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Canon EF 50mm f/1.4 USM Standard and Medium Telephoto Lens for Canon SLR Cameras, Fixed
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Purchase options and add-ons
Brand | Canon |
Focal Length Description | 50mm |
Lens Type | Telephoto |
Compatible Mountings | Canon EF |
Camera Lens Description | 50 mm |
About this item
- Standard focal length 50 millimeter lens is effective in a multitude of shooting situations and ideal for day-to-day shooting
- Elements, Groups: 7 by 6, Diaphragm: Blades 8, Filter Thread: Font 58 millimeter. Minimum focusing distance: 17.8 inch
- An f 1.4 maximum aperture provides clear imaging in low light situations and shallow depth of field
- Ultrasonic autofocus motor (USM) operation is fast, smooth and virtually silent
- 2 high-refraction lens elements and new Gaussian optics eliminate astigmatism and suppress astigmatic difference
- This large aperture standard prime lens has superior peripheral brightness even at the maximum aperture
- Lens construction: 8 elements in 6 groups, Filter size: 77 millimeter
- Optimized for Digital – super multi-layer coating minimizes flare and ghosting – a common problem of digital cameras
- The optimum optical design and molded glass aspherical lens elements provide excellent correction for all types of aberrations, including coma aberration, resulting in superior optical performance
- The Hypersonic Motor (HSM) ensures silent, high speed auto-focusing as well as full time manual focusing capability
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This Item Canon EF 50mm f/1.4 USM Standard and Medium Telephoto Lens for Canon SLR Cameras, Fixed | Recommendations | dummy | dummy | dummy | dummy | |
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Price | — | $2,009.95$2,009.95 | $199.00$199.00 | $599.95$599.95 | $1,399.00$1,399.00 | $1,899.00$1,899.00 |
Delivery | Get it as soon as Sunday, Mar 17 | Get it as soon as Tomorrow, Mar 13 | Get it as soon as Sunday, Mar 17 | Get it Mar 20 - 22 | Get it as soon as Sunday, Mar 17 | Get it as soon as Sunday, Mar 17 |
Customer Ratings | ||||||
Picture quality | 4.7 | — | 4.6 | 4.1 | 4.6 | 4.6 |
Auto focus | 4.0 | — | 4.5 | 4.0 | 4.4 | 4.5 |
Quality of material | 4.6 | — | — | — | 4.8 | 4.9 |
Durability | 4.6 | — | — | — | 5.0 | 4.9 |
For portrait photography | 4.5 | — | — | 4.5 | 4.9 | — |
Sold By | Amazon.com | 6ave | Amazon.com | Willoughby's Established 1898 | Amazon.com | Amazon.com |
lens type | Telephoto | Standard | Macro | Standard | Standard | zoom |
compatible mountings | Canon EF | Canon RF | Canon RF | Canon EF | Canon EF | Canon EF |
lens design | Prime | Zoom | Prime | Prime | Prime | Zoom |
focus type | Auto Focus | Manual Focus, Auto Focus | Auto Focus | Ring-type ultrasonic | Auto Focus | Auto Focus |
minimum focal length | 0.45 millimeters | 50 millimeters | 50 millimeters | 50 millimeters | 50 millimeters | 24 millimeters |
max focal length | 50 millimeters | 50 millimeters | 50 millimeters | 50 millimeters | 50 millimeters | 70 millimeters |
From the manufacturer
Standard Lens
EF 50mm f/1.4 USM
The EF 50mm f/1.4 USM delivers superb quality and portability. Equipped with a maximum aperture of f/1.4 and made with lens elements to help suppress distortion, it provides crisp images with minimal flare. With a fast and accurate focusing system, the lens brings high performance in a compact size.
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Maximum Aperture of f/1.4
Fast Maximum Aperture
The EF 50mm f/1.4 USM provides easy use in low-light venues and produces a shallow depth of field.
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Great in Low Light
The EF 50mm f/1.4 USM’s wide aperture means it can capture more light during low-light situations.
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Beautiful Background Blur
The EF 50mm f/1.4 USM is fast, making it easy to create beautiful bokeh and bring portraits to life.
Fast, Precise Focus
To help capture every movement, the EF 50mm f/1.4 USM uses an inner focusing ring USM (ultrasonic motor) system to help deliver fast, precise and near-silent performance. For even more refinement, the EF 50mm f/1.4 USM offers full-time manual focus as well.
Compare Lenses
1:1.4 | Maximum Aperture | 1:1.8 |
7 elements/6 groups | Lens Construction | 6 elements/5 groups |
USM | Focus Drive | STM |
1.5 ft. | Min. Focus Distance | 1.2 ft. |
58mm | Filter Size | 49mm |
2.9 x 2.0 in. | Diameter x Length | 2.7 x 1.6 in. |
10.2 oz. | Weight | 5.7 oz. |
1:1.4 | Maximum Aperture | 1:1.2 |
7 elements/6 groups | Lens Construction | 8 elements/6 groups |
USM | Focus Drive | USM |
1.5 ft. | Min. Focus Distance | 1.5 ft. |
58mm | Filter Size | 72mm |
2.9 x 2.0 in. | Diameter x Length | 3.4 x 2.6 in. |
10.2 oz. | Weight | 19.2 oz. |
Videos
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2:34
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Comparing Uses Between Canon 50mm 1.2 & 24mm 1.4 #thisorthat
Justin
Videos for this product
1:18
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Actual photos from my 50mm - Review from a professional!
Zoey & Casey
Videos for this product
3:12
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Canon 50mm 1.2 L vs 100mm 2.8 L macro lense compare #thisorthat
Justin
Looking for specific info?
What's in the box
Product information
Product Dimensions | 2.01 x 2.91 x 2.91 inches |
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Item Weight | 10.2 ounces |
ASIN | B00009XVCZ |
Item model number | 2515A003 |
Customer Reviews |
4.7 out of 5 stars |
Best Sellers Rank | #44 in SLR Camera Lenses |
Is Discontinued By Manufacturer | No |
Date First Available | March 22, 2006 |
Department | Default Category |
Manufacturer | Canon Cameras US |
Language | English |
Warranty & Support
Feedback
Product Description
Product Description
Standard lens Featuring superb quality and portability. 2 high-refraction lens elements and new Gaussian optics eliminate astigmatism and suppress astigmatic difference. Crisp images with little flare are obtained even at the maximum aperture. Filter size: 58 mm, Closest Focusing Distance: 1.5 feet. The 50mm f/1.4 standard lens is a terrific choice for both casual and professional photographers. The lens is outfitted with 2 high-refraction lens elements and new Gaussian optics, which combine to eliminate astigmatism and suppress astigmatic difference. As a result, the lens obtains crisp images with little flare even at the maximum aperture. The lens's f/1.4 speed, meanwhile, is perfect for available-light shooting. And as a bonus, this lens is the only lens in the EF system to offer an extra-small Micro Ultra Sonic Motor (USM) while still providing a full-time manual focusing option. Other features include a close focusing distance of 1.5 feet, a 58mm filter size, and a one-year warranty.what's in the boxCanon Normal EF 50mm f/1.4 USM Autofocus Lens, E-58U 58mm Snap-On Lens Cap, Lens Dust Cap E (Rear) and 1-Year Warranty. Specifications.
Amazon.com
The 50mm f/1.4 standard lens is a terrific choice for both casual and professional photographers. The lens is outfitted with two high-refraction lens elements and new Gaussian optics, which combine to eliminate astigmatism and suppress astigmatic difference. As a result, the lens obtains crisp images with little flare even at the maximum aperture. The lens's f/1.4 speed, meanwhile, is perfect for available-light shooting. And as a bonus, this lens is the only lens in the EF system to offer an extra-small Micro Ultra Sonic Motor (USM) while still providing a full-time manual focusing option. Other features include a close focusing distance of 1.5 feet, a 58mm filter size, and a one-year warranty.
what's in the box
Canon Normal EF 50mm f/1.4 USM Autofocus Lens, E-58U 58mm Snap-On Lens Cap, Lens Dust Cap E (Rear) and 1-Year Warranty.
Specifications
- Focal length: 50mm
- Maximum aperture: f/1.4L
- Lens construction: 7 elements in 6 groups
- Angle of view: 46 degrees
- Focus adjustment: Overall linear extension system with USM
- Closest focusing distance: 1.5 feet
- Filter size: 58mm
- Dimensions: 2.9 inches in diameter and 2 inches long
- Weight: 10.2 ounces
- Warranty: 1 year
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers like the quality, value, image quality, and lighting of the camera lenses. They mention that it produces great color with excellent image quality. They also appreciate the light gathering and bokeh abilities, saying that it is perfect to snap a photo and use editing to zoom or crop. They say that the lens is worth a buy and that it performs remarkably well in low-light conditions. Customers are also impressed with the depth of field, saying it produces sharp images and makes blurred water look incredible.
AI-generated from the text of customer reviews
Customers like the quality of the lens. They say it's better built, the autofocus is much better, and the quality shots that you can capture far outweigh the fact that it' s stubby.
"...Now, always remember that your lens is a creative tool: this one is a fantastic and versatile tool, but you still can't expect it to do anything it..." Read more
"...As an added benefit, this lens also is built better and has a more solid feel...." Read more
"...If you are a pro, it's not a bad lens to have. Not too big or small, well built, and not so expensive you're scared to use if out doors or leave it..." Read more
"...Build quality is good, with a metal mount and plastic casing. It feels solid, unlike the 50/1.8, which literally feels like a toy...." Read more
Customers like the depth of field of the camera lens. They say it produces sharp images, and it produces very nice bokeh. Customers also mention that the octagons out of light and makes blurred water look incredible. The sharp focus is best at F2.0, and the wide apertures give you beautiful bokkeh. The 50mm certainly has good contrast and IQ from f/2 onwards, and you can take some incredible night shots.
"...2. You can get a super short depth of field, which allows you to focus your camera on somebody's face, while throwing the background totally out of..." Read more
"...Pictures have been outstanding and my professional customers frequently cite the sharpness, light balance, depth of field, color reproduction, and "..." Read more
"...Its combination of a wide aperture, superb image quality, and compact design makes it a go-to lens for various photography styles, particularly in..." Read more
"...blades make wonderful octagons out of light and makes blurred water look incredible.- Sharp Focus is best at F2.0 but awesome at most f-stops...." Read more
Customers appreciate the value of the lens. They say it's well worth the price, a cheap lens that anyone can pick up to start getting, and a fast, well-built, nifty fifty.
"...The 50mm F/1.8 is well-known for its optical quality and fantastic value. However, it is also made up of plastic, and as such, it WILL break...." Read more
"...Not too big or small, well built, and not so expensive you're scared to use if out doors or leave it on your camera around your neck...." Read more
"...of the vast majority of people looking for a fast, well-built, nifty fifty...." Read more
"...The quality of this lens from build to optics is definitely worth the price. It just feels solid compared to the 1.8...." Read more
Customers like the appearance of the lens. They mention that the bokeh is smooth and some of the shots look beautiful. The shallow DOF is stunning, and the lens produces great color with excellent image quality.
"...When this thing hits the photos are beautiful the bokeh is awesome, the colors pop, and everything is perfectly sharp...." Read more
"...1. You can take natural looking photos in lower light, without needing a flash, higher ISO (which adds noise) or without needing to slow down the..." Read more
"...I know what it does. It's a picture gooderizer. It gives me much more natural contrast without being harsh...." Read more
"...Background blur (bokeh) is very nice and creamy, even on an APS-C sensor, and while it does not have that unbeatable quality of the 50/1.2, it is..." Read more
Customers like the lighting of the camera lenses. They mention that it performs remarkably well in low-light conditions, with a wide aperture that lets in enough light. Customers also say that the night shots were acceptable.
"...It GOBBLES light at nighttime and indoors, and coupled with the high-ISO performance of almost every Canon DSLR right now, you can get stunning..." Read more
"...As the lens opening increases (a lower f-stop #), the camera lets in more light giving you two important benefits:1...." Read more
"...The lens performs remarkably well in low-light conditions, thanks to its wide aperture, making it ideal for indoor photography or during the..." Read more
"...Low light is good, but not great. And the lens body itself...lets just say its more than lacking...." Read more
Customers like the performance of the lens. They say it performs as expected, works great in closer distances, and produces great results in natural daylight. For the price, it provides very good performance. Customers also mention that it has made them a better photographer and is good for photography. They also say that it sucks up light and allows for great indoor filming.
"...Their results are nearly identical, and bokeh is a personal preference...." Read more
"...So I got this lens. It doesn't zoom, it just does bokeh and does it well. Sharp enough for my general purpose...." Read more
"...-deserved 5-star rating, this lens stands out as a versatile, high-performance tool that caters to both professional photographers and enthusiasts..." Read more
"...Wider apertures are a bit soft. However, they are still entirely usable...." Read more
Customers like the image quality of the lens. They say it produces great color with excellent image quality, the blur you can achieve with it is stunning, and there is very little lens and color distortion. They also mention that there are no chromatic aberrations and that it's perfect to snap a photo and use editing to zoom or crop.
"...NO CHROMATIC ABERRATION, whereas the f/1.8 has slight yellowing of photos under certain lighting conditions or where edge definition is low..." Read more
"...Its wide aperture, exceptional image quality, fast and quiet autofocus, and compact design make it an excellent choice for portraiture, low-light..." Read more
"I like the blurred backgrounds I can get with this 1.4 lens. I feel like I did a good upgrade from my 1.8 lens." Read more
"...In general, the image quality is good. The main problem I have with this lens that will offend some will be the very soft focus on certain apertures...." Read more
Customers are mixed about the focus speed of the camera lenses. Some mention that it is quick to focus and very quiet in doing so, while others say that they have had a hard time getting it to focus correctly. The focusing ring is a bit rough and extends while focusing, which is bad and makes it difficult to drop the lens while concentrating.
"...It's easy to accidentally focus on somebody's ear and the rest of their face can actually be out of focus...." Read more
"...It is SHARP: focus, movement, light, camera shake, and shutter speed all can alter the sharpness of your photo, which is the most important facet,..." Read more
"...The focusing ring is a bit "rough", its not as liquid smooth as an L-series focus ring...." Read more
"...Nevertheless the silent auto-focus is very nice and makes the kit lens sound like a semi (that might be too drastic but you get the point)...." Read more
Reviews with images
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Top reviews
Top reviews from the United States
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*If you want this lens, GET IT. You will NOT regret it if you want a fast, sharp, well-built investment in glass.*
Keep in mind that when shooting with APS-C cameras (7D, 4/5/60D, T1/2/3/4/5i, SLi) this is a wonderful PORTRAIT lens, that gives you a head-and-shoulders frame at five feet, while on a full-frame camera (5D1/2/3, 6D, 1D3/4/5/X/C) it is a stunning STANDARD lens, with a full-body frame at five feet.
It is well-built: the body is made up of a solid plastic that has survived a few bangs and falls already. I have it insured, so I have the peace of mind of not worrying about little things, but remember to put a cheap UV filter on it. *A scratched filter costs a LOT less to replace than a scratched lens. Buy a filter with this lens!*
It is FAST: The USM is quick and snappy. It is the older version of Canon's USM, so it will 'hunt' in low light if you place a single AF point onto a black background or surface. Get around that by focusing on a lit subject and then recomposing, using either single shot AF or AF-lock.
It is BRIGHT: or 'fast', but I didn't want to get confused between AF and aperture. If you are upgrading from a zoom lens, whether it's your kit 18-55 or your professional 24-70 F/2.8, you will INSTANTLY notice how bright and clean 1.4 is. It GOBBLES light at nighttime and indoors, and coupled with the high-ISO performance of almost every Canon DSLR right now, you can get stunning shots with this lens in the toughest of conditions without a flash. And, because of how fast it is, the depth of field (amount of your subject in focus) is razor-thin. You will find that someone's nose pores will be visible while their eyes will be blurry, which might ruin a shot for you: always confirm that what you want to be in focus, is. This is a VERY powerful tool for creative or portrait photography.
It is SHARP: focus, movement, light, camera shake, and shutter speed all can alter the sharpness of your photo, which is the most important facet, but the fact is that this lens will not hold you back if you're looking for the sharpest photo possible. It is RAZOR sharp when stopped down, and center sharpness is stunning all the way to F/1.4. Anything from F/2 and up will be sharp all around, at at F/5.6 the entire frame is sharper than a lot of L lenses. The only reason people pay five times as much for the Canon 50mm F/1.2L is because they either need the build quality, aperture speed, or consistent sharpness. You can easily get equally stunning results from this lens, at 1/5th the price of its niche L brother.
And, for creative photos and especially video, it creates wonderful creamy BOKEH. If you're looking at this lens you probably know what 'bokeh' means: all it references is the quality of the out-of-focus areas of your photo. Your subject, whether a face or a sign or a car or a person, will be sharp and in focus, while at F/1.4 the area from a few inches in front of and behind the subject become a wonderfully pleasing blur.
Now, as far as competition goes, this lens competes with the Sigma 50mm F/1.4 and Canon's own 50mm F/1.8. The Canon 50mm macro lens doesn't count as a 'fast fifty', as at F/2.5 it is an entire stop slower than the other 50's.
The Sigma is a better and newer lens than the Canon 50mm F/1.4, with better sharpness wide open and barely better bokeh. However, it costs slightly more, and it doesn't have the support of Canon software, hardware, and editing plugins. Their results are nearly identical, and bokeh is a personal preference. You will be perfectly content with either lens, though Canon's autofocus has been reported as being superior to Sigma's, with quality control issues and failing AF on early models of Sigma's 50mm's.
The 50mm F/1.8 is well-known for its optical quality and fantastic value. However, it is also made up of plastic, and as such, it WILL break. The focus ring is also miserably bad for video. So, if you have the extra $200 to spend, GET THE 1.4. The build quality, USM focusing, and proper focus ring will last you years, wheras the 'nifty fifty' will last you until you drop it, or the cheap AF dies.
Now, always remember that your lens is a creative tool: this one is a fantastic and versatile tool, but you still can't expect it to do anything it's not built to do. For example, while F/1.4 is a wonderful tool, you will find yourself missing focus at times. Stop down to F/2.8 not only for more accurate DOF and focus, but better sharpness. And, if you want stunning detail, or you're in bright sunlight, stop down to F/5.6 for nearly perfect sharpness for when you have a lot of light, a flash, or are set up to do portraits. And, when you need stunning bokeh or fast shutter speeds, crank it open.
So, in conclusion: this is a wonderful lens that is sharp, fast, well built, and has excellent optical qualities when used right. If you think you want it, get it, and you won't be disappointed.
Pros:
Solid
Quiet
Fast Auto Focus
Full Time Manual Focus
Beautiful Bokeh
Amazing colors
Sharp
Cons:
More expensive than 1.8 (how much does full-time manual focusing, construction, quiet auto-focus matter to you?)
Lacks IS (I know it is not a huge deal but I think it could be helpful)
Should include a free lens hood
This is my first lens besides the kits lens that comes with the T2i so I hope this review might be helpful to those deciding to branch out beyond the kit lens. The lens is amazing just not perfect... maybe I had too high of expectations (or more likely I am just an ignorant novice photographer). Nevertheless, as soon as I took this thing out of the box I told my wife, "I am never using the kits lens again". (I have had this lens for a couple of months and did put the kit lens on once to take an indoor group picture because there just wasn't enough room at 50mm... however as soon as the picture was taken this lens was back on my camera.)
First off this lens is amazingly solid (makes the plastic kit lens feel like a toy). I swear it doubles the weight of my camera (not in a bad way)... I now understand the reviews which said that the T2i feels cheap.
I don't do a ton of videography but like taking an occasional video and was hoping the quiet auto-focus would eliminate the annoying sound picked up by the internal mic when focusing... it doesn't (it might be slightly less but still just as annoying). Nevertheless the silent auto-focus is very nice and makes the kit lens sound like a semi (that might be too drastic but you get the point).
Before this lens I was still familiarizing myself with the camera and only shot in the basic modes. If you have no intention of branching out beyond the basic modes you may want to hold off on purchasing this lens since most of the benefits come with learning the manual modes and using a low aperture. Expect a little bit of frustration as you try to learn the advanced modes and get non blurry photos that are completely in focus. It can be frustrating but well worth the learning curve. When this thing hits the photos are beautiful the bokeh is awesome, the colors pop, and everything is perfectly sharp.
I thought the full time manual mode would be incredible no longer having to flip a switch on/off. I was wrong... maybe I am stupid but searching the web I found other people would try to manually focus in AI Servo. Don't be an idiot like me and others. AI Servo focuses continually so you have to change modes to manually focus (unless you want to grind against the gears). Maybe it is just me but it would be nice if the camera could tell you were manually focusing and disable the auto-focus regardless of what mode you are in. Don't get me wrong the manual focus is nice just not as perfect as I thought it might/could be.
The low aperture although very helpful will not do miracles... I find myself desperately longing for a flash (I hate the on board flash) in some lighting conditions. The low aperture helps a lot but is only one piece of the puzzle. The low aperture does more for bokeh than it does in eliminating the need for light. If your primary concern is crappy lighting ... get a flash. If your primary concern is crappy quality (sharpness, bokeh, color) get this lens. Or get both (which I plan to do shortly). Some people state they no longer need a flash with this lens which may be true for some but I find in my horrible lit apartment it is almost impossible to get decent pictures without using one even when the lens is stopped down to 1.4.
Part of me really wished this lens had IS (except for the increase in price that would go along with it) it really would make this great lens incredible. The kits lens although having far worse image quality and color is a little more forgiving with the IS. I think this may be why some people complain about non sharp photos. I have found the camera can take amazingly sharp photos even when wide open at 1.4 but it requires a lot more skill (steady hands or a tripod and spot on auto focus). A random tip I found helpful when taking pictures of my daughter was to use AI Servo but to track her movement for a second or two before taking a picture. It gives the auto-focus time to properly track her constant movement and results in a ton more sharp pictures than taking a picture immediately after focusing.
I also purchased a filter (included for free with purchase) and a lens hood. The filter is close to a waste of money and I could only see myself using it if I was in a harsh environment and seriously worried about particles getting into the lens since it destroyed image quality. The lens hood is amazing (I bought one of the non name brand hoods)... I could be wrong but I think it helps the lens auto-focus quicker in some lighting conditions. Additionally, it looks good and provides a decent level of protection without loss of photo quality (pick one up).
Purchase Price: $346.00 Brand New