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Faking It Mass Market Paperback – April 14, 2003
LOVE AND DECEPTION HAVE A LOT IN COMMON.
Meet the Goodnights, a respectable family who run a respectable art gallery-and have for generations. There's Gwen, the matriarch who likes to escape reality, Eve the oldest daughter who has a slight identity problem (she has two), Nadine, the granddaughter who's ready to follow in the family footsteps as soon as she can find a set that isn't leading off a cliff. And lastly, Matilda, the youngest daughter, has inherited the secret locked down in the basement of the Goodnight Gallery, the secret she's willing to do almost anything to keep, even break into a house in the dead of night to steal back her past.
THE RISKS ARE INTOXICATING.
Meet the Dempseys, or at least meet Davy, a reformed con man who's just been ripped off for a cool three million by his financial manager, who then gallantly turned it over to Clea Lewis, the most beautiful sociopath Davy ever slept with. Davy wants the money back, but more than that he'll do anything to keep Clea from winning, including break into her house in the dead of night to steal back his future.
AND IF YOU'RE REALLY GOOD AT THEM, THEY BOTH PAY OFF.
One collision in a closet later, Tilda and Davy reluctantly join forces to combat Clea, suspicious art collectors, a disgruntled heir, and an exasperated hitman, all the while coping with a mutant dachshund, a juke box stuck in the sixties, questionable sex, and the growing realization that they can't turn their backs on the people they were meant to be...or the people they were born to love.
- Print length432 pages
- LanguageEnglish
- PublisherSt. Martin's Paperbacks
- Publication dateApril 14, 2003
- Dimensions4.27 x 1.17 x 6.86 inches
- ISBN-100312983824
- ISBN-13978-0312983826
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Editorial Reviews
Review
“Few popular writers handle light romantic comedy as deftly as Jennifer Crusie...A funny, fast-moving, densely-plotted comedy/caper. Crusie clearly has studied vintage screwball film comedies. Faking It is an unabashed homage to such classics as The Philadelphia Story and His Girl Friday. The dialogue, which is peppered with movie references, is arch and smart-alecky, and moves the story at a rattling pace.” ―Boston Globe
“The action is fast, the characters are quirky and the one-liners never stop...fast-paced and sexy...should solidify Crusie's place in the big leagues of women's fiction.” ―The Columbus Dispatch
“A smart, sexy story of intrigue, seduction, blackmail, and art forgery that will have readers laughing out loud and racing through its pages.” ―Sullivan County Democrat
“Delightful...could be likened to skinny-dipping in a cool pond on a muggy, hot summer afternoon: Risque, yes-maybe even a little kinky-but, oh, so refreshing.” ―Roanoke Times
“One of the brightest stars in romantic comedy delivers her sequel, to the very popular Welcome to Temptation.” ―DallasNews.com
“A hoot. Oh, go ahead. Indulge.” ―Entertainment Weekly
“Crusie's madcap tale of stolen art and mayhem contains more laugh-out-loud lusty living than a sudsy-bubble Oktoberfest.” ―Bookpage
“Crusie's talent [is] for writing wacky romantic plots that shine with generous amounts of humor and enormous good cheer.” ―Library Journal
“This laugh-out-loud romp is one to treasure! Nobody combines wit, irony, and sexy, sizzling plots better than Jennifer Crusie.” ―Romantic Times
“This sassy novel is hilarious!” ―Walden Book Report
“Faking It is a hilarious, warm novel with a cast of quirky and wonderful characters that endear while they charm.” ―Amazon.com
“These bantering anti-heroes are clearly made for each other, and the way that they get back at their tormentor is as refreshing as a mint julep in the summer heat.” ―Bookstreet USA
“No one else writes like she does-not Romance, not Women's Fiction, but her own distinct, "bent" view of the world with its Runyonesque characters and arch dialogue...the novel's last 50 pages are simply divine.” ―TheRomanceReader.com
From the Inside Flap
Praise For New York Times Bestselling Author Jennifer Crusie And Her Novels
"Move over, Susan Isaacs."-Kirkus Reviews
"Crusie charms with her brisk, edgy style."-Publishers Weekly
From the Back Cover
"Hard to resist...[a] roller-coaster ride...perfect escapist fare!"
--Kirkus Reviews (starred review)
LOVE AND DECEPTION HAVE A LOT IN COMMON.
Meet the Goodnights, a respectable family who run a respectable art gallery-and have for generations. There's Gwen, the matriarch who likes to escape reality, Eve the oldest daughter who has a slight identity problem (she has two), Nadine, the granddaughter who's ready to follow in the family footsteps as soon as she can find a set that isn't leading off a cliff. And lastly, Matilda, the youngest daughter, has inherited the secret locked down in the basement of the Goodnight Gallery, the secret she's willing to do almost anything to keep, even break into a house in the dead of night to steal back her past.
THE RISKS ARE INTOXICATING.
Meet the Dempseys, or at least meet Davy, a reformed con man who's just been ripped off for a cool three million by his financial manager, who then gallantly turned it over to Clea Lewis, the most beautiful sociopath Davy ever slept with. Davy wants the money back, but more than that he'll do anything to keep Clea from winning, including break into her house in the dead of night to steal back his future.
AND IF YOU'RE REALLY GOOD AT THEM, THEY BOTH PAY OFF.
One collision in a closet later, Tilda and Davy reluctantly join forces to combat Clea, suspicious art collectors, a disgruntled heir, and an exasperated hitman, all the while coping with a mutant dachshund, a juke box stuck in the sixties, questionable sex, and the growing realization that they can't turn their backs on the people they were meant to be...or the people they were born to love.
"Art, orgasms, identities, affection. If it can be faked, the characters in Crusie's snappy new novel will do it...Crusie has a gift for concocting nutty scenarios and witty one-liners...genuine laughs."
--People
"Bestseller Crusie takes readers on another smooth ride in her latest romantic caper...the whole Goodnight clan and supporting cast are enormously engaging."
--Publishers Weekly
About the Author
Jennifer Crusie is the New York Times, Publishers Weekly, and USA Today bestselling author of Maybe This Time, Welcome to Temptation, Tell Me Lies, Crazy for You, Fast Women and Bet Me. She has also collaborated with Bob Mayer to write Wild Ride, Agnes and the Hitman and Don't Look Down. Crusie earned her bachelor's degree from Bowling Green State University, a master's from Wright State University, and a master of fine arts from Ohio State University. Before devoting herself to writing full-time, Crusie worked as a preschool teacher, an elementary and junior high art teacher, and a high school English teacher. She lives on the banks of the Ohio River.
Product details
- Publisher : St. Martin's Paperbacks; a edition (April 14, 2003)
- Language : English
- Mass Market Paperback : 432 pages
- ISBN-10 : 0312983824
- ISBN-13 : 978-0312983826
- Item Weight : 8 ounces
- Dimensions : 4.27 x 1.17 x 6.86 inches
- Best Sellers Rank: #2,154,553 in Books (See Top 100 in Books)
- #15,976 in Humorous Fiction
- #40,064 in Romantic Comedy (Books)
- #184,363 in Contemporary Romance (Books)
- Customer Reviews:
About the author
Jennifer Crusie was researching her dissertation on the differences in the way men and women tell stories when she got sidetracked into writing romance novels.
Her first book was published in 1993 (which pretty much finished off any hope of her getting that PhD) and her twenty-fifth book, One in Vermillion, part of the Liz Danger mystery series written in collaboration with Bob Mayer, came out in September of 2023, all of which she considers a minor miracle, especially since she is also a New York Times, USA Today and Publisher's Weekly bestseller and a two-time Rita award winner.
Jenny is now working on the Rocky Start mystery series also in collaboration with Bob Mayer. She is a very happy woman.
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Matilda Goodnight has many problems and all of them start and end with her family. Her father, now thankfully deceased, played fast and loose with the reputation of the Goodnight Art Gallery. As his parting gift, he left them all with a giant mortgage and practically no money. Tilda's mother Gwen is completely miserable. Trapped by the gallery, Gwen spends most of her time working double-crostic puzzles and splashing a little too much vodka into her orange-pineapple juice. Tilda's sister Eve is a single mother whose ex-husband Andrew still lives in the Goodnight building, along with the love of his life, Jeff. Four nights a week, Eve lets loose by transforming herself into Louise, a sultry singer of dubious morals who performs at Andrew's nightclub. Tilda is the glue that holds the Goodnights together. She's sacrificed her artistic talent painting mural reproductions all over Ohio and Kentucky in order to make the payments on the mortgage. When trouble threatens the Goodnights, Tilda will do whatever it takes to make things right - even when what it takes is breaking into a neighbor's house to steal back a painting that never should have been sold.
Davy Dempsey has his own problematic family. Dear Old Dad (who's currently on the lam, dodging a fraud charge) raised all three of his children to be masters of the con. Much to Michael Dempsey's chagrin, his two daughters have turned out to be respectable, law-abiding citizens. Davy's older sister had the skill, but not the heart, to be a world class con artist. His younger sister had the heart, but not the skill. Now Davy, well Davy has skill and nerve and heart and plenty of imagination. He spent the first thirty years of his life defrauding the amoral and the downright criminal - in other words, those in no position to send the law after him. For the past three years (ever since he took Clea Whipple, now Clea Lewis, for a million dollars), Davy has been living life on the straight and narrow. His only contact with the game comes from occasionally consulting work for the FBI as a fraud expert. All that may have to change as the sociopathic Clea has managed to steal all of his money - not just her original million, but the two million more Davy has made through smart investing.
Davy's determined to recover his money, which is how he ends up meeting Tilda Goodnight in a closet. They're both breaking into the same house. Despite such an awkward introduction, Tilda and Davy decide to join forces and work together to take back what's theirs. And as they struggle to keep secrets from one another, Tilda and Davy will learn it's as impossible to turn your back on who you really are as it is to ignore the person you are truly meant to love.
Davy Dempsey was originally a secondary character in Ms. Crusie's novel Welcome to Temptation and I, for one, am delighted to see the charming con artist take center stage here. I love all of Ms. Crusie's novels but this book, along with Bet Me, is one of my two favorites. Everything is perfectly balanced, including a devious plot, fabulous characters and wonderful, witty dialogue. Honestly, I don't see how anyone with a sense of humor and a soft spot for happy endings could read this book and not adore it.
While this book is a contemporary romance, it is not your “typical” romantic tripe; hero meets heroine, instant attraction occurs leading to earth moving-soul shattering looove makin’. These two first meet when Matilda hides in Cleo’s closet only to find someone else is there, Davey. To keep her quiet Davey quickly covers her mouth with his hand and ensures her he means no harm, Tilda then proceeds to bite his hand and pulls out her inhaler. And that is how the relationship begins.
The odd interactions between these two bring you the reader to realize that these two characters are perfect for each other, even though the first couple looove makin’ scenes are horrible. This was done intentionally. These scenes were awful from the characters’ perspective, which is transmitted to the reader, because of who these characters are. They are both intensely private individuals that, while attracted to each other, don’t trust the other person fully yet. The scenes are well written and a bit humorous, and actually do a lot for these characters’ relationship growth in a way that fits their personalities.
I had mixed feelings about the book. While the story is, over all, a good one, the details involved in getting from beginning to end almost annoyed me. My God, the sheer number of characters. And the characters had characters, in that Eva was sometimes Louise, and Matilda was Scarlet, and it goes on. Even the danged dog had a person-name (Steve). So that was overwhelming.
Also, the descriptions of every little painting and every piece of furniture and everything anybody ever wore...almost too much. I say almost because if anybody can pull it off, Crusie can, and does. Also, the story was about things not being real, and about sleight of hand and trickery, so the detail, even up to the setting (an old, beat-up art gallery with apartments above it) provided a fully congruous experience. So, the story was fun, funny, clever, and worth reading. Even though you might need a character list at first.
Book was as described!
Book was as described!