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The Liars' Club: A Memoir Paperback – Illustrated, May 31, 2005
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The New York Times bestselling, hilarious tale of a hardscrabble Texas childhood that Oprah.com calls the best memoir of a generation
“Wickedly funny and always movingly illuminating, thanks to kick-ass storytelling and a poet’s ear.” —Oprah.com
The Liars’ Club took the world by storm and raised the art of the memoir to an entirely new level, bringing about a dramatic revival of the form. Karr’s comic childhood in an east Texas oil town brings us characters as darkly hilarious as any of J. D. Salinger’s—a hard-drinking daddy, a sister who can talk down the sheriff at age twelve, and an oft-married mother whose accumulated secrets threaten to destroy them all. This unsentimental and profoundly moving account of an apocalyptic childhood is as “funny, lively, and un-put-downable” (USA Today) today as it ever was.
- Print length352 pages
- LanguageEnglish
- PublisherPenguin Books
- Publication dateMay 31, 2005
- Dimensions5.06 x 0.64 x 7.76 inches
- ISBN-100143035746
- ISBN-13978-0143035749
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"Astonishing ... one of the most dazzling and moving memoirs to come along in years." —Michiko Kakutani, The New York Times
"This book is so good I thought about sending it out for a backup opinion...it's like finding Beethoven in Hoboken. To have a poet's precision of language and a poet's insight into people applied to one of the roughest, toughest, ugliest places in America is an astonishing event." —Molly Ivins, The Nation
"9mm humor, gothic wit, and a stunning clarity of memory within a poet's vision.... Karr's unerring scrutiny of her childhood delivers a story confoundingly real." —The Boston Sunday Globe
"Overflows with sparkling wit and humor.... Truth beats powerfully at the heart of this dazzling memoir." —San Francisco Chronicle
About the Author
Product details
- Publisher : Penguin Books; Reprint edition (May 31, 2005)
- Language : English
- Paperback : 352 pages
- ISBN-10 : 0143035746
- ISBN-13 : 978-0143035749
- Item Weight : 8.6 ounces
- Dimensions : 5.06 x 0.64 x 7.76 inches
- Best Sellers Rank: #17,512 in Books (See Top 100 in Books)
- #54 in Author Biographies
- #233 in Women's Biographies
- #692 in Memoirs (Books)
- Customer Reviews:
About the author
Mary Karr's first memoir, The Liar's Club, kick-started a memoir revolution and won nonfiction prizes from PEN and the Texas Institute of Letters. Also a finalist for the National Book Critics Circle Award, it rode high on the New York Times bestseller list for over a year, becoming an annual "best book" there and for The New Yorker, People, and Time. Recently Entertainment Weekly rated it number four in the top one hundred books of the past twenty-five years. Her second memoir, Cherry, which was excerpted in The New Yorker, also hit bestseller and "notable book" lists at the New York Times and dozens of other papers nationwide. Her most recent book in this autobiographical series, Lit: A Memoir, is the story of her alcoholism, recovery, and conversion to Catholicism. A Guggenheim Fellow in poetry, Karr has won Pushcart Prizes for both verse and essays. Other grants include the Whiting Award and Radcliffe's Bunting Fellowship. She is the Peck Professor of Literature at Syracuse University.
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It's not a pretty story and not for the faint of heart. I can be a pretty tough old bird, and some of her descriptions were downright shocking. This book was recommended to me by an author, and I was told it had one funny one-liner after the next, flat out great writing--read it immediately! I didn't want to tell this person, that I didn't laugh but once (the humor is dark) and I thought, Geez, this writer should be put in the corner with Salinger and Henry Miller (w/o all the four-letter obscenities) as far as salty prose goes. If that is your cup of tea, then give this book a try. After all is said and done, it is a page-turner, it keeps your interest, and even has a sort of moving twist at the end. It's a well-written book; the style will not be for everyone.
Per Mary’s telling, her mother (whom she simply calls Mother) is a tortured artist, full of inner grandeur, and stifled by the bounds of poverty. She’s philosophical, passionate, and brilliant in her own ways, but she’s immobilized by mental illness and alcoholism. Her artistic flamboyance is so out of place in Leechfield, no one knows what to make of her, and the community writes her off as lunatic. But their assessment doesn’t seem unfair. Mother’s wildly destructive behaviors are the primary thrill factor of the book. Only the glowering, disapproving grandmother can subdue her, to the astonishment and disappointment of young Mary.
Mary’s father (Daddy) is the saner parent. He’s an alcoholic too, but since he’s unplagued by mental illness, he isn't ostracized. He holds a job in the oil refinery, feeds his family, and dotes on his little girls. Daddy is famous in Leechfield for his masterful telling of tall tales among friends (inspiring the title "The Liars’ Club").
Although Mother and Daddy do love Mary and Lecia, Mother’s illness overshadows every aspect of their lives with insanity. Mary and Lecia have few boundaries. While Lecia assumes the responsibility that her mother shirks, Mary grows sassy and wild.
When Mother comes into some money, they all move from oil-permeated Leechfield to an idyllic ranch in Colorado, where the girls roam the wild countryside on horseback in mountain-fresh air under wide open skies. But as it has been said, no matter where you go, there you are. Addiction and illness follow them. Mother and Daddy divorce soon thereafter, and the children are abandoned to themselves and tossed around with fantastical carelessness.
To conclude the memoir, Mary skips to her young adulthood. Mother’s new money has been squandered, Mother and Daddy have reconciled, they’ve returned to Leechfield, Daddy is bedridden, and a great family secret is disclosed. Suddenly, the insanity makes sense. But don’t read ahead. You need the blindness to appreciate Mary’s bewildering, focusless upbringing.
Throughout the book, Mary hints that she and Lecia have grown into contributing, productive humans, but as she describes her childhood, you may wonder how that outcome is possible. Maybe this is what saves the girls: Despite all the chaos, a thread of love is evident. The girls are not rejected by either parent, nor by each other. They learn attachment.
Karr’s narrative is a mashup of childish perspective and grown-up introspection. Her lexicon is deliberate and selective. She crafts each sentence like a poet (which she also is). In her writing, you’ll see glimpses of the good genes she’s inherited. She’s an artist, like her mother, and a taleweaver, like her father. Enjoy "The Liar’s Club" like wine: Some of it is unsavory. Some of it is exquisite. All of it will alter your outlook.
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