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Batman vs. Robin (Blu-ray)
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Additional Blu-ray options | Edition | Discs | Price | New from | Used from |
Blu-ray
July 12, 2016 "Please retry" | — | 1 |
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| $24.99 | — |
Watch Instantly with | Rent | Buy |
Batman vs. Robin | — | — |
Purchase options and add-ons
Genre | Kids & Family, Animation, Action & Adventure |
Format | NTSC, Blu-ray, Ultraviolet |
Contributor | Various |
Initial release date | 2015-04-14 |
Language | English |
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Product Description
Batman vs. Robin (Blu-ray) When Batman finds himself under attack by his own son, Damian (Robin), he at first suspects the hand of Ra's Al Ghul behind the treachery, but then comes to see that the boy may be controlled by a mysterious and murderous society known as the Court of Owls.
Product details
- Is Discontinued By Manufacturer : No
- MPAA rating : NR (Not Rated)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 0.01 ounces
- Item model number : 1000452059
- Director : Various
- Media Format : NTSC, Blu-ray, Ultraviolet
- Run time : 1 hour and 12 minutes
- Release date : April 14, 2015
- Actors : Various
- Studio : Studio Distribution Services
- ASIN : B00NPHD5KC
- Country of Origin : USA
- Number of discs : 2
- Best Sellers Rank: #17,918 in Movies & TV (See Top 100 in Movies & TV)
- #489 in Kids & Family Blu-ray Discs
- #1,996 in Action & Adventure Blu-ray Discs
- Customer Reviews:
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As Lowry states in his review, BATMAN VS ROBIN truly is the best piece of cinema to emerge from the DC Universe Original Movie line since the two-part “The Dark Knight Returns,” and the daring “Justice League: The Flashpoint Paradox.”
BATMAN VS ROBIN is a vast improvement over its predecessor “Son of Batman.” It’s a film laced with complex themes about fathers and sons, family and parents, all richly explored through its screenplay by J. M. DeMatteis that utilizes both solid dialogue and the construction of a linear narrative interspersed with key character ‘flashback’ backstories. It’s pacing and style is a melding of today’s DC Universe Original Movies with the first animated film the division produced, 1993’s theatrical release “Batman: Mask of the Phantasm.”
The cast delivers solid, at times powerful performances for Voice Director Andrea Romano. The film is another jewel in the crown of director Jay Oliva. His choices in the areas of character design, art direction, action choreography, lighting, color pallets, and occasional ‘soft focus’ (Bruce Wayne’s childhood flashbacks) combine to give this film a look unlike any he has directed before.
However, Grant Morrison fans looking for adherence to his ‘Batman vs Robin’ storyline from “Batman and Robin,” other arcs from his tenure writing that series, or his classic tale of Damian Wayne’s fate in issue eight of ‘Batman, Inc.’ are going to be sorely disappointed.
Likewise, fans of Scott Snyder’s “The Court of Owls” saga from the New 52 Batman series may be in for more heartbreak than excitement once elements from that 12-issue arc begin appearing in the film. While panels and sequences from that series are recreated in the film, “The Court of Owls” storyline has been adapted by BATMAN VS ROBIN screenwriter J. M. DeMatteis in the creation of a screenplay that leans hard toward ‘original’.
In speaking with www.nerdrepository.com at WonderCon 2015, DeMatteis was asked “This film is loosely adapting the Court of Owls storyline from the comics, which has already become a very iconic story. Which elements were important to make sure they were included?” DeMatteis’ response was indicative of the goals both he, the producers and director Jay Oliva had for the film: “What you said about ‘loosely adapting’ is the key, because we’re not doing a strict adaptation. In fact, we’re building an entirely different story out of it. By setting out not to do a strict adaptation, we were free to pick and choose from the mythology. The Court of Owls is a really cool concept – what can we do with that? There’s a few really great scenes in there that we decided to use for the movie, but we’re not bound by any of it. It became the foundation, and on that foundation we built a new story.”
He was more direct on the WonderCon 2015 Panel as quoted on www.comicbookresources.com when he stated, “What we did was, we took elements that we liked from Court of Owls -- really, the mythology and certain figures -- then certain elements from some other Batman stories. What we did with those was, it sort of became a foundation that we built a whole new story on."
The key to DeMatteis’ approach to the film can be found in his final answer to www.nerdrepository.com at Wonder Con 2015: “More than anything, it’s a Batman and Damian story. It’s the story of a guy as ill equipped to be a father as anyone on earth, and a kid whose really as ill equipped to be a son as anybody on earth, trying and struggling not just to find each other – but to decide if they even want to find each other. It’s a wonderful little dance that these characters go through.”
Director Jay Oliva echoed DeMatteis’ thematic interests in the film at Wonder Con 2015 on www.comicbookresources.com when he stated, "We've seen Batman before -- he kicks ass and takes names and we love him for that…I think it was a great idea to introduce Damian into this storyline. We've never seen father Bruce Wayne."
The goals of the filmmakers are fully realized throughout the entire film, on a variety of levels: overt and subtle emotion; philosophical and intellectual debate; and, at times, visually symbolism. At one point, after battling over rooftops, Batman and Robin fall through a glass skylight into a huge, enclosed cemetery. They land atop a grave marker, a huge marble depiction of an ancient Roman family – a father, mother and son. Their impact shatters the head off the father. A second later, we’re left to wonder if Robin has smashed Batman’s head in as he thrusts a sharp, broken tree branch down against his father’s head, and Oliva cuts to the headless statue, doves flying out the open, broken skylight.
Symbolism carries over into the elements the filmmakers have lifted from the ‘Court of Owls’ storyline – from young Bruce Wayne’s flashback’s to Batman’s hallucinations upon facing the court. All are molded to fit the film’s themes of parents lost, children abandoned, grief suppressed, and guilt exploding.
With the characters dominating the scenes including Alfred, Dick Greyson/Nightwing, and the villain from the series ‘Court of Owls’ molded into a new character equally damaged by the same conflicts that haunt Damien, every type of scene – whether it be dramatic, action or exposition – explores the thematic elements sub textually or overtly, given the tonal need at the exact moment during the film’s running time to strike the right balance. This is the most personally emotional Batman animated feature since ‘Batman: Under the Red Hood.’ While it doesn’t achieve the greatness that one did, it comes damn close.
With the addition of another outstanding DC Universe Original Movie score by Frederik Wiedmann, a dramatic action packed climax, and a rare hope filled coda for a Batman film, BATMAN VS ROBIN exceeds its title and utilizes popular Batman storylines and mythos to form a great piece of cinema. DC Animation can only hope fans of the material can look beyond their understandable desire for faithful adaptations of it and appreciate this great film for what it is, and not what it isn’t.
The action in this DVD is Mortal Kombat level brutal. Having the Talons (who are essentially ninja zombies) Batman does not need to worry about his rule against killing and it show perfect how brutally deadly Batman can be when if he uses lethal force.
The story line is a mix between the Court of the Owls, and the Wrath story where any enemy of Batman tries to recruit Damian to his way of thinking by appealing to insecurities about Bruce trusting him and always preaching restrain and trying to control him. As Damian is the main character in this they do not dwell on Batman's heroic escapes from the court.
The little thing. It is usually the little touches that make the difference between a great movie and good movie, here are some example of the little touches in this movie. Bruce and Damian have a very strong family resemblance in their features. In the parts of the story where they show young Bruce they might as well have used Damian. Things like even when they are fighting seemingly without restraint, Bruce does what any father would do shielding Damian with his own body. A look at the future Batman (666) was a nice touch as well, and a great resolution and turning point in the father and son dynamic. On a personal not having Damian shutting Dick Grayson's mouth was a bonus for me particularly.
This is a great movie, as much as I did not like Damian in the comics I have the say the animated movie version of him is growing on me. I even felt sorry for him in some scenes where Bruce was being his hard@$$ self of a father. I also like the fact that Damian doe give as good as he get when it comes to comebacks and physical blows. This is probably not a movie to watch with the kids, it definitely lives up the 13+ age rating.
Top reviews from other countries
Muy buena compra, y buena la película en blu ray. Saludos. 👍🏻
car en effet l’animé ne fait pas que reprendre la BD de A à Z mais ajoute une nouvelle histoire tout en gardant le fond de la BD
je suis ravie