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Crossing on the Paris Paperback – November 13, 2012
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The opulent age of empires is ending, but the great queens of the sea— the magnificent ocean liners—continue to reign supreme. Despite the tragedy of the Titanic, the race to build ever larger and more luxurious floating palaces continues, and passengers still flock to make the Atlantic crossing in style.
In 1921,the SS Paris leaves Le Havre on her maiden voyage. Aboard, passengers dine in glittering grandeur on French cuisine, served by hundreds of unnoticed servants and chefs. Below the waterline, the modern oil-fired engines throb day and night. And for three women, this voyage will profoundly change their lives.
Traveling first class, elderly Vera Sinclair is reluctantly moving back to Manhattan after thirty wonderful years abroad. In cozy second class, reveling in her brief freedom from family life, Constance Stone is returning after a failed mission to bring her errant sister home from France. And in the stifling servants’ quarters, young Le Havre native Julie Vernet is testing her wings in her first job as she sets out to forge her own future. For all three, in different ways, this transatlantic voyage will be a life-changing journey of the heart.
- Print length336 pages
- LanguageEnglish
- Publication dateNovember 13, 2012
- Dimensions5.33 x 0.9 x 8.25 inches
- ISBN-101451678231
- ISBN-13978-1451678239
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Editorial Reviews
Review
“Gynther skillfully interweaves the tales of three women sailing from France to America in 1921 on the grand ocean liner that gives this solid debut novel its name…Each of these women has a distinct and interesting voice, and the bonds they form with one another feel strong and meaningful. Gynther switches smoothly between their points of view, weaving a wholly satisfying, nostalgic journey from beginning to end. Bon voyage.” -- Publishers Weekly
"Gynther's debut is a lovely story...the leisurely place allows the friendship between these women of disparate classes to shine in this pleasant tale." -- Romantic Times
A November 2012 Indie Next Pick, Crossing on the Paris, about three women returning to America on a voyage that will change their lives, has the feel of a riveting miniseries as you turn the pages expectantly wanting to find out how this voyage ends. -- Barnes and Noble Book Club
“With rich detail and elegant prose, Gynther creates a resonant and memorable tale.” -- Pam Jenoff, international bestselling author of The Kommandant's Girl
"Entrancing . . . a graceful tale, written with wry humor, of three women separated by class, age, and temperament. . . . Richly and sensually drawn." -- Roberta Rich, author of The Midwife of Venice
About the Author
Product details
- Publisher : Gallery Books; Original edition (November 13, 2012)
- Language : English
- Paperback : 336 pages
- ISBN-10 : 1451678231
- ISBN-13 : 978-1451678239
- Item Weight : 8.8 ounces
- Dimensions : 5.33 x 0.9 x 8.25 inches
- Best Sellers Rank: #3,383,749 in Books (See Top 100 in Books)
- #39,303 in Contemporary Literature & Fiction
- #162,198 in Historical Fiction (Books)
- #802,779 in Romance (Books)
- Customer Reviews:
About the author
Dana Gynther was raised in Alabama (USA), but has lived in Missouri, Massachusettes, France, Costa Rica and Spain. A writer of historical fiction, her first two titles, "Crossing on the Paris" and "The Woman in the Photograph" -- both with a French connection-- were inspired by her own connection to France. She spent nearly two years there after graduating from college, then returned to the Universtity of Alabama to earn an MA in French Literature. After finishing her degree, however, she settled in Valencia, Spain, where she has lived for more than twenty years. Her third novel, "The Admiral's Baths," a multi-period historical, is set in Valencia. She began writing this novel after translating the website for the actual monument, a 14th century bathhouse in the heart of the city.
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Cruise ships have a unique way of enclosing the traveler in a coverlet of comfort. Seasickness, a problem before the advent of stabilizers, was a problem that brought upset stomachs and dizziness to many voyagers and tended to make the voyage unpleasant at times. But in modern times with the advent of stabilizers and motion sickness alleviation pills, that type of discomfort has largely been eliminated.
In 1921 travel classes were widely used with different quality accommodations, food, and drink available, depending on the amount of money that was spent on the stateroom. The author captures that distinction very deftly in her story. One character in the book, wealthy Vera Sinclair, gets along nicely in first class quarters, her own maid traveling with her, with genteel company and the best food prepared by excellent chefs. A second character is Constance Stone, traveling second class, who enjoys a slightly less fancy existence, but still has a comfortable travel environment, and the third protagonist in the book, Julie Vernet, is a working girl, living in steerage deep in the bowels of the ship, working in the dining room serving passengers their glorious food.
The story is simply stated and covers the travels of each lady, and the joys and hardships that journey with them. Gynther does a great job of keeping their stories separated and their exploits unique to themselves. The ship comes alive. One can visualize and actually taste the food. The music is soft but insistent. The encounters that occur are vivid and totally believable, creating an enticement that keeps the reader enthralled. The rich and the poor are all aboard. It’s a woman’s book with enough atmosphere to hold a man’s interest.
This was my book club’s selection and I was pleased to read it.
Schuyler T Wallace
Author of TIN LIZARD TALES
This book rubbed me the wrong way from the beginning to overly sentimental ending. The actual SS Paris had art deco arrangements (sleek and historical charm throughout) and I was hoping this would also flow into this story but it felt choppy and was too lighthearted and restrained for my tastes. The characters were detached and the above and below the waterline acts, thoughts and dialogue came off very modern also the drama stretched believability too far for me being that class passengers and crew members could co-mingle so easily. Finally the ridiculous final resolutions and repetitiveness just had me shaking my head and asking myself "why did I read this?" This was clearly an overall mistake for me but at least I now have experience and will be wiser next time (that is what the serious situations and final messages in this novel have taught me). I honestly don't know if I can recommend this book it had potential but I couldn't wait to get off this ship of poor choices. Still, if the reader is looking for a lighthearted fling on a majestic ship that follows the lives and actions of 3 women from different stations that all have their own ghosts of the past and the Great War to face, well this may just be your ticket to sentimental adventures on the Atlantic. Bon Voyage!
It was interesting the pecking order on the ship and the differences between 1st class and 3rd class and as well with the staff.
It was a good read and historical about the first crossing on the Paris!
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Rafael Solaz