was riveting and mysterious about what was happening to the main characters Lituma andTomasito, the horror of what happened to people working at their crafts, science or other innocents was horrific. Llosa writes in subtle dark descriptions the scenes of what develops, what the Terrucos do in the name of blind revolution. Hard to read, but also hard to stop reading the story!
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Top reviews from other countries

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L.
3.0 out of 5 stars atmosfera delle Ande
Reviewed in Italy on August 28, 2019
Romanzo dove si intrecciano molte storie con sbalzi temporali, che rende bene l'atmosfera della dura vita sulle Ande ai tempi del terrore causato dai "terrucos" di Sendero Luminoso, e con l'ansia costante del loro possibile arrivo. Ci sono belle storie di diversi personaggi, con esiti spesso inaspettati, ad esempio già dalla morte dei turisti francesi si capisce che non ci sarà niente di scontato... tuttavia non è un libro che ho divorato, anzi a tratti ho trovato noioso come ad esempio quando Carrenito parla di Mercedes oppure quando Dona Adriana gioca a fare la maga. La cosa positiva è stata la curiosità che mi ha suscitato per gli aspetti storici e culturali, per i paesaggi e le atmosfere rarefatte di un angolo di mondo che probabilmente non visiterò mai (ma un pò di voglia me l'ha trasmessa), per le vigogne i cibi e le bevande menzionate. Non so se consigliarlo, è il secondo libro di Vargas LLosa che leggo ed anche stavolta non mi ha convinto
Peter - The Reading Desk
4.0 out of 5 stars Death in the Andes
Reviewed in the United Kingdom on February 2, 2018
The story centres around two policemen posted to a remote region of the Peruvian Andes near Naccos. They are investigating a series of disappearances in a road construction camp and amongst the comuneros, (Indians from the traditional community), where there is a discouraging lack of evidence or supposition. Does the fact that the missing are a mute, an albino and the foreman of the construction site have any significance?

The backdrop to the investigation is a collision of political unrest, local distrust, supernatural myths and fear of the Shining Path guerrilla group. Despair and gloom seem to resonate throughout the story. At a specific level, with the lack of leads and motive behind the disappearances, the police investigation continues to remain elusive. At a wider level, there are the oppressing forces of the Senderistas and their conflict with the government and foreigners, the social culture, and the mythical legends of the creatures and forces that inhabit the jungles and mountains.

It was a wonderful insight into the culture and superstition of Peru especially during the terrorist campaigns of the Shining Path militia. It was always a place I’d like to have visited but not so sure now. The writing created an atmosphere that was menacing and palpable, and the imagery of the region was abundant. The characterisation was great and there were many different aspects of human experiences and aspirations to create a story with depth, curiosity and intrigue. My only criticism was that I found the story moved quite slowly and I found my mind drifting off on a number of occasions.
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Arvind S
4.0 out of 5 stars Murders, politics, society and old cultures
Reviewed in India on May 11, 2017
An interesting work, with considerable details about Peru's different (ethnic?) cultures, a bit on the different social groups and some comments on the politics of the time too. The Maoist activities seem very similar to those of the Naxalites in India. But it feels that something is lacking.

For one thing, the mystery/detection aspect could (in my opinion) have been better i.e. to say the suspense and mystery could (should?) have been sustained a little longer. Also since we are privy to the thoughts of the character, the possibilities become too clear, too soon.

Furthermore, near the end it is marred by the intrusion of an unexpected aberrant and discordant note that would normally be expected in a 'happily ever after' fairy tale or Bollywood movie, but which seems incongruous and out of place in this otherwise grimly realistic tale. (Maybe the point is that life is not consistent?)
MICHAL KROTOFIL
1.0 out of 5 stars Terrible cheap print
Reviewed in Australia on January 16, 2021
Terrible cheap print, even in the paper back category this is bad
DTAC
5.0 out of 5 stars Read It!
Reviewed in Canada on February 6, 2015
Awesome book. Mario Vargas Llosa blends folk tales with a love story behind the political screen of Shining Path terrorism. How did he do it?

The love story (and its a great love story) emerges from the young guard Tomas who tells Corporal Lituma as he has investigates three mysterious disappearances of local people including the mute young man he befriended. Constantly threatening them is the terror of the Shining Path guerrillas who threaten to kill everything and everyone in their path. To add to the atmosphere is the cantina owner Dionysio and his witch wife Senora Adriana. Borrowing heavily from the Greek myth, Dionysio lives up to his namesake while his wife weaves mysterious tales to the story.Lituma begins to believe the stories of natives of the pishtacos and huaycos and things that scare the men of Nacco, a remote mining outpost. And the stories intertwine and weave amongst themselves but the reader is never lost. Quite amazing at times and the tension is constant broken by the love story.

Like Aunt Julia and the Scriptwriter and The Bad Girl, I couldn't put this book down as the story was so wonderfully told. READ!