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Arrival
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Genre | Sci-Fi / Thriller / Drama |
Format | NTSC |
Contributor | Amy Adams, Forest Whitaker, Jeremy Renner, Michael Stuhlbarg |
Language | English |
Runtime | 1 hour and 51 minutes |
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From the manufacturer
Paramount provides premium content to audiences across worldwide. We connect with billions of people. Our studios create content for all audiences, across every genre and format, while our networks and brands forge deep connections with the world’s one of the most diverse audiences. In streaming, our differentiated strategy is scaling rapidly across free, broad pay, and premium.
Paramount Pictures Corporation is an American film and television production company and the main namesake division of Paramount Global
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Product Description
When mysterious spacecrafts touch down across the globe, an elite team - led by expert codebreaker Louise Banks (Amy Adams) - is brought together to investigate. As mankind teeters on the verge of global war, Banks and the team race against time for answers – and to find them, she will take a chance that could threaten her life, and quite possibly humanity.
Product details
- Is Discontinued By Manufacturer : No
- MPAA rating : PG-13 (Parents Strongly Cautioned)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 2.12 ounces
- Item model number : 43471750
- Media Format : NTSC
- Run time : 1 hour and 51 minutes
- Release date : January 8, 2019
- Actors : Amy Adams, Jeremy Renner, Forest Whitaker, Michael Stuhlbarg
- Dubbed: : Spanish, French
- Subtitles: : English, Spanish, French
- Studio : Paramount Pictures Home Entertainment
- ASIN : B01LTHYE04
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #11,597 in Movies & TV (See Top 100 in Movies & TV)
- #6,260 in DVD
- Customer Reviews:
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I'm going to try and make this review as concise as possible, but it will be filled with spoilers because I feel that the negative reviews crying about the movie's pace and it's supposed 'randomness' and 'incoherence'/'nonsense' storyline are not only ridiculously inaccurate, but depressingly indicative of a generation of movie-goers and audience-participants afflicted with a kind of attention deficit derived from cancerous reality TV and unhealthy addictions to the 140/280-status-update-social-media-entertainment reality that unfortunately pervades society's everyday life now. ARRIVAL is not only an entertaining movie, but it's narrative made complete sense and was stunningly original and, ultimately, refreshing thanks to a kind of Drake-equation-authenticity approach to crafting a plausible scenario about humanity's first encounter with an advanced intergalactic wayfaring species.
So, being as brief and succinct as I can, here is the plot explained.
1. Louise and Ian are recruited to decipher the newly arrived visitor's language in an effort to uncover our guest's true motive for visiting.
2. I'm an earlier discussion in the film, Ian asks Louise about a linguistic theory and whether or not she abides by it's stated principal: when an individual immerses themselves in the study of new language(s), they ultimately rewire their synapses/brain chemistry and alter the way they interact with perceived reality and use of their senses. The name of the theory eludes me atm but it's stated in the movie.
3. Ian and Louise begin to immerse themselves in this new language with incredible results. Louise begins having flashbacks to the life of her and her husband daughter, who died at a tender young age from a rare, unknown affliction when she was a young teenager.
4. The round-the-clock immersion into Heptapodese logogram (the alien language and it's written symbols) also causes Louise to begin dreaming in Heptapodese logogram, as well as the Heptapodese spoken. This is evidenced by a brief spat between Louise and Ian where Ian asks Louise if she's been dreaming in Heptapodese instead of English, to which Louise replies, "so what, that doesn't mean I can't still do my job." The obvious takeaway is yes, Louise is in fact dreaming in the alien tongue (also evidenced by a very brief 5 second dream sequence where we see a Heptapod standing over Hannah and Louise's beds before Louise is jolted awake by the 18-hour-interval klaxon).
5. China and Russia give the Heptapods an ultimatum: leave in a day, or we will annihilate you; total destruction. Heptapods respond with a visual metaphor as well as a linguistic one: Twelve together are one (proceeded by the rotation of the Heptapod spheres revealing that each sphere is actually a perfectly measured fragment of an even bigger sphere which would be created if each of the twelve spheres parked in around the world decided to combine together (evidenced by Ian's measurement epiphany of 100 ÷ 12 after Heptapod Costello gives them that massively layered message). This makes Louise realize that the Heptapods are trying to tell them not to attack, but to combine all their knowledge learned from their encounters so they can communicate with them more productively. Against the wishes of cooler heads, a rogue faction of mutineers sabotage one of Louise and Ian's meetings with Abbott and Costello with C4 and Bushmasters in a futile attempt at attacking the Heptapods and killing Louise/Ian because of their antagonistic stance towards aggression. This of course fails, and the Heptapods save Louise and Ian by ejecting them from their ship before the c4 explosion can kill them. Unfortunately, the explosion mortally wounds one of the Heptapods and so all humans are now banned from entering the ship--except the translators.
6. Louise runs away from the compound after having a prescient vision of the Heptapod black ink swelling her hands which forces her to Intuit that the Heptapods want to speak to her and only her. So she runs to the middle of an open steppe and the Heptapods transport her aboard their ship. The surviving Heptapod expresses the other Heptapod's death to Louise to which she commiserates and apologizes for her species irrational and fearful behavior. She asks for the Heptapod to again reiterate the true nature/purpose of their visit, which it replies 'to help humanity, so that they can help us 3,000 years from now. ... The weapon we offer you is time. ... Louise can see the future." Louise learns that the Heptapods want to give her the gift of prescience/clairvoyance, but she can't understand how they will give it to her, or how it will work once they do give it to her.
7. Louise then has a 'flashback' about a conversation she once had at a UN event/Galla with General Shang, China's military figurehead spearheading the 24 hour ultimatum against the Heptapods. In this memory, Shang thanks Louise for reciting his wife's dying words of love to him because of the comfort and tranquility these words bring him in times of hardship. Louise then risks a charger of treason to make a satellite phone call to China to convince them to stand down from their ultimatum and to participate in the complete exchange and sharing of all gathered intelligence from the Heptapod interactions. Because of Louise's words to Shang, China agree s and the rest of the world follows China's lead.
8. Peace is restored as China softens it's stance and eliminates the ultimatum. The Heptapods leave after completing their job of giving humanity it's most useful weapon: itself. Humanity teams up to solve problems and boost progress, instead of competing and behaving surreptitiously. This is hinted at earlier in the film when Halpern comments to Louise and Ian something along the lines of 'How would you get anything done as an alien species if the other species your interacting with is divided into several leaders without one true position of power to guide everyone?' (not verbatim, but it's the exact spirit of what Halpern was saying.
9. Louise realises finally that, after all this time, her flashbacks of her daughter Hannah are actually prescient visions of a daughter that she has yet to give birth to. This epiphany tires back into the early part of the film when Ian take about the linguistic theory where fully immersing oneself in a new language alters the way one interacts with reality. Louise has immersed herself so deeply in Heptapodese logogram that it's effectively rewired her brain, making her clairvoyant.
10. It turns out that Ian is going to be Louise's future husband, and the father to their daughter Hannah. The movie ends with a sort of clairvoyant memory reel of the life of Louise, Ian, and Hannah's future journey together before tragedy takes Hannah away from them at a young age. We learn that the memories of Hannah randomly had throughout the movie were actually the sequences where her brain was altering itself as it tried to acclimate to this new prescient way of interacting with reality and time. Yet again, there's as very brief scene where Louise explains to the Colonel that Heptapodese logogram doesn't express time in a linear fashion like humanity's languages do--an early hint at the notion that whoever buckles down and learns Heptapodese logogram will ultimately be able to perceive time in a non-linear fashion.
Honestly, I thought ARRIVAL was a beautiful, almost magical film. It was so much more than a kind of ID4 Doomsday Alien flick that permeates the global cinematic universe. ARRIVAL may be a film about Heptapods and our attempts at understanding them, but ultimately it's a passionate movie about humanity coming together to genuinely better understand itself.
I know I said I would be brief, and I tried, but it looks like I failed (lol). Kudos if you read my wall of text, I hope this explained the story my clearly. If it clarified things, I also hope that it shorted your negative opinions on the film into more positive ones.
Bravo to Villeneuve and everyone involved in creating arrival. It's now in my top 5 alien films of all time! I give it six out of five stars and would definitely recommend to anyone who likes mature sci-fi with an emotional drama component to its narrative. Cheers
The movie centers primarily on a world renown linguist, Louise Banks (played by Amy Adams in for me personally the finest role I have ever seen her perform), tasked with communicating with aliens, mysterious somewhat squid-like beings that have arrived on impressive monolithic star craft, each hovering in a specific spot and ready to receive human visitors. There are twelve of them, and Louise is recruited along with physicist Ian Donnelly (played by Jeremey Renner who can really act) by U.S. Army Colonel Weber (played by Forest Whitaker) to head up science and linguist teams to study the aliens at the craft in Montana.
Louise, out of all the teams in different countries in the world, makes the most strides in communicating with the aliens (dubbed heptapods), occasionally having to overcome skepticism and caution by her superiors as well as the physical and mental challenges of communicating with the aliens. As a secondary plot the Chinese government starts to see the aliens as hostile and appears to be planning an attack on them, with Louise and Ian rushing to understand the heptapod language, why they are here, and to convince the Chinese to stand down (while the American government is ready to end the talks and perhaps join the Chinese in an attack).
Interspersed with the first contact events we learn Louise had a daughter named Hannah, who while having a wonderful childhood and a great mother-daughter connection, died at age 12 from an incurable illness (something you learn very early on in the film). The combination of eternal love for Hannah, happy memories of Hannah’s life, and lingering sadness at her death color much of Louise’s thoughts and her actions (and to my surprise tied in to an astonishing degree to what the heptapods offered).
I liked also how they didn’t just say Louise was a linguist and she magically could understand the heptapod’s language. She was shown with Ian’s help puzzling out how they spoke and thought, the viewer getting the frustration as well as the eureka moments, and also the fact Louise was a linguist, how she saw the world, through languages and understanding how someone’s language structures the reality around them was brilliant.
No complaints about the film! If you like serious science fiction, beautiful science fiction, science fiction that doesn’t forget the human element and doesn’t forget the science part, or a film that doesn’t really have red herrings, that ultimately everything ties together, I highly recommend this film.
Top reviews from other countries
Lo único malo, (y la verdad no es algo tan malo para mi), es que la versión digital sólo es compatible con las tiendas canadiense y estadounidense de iTunes, por lo que, si no tienen cuenta en alguna de esas dos tiendas, no podrán descargarla. El otro lugar en donde también está disponible una versión digital de la película no lo conozco ni sé cómo funciona, tal vez ahí si se podría descargar en nuestro país, México. Lejano a eso, repito, me encantó la película, el excelente precio y que llegara rápido.