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Ships from: Unique Photo, Inc. Sold by: Unique Photo, Inc.
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Canon EF 16-35mm f/4L is USM Lens - 9518B002, Black
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Purchase options and add-ons
Brand | Canon |
Focal Length Description | Wide Angle 16 to 35 millimeters |
Lens Type | Wide Angle |
Compatible Mountings | Canon EF |
Camera Lens Description | 9 |
About this item
- Make sure this fits by entering your model number
- Full-time manual focus permits critical focusing precision, even in AF mode. Help provide excellent color balance
- Rounded 9-Blade Diaphragm
- Dual Pixel CMOS AF covers Approx. 100% Area with 1,053 AF Areas
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Price | -15% $1,099.00$1,099.00 List: $1,299.00 | $1,299.00$1,299.00 | -6% $794.95$794.95 Typical price: $849.95 | -12% $2,739.95$2,739.95 List: $3,099.00 | $1,299.00$1,299.00 | -22% $2,347.60$2,347.60 List: $2,999.00 |
Delivery | Get it Mar 18 - 19 | Get it as soon as Monday, Mar 18 | Get it as soon as Tomorrow, Mar 14 | Get it as soon as Tomorrow, Mar 14 | Get it as soon as Monday, Mar 18 | Get it as soon as Tomorrow, Mar 14 |
Customer Ratings | ||||||
Auto focus | 4.8 | 4.3 | — | 4.7 | — | 4.8 |
Picture quality | 5.0 | — | — | 4.7 | 4.8 | — |
Value for money | — | — | — | 4.3 | 4.5 | 4.4 |
Sold By | Dodd Camera | Amazon.com | 6ave | 6ave | Amazon.com | 6ave |
lens type | Wide Angle | Wide Angle | Wide Angle | zoom | 24-105mm | Wide Angle |
compatible mountings | Canon EF | Canon RF | Canon EF | Canon RF | Canon EF | Canon EF |
lens design | Zoom | Zoom | Zoom | Zoom | Zoom | Zoom |
focus type | Ring-type ultrasonic | — | Manual Focus, Auto Focus | Auto Focus | Auto Focus | Auto Focus |
minimum focal length | 16 millimeters | 35 millimeters | 16 millimeters | — | — | 11 millimeters |
max focal length | 35 millimeters | — | 35 millimeters | — | — | 24 millimeters |
fixed focal length | 35 millimeters | 35 millimeters | 35 millimeters | 70 millimeters | 24 millimeters | 24 millimeters |
model name | 9518B002 | Canon RF14-35mm F4 L IS USM Lens | — | CNRF2870F2L | 1380C002 | 9520B002 |
Videos
Videos for this product
2:54
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Is this the best wide-angel lens in de market? Find out now!
Kim & Karym
Videos for this product
1:55
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An Overview - Canon EF 16-35mm F4L is USM Lens
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Canon 16-35 L IS USM F4 - Why I Love This Lens
Keith Kalfas
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What's in the box
Product information
Product Dimensions | 4.45 x 3.27 x 3.27 inches |
---|---|
Item Weight | 1.36 pounds |
ASIN | B00K8942SO |
Item model number | 9518B002 |
Customer Reviews |
4.7 out of 5 stars |
Best Sellers Rank | #217 in SLR Camera Lenses |
Is Discontinued By Manufacturer | No |
Date First Available | May 12, 2014 |
Manufacturer | Canon Cameras US |
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Product guides and documents
Product Description
Product Description
Delivering the ultimate combination of wide-angle, low-light performance, L-series optics and compact construction, the Canon EF 16-35mm f/4.0L IS USM Lens is a phenomenal complement to any EOS SLR Camera. This L-series ultra wide-angle zoom incorporates an Optical Image Stabilizer, and offers up to four stops of correction for admirable performance even in dim light. It features three aspheric lens elements and 2 UD lens elements to minimize aberrations throughout the zoom range, plus optimized coatings to help minimize ghosting. A circular 9-blade aperture delivers gorgeous background blur. The EF 16-35mm f/4.0L IS USM features inner focusing and ring USM for accurate, discreet and speedy AF. It also offers full-time manual focus and has a minimum focusing distance of 0.92 feet/0.28m across the entire zoom range. Built to function even in unfavorable weather conditions, the EF 16-35mm f/4.0L IS USM is dust-resistant and water-resistant (when used with an optional Canon PROTECT filter) for professional caliber ultra-wide performance, everywhere. Delivering the ultimate combination of wide-angle, low-light performance, L-series optics and compact construction, the new Canon EF 16–35mm f/4L IS USM lens is a phenomenal complement to any EOS SLR Camera. This L-series ultra wide-angle zoom incorporates an Optical Image Stabilizer, and offers up to four stops of correction for admirable performance even in dim light. It features three aspheric lens elements and 2 UD lens elements to minimize aberrations throughout the zoom range, plus a fluorine coating that helps to minimize ghosting. A circular 9-blade aperture delivers gorgeous background blur. The EF 16–35mm f/4L IS USM features inner focusing and ring USM for accurate, discreet and speedy AF. It also offers full-time manual focus and has a minimum focusing distance of 0.92 feet/0.28m across the entire zoom range. Built to function even in unfavorable weather conditions, the EF 16–35mm f/4L IS USM is dust-resistant and water-resistant (when used with an optional Canon PROTECT filter) for professional caliber ultra-wide performance, everywhere. Delivering the ultimate combination of wide-angle, low-light performance, L-series optics and compact construction, the new Canon EF 16–35mm f/4L IS USM lens is a phenomenal complement to any EOS SLR camera. This L-series ultra wide-angle zoom incorporates an Optical Image Stabilizer, and offers up to four stops of correction for admirable performance even in dim light. It features three aspheric lens elements and two UD lens elements to minimize aberrations throughout the zoom range, plus a fluorine coating that helps to minimize ghosting. A circular 9-blade aperture delivers gorgeous background blur. The EF 16–35mm f/4L IS USM features inner focusing and ring USM for accurate, discreet and speedy AF. It also offers full-time manual focus and has a minimum focusing distance of 0.92 ft./0.28m across the entire zoom range. Built to function even in unfavorable weather conditions, the EF 16–35mm f/4L IS USM is dust-resistant and water-resistant (when used with an optional Canon PROTECT filter) for professional caliber ultra-wide performance, everywhere.
From the Manufacturer
EF 16–35mm f/4L IS USM
Delivering the ultimate combination of wide-angle, low-light performance, L-series optics and compact construction, the new Canon EF 16–35mm f/4L IS USM lens is a phenomenal complement to any EOS SLR camera. This L-series ultra wide-angle zoom incorporates an Optical Image Stabilizer, and offers up to four stops of correction for admirable performance even in dim light. It features three aspheric lens elements and two UD lens elements to minimize aberrations throughout the zoom range, plus a fluorine coating that helps to minimize ghosting. A circular 9-blade aperture delivers gorgeous background blur. The EF 16–35mm f/4L IS USM features inner focusing and ring USM for accurate, discreet and speedy AF. It also offers full-time manual focus and has a minimum focusing distance of 0.92 ft./0.28m across the entire zoom range. Built to function even in unfavorable weather conditions, the EF 16–35mm f/4L IS USM is dust-resistant and water-resistant (when used with an optional Canon PROTECT filter) for professional caliber ultra-wide performance, everywhere.
Specifications
- Focal Length & Maximum Aperture: 16–35mm 1:4.0
- Lens Construction: 16 elements in 12 groups
- Diagonal Angle of View: 108°10' – 63°
- Focus Adjustment: Inner focus system
- Closest Focusing Distance: 0.92 ft. / 0.28m
- Filter Size: 77mm diameter
- Max Diameter x Length, Weight: 3.3 x 4.4 inches, approx. 21.7 oz. / 82.6 x 112.8mm, approx. 615g
MTF Charts
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers like the quality, performance and value of the lens. For example, they say it's an excellent lens for architecture, landscapes, and interiors, with outstanding image quality and sharper corners. Customers are also impressed with the build quality and the wide angle.
AI-generated from the text of customer reviews
Customers are satisfied with the lens. They say it is an excellent lens for architecture, landscapes, and interiors. They also mention that the IS is outstanding and can get nearly 80% sharp pictures even at 0.5 second. It is a fantastic piece of photography gear and is reasonable priced. Customers also mention the lens can get decent bokeh at f4 and 35mm, and that it is smooth and well built.
"...For me I am thrilled to find an affordable, gorgeous, technically almost perfect lens that pairs with my full frame camera bodies...." Read more
"...IS is outstanding, can get nearly 80% sharp pictures even at 0.5 second exposure with my steady hands...." Read more
"...Overall, excellent lens for architecture, landscapes, and interiors." Read more
"Great lens !! - good quality, size, weight, and price. For me, it's fit much better with APS format, like my 80D. It's the best cost X benefit ! -..." Read more
Customers are satisfied with the image quality of the camera. They mention that the images are very sharp, and the lens helps them to shoot nice photos. The light resolution and sharper corners are noticeably better, and it really shines in video. The glass is crystal sharp, making it easy to take great pictures.
"...The images are tack sharp with good color and much less distortion than I would expect from this much of a wide angle lens...." Read more
"...although I have only had it for about a month, it has only product great pictures for me...." Read more
"...f/2.8 version 1 out of the water and, here's the kicker: sharpness, resolution, color fringing, resistance to flare closely matches my fabulously..." Read more
"...it's honestly not necessary as this lens already produces great, solid pictures.Daytime photos are also wonderful...." Read more
Customers are satisfied with the sharpness of the lens. They mention that the center can be pretty sharp, and the corners are noticeably better.
"...old 16-35 f/2.8 version 1 out of the water and, here's the kicker: sharpness, resolution, color fringing, resistance to flare closely matches my..." Read more
"...Whereas on both of these lenses the center can be pretty sharp, the corners is an important consideration for me being as I want the entire image to..." Read more
"...The micro sharpness is outstanding and some of my images have a 3D hologram type look to it that I could not get with either of the other Canon..." Read more
"...It is a sharp lens and it is sharp all the way to the corners, getting only a little softer in the corners...." Read more
Customers are satisfied with the quality of the lens. They mention that it is a very reliable and strong quality lens. The glass is very sharp and sturdy, and the switches offer enough solidity without being to firm. The zoom and focus rings are solid and the lens has a solid feel. The IS is able to capture clear images and is praised for its great addition.
"...Even out of focus highlights appear crisper and better defined. Build quality, handling and external appearance is nearly identical to the 24-70..." Read more
"...As to the construction quality, it is so solid. The switches offer enough solidity without being to firm and the zoom and focus rings have plenty of..." Read more
"...The body is plastic instead of metal, but it has a very solid feel and likely allows the lens to be a little lighter and cheaper vs. using a light..." Read more
"...It feels well built, it should be, it is an "L" lens. The hood is awesome too...." Read more
Customers like the zoom of the camera. They say it's a nice wide angle lens, and it does not distort or stretch the edges like others do. Customers also say that the distortion is well controlled and that it would make an outstanding wide angle addition to your lens arsenal. They also say the distortion and face distortion are not as bad as you think.
"...The images are tack sharp with good color and much less distortion than I would expect from this much of a wide angle lens...." Read more
"...And the distortion is well controlled as well with some barrel distortion at 16mm and some pin cushion at 35mm, but very reasonable...." Read more
"...The face distortion is not as bad as you think. When photographing people I try to zoom out to 35mm...." Read more
"...Very sharp all around. Good for shooting shots with distortion to exaggerate objects as in photo included...." Read more
Customers are satisfied with the performance of the lens. They mention that it performs well without breaking the bank, works perfectly for their real estate photographs, and does a decent job on macro. They also say that it is more usable and produces great pictures.
"...This lens has worked perfectly for me. In both manual and autofocus modes, I have been able to product outstanding photographs...." Read more
"...No kidding. I've felt much freer to shoot wide open and the solid IS performance makes most low light work a breeze." Read more
"...if you want to, it's honestly not necessary as this lens already produces great, solid pictures.Daytime photos are also wonderful...." Read more
"...The IS works amazingly when shooting candid people shots at 35mm at weddings, etc...." Read more
Customers like the value of the lens. They mention that it is a great value compared to the others on the market.
"...For me I am thrilled to find an affordable, gorgeous, technically almost perfect lens that pairs with my full frame camera bodies...." Read more
"...I can't say that it is the best value for the money, because I have had friends who know much more about photography than I ever care to know, tell..." Read more
"...kudos for producing a truly sharp extreme wide angle zoom at a reasonable price...." Read more
"...16-35mm f/4L IS has better image quality, image stabilization, and costs less, so there's little reason to consider the 16-35mm f/2.8L II...." Read more
Customers are satisfied with the color of the lens. They say that it produces beautiful colors, and is very well made. The build quality, handling, and external appearance are nearly identical to the 24-70 f/2.8L II, and it has an edge in overall sharpness, color, contrast, detail, and low light performance.
"...For me I am thrilled to find an affordable, gorgeous, technically almost perfect lens that pairs with my full frame camera bodies...." Read more
"...1 out of the water and, here's the kicker: sharpness, resolution, color fringing, resistance to flare closely matches my fabulously expensive 24-70..." Read more
"...This lens has the edge in overall sharpness, color, contrast, detail and low light performance due to IS...." Read more
"...The hood is awesome too. So much easier and more elegant than other hoods that I have for other "L" lenses, seems like a small thing, but..." Read more
Reviews with images
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Top reviews
Top reviews from the United States
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There are already plenty of reviews here that go into some excellent technical detail so I wont repeat those details here (I could'nt even if I wanted to -- I am not much of a technical wizard) but I will just reiterate that this lens would make an outstanding wide angle addition to your lens arsenal. I am sure it does a fine job on the cropped sensor cameras as well. For me I am thrilled to find an affordable, gorgeous, technically almost perfect lens that pairs with my full frame camera bodies. I am a part time professional photographer if that helps establish any credibility?
This lens has worked perfectly for me. In both manual and autofocus modes, I have been able to product outstanding photographs. When I am trying to being critical; my Mark 5D III full frame camera, products slightly sharper pictures than my 7D cropped frame camera, however both cameras product sharp, vibrant pictures with this lens when there is sufficient light. I have come to prefer prime lens, but this lens filled a gap in my lens collection and I am extremely happy with it. I can't say that it is the best value for the money, because I have had friends who know much more about photography than I ever care to know, tell me that are a few third party lens that are a better value. Other peoples opinions notwithstanding, I have no complaints and am extremely happy with this particular lens.
I shot some comparison tests at f/4 at 16mm, 24mm and 35mm. The new 16-35 f/4 blows the old 16-35 f/2.8 version 1 out of the water and, here's the kicker: sharpness, resolution, color fringing, resistance to flare closely matches my fabulously expensive 24-70 f/2.8L II. Even out of focus highlights appear crisper and better defined. Build quality, handling and external appearance is nearly identical to the 24-70 f/2.8L II.
The IS on the new 16-35 f/4 provides exceptional stability for hand-holding under low light conditions. The relatively compact lens hood is less cumbersome than the old design and includes a pinch-style lens cap. Although few will miss it, the new design does not incorporate a gel filter holder on the rear like the old 16-35 f/2.8 version 1.
I'm a photojournalist and prefer a f/2.8 lens to match my other lenses, but the optics on this new lens are so darn good that I'm going to slap that bad boy on one of my 5D III bodies and leave it there. Canon deserves kudos for producing a truly sharp extreme wide angle zoom at a reasonable price.
UPDATE: I've been using this lens for over two years now, including at several dismal low-light assignments. I haven't missed the f/2.8 aperture of my 16-35 f/2.8 (version 1) at all. No kidding. I've felt much freer to shoot wide open and the solid IS performance makes most low light work a breeze.
Reviewed in the United States on July 2, 2014
I shot some comparison tests at f/4 at 16mm, 24mm and 35mm. The new 16-35 f/4 blows the old 16-35 f/2.8 version 1 out of the water and, here's the kicker: sharpness, resolution, color fringing, resistance to flare closely matches my fabulously expensive 24-70 f/2.8L II. Even out of focus highlights appear crisper and better defined. Build quality, handling and external appearance is nearly identical to the 24-70 f/2.8L II.
The IS on the new 16-35 f/4 provides exceptional stability for hand-holding under low light conditions. The relatively compact lens hood is less cumbersome than the old design and includes a pinch-style lens cap. Although few will miss it, the new design does not incorporate a gel filter holder on the rear like the old 16-35 f/2.8 version 1.
I'm a photojournalist and prefer a f/2.8 lens to match my other lenses, but the optics on this new lens are so darn good that I'm going to slap that bad boy on one of my 5D III bodies and leave it there. Canon deserves kudos for producing a truly sharp extreme wide angle zoom at a reasonable price.
UPDATE: I've been using this lens for over two years now, including at several dismal low-light assignments. I haven't missed the f/2.8 aperture of my 16-35 f/2.8 (version 1) at all. No kidding. I've felt much freer to shoot wide open and the solid IS performance makes most low light work a breeze.
First thing i noticed was that the lens does not weigh much, it's actually fairly light along with my Canon 6D. Had no problems walking around with it and never felt the need to put it down because of its weight.
This lens takes AMAZING photos. It's as simple as that. I usually have it set to auto iso and f/8 and walk around taking pictures of whatever i please. The pictures look amazing. You can go "tweak" them in Lightroom or Photoshop but that's if you want to, it's honestly not necessary as this lens already produces great, solid pictures.
Daytime photos are also wonderful. Took a few with the sun right above my head and the pictures came out looking great. Took a few in direct sunlight and they also came out looking good. Again, im not a professional, so what may look good to me may not look the same for others. However, i know a good photo when i see one.
Overall, I'm very satisfied with this lens and happy i bought it as soon as it came out instead of waiting it out and reading reviews about it. It's a great lens and should be in everyone's arsenal whether you're a professional or not.
First thing i noticed was that the lens does not weigh much, it's actually fairly light along with my Canon 6D. Had no problems walking around with it and never felt the need to put it down because of its weight.
This lens takes AMAZING photos. It's as simple as that. I usually have it set to auto iso and f/8 and walk around taking pictures of whatever i please. The pictures look amazing. You can go "tweak" them in Lightroom or Photoshop but that's if you want to, it's honestly not necessary as this lens already produces great, solid pictures.
Daytime photos are also wonderful. Took a few with the sun right above my head and the pictures came out looking great. Took a few in direct sunlight and they also came out looking good. Again, im not a professional, so what may look good to me may not look the same for others. However, i know a good photo when i see one.
Overall, I'm very satisfied with this lens and happy i bought it as soon as it came out instead of waiting it out and reading reviews about it. It's a great lens and should be in everyone's arsenal whether you're a professional or not.
Top reviews from other countries
- Ultra-wide angle
- Great image quality throughout the image
- Includes IS
- Great price for what you get
Cons
- f4, but expected given the price
- Minor barrel distortion, but totally acceptable given the wide angle
- Physically a bit larger than I would have liked, but is acceptable