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Fujifilm X-T2 Mirrorless Digital Camera (Body Only)
Brand | Fujifilm |
Model Name | X-T2 |
Maximum Webcam Image Resolution | 24.3 MP |
Photo Sensor Size | APS-C |
Image Stabilization | Digital |
Min Shutter Speed | 30 sec |
Metering Description | Made in Japan Package Dimensions : 10.0 L x 6.0 H x 8.0 W (inches) Package Weight : 4.5 pounds Color : Black See more |
Exposure Control Type | aperture-priority, shutter-speed-priority, Manual |
Form Factor | Compact |
Effective Still Resolution | 24.3 MP |
About this item
- 24.3MP X Trans CMOS III APS-C sensor reduces moiré and false colors to improve image quality and X Processor Pro engine increases response times, achieves faster AF, lower noise and better color
- Dust and moisture resistant body with approximately 63 points of weather sealing; Freeze resistance to 14 Degree Fahrenheit
- High precision 0.48 inch, 2.36 million dot OLED viewfinder featuring a magnification of 0.77x and Ultra fast Real Time Viewfinder with a lag time of 0.005sec
- Full HD and 4K 3840x2160 30P/25P/24P shooting (Using a card with the UHS Speed Class 3 or higher)
- Tempered glass 1.04 million dot high-precision 3 Inches tilting LCD monitor with three directional tilt and shutter type is focal plane shutter
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Price | $599.99$599.99 | -12% $2,199.00$2,199.00 New Price: $2,499.00 | $1,699.00$1,699.00 | $2,499.00$2,499.00 | $1,699.95$1,699.95 | $899.00$899.00 |
Delivery | Get it Mar 21 - 25 | Get it Mar 25 - Apr 1 | Get it as soon as Sunday, Mar 24 | Get it as soon as Sunday, Mar 24 | Get it as soon as Sunday, Mar 24 | Get it as soon as Thursday, Mar 21 |
Customer Ratings | ||||||
Picture quality | 4.9 | — | 4.7 | 4.5 | 4.7 | 4.2 |
Auto focus | 4.7 | — | 4.5 | 4.2 | 4.5 | 4.3 |
Image stabilization | — | — | 4.9 | 4.4 | 4.9 | 3.9 |
Ergonomic | — | — | 4.7 | 5.0 | 4.7 | — |
Sold By | Replay Tech | PhoenixPhoto | PROCAM | Amazon.com | Amazon.com | Adorama |
display type | LCD | LCD | LCD | LCD | LCD | LCD |
display size | 3 inches | 3 inches | 3 inches | 3 inches | 3 inches | 3 inches |
lens type | interchangeable | Wide Angle | Wide Angle | Wide Angle | Wide Angle | Wide Angle |
zoom type | UHS-II standard SD card | — | Digital Zoom | — | Digital Zoom | Optical Zoom |
shooting modes | Shutter Priority | Automatic, Movie | Shutter Priority | Bulb Mode,Aperture Priority, Manual, Program, Shutter Priority | Shutter Priority | Bulb Mode,Aperture Priority, Manual, Program, Shutter Priority |
connectivity tech | HDMI, USB | HDMI, USB | HDMI, Bluetooth, Wi-Fi, USB | HDMI, USB | HDMI, Bluetooth, Wi-Fi, USB | Bluetooth, Wi-Fi |
video resolution | 3840 x 2160 (29.97p, 25p, 24p, 23.98p), 1920 x 1080 (59.94p, 50p, 29.97p, 25p, 24p, 23.98p), 1280 x 720 (59.94p, 50p, 29.97p, 25p, 24p, 23.98p) | 4320p | 4320p | 4320p | 4320p | 2160p |
Videos
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See a photographer's STUNNING photos taken with this camera
Amy Cicconi
Videos for this product
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DPReview: Hands-on with the Fujifilm X-T2
DPReview
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DPReview Fujifilm X-T2 Overview
DPReview
What's in the box
From the manufacturer
In its compact, lightweight and robust body, the Fujifilm X-T2 delivers everything you need. A large, high definition EVF, easy to use dials, high-speed AF, compatibility with an extensive range of high-performance interchangeable lenses, Film Simulation modes that inherit the legacy of Fujifilm colors, unparalleled image quality and outstanding 4K movie recording, made possible by the latest sensor and processing engine, It is the X series perfected.
Image Quality / Focus Control
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Image Quality 24.3MP X-Trans* CMOS III SensorThe Fujifilm X-T2 features a 24.3MP X-Trans CMOS III APS-C sensor for outstanding image quality. Its highly random pixel array effectively reduces moiré and false colors without the use of an optical low-pass filter. When combined with an XF lens, the sensor delivers images with a perceived resolution far greater than the number of pixels used. Other features include outstanding read speed, high-speed continuous shooting, high-precision AF tracking, highly faster live view refresh rate and superb video recording. The sensor readout speed is now approximately twice as fast, delivering high-speed continuous shooting, precise AF tracking, playback and higher quality movies. 1: Microlenses. 2: X-Trans Color Filter. 3: L/R Light Interception Filter. 4: Phase Detection Sensor / Green Filter Pixel. 5: Photodiode. Note: X-Trans is a trademark or registered trademark of Fujifilm Corporation. |
Excellent image processing from X-Processor ProThe X-Processor Pro image processing engine is approximately four times faster than the previous model. The increased built-in memory and enhanced computational power bring out the maximum capabilities of the X-Trans CMOS III sensor. It produces high quality images and improves response times for shorter delays between shots, reduced shutter-release time lag and greater AF precision. The engine also delivers faster Live View refresh rates and reduces image delay when tracking moving subjects. The Fujifilm X-T2 features a new CPU for high-speed processing. The Buffer memory has also been increased for an even faster response. |
Film Simulation modes reflect Fujifilm's color philosophyIncorporating knowledge developed from over 80 years of photographic film manufacturing, the Fujifilm X-T2's Film Simulation modes allow you to enjoy different color tones and rich gradations as if actually swapping films. A total of 15 modes are available, including PROVIA and Velvia to reproduce vibrant colors, plus ACROS for fine-detailed monochrome images. The Grain Effect function can be combined with all Film Simulation modes to add a textured look and deliver a greater range of artistic effects. |
Focus Lever to instantly change the focusing pointThe focus area can be changed in eight directions using the Fujifilm X-T2's Focus Lever: up/down, right/left and diagonally. This allows users to make quick changes to the focus area for accurate focusing after composing an image. This feature is useful not only to shift the AF points during autofocusing, but also to quickly choose the area to be enlarged in MF Assist mode during manual focusing. |
Focusing
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Larger high-speed and high-precision phase detection AF areaAF performance has been improved in a number of keys areas. The fast and accurate phase detection AF now covers a larger part of the frame and has been optimized in the area where users are most likely to position the main subject. At the same time, the Fujifilm X-T2 boasts significant focusing improvements on small highlights, low contrast subjects and subjects with fine textures, which have previously caused problems for focal plane phase detection AF. Contrast detection AF, which excels in low light conditions, has also received a performance boost, with the ability to accurately focus in light levels as low as -3EV. The camera also refocuses more regularly during the slow burst mode in AF-C. The phase detection area has been expanded by approx. 230% compared to previous models, with the number of focus points increasing from 49 to 91 (up to 325). The camera also activates phase detection AF more frequently to take advantage of its AF speed and accuracy in a greater variety of situations. |
Tracking SensitivityThree parameters controlling AF-C. Fujifilm has substantially improved the AF-C algorithm to boost the accuracy of the Fujifilm X-T2's ability to track moving subjects. You can now fine tune how the camera reacts to the way the subject moves within the frame, how fast the subject moves and where in the frame the camera prioritizes focus. The five presets in the AF-C Custom Settings represent combinations of these three factors. This setting allows you to specify whether the camera should switch its focus to a different subject or retain its focus to wait for the subject to reappear. This control is useful when the object you are tracking disappears behind an obstacle, goes out of the frame or when a second object at a substantially different distance from the subject comes into the frame, Selecting 0 makes the camera switch its focus immediately, while choosing 1-4 progressively lengthens the time it will retain focus. |
Speed Tracking SensitivityThis setting defines the camera's tracking characteristics based on changes to the subject's speed. Selecting 0 (constant speed), the camera does not consider change of speed when predicting subject movements. Choose 2 (variable speed) and the camera takes speed changes into account when predicting subject movement, making it suitable for accelerating or decelerating subjects. |
Zone area SwitchingThis setting is available only in the Zone AF mode, and allows you to specify which part of the selected focusing zone should be given focusing priority. Select Center to maintain focus in the center of the frame, or Front to switch the focus to a subject at the front of frame when the original subject moves out of shot. Auto tracks the subject you first focused on. |
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High-res Real Time Viewfinder with 0.77x magnificationThe 2.36-million-dot high-resolution organic EL electronic viewfinder has a magnification ratio of 0.77x, a horizontal viewing angle of 31 degrees, and a display time lag of just 0.005 seconds. The viewfinder, which is 2 times brighter than the previous model, also features an automatic brightness adjustment function so it's easy to see in all conditions - even intense backlighting. It completely eliminates moiré or false colors, and boasts performance comparable to an optical viewfinder, but with the added advantage of displaying a live view that reflects exposure settings.
Up to 100 fps EVF refresh rate for a clear display even in low light. As standard, the EVF refreshes at a rate of 60 fps, but in Boost mode this jumps to 100fps, which continuously displays even fast-moving subjects smoothly to deliver a performance comparable to that of an optical viewfinder. The fast refresh rate is maintained even in low light for easy framing during night shooting. |
Focusing on subjects with erratic movementsContinuous shooting performance has also been improved, enabling up to 11fps when using the mechanical shutter* and 5fps in the Live View mode. The viewfinder blackout time is now less than half that of the previous model. This means that you can track a fast-moving subject more easily for an extended period of time during continuous shooting. The combination of advanced continuous shooting options and EVF performance deliver continuous AF-C shooting never previously thought possible with mirrorless cameras. 1. Blackout time. 2. Time in which the subject can be viewed through the viewfinder. |
Outstanding 4K high-definition videoThe Fujifilm X-T2 captures approx. 1.8x the required number of pixels for 4K video (4K/30P, 25P, 24P) and 2.4x the required data for full HD video (1080/60P, 50P, 24P) to deliver superior movie quality free from moiré or artifacts. It also supports the high bit rate of 100Mbps. |
Film Simulation on video recordingFilm Simulation modes are available during video recording. Movie shooters can enjoy extra creativity, without the need for lengthy post-production, including monochrome video in ACROS and documentary-themed tones in Classic Chrome. You can also change settings such as aperture, shutter speed and exposure compensation while recording video. |
Operability
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Solid body with resistance to dust, moisture and low tempsThe Fujifilm X-T2's body is made of magnesium alloy. Despite being compact and lightweight, it is both solid and highly durable. The body is also weather-sealed in 63 points to achieve a high level of resistance to dust and moisture. Couple this with its ability to work in temperatures down to -10°C and you'll see the camera is ready for anything. Similar weather-sealing is applied to the dust-resistant and water-resistant lenses and the Power Booster Grip to provide weather resistance across the entire system. |
Dual SD card slotsThe body features dual slots to accommodate two SD cards for highly reliable data storage. Both Slot 1 and Slot 2 are compatible with UHS-II standards for excellent write speeds. You can use the slots for sequential recording, backup, sorting to record RAW files in Slot 1 and JPEG files in Slot 2, or assign one of the slots for video storage. |
Three-direction tilting LCD screenThe Fujifilm X-T2 features a premium LCD screen that can tilt in three directions. Tilt it up and down when shooting in landscape, and upward when shooting in portrait. The screen remains positioned on the optical axis of the lens for easier high-angle and low-angle shooting. The 3-inch LCD has 1.04 million dots and uses toughened glass. When not tilted, it fits flush to the body. |
Lockable dials deliver quick and simple handlingKey exposure controls are dial-based, such as setting the shutter speed, ISO sensitivity, exposure compensation, Drive Mode and Metering Mode. This means settings can easily be changed, even when the camera is turned off. Selected controls also feature lock and release buttons to enhance overall operation. |
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Product information
Auto Focus Technology | Contrast Detection |
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Display Resolution Maximum | 4896 x 3264 |
Photo Sensor Size | APS-C |
Photo Sensor Technology | CMOS |
Effective Still Resolution | 24.3 MP |
Maximum Webcam Image Resolution | 24.3 MP |
White balance settings | Auto |
Self Timer Duration | 10 seconds |
JPEG quality level | Basic, Fine, Normal |
Camera Flash | Hotshoe |
Image Stabilization | Digital |
Flash Modes Description | Forced, Rear curtain sync, Slow sync, Suppressed |
Supported Image Format | Exif 2.3, JPEG, RAW |
Video Capture Format | 4k |
Video Capture Resolution | 3840 x 2160 (29.97p, 25p, 24p, 23.98p), 1920 x 1080 (59.94p, 50p, 29.97p, 25p, 24p, 23.98p), 1280 x 720 (59.94p, 50p, 29.97p, 25p, 24p, 23.98p) |
Video Standard | AVCHD |
Video Output Interface | HDMI, USB |
Batteries Required? | Yes |
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Number of Batteries | 1 Lithium Metal batteries required. (included) |
Are Batteries Included | Yes |
Rechargeable Battery Included | No |
Battery Cell Composition | Lithium Ion |
Battery Description | NP-W126 |
Battery Weight | 100 Grams |
Target Gender | Unisex |
Connectivity Technology | USB, HDMI |
Continuous Shooting Speed | 14.00 |
Controller Type | Remote |
Wireless Communication Technology | BuiltIn; 802.11b/g/n |
Flash Memory Type | UHS-II standard SD card |
Memory Slots Available | 1 |
Special Feature | Brightness Control |
Water Resistance Level | Water Resistant |
Skill Level | Amateur |
Shock Resistant | FALSE |
Form Factor | Compact |
Hardware Interface | AV Port |
Audio Recording | Yes |
Photo Sensor Technology | CMOS |
Lens Type | interchangeable |
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Optical Zoom | 1 x |
Maximum Aperture | 3.5 Millimeters |
Zoom Type | UHS-II standard SD card |
Compatible Mountings | Fujifilm X |
Focus Type | UHS-II standard SD card |
Expanded ISO Maximum | 51200 |
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Min Shutter Speed | 30 sec |
Exposure Control Type | aperture-priority, shutter-speed-priority, Manual |
Metering Description | Made in Japan Package Dimensions : 10.0 L x 6.0 H x 8.0 W (inches) Package Weight : 4.5 pounds Color : Black |
Shooting Modes | Shutter Priority |
Viewfinder Type | Electronic |
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Screen Size | 3 Inches |
Display Type | LCD |
Display Fixture Type | tilting |
Mfg Warranty Description Labor | 1 year |
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Manufacturer Warranty Description Parts | 1 year |
Model Name | X-T2 |
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Brand | Fujifilm |
Model Number | X-T2 Body |
Customer Reviews |
4.5 out of 5 stars |
Best Sellers Rank | #247,705 in Electronics (See Top 100 in Electronics) #562 in Mirrorless Cameras |
ASIN | B01I3LNMAM |
Number of Items | 1 |
Color | Black |
Included Components | Camera Body Only |
Upper Temperature Rating | 104 Degrees Fahrenheit |
Item Dimensions LxWxH | 7.7 x 9.6 x 5.2 inches |
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Item Weight | 3.5 Ounces |
Warranty & Support
Feedback
Product Description
The FUJIFILM X-T2 is the ultimate mirrorless digital camera. The X-T2 is a splash-resistant premium interchangeable lens camera with a large OLED electronic viewfinder (EVF). The X-T2 houses the latest generation 24.3MP X-Trans CMOS III with an APS-C sensor with no low-pass filter, boasting the highest performance in the history of X Series. The new X-T2 produces crisp image resolution comparable to that of cameras equipped with larger sensors and higher pixel counts, all in a more compact and classically-designed body. And for the first time, the new FUJIFILM X-T2 now supports 4K video recording that can use each available Film Simulation mode, including ACROS, to easily produce premium-quality footage that is as unique as the photographer behind the viewfinder.
Read about our customers' top-rated cameras and lenses on our review pages: Compact System Cameras, Lenses
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers like the quality, ease of use, image quality, appearance and autofocus of the digital camera. They mention that it oozes quality, the custom settings make shooting action a breeze and that the RAW picture format is great. They also appreciate the stunning appearance and the impressive autofocus abilities.
AI-generated from the text of customer reviews
Customers are satisfied with the quality of the camera. They say it is a well-made camera, oozes quality, and is an excellent and reliable camera. It is solidly built and should last for years.
"...This camera feels good in the hand. It oozes quality. Is it the “poor man’s Leica?” Maybe so...." Read more
"...(about 10 inches) that you can get surprisingly sharp, close photos of flora and fauna, provided you have the right lighting and can get close...." Read more
"...Fujifilm's X-T1 has proven to be and excellent and reliable camera for nearly everything I shoot from portraiture, landscapes, and architectural..." Read more
"...The build quality on the X-T2 is magnificent...." Read more
Customers find the digital camera easy to use. They mention that the controls are very intuitive, making shooting action a breeze. The custom settings make shooting action easy. The camera is a joy to use and is able to easily adjust settings with mechanical knobs. The process of photography is praised for its ease of use and superb results.
"...It’s amazing.I love being able to easily adjust settings with mechanical knobs at the top of the camera, but I just as much love being..." Read more
"...Hallelujah! The joy of shooting is back, and I'm free of that photographic purgatory known as obligatory photo editing!..." Read more
"...Seriously, this camera is a dream to use and it's great knowing I have reliable tools when I show up for a shoot...." Read more
"...The autofocus runs circles around the X-T1. The custom settings make shooting action a breeze!..." Read more
Customers are satisfied with the image quality of the camera. They mention that it has fantastic picture quality, better focus and color, and the RAW picture format is great. They also appreciate the 4K video and impressive dynamic range. The camera is an excellent choice for those looking for a high-quality digital camera for videography.
"...What I WILL do is tell you that this is a magnificent camera that can take amazing photos. Is it a full frame or a medium-format camera? No...." Read more
"...extremely responsive autofocusing system with Fuji's first-rate color and image processing, all squeezed into a brilliantly compact form factor...." Read more
"...For producing image quality and autofocus speed and accuracy the X-T2 is exceptional, and it does this for a lot less money than the competition...." Read more
"...The video quality is perfect for my needs...quite stunning!The bad...So far my only complaint is the WIFI has been a bit spotty...." Read more
Customers like the autofocus capabilities of the camera. They say it's impressive, with a very useful focus stick selector. They also say that the autofocusing speed and accuracy of the X-T2 is exceptional. They like the joystick for focusing, and the phase detection is generally a little faster.
"...And it can even focus closely enough (about 10 inches) that you can get surprisingly sharp, close photos of flora and fauna, provided you have the..." Read more
"...For producing image quality and autofocus speed and accuracy the X-T2 is exceptional, and it does this for a lot less money than the competition...." Read more
"...I am still astounded by how well the continuous auto focus performs.5 STOP EXPOSURE COMPENSATION..." Read more
"...Auto focus is not only fast but the shutter button to photo is near instantaneous. And I love the electronic viewfinder...." Read more
Customers are satisfied with the appearance of the digital camera. They say it is quite stunning, with beautiful image quality and the renowned Fuji Film colors and sharpness. The LCD panels on the back are nice.
"...yet its JPEGs often look stunning straight-out-of-camera (much better than the D750's do)...." Read more
"...But aside from the beautiful image quality and the renowned Fuji Film colors and sharpness, one thing that really should be included here in this..." Read more
"...The video quality is perfect for my needs...quite stunning!The bad...So far my only complaint is the WIFI has been a bit spotty...." Read more
"...And I love the electronic viewfinder. LCD panels on the back are all nice and fine up until I can't see diddly because the sun is in the wrong spot..." Read more
Customers are satisfied with the weight of the digital camera. They mention that the controls are great and it feels eminently portable. The camera is lightweight and compact, and is built like a tank. It is small enough to be easily handled and should last for years.
"...The fact that it is still relatively light and comfortably small (as compared to a typical DSLR) is just icing on the cake...." Read more
"...Paired with Fuji's outstanding 35mm f/2 XF lens, you end up with a light, portable powerhouse that can produce first-rate images and is simply a joy..." Read more
"...General ItemsIn addition to the light weight of the camera, I love the old school feel of the dials and knobs on the camera...." Read more
"...It was the Sony a7, and I quickly became enamored with its convenient portability and nifty features, like its electronic viewfinder, focus peaking,..." Read more
Customers like the color of the digital camera. They say that the colors are rich, the focus is fast, and the T2 produces high resolution, excellent color, and low noise at high ISOs. Customers also mention that the Fuji system has a very sharp lens and the colors is amazing.
"...and the results are so good—color, saturation, headroom, detail, sharpness, clarity—that I don’t need to worry about saving for a Leica...." Read more
"...it can even focus closely enough (about 10 inches) that you can get surprisingly sharp, close photos of flora and fauna, provided you have the right..." Read more
"...It was crisp and tight, and the color quality was near perfect as what I was seeing in reality...." Read more
"...Camera only can do three exposures bracketing at the time. Good sharpness, control and ergonomics are simply not enough for the camera to be..." Read more
Customers are satisfied with the grip of the camera. They say that it is comfortable, the ergonomics and controls are great, and it feels good to shoot with it. The grip is perfect and easy to hold.
"...Is it the “poor man’s Leica?” Maybe so. It’s so pleasant to shoot with and the results are so good—color, saturation, headroom, detail, sharpness,..." Read more
"...-rate images of my family, yet small enough to be unobtrusive, with ergonomics that not only facilitate easy, instantaneous operation, but enhance..." Read more
"...immediately appreciate the beautiful retro design and the unique feeling of total control that these cameras impart to their user...." Read more
"...But the grip makes this camera last longer too...." Read more
Reviews with images
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I’m not a professional photographer in the strictest set of terms. I recently ran into a man in Paris who was shooting with a Hasselblad camera that he had purchased (body only) for seven thousand euros (about eight years ago; not including the lens). Of course, it’s not the CAMERA that makes him a professional: this is a freelancer who sells photos to newspapers and magazines across Europe, and if you spent time (which I did, some 30 minutes of it, or so) watching how he would size up a shot in his mind, take a long time to think about it, and then whip up the camera and take a shot almost without effort, you can tell you are looking at a professional. We had a nice talk and exchanged stories about cameras. With some Hasselblad backs selling for over 40,000 dollars, he still complimented my camera. What camera was it? A Fuji X-T2.
I’m no professional, but I’ve been into photography for about 20 years. I’ve owned many many different cameras over that period, of all types, from diminutive little devices that fit into your front pocket, to DSLR’s that were so heavy you almost yearned for the end of a shoot. Most of them were advanced at the time, sporting one or more technological achievements never before present in a camera, and many of them immensely enjoyable to use. And many brands, too. Nikon. Canon. Sony. Fuji. And on and on.
Let’s cut to the chase. The Fuji X-T2 is simply a flat-out amazing camera. It builds on all the advances of the X-T1, and, for the most part, very well, with improvements and tweaks that even people who loved the X-T1 wanted to see in the camera's next incarnation. It FEELS good to shoot with it. It produces REMARKABLE results, particularly when you are shooting with one of their succulent “XF” lenses (sorry, that's the word that comes to mind, and to any that have used the XF 23mm or the XF 56mm, you'll know what I mean). The Fuji X-T2 feels like the camera I’ve been waiting for all these years. It’s comfortable to hold. It’s fast. It’s highly customizable, yet will turn out fantastic shots in full auto mode. It opens you up to a series of Fuji lenses that are endlessly compared to Leica and Zeiss lenses at three times their price (or more). It’s made in Japan, and feels like it. (So are most of the "XF" lenses, by the way, with a couple of exceptions.)
Why are the results of the X-T2 so good? It’s not because of its 24 mp rating. It’s because of the TYPE of sensor, the MANNER in which the sensor’s data output channel is handled by the camera’s processor, and because of the incredible OPTICS of the “XF” line of Fujinon lenses. Put another way, it’s the marriage of the sensor, the characteristics of the lenses, and the way the sensor output is handled once the shot is taken that make the X-T2 what it is.
You can read all about the details of the camera’s specifications nearly anywhere (and be careful, information overload is a real danger here), but I won’t do that here. What I WILL do is tell you that this is a magnificent camera that can take amazing photos. Is it a full frame or a medium-format camera? No. But for someone like me, that does not matter. What DOES matter is that I can take photos with this camera that were never before possible, and that routinely possess the “wow factor." And there is plenty of room to tinker with those photos later on--even if shooting in jpg-- because of the high megapixel sensor, if you choose to do that.
The Fuji X-T2 is a “photographer’s camera” because it lets you do just what you want to do: take pictures the way you envision them. It lets you do so smoothly and quickly, and offers so many opportunities for manipulation that it would take far too long to list them here. This camera feels good in the hand. It oozes quality. Is it the “poor man’s Leica?” Maybe so. It’s so pleasant to shoot with and the results are so good—color, saturation, headroom, detail, sharpness, clarity—that I don’t need to worry about saving for a Leica. Yes, I understand I am comparing apples and oranges, and it truly is a subjective view that I’m providing, but it’s a view that is shared by nearly everyone who has used either a Fuji X-T1, X-T2, X-Pro, or X-Pro2. Asked another way: How many NEGATIVE reviews have you seen on any of these cameras by those that have owned or used them? There are a few out there, but so very, very few; that all by itself speaks volumes. And the X-T2 may very well be the best of them all.
The fact that it is still relatively light and comfortably small (as compared to a typical DSLR) is just icing on the cake. It’s a camera that nearly anyone can use to take great photos. Give it to a novice on AUTO, slap the kit lens on it (either the 18-55mm or the 18-135mm kit lens, it doesn’t matter) and turn them loose and see what they capture. It’s remarkable to see. And then, if one starts to learn more about photography (aperture, shutter speed, ISO, etc.), let them interact with the camera’s customizable settings. It’s amazing.
I love being able to easily adjust settings with mechanical knobs at the top of the camera, but I just as much love being able to set things to AUTO and let the camera figure things out for me, usually with good result. Quiet operation (even a completely silent electronic shutter, if I want it). Comfortable grip. A truly tremendous set of lenses to select from. Customizable buttons (six of them, actually). A viewfinder that makes you think you are using a glass prism, but also includes all the shooting data I on it. This is what photography is all about.
I am aware I’ve not in this review cited any specifications: these are available anywhere. What this review is just simply another person’s response to using this camera over a period of months. I just finished a three-week shoot in Paris with it. It’s obvious this camera is made by a company that understands photography. And understands it well. Just as my acquaintance above with the Hasselblad camera complemented my X-T2—a camera that cost one-tenth as much, or less—Fujifilm is onto something here. If you are a photographer, you owe it to yourself to look into this camera and its entire line of lenses, because if you do not, you’re missing out on what is potentially one of the most amazing lines of photographic equipment available for the non-rich. It’s not that the Fuji equipment is cheap, because it most certainly is not. But BY COMPARISON with its true competitors, it really is inexpensive. But all of that can be overlooked: just examine the shots you take with this camera and be amazed. Because that’s exactly what will happen.
Note:
I've uploaded a few sample shots. As anyone knows, these have been reduced and shrinked so much for use here that they do not show the ACTUAL photos. What they do, however, is provide a general feel for what can be done with X-T2.
Reviewed in the United States on February 19, 2017
I’m not a professional photographer in the strictest set of terms. I recently ran into a man in Paris who was shooting with a Hasselblad camera that he had purchased (body only) for seven thousand euros (about eight years ago; not including the lens). Of course, it’s not the CAMERA that makes him a professional: this is a freelancer who sells photos to newspapers and magazines across Europe, and if you spent time (which I did, some 30 minutes of it, or so) watching how he would size up a shot in his mind, take a long time to think about it, and then whip up the camera and take a shot almost without effort, you can tell you are looking at a professional. We had a nice talk and exchanged stories about cameras. With some Hasselblad backs selling for over 40,000 dollars, he still complimented my camera. What camera was it? A Fuji X-T2.
I’m no professional, but I’ve been into photography for about 20 years. I’ve owned many many different cameras over that period, of all types, from diminutive little devices that fit into your front pocket, to DSLR’s that were so heavy you almost yearned for the end of a shoot. Most of them were advanced at the time, sporting one or more technological achievements never before present in a camera, and many of them immensely enjoyable to use. And many brands, too. Nikon. Canon. Sony. Fuji. And on and on.
Let’s cut to the chase. The Fuji X-T2 is simply a flat-out amazing camera. It builds on all the advances of the X-T1, and, for the most part, very well, with improvements and tweaks that even people who loved the X-T1 wanted to see in the camera's next incarnation. It FEELS good to shoot with it. It produces REMARKABLE results, particularly when you are shooting with one of their succulent “XF” lenses (sorry, that's the word that comes to mind, and to any that have used the XF 23mm or the XF 56mm, you'll know what I mean). The Fuji X-T2 feels like the camera I’ve been waiting for all these years. It’s comfortable to hold. It’s fast. It’s highly customizable, yet will turn out fantastic shots in full auto mode. It opens you up to a series of Fuji lenses that are endlessly compared to Leica and Zeiss lenses at three times their price (or more). It’s made in Japan, and feels like it. (So are most of the "XF" lenses, by the way, with a couple of exceptions.)
Why are the results of the X-T2 so good? It’s not because of its 24 mp rating. It’s because of the TYPE of sensor, the MANNER in which the sensor’s data output channel is handled by the camera’s processor, and because of the incredible OPTICS of the “XF” line of Fujinon lenses. Put another way, it’s the marriage of the sensor, the characteristics of the lenses, and the way the sensor output is handled once the shot is taken that make the X-T2 what it is.
You can read all about the details of the camera’s specifications nearly anywhere (and be careful, information overload is a real danger here), but I won’t do that here. What I WILL do is tell you that this is a magnificent camera that can take amazing photos. Is it a full frame or a medium-format camera? No. But for someone like me, that does not matter. What DOES matter is that I can take photos with this camera that were never before possible, and that routinely possess the “wow factor." And there is plenty of room to tinker with those photos later on--even if shooting in jpg-- because of the high megapixel sensor, if you choose to do that.
The Fuji X-T2 is a “photographer’s camera” because it lets you do just what you want to do: take pictures the way you envision them. It lets you do so smoothly and quickly, and offers so many opportunities for manipulation that it would take far too long to list them here. This camera feels good in the hand. It oozes quality. Is it the “poor man’s Leica?” Maybe so. It’s so pleasant to shoot with and the results are so good—color, saturation, headroom, detail, sharpness, clarity—that I don’t need to worry about saving for a Leica. Yes, I understand I am comparing apples and oranges, and it truly is a subjective view that I’m providing, but it’s a view that is shared by nearly everyone who has used either a Fuji X-T1, X-T2, X-Pro, or X-Pro2. Asked another way: How many NEGATIVE reviews have you seen on any of these cameras by those that have owned or used them? There are a few out there, but so very, very few; that all by itself speaks volumes. And the X-T2 may very well be the best of them all.
The fact that it is still relatively light and comfortably small (as compared to a typical DSLR) is just icing on the cake. It’s a camera that nearly anyone can use to take great photos. Give it to a novice on AUTO, slap the kit lens on it (either the 18-55mm or the 18-135mm kit lens, it doesn’t matter) and turn them loose and see what they capture. It’s remarkable to see. And then, if one starts to learn more about photography (aperture, shutter speed, ISO, etc.), let them interact with the camera’s customizable settings. It’s amazing.
I love being able to easily adjust settings with mechanical knobs at the top of the camera, but I just as much love being able to set things to AUTO and let the camera figure things out for me, usually with good result. Quiet operation (even a completely silent electronic shutter, if I want it). Comfortable grip. A truly tremendous set of lenses to select from. Customizable buttons (six of them, actually). A viewfinder that makes you think you are using a glass prism, but also includes all the shooting data I on it. This is what photography is all about.
I am aware I’ve not in this review cited any specifications: these are available anywhere. What this review is just simply another person’s response to using this camera over a period of months. I just finished a three-week shoot in Paris with it. It’s obvious this camera is made by a company that understands photography. And understands it well. Just as my acquaintance above with the Hasselblad camera complemented my X-T2—a camera that cost one-tenth as much, or less—Fujifilm is onto something here. If you are a photographer, you owe it to yourself to look into this camera and its entire line of lenses, because if you do not, you’re missing out on what is potentially one of the most amazing lines of photographic equipment available for the non-rich. It’s not that the Fuji equipment is cheap, because it most certainly is not. But BY COMPARISON with its true competitors, it really is inexpensive. But all of that can be overlooked: just examine the shots you take with this camera and be amazed. Because that’s exactly what will happen.
Note:
I've uploaded a few sample shots. As anyone knows, these have been reduced and shrinked so much for use here that they do not show the ACTUAL photos. What they do, however, is provide a general feel for what can be done with X-T2.
At work, I use a Nikon D750 full frame DSLR. That camera is amazing and can virtually see in the dark when paired with Nikon's pro-grade lenses. However, it is also heavy and cumbersome. I don't mind toting it around for a couple of hours to grab photo/video content for marketing, but it's the kind of camera that never lets you forget you're "on the job," as you work around its intrusive size and heft. Past the two-hour mark, I also begin to tire quickly and it's a chore to press on much longer. By contrast, the Fuji X-T2 packs 95% of that capability into a form factor so much smaller and lighter that the camera virtually vanishes in the down-time between shots, whether slung around your neck or stowed in a bag or pack. This makes it a dream to use for travel and family photography. Truly, for the first time, I feel like I can have a zero-compromises camera that fits in with family time without getting in the way. (My previous camera for that role was the superb little Panasonic LX100, which is noticeably more compact than the X-T2 and even the X-T20, but its diminutive size and other qualities undermined some of the joy of shooting that I get from the Fuji cameras, which have a better build, larger sensor, and all-around better "feel".)
Here's what I love about this camera that makes me prefer it by far over the LX100, X-T20, or D750:
- SMALL, BUT NOT TOO SMALL: The X-T2 hits the ideal sweet spot for my medium-sized hands. It's small enough to eliminate considerable weight and bulk over the D750, but unlike my LX100 or the X-T20, it's not so small that my fingers feel crowded and fumbly on the controls (especially when trying to operate them without taking my eye away from the viewfinder). The grip could be larger for some tastes perhaps, but the size of the camera overall (the spread of the controls, the space for fingers to move around and on an attached lens, the space for putting an eye to the viewfinder) is the PERFECT compromise between uber-portability and comfortable usability. Ergonomics may sound like a minor issue to some people, but when it comes to the pleasure of the shooting experience, this was one of my biggest gripes about my capable little LX100. It was just too small, and that's a key reason I ruled out the nearly identically-sized X-T20. I wanted the bigger body of the X-T2, and while it indeed fits and feels as good as I hoped (and expected, having handled the X-T1), I am also delighted to find that it feels eminently portable. Frankly, between the X-T2 and X-T20, it's the lens you select, more than the body itself, that is going to make or break the comfort of carrying it around, but the X-T2 definitely beats the X-T20 in the ergonomics of its controls. (If you have small hands, you may disagree and find that the X-T20 feels fine. Try to get your hands on both if you're unsure about ergonomics, but for me the difference was noticeable.)
- SUPERB FUJI IMAGE PROCESSING: The D750 is so powerful I can get it to make just about any image I need; however, virtually every image requires some post-processing in Lightroom/Photoshop to get it looking its best. That's not really a problem when I'm shooting a subject for a specific marketing purpose and effect, but when it comes to family photos (i.e., the gazillion candids I snap of our kids) it means I have to spend exponentially more time on post-processing/editing to get the images looking the way I like them. The X-T2 boats nearly the same degree of raw power (though its sensor is definitely weaker in very low light than the D750's full-frame sensor), yet its JPEGs often look stunning straight-out-of-camera (much better than the D750's do). I still shoot everything in RAW + JPEG to preserve the additional editing latitude that RAW allows; however, most of the time, no editing is required and I can simply delete the RAW file for "average" shots I'd like to keep but don't particularly love, and then keep the RAW files for the shots that look the best in case I want to edit them later. In other words, I can grab thousands of already-fantastic images of our kids at the press of the shutter (more than pleasing enough to drop into a slideshow, digital picture frame, or online album), and devote all of my editing attention to tweaking the nuances of only those few images that I like best, choose to push creatively, or want to prepare for large-scale, framed prints. Hallelujah! The joy of shooting is back, and I'm free of that photographic purgatory known as obligatory photo editing!
- POWERFUL, WITH ROOM TO GROW: Given Fuji's superb track-record of supporting their cameras with multiple iterations of aggressive, feature-enhancing firmware updates, plus the fact that the X-T2 can be combined with a performance-boosting battery grip to significantly extend its feature set (not to mention the finer ergonomic feel I mentioned above), its "future proof" creative potential is quite a bit higher. Don't get me wrong: Better technology will undoubtedly come out in the next year or two, and I don't even intend to buy the XT-2's battery grip anytime soon; however, I don't upgrade my camera gear every year or two like some people do. I like to grow into a camera and build a relationship with it for years. So I decided it's worth it to me that, as I grow into the action shooting and video side of this camera, the available battery grip offers me the option to shoot at markedly higher frame capture rates (with faster autofocus and viewfinder refresh rates, as well) and to triple 4K video recording times (30 min. vs. the standard 10 min.) compared with its standard performance on a single-battery and the fixed limitations of the X-T20. Of course, with regard to the pleasure of the shooting experience, I also just knew that I wanted the larger EVF and the faster start-up time--not to mention the...
WEATHER-SEALED BODY: Unlike the LX100 and X-T20, the X-T2 is weather-sealed, provided you mount a weather-sealed lens. In the past, I've had two relatively nice digital cameras fail me due to gradual moisture intrusion. To be clear, I've never left a camera in the rain; however, living in a very hot, humid place (Georgia) and going in and out of air-conditioned environments can take quite a toll on electronics. While my little LX100 is still going strong, I always take great care to keep it protected, including using a good case with a desiccant packet to absorb moisture. I don't intend to run my X-T2 in any rainstorms nor to neglect storing it carefully (I take good care of all my gear), but I like that its sealing means extra protection from moisture and dust, and thus, probably greater longevity. I intend to shoot with this camera for a very long time because, based on my experience, this is going to be one of those timeless cameras that is so good at what it needs to do, there won't be a compelling reason to upgrade for quite a long time (unless you are a tech-junkie, but that's not why I fell in love with the X-T2).
If not for the autofocus issues on the X-T1, I would have jumped into the Fuji system a few years ago and probably would have been a perfectly happy X-T1 owner. When it comes to capturing candid images of my three little daredevil daughters (who are always in motion, it seems), however, the X-T2's added power finally transforms the otherwise-impressive X series into my ideal camera: Perfect for family and travel, yet powerful enough to serve in a professional role. (Frankly, the only hesitation I would have about using this camera professionally would be in very low-light and very fast-action roles, in which case the full-frame Nikon cameras and blazing-fast-autofocusing Canon cameras still have quite an edge.) It's a no-compromise camera that can capture first-rate images of my family, yet small enough to be unobtrusive, with ergonomics that not only facilitate easy, instantaneous operation, but enhance the sheer pleasure of the shooting experience. It's a camera so good that I love toting it everywhere I go. It never feels underpowered or slow so as to miss a great moment, nor is it so bulky as to feel laborious to lug around or steady, nor it it so small as to feel toy-like, cramped, or awkward, nor does it feel like the technology (menus, meters, motors, etc.) ever gets in the way. This is the kind of camera I yearn to carry around and shoot with, even for no other reason than the sheer pleasure of snapping photos. That is not something I could say about my LX100 due to its too-small form factor and the particular annoyance of its electronic zoom (I hate, hate, hate lever-actuated electronic zooms; they're just too slow).
If affordability is priority one but you want the benefits of the Fuji X system, go with the X-T20. (If price and sheer portability are critical and you don't need all those megapixels or mind a tiny grip, you may even want to track down an LX100!) If affordability and ergonomics are critical, but you don't need the fast auto-focusing (i.e., you do mostly studio work or shoot fixed subjects), go with the X-T1, which can give you 80% of the performance, 95% of the ergonomics, and 99% of the image quality of the X-T2 (assuming you don't need the extra megapixels for added flexibility when cropping). But if top performance and superb ergonomics in a refreshingly portable package are your top criteria (and, like my children, your subjects tend always to be in motion), the X-T2 is hands down the best mirrorless camera in the world at this time. It's also powerful enough that you can grow into it for YEARS without feeling like you're bumping up against its limitations. (That is not something I could say about the X-T1 due to its autofocus limitations, which have been revolutionized in the X-T2.)
A note on lenses: I passed on the non-weather-sealed 18-55mm lens. While it sounds like a fine lens, the images I reviewed from the 35mm just looked better to me and it offers a faster aperture and weather sealing. I was hesitant about switching to a prime, especially with only one lens as I switch to the Fuji system; however, after quite awhile, I have NEVER ONCE regretted this decision. The 35mm f/2 (~50mm equivalent) is remarkable versatile, and compared with the wider 23mm f/2 (which is also quite good, per images I reviewed) it never struggles to fill the frame with people if that's your goal. The 35mm can get good and close, yet is relatively easy to back up for wider shots that give a sense of place/environment. And it can even focus closely enough (about 10 inches) that you can get surprisingly sharp, close photos of flora and fauna, provided you have the right lighting and can get close. Not macro, mind you, but darn good close-ups that show amazing detail and textures. So, in my opinion, if you're on the fence as to whether you want the kit, I would say no. For the money, the performance of the unbelievably affordably priced 35mm f/2 is just TOO GOOD to pass up on. I think the better deal is to buy an X-T2 body plus the 35mm f/2 XF WR lens. You end up with a very portable powerhouse of a camera that is all I have needed to get outstanding variety and quality of images on family outings.
That's my review and random thoughts as someone who has a D750 and lots of lenses for work, has used an LX100 for personal family shots for the past two years, and now owns an X-T2 with the 35mm f/2 lens. I hope this review was helpful!
Top reviews from other countries
Es una cámara para sentir la fotografía, el estilo de los controles manuales hace que ajustes los parámetros y las variantes a la hora de capturar la foto de una manera muy práctica, el sensor es excelente buen rango dinámico y con prestaciones profesionales en un cuerpo ligero!
10/10 would buy again.
Reviewed in India on September 27, 2018
10/10 would buy again.
One small caveat: the 'Auto' colour setting got mysteriously changed to maximum Red balance -- I have no idea how this might have happened. It was certainly not done by me, nor did it seem to be anything easily done by mistake. I almost lost about 50 picture due to an extreme red/magenta cast; fortunately I as able to almost perfectly correct the affected results using software.