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Thunder & Lightning: Weather Past, Present, Future Kindle Edition
“A gorgeous and illuminating illustrated study of weather in all its tempestuous variety . . . [Lauren] Redniss’s combo of fact, folklore, and vibrant etched copperplate prints enthralls.”—O: The Oprah Magazine
“Eerily beautiful . . . If weather is our favorite default conversational subject, [Redniss] takes anything but a default approach. Thunder & Lightning contains plenty of scientific explanation (including more than a few nods toward global warming), but also far-flung personal stories that illuminate the beauty, wonder and chaos inherent in the elements.”—The New York Times
“Magical . . . Redniss has . . . shown us how human beings live with nature—fighting, coexisting, taming, predicting via leech barometer and radar and intuition. . . . She is, to use a contemporary word, a curator: arranging information with a distinct aesthetic and a point of view.”—The New York Times Book Review
“[A] twenty-first-century genius . . . Lauren Redniss is inventing a new literary genre. The artist brings her intrepid reporting and sharp intelligence to subjects as wide-ranging as Marie Curie, gay soldiers in WWII, and now stormy weather. . . . [Redniss is] a reporter, a painter, a social historian, a biographer, and a feminist who creates stories and tableaux that are published as books, which are at once sexual and prim, grotesque and romantic, scientific and soft. . . . The reader willing to put herself fully in Redniss’s hands will be rewarded with a delicious feeling of being enveloped by a phenomenon that eclipses the chiming trivialities of daily life.”—Elle
“From Superstorm Sandy to the California drought, weather is a constant presence in our lives, shaping the way we think, feel—and vote. Lauren Redniss’s latest, Thunder & Lightning: Weather Past, Present, Future, takes a deep dive into human efforts to grapple with the elements, with forays into mythology, commerce and politics. Combining etchings and text—the National Book Award–nominated author and artist designed her own font for the book—Thunder & Lightning lends a graphic-novel-like allure to some of nature’s most curious paradoxes.”—Vogue
“Lauren Redniss is one of the most creative science writers of our time—her combination of beautiful artwork, reporting, and poetic prose brings science to life in ways that words alone simply cannot. Thunder & Lighting is a fascinating meditation on how climate affects the earth’s landscape and the lives inhabiting it, but also how the landscape of a book—the layout of its text, the images on its pages—impacts the telling of a story. This is an important book about a topic that couldn’t be more important to us all.”—Rebecca Skloot
“In Thunder & Lightning, Lauren Redniss combines her own dual punch of expressive art and impressive erudition to give an entirely new take on all that happens above our heads. This is an illuminated book that is also an illuminating one.”—Adam Gopnik
“Lauren Redniss’s Thunder & Lightning is such a strange and wonderful thing, the work of a first-class mind that refuses to submit to any categories or precedent. It’s the way you wish science would always be taught—with a mix of stories and facts, legend and hard science.”—Dave Eggers
“Beautiful and totally original.”—Elizabeth Kolbert
- LanguageEnglish
- PublisherRandom House
- Publication dateOctober 27, 2015
- File size323799 KB
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Editorial Reviews
Review
“A gorgeous and illuminating illustrated study of weather in all its tempestuous variety . . . [Lauren] Redniss’s combo of fact, folklore, and vibrant etched copperplate prints enthralls.”—O: The Oprah Magazine
“Eerily beautiful . . . If weather is our favorite default conversational subject, [Redniss] takes anything but a default approach. Thunder & Lightning contains plenty of scientific explanation (including more than a few nods toward global warming), but also far-flung personal stories that illuminate the beauty, wonder and chaos inherent in the elements.”—The New York Times
“Magical . . . Redniss has . . . shown us how human beings live with nature—fighting, coexisting, taming, predicting via leech barometer and radar and intuition. . . . She is, to use a contemporary word, a curator: arranging information with a distinct aesthetic and a point of view.”—The New York Times Book Review
“[A] twenty-first-century genius . . . Lauren Redniss is inventing a new literary genre. The artist brings her intrepid reporting and sharp intelligence to subjects as wide-ranging as Marie Curie, gay soldiers in WWII, and now stormy weather. . . . [Redniss is] a reporter, a painter, a social historian, a biographer, and a feminist who creates stories and tableaux that are published as books, which are at once sexual and prim, grotesque and romantic, scientific and soft. . . . The reader willing to put herself fully in Redniss’s hands will be rewarded with a delicious feeling of being enveloped by a phenomenon that eclipses the chiming trivialities of daily life.”—Elle
“From Superstorm Sandy to the California drought, weather is a constant presence in our lives, shaping the way we think, feel—and vote. Lauren Redniss’s latest, Thunder & Lightning: Weather Past, Present, Future, takes a deep dive into human efforts to grapple with the elements, with forays into mythology, commerce and politics. Combining etchings and text—the National Book Award–nominated author and artist designed her own font for the book—Thunder & Lightning lends a graphic-novel-like allure to some of nature’s most curious paradoxes.”—Vogue
“Lauren Redniss is one of the most creative science writers of our time—her combination of beautiful artwork, reporting, and poetic prose brings science to life in ways that words alone simply cannot. Thunder & Lighting is a fascinating meditation on how climate affects the earth’s landscape and the lives inhabiting it, but also how the landscape of a book—the layout of its text, the images on its pages—impacts the telling of a story. This is an important book about a topic that couldn’t be more important to us all.”—Rebecca Skloot
“In Thunder & Lightning, Lauren Redniss combines her own dual punch of expressive art and impressive erudition to give an entirely new take on all that happens above our heads. This is an illuminated book that is also an illuminating one.”—Adam Gopnik
“Lauren Redniss’s Thunder & Lightning is such a strange and wonderful thing, the work of a first-class mind that refuses to submit to any categories or precedent. It’s the way you wish science would always be taught—with a mix of stories and facts, legend and hard science.”—Dave Eggers
“Beautiful and totally original.”—Elizabeth Kolbert
About the Author
Product details
- ASIN : B00TCI39LS
- Publisher : Random House (October 27, 2015)
- Publication date : October 27, 2015
- Language : English
- File size : 323799 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 272 pages
- Best Sellers Rank: #1,248,376 in Kindle Store (See Top 100 in Kindle Store)
- #285 in Weather (Kindle Store)
- #1,031 in Rivers in Earth Science
- #1,095 in Weather (Books)
- Customer Reviews:
About the author
Lauren Redniss is the author of several works of visual non-fiction and the recipient of a MacArthur Foundation "genius grant." Her book THUNDER & LIGHTNING won the 2016 PEN/E. O. Wilson Literary Science Writing Award. Her book RADIOACTIVE was a finalist for the National Book Award and adapted as a major motion picture (Radioactive, 2019, dir. Marjane Satrapi). The New York Times called her 2020 book, OAK FLAT: A FIGHT FOR SACRED LAND IN THE AMERICAN WEST, “brilliant” and “virtuosic.” She has been a Guggenheim fellow, a fellow at the New York Public Library’s Cullman Center for Scholars & Writers and the New America Foundation. She was the first Artist in Residence at the American Museum of Natural History and teaches at the Parsons School of Design in New York City. According to the New Yorker magazine, “In the world of arts and letters, there isn’t anyone quite like Lauren Redniss.... Reading her work is like poring over the notebooks of a hyper-literate, hyper-curious, and slightly mad artist.”
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I honestly think this would work better as a photo coffee book rather than a graphic novel. I often don't have a good picture of the places or the people. I think I could connect better with some of the people if I could see their picture. There's about eleven of 20 pages of the cold chapter on small islands called "Svalbard". I'd really prefer some pictures of the community rather than poor drawings. I googled "svalbard" and saw some really awesome pictures and had a much better idea of the place...
And that's another problem. The art just isn't very good. I understand that a kinda "hand-crafted look" is popular for more "serious" graphic novels, but it's just not great artwork. What you see on the cover is what you get all the way through the book. There are two page spreads of only "artwork" throughout the book like it's something to showcase.
The writing just kinda rambles around. Kinda like my writing. That's why nobody would pay me to write a book. Each essay has a theme, but there are bunny trails galore. Many of the essays need to be trimmed, but that are a lot that might get trimmed into a blurb or two once you get down to the meat. Then the flow of one essay to another is odd. There's a ten page section with essays all one one topic except for that random one on Russian scientists right in the middle.
The very last page before the endnotes exemplifies the whole book in my mind. The page's title reads: "NOTE ON THE TYPE". There is one sentence on the typeface coming from an Inuktitut word for falling snow. Then there are two large paragraphs on how many words Eskimos do or don't have for snow. And even though that might show where some of the type's inspiration, it never gets back to talking about the font. I just don't get it.
Overall, it wasn't my cup of tea. I find weather interesting, but I don't find this book interesting.