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Sony 55mm F1.8 Sonnar T FE ZA Full Frame Prime Lens - Fixed

4.6 4.6 out of 5 stars 460 ratings

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Brand Sony
Focal Length Description 55mm
Lens Type Standard
Compatible Mountings Sony E
Camera Lens Description 9

About this item

  • Diaphragm Blades 9, Rounded. Lens Groups / Elements is 5/7
  • Focal Length: 55mm, Filter Diameter: 49mm
  • Minimum Focus Distance: 19-11/16 inches (.50m)
  • Lens Type: Fixed, E-mount Full Frame, Lens not zoomable
  • Aperture (Min/Max): 22/1.8; Angle of View (35 mm): 43 °
  • Magnification: 14x; Battery Life (Still Images) Approx. 530 shots (Viewfinder) / approx. 650 shots (LCD monitor) (CIPA standard)
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Sony 55mm F1.8 Sonnar T FE ZA Full Frame Prime Lens - Fixed
Sony 55mm F1.8 Sonnar T FE ZA Full Frame Prime Lens - Fixed
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Customer Ratings
Auto focus
4.8
4.6
4.7
4.9
4.4
4.7
Image stabilization
4.5
4.1
4.7
4.8
4.5
5.0
Picture quality
4.9
5.0
4.9
4.9
4.3
Value for money
4.2
4.5
4.7
3.9
Sold By
Amazon.com
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Unique Photo, Inc.
Amazon.com
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lens type
Standard
Standard
Standard
Standard
Wide Angle
Standard
compatible mountings
Sony E
Sony E
Sony E
Sony E
Sony E
Sony E
lens design
Prime
Prime
Prime
Prime
Prime
Prime
focus type
Stepper motor
Auto/Manual
Auto/Manual
Auto/Manual
Auto/Manual
Auto Focus
max focal length
55 millimeters
35 millimeters
50 millimeters
fixed focal length
55 millimeters
50 millimeters
40 millimeters
35 millimeters
24 millimeters
50 millimeters
model name
SEL55F18Z
SEL50F25G
SEL40F25G
SEL35F14GM
SEL24F28G
SNSEL50F14GM

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Sony

Sony 55mm F1.8 Sonnar T FE ZA Full Frame Prime Lens - Fixed


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What's in the box

  • Sony 55mm F1.8 Sonnar T* FE ZA Full Frame Prime Lens - Fixed
  • Hood (ALC-SH131)
  • Lens front cap
  • Lens rear cap
  • Case
  • Product guides and documents

    Product Description

    Product Description

    Sony Camera Lenses SEL55F18Z An all-day battery that intelligently powers every scroll, click, call, tap, playlist and season finale you can throw at it. Renowned Carl Zeiss contrast and resolution brings out the best in α7 series full frame E-mount bodies. The T* coating works with an innovative optical design to suppress internal reflections, for sublime contrast from highlights to deep blacks. In keeping with the Sonnar concept, a large F1.8 maximum aperture can produce beautiful full-frame background bokeh, but you also have the option of stopping down for extended depth-of-field. A bright lens like this is also an advantage when shooting indoors or outdoors in low light. Linear motor driven internal focusing is smooth and quiet, and a dust and moisture resistant design ensures consistently reliable performance. When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality. Coated optics were pioneered by Carl Zeiss - and this superb lens features the Carl Zeiss T* (T-Star) coating that virtually eliminates lens flare, internal reflection and light scattering that can otherwise occur at glass-to-air surfaces. The T* coating contributes to outstanding image quality, with high contrast and uniformly excellent resolution right out to the image edges. Not simply applied to any lens - the T* symbol only appears on multi-element lenses in which the required performance has been achieved throughout the entire optical path, therefore guaranteeing the highest quality. Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter. 2014 Sony Electronics All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice. All rights reserved. Sony, the Sony logo, (alpha) logo, and SteadyShot are trademarks of Sony. Carl ZEISS and ZEISS is a trademark of Carl Zeiss and Sony Corporation. All other trademarks are trademarks of their respective owners.

    From the Manufacturer

    Sonnar T* FE 55mm F1.8 ZA Full-frame E-mount Prime Lens

    Renowned Carl Zeiss contrast and resolution brings out the best in α7 series full frame E-mount bodies. The T* coating works with an innovative optical design to suppress internal reflections, for sublime contrast from highlights to deep blacks. In keeping with the Sonnar concept, a large F1.8 maximum aperture can produce beautiful full-frame background bokeh, but you also have the option of stopping down for extended depth-of-field. A bright lens like this is also an advantage when shooting indoors or outdoors in low light. Linear motor driven internal focusing is smooth and quiet, and a dust and moisture resistant design ensures consistently reliable performance.


    Technology

    Circular Aperture

    When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.

    Aspherical lens elements

    Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality.

    Carl Zeiss T* (T-star) coating

    Coated optics were pioneered by Carl Zeiss - and this superb lens features the Carl Zeiss T* (T-Star) coating that virtually eliminates lens flare, internal reflection and light scattering that can otherwise occur at glass-to-air surfaces. The T* coating contributes to outstanding image quality, with high contrast and uniformly excellent resolution right out to the image edges. Not simply applied to any lens - the T* symbol only appears on multi-element lenses in which the required performance has been achieved throughout the entire optical path, therefore guaranteeing the highest quality.


    Additional Features

    Internal focusing

    Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.


    2014 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice.

    All rights reserved. Sony, the Sony logo, (alpha) logo, and SteadyShot are trademarks of Sony. Carl ZEISS and ZEISS is a trademark of Carl Zeiss and Sony Corporation. All other trademarks are trademarks of their respective owners.

    Customer reviews

    4.6 out of 5 stars
    4.6 out of 5
    460 global ratings

    Customers say

    Customers like the quality, appearance and build quality of the lens. For example, they mention it's incredibly sharp, produces the best sharpness and detail, and is built like a tank. They appreciate the speed, saying it has a super fast AF. That said, opinions are mixed on the value.

    AI-generated from the text of customer reviews

    124 customers mention120 positive4 negative

    Customers are satisfied with the quality of the lens. They mention that it is incredibly sharp, produces the best sharpness and detail, and is sharp at all apertures. They also say it is the clearest and sharpest lens they have used yet. Customers also say that the lens comes as described and shoots excellent sharp photos. They appreciate the micro contrast and sharpness, which is astounding. Overall, customers are happy with the performance of this lens.

    "...AF is better than the stock 28-70mm. It generally will lock in faster with less hunting. It works much better in low light conditions...." Read more

    "...As far as the lens is concerned, it is a very sharp and fast lens. You don't have to take my word for it...." Read more

    "...Given the small-ish size, the lens sits well on the A7R iii camera body...." Read more

    "First of all, this is a great lens. Sharp at all apertures and beautiful build quality. Zeiss glass lives up to the hype...." Read more

    49 customers mention49 positive0 negative

    Customers are impressed with the appearance of the lens. They say it has a Zeiss-esque color rendition, and the pictures look good. They also appreciate the believable contrast, and detailed images. The f/1.8 is bright and provides bokeh that is described as creamy. Overall, customers are happy with the quality and performance of this camera lens.

    "...The colors seems to pop more and it just look livelier than my L series lens.AF is better than the stock 28-70mm...." Read more

    "...into the digital frame said that even she can tell that the pictures were really nice. I definitely not a pro...." Read more

    "...Focusing movements are precise and smooth. The f/1.8 is bright, and provides bokeh often described as “creamy.”..." Read more

    "...In conclusion, this is a lens that is optically superb but I'm not sure what it is good for...." Read more

    34 customers mention34 positive0 negative

    Customers are satisfied with the build quality of the lens. They mention that it is a very solid lens, durable, and built like a tank. Some say that the quality construction justifies the price and makes both a7 cameras feel solid and balanced. Overall, customers are happy with their purchase and recommend it to others.

    "...It works and allows accurate manual focus.Construction is solid...." Read more

    "...The quality is great either way, just be mindfull this is an FE mount and therefore optimized for Sony’s Full-frame line of cameras...." Read more

    "First of all, this is a great lens. Sharp at all apertures and beautiful build quality. Zeiss glass lives up to the hype...." Read more

    "...The lens is well made and quite a bit heavier than the 35mm f2.8 FE lens...." Read more

    30 customers mention28 positive2 negative

    Customers are satisfied with the speed of the lens. They mention that it has a super fast AF, and is virtually silent. The lens generally locks in faster with less hunting, and its performance is spectacular.

    "...AF is better than the stock 28-70mm. It generally will lock in faster with less hunting. It works much better in low light conditions...." Read more

    "...As far as the lens is concerned, it is a very sharp and fast lens. You don't have to take my word for it...." Read more

    "...It’s unbelievably sharp and the AF is lightning quick and quiet. The color is beautiful. It’s not bulky or heavy...." Read more

    "...It's small, light, VERY fast..." Read more

    25 customers mention19 positive6 negative

    Customers like the focus of the camera lens. For example, they say it focuses smoothly, quickly, and accurately. Some mention they have no problems with the autofocus. That said, most are happy with the quality and performance of the lens.

    "...It works and allows accurate manual focus.Construction is solid...." Read more

    "...With the hood, it's about where I expected.The focus is fine. Out of hundreds of shots, I missed maybe a few...." Read more

    "...Focusing movements are precise and smooth. The f/1.8 is bright, and provides bokeh often described as “creamy.”..." Read more

    "...Contrast is excellent. The autofocus works well and works quickly on my Sony A7R body under all but the dimmest of light conditions...." Read more

    17 customers mention17 positive0 negative

    Customers find the size of the lens to be perfect for a small mirrorless camera. They say it's compact, light, and easy to slip inside a bag. Customers also say that it'll fit their Sony A7 perfectly.

    "...It can easily slip inside a small bag or hang on my body without getting in the way. I can't say the same with this 50mm...." Read more

    "...The size is good. Without the hood, I would almost even say that it's smaller than what I expected...." Read more

    "...I believe this lens is the perfect size for a small mirrorless professional system and has 99% of the image quality needed for all but the very 0.1%..." Read more

    "...It's tack sharp, feels great, small and not heavy, focuses smoothly...." Read more

    15 customers mention15 positive0 negative

    Customers are satisfied with the image quality of the lens. They mention that it provides excellent background blur, and has the sharpest lens they have ever used. The resolution is very controllable, and the color is perfect. Some say that the lens has the best detail of any Sony lens they've used. Overall, most are happy with their purchase and recommend it to others.

    "...Image Quality is extremely high. It is the sharpest lens I've ever used. It handily beat my 50mm 1.2L on my 5DMK3...." Read more

    "...size for a small mirrorless professional system and has 99% of the image quality needed for all but the very 0.1% of studio shoots or where the..." Read more

    "...The clarity and very controllable resolution, perfect color and believable contrast sell enough EXTRA prints that it will have paid for itself in..." Read more

    "...(image quality, accurate/speedy autofocus)..." Read more

    33 customers mention19 positive14 negative

    Customers are mixed about the value of the lens. Some mention it's well worth the price, with amazing sharpness for the price. However, others say that it'd be better to spend more on an equivalent lens.

    "...on a slight discount (or maybe used like new) it is a phenomenal lens for the price.That said, I returned it...." Read more

    "...Conclusion: The lens may seem expensive when you only look at its specs...." Read more

    "...I got a used one on Amazon for a great price but it really is worth every penny. I am incredibly happy to have made this my first lens...." Read more

    "...It's not cheap but neither is quality...." Read more

    Considered the 7th best lens of all time.
    5 Stars
    Considered the 7th best lens of all time.
    The Sony 55mm f/1.8 Zeiss lens is an excellent choice for any full-frame e-mount Sony interchangeable-lens camera system. You’ll be hard-pressed to find an expert who will complain about the image quality. In fact, DxOMark ranks this lens as the ninth sharpest lenses they have ever tested, of approximately ten thousand tested lenses, with an overall score ranking it as the 7th best lens ever reviewed. What is even more impressive is this is acheived at a price of less than $1,000, when some inferior lenses cost as much as 13 times that.The build-quality is sublime, as expected from a Zeiss-branded lens. Focusing movements are precise and smooth. The f/1.8 is bright, and provides bokeh often described as “creamy.” Given the small-ish size, the lens sits well on the A7R iii camera body. It also feels well-balanced on the smaller and lighter a6500; however using this lens on a crop-senor camera like the a6xxx series you will have a 35mm equivalent focal length of about 78mm, which is more appropriate for portraitures than using it as a standard 55mm lens (which is pretty close to what our eye sees). The quality is great either way, just be mindfull this is an FE mount and therefore optimized for Sony’s Full-frame line of cameras.One noticible omission is a lack of optical image stabilization (OSS) built into the lens. Not an issue per-say as Sony’s A7 and A9 series have built-in 5-axis stabilization, which is what this lens was built for, thus negating the need for additional in-lens OSS. Even the a6500 has built-in stabilization, but if one intends to use this on an a6000 or a6300 for portraits you may be disappointed by the omitted OSS.Attached image: A7R iii 1/80 second, f/8.0, 12,800 ISO. Original JPEG straight from the camera with the other being a 100% crop. Please note, the high HSO of the image will soften the image to a degree. Most people will not shoot at 12,800 ISO.
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    Top reviews from the United States

    Reviewed in the United States on March 10, 2014
    11 people found this helpful
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    Reviewed in the United States on June 2, 2014
    5 people found this helpful
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    Reviewed in the United States on January 11, 2018
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    CRP
    5.0 out of 5 stars Considered the 7th best lens of all time.
    Reviewed in the United States on January 11, 2018
    The Sony 55mm f/1.8 Zeiss lens is an excellent choice for any full-frame e-mount Sony interchangeable-lens camera system. You’ll be hard-pressed to find an expert who will complain about the image quality. In fact, DxOMark ranks this lens as the ninth sharpest lenses they have ever tested, of approximately ten thousand tested lenses, with an overall score ranking it as the 7th best lens ever reviewed. What is even more impressive is this is acheived at a price of less than $1,000, when some inferior lenses cost as much as 13 times that.

    The build-quality is sublime, as expected from a Zeiss-branded lens. Focusing movements are precise and smooth. The f/1.8 is bright, and provides bokeh often described as “creamy.” Given the small-ish size, the lens sits well on the A7R iii camera body. It also feels well-balanced on the smaller and lighter a6500; however using this lens on a crop-senor camera like the a6xxx series you will have a 35mm equivalent focal length of about 78mm, which is more appropriate for portraitures than using it as a standard 55mm lens (which is pretty close to what our eye sees). The quality is great either way, just be mindfull this is an FE mount and therefore optimized for Sony’s Full-frame line of cameras.

    One noticible omission is a lack of optical image stabilization (OSS) built into the lens. Not an issue per-say as Sony’s A7 and A9 series have built-in 5-axis stabilization, which is what this lens was built for, thus negating the need for additional in-lens OSS. Even the a6500 has built-in stabilization, but if one intends to use this on an a6000 or a6300 for portraits you may be disappointed by the omitted OSS.

    Attached image: A7R iii 1/80 second, f/8.0, 12,800 ISO. Original JPEG straight from the camera with the other being a 100% crop. Please note, the high HSO of the image will soften the image to a degree. Most people will not shoot at 12,800 ISO.
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    59 people found this helpful
    Report

    Top reviews from other countries

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    Amazon Customer
    5.0 out of 5 stars GREAT 55 mm
    Reviewed in Canada on January 2, 2024
    Natalia Grotto Dutra
    5.0 out of 5 stars Ótima compra!
    Reviewed in Brazil on June 10, 2022
    Customer image
    Natalia Grotto Dutra
    5.0 out of 5 stars Ótima compra!
    Reviewed in Brazil on June 10, 2022
    Ela é o que realmente falam dela: uma ótima aquisição para a Sony. Eu estava usando ainda as lentes Canon com adaptador na minha A7III mas queria lentes próprias para a Sony e super me recomendaram a 55 Zeiss, e estou simplesmente amando ela!!! Ainda estou me adaptando com o tempo de focagem dela, mas acho que é só questão de ajuste dona/câmera/lente hahahah Mas para mim até agora está sendo ótima!!
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    Anshuman Purkayastha
    5.0 out of 5 stars The best Sony 1.8 prime that you can buy.
    Reviewed in India on March 28, 2019
    7 people found this helpful
    Report
    Aimee
    5.0 out of 5 stars My favorite lens right now!
    Reviewed in Japan on October 9, 2023
    One person found this helpful
    Report
    Aaron
    4.0 out of 5 stars Not local set. No warranty.
    Reviewed in Singapore on June 18, 2021