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The Grace of Kings (1) (The Dandelion Dynasty) Paperback – August 9, 2016

4.2 4.2 out of 5 stars 3,362 ratings

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One of the Time 100 Best Fantasy Books Of All Time

Two men rebel together against tyranny—and then become rivals—in this first sweeping book of an epic fantasy series from Ken Liu, recipient of Hugo, Nebula, and World Fantasy awards. Hailed as one of the best books of 2015 by NPR.

Wily, charming Kuni Garu, a bandit, and stern, fearless Mata Zyndu, the son of a deposed duke, seem like polar opposites. Yet, in the uprising against the emperor, the two quickly become the best of friends after a series of adventures fighting against vast conscripted armies, silk-draped airships, and shapeshifting gods. Once the emperor has been overthrown, however, they each find themselves the leader of separate factions—two sides with very different ideas about how the world should be run and the meaning of justice.

Fans of intrigue, intimate plots, and action will find a new series to embrace in the Dandelion Dynasty.
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Editorial Reviews

Review

"A refreshing epic."--The New York Times

"Ken Liu's
The Grace of Kings — a magnificent fantasy epic. Liu is building a dynasty." -- Amal El-Mohtar ― NPR Books

"The Grace of Kings is an ambitious, astonishing, and sublime work, one that both exemplifies and diverges from what one might think of when it comes to epic fantasy. It should rank amongst the genre's best works." -- Andrew Liptak ―
io9

"Told in Liu’s graceful, intelligent, and literate prose, the novel is a sumptuous Epic feast." -- Rob Bedford ―
SFF World

"The epic fantasy genre can only be enriched by more novels drawing from non-Western traditions. Liu’s ambitious work expertly blends mythology, history, military tactics, and technological innovation (airships and submarines). " ―
Kirkus Reviews

"The Grace of Kings is a fantasy, with petty meddling gods, odd mechanized inventions, and a sense that mystical powers lurk around the corner. It is nothing if not epic." -- Justin Landon ―
Tor.com

"Liu’s combination of elements from China, Polynesia and beyond, told in an epic style, is the kind of Silk Road Fantasy that I’ve always wanted to read, and love all the more now that I have." -- Paul Weimer ―
SF Signal

"The Grace of Kings is grand, mythic and epic, but Liu’s “silk-punk” world of trickster gods and giant horned whales is also a delight." ―
Relentless Reading

About the Author

Ken Liu is an award-winning American author of speculative fiction. His collection, The Paper Menagerie and Other Stories, has been published in more than a dozen languages. Liu’s other works include The Grace of Kings, The Wall of Storms, The Veiled Throne, and a second collection The Hidden Girl and Other Stories. He has been involved in multiple media adaptations of his work, including the short story “Good Hunting,” adapted as an episode in Netflix’s animated series Love, Death + Robots; and AMC’s Pantheon, adapted from an interconnected series of short stories. “The Hidden Girl,” “The Message,” and “The Oracle” have also been optioned for development. Liu previously worked as a software engineer, corporate lawyer, and litigation consultant. He frequently speaks at conferences and universities on topics including futurism, machine-augmented creativity, the history of technology, and the value of storytelling. Liu lives with his family near Boston, Massachusetts.

Product details

  • Publisher ‏ : ‎ S&S/Saga Press; Reissue edition (August 9, 2016)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 656 pages
  • ISBN-10 ‏ : ‎ 1481424289
  • ISBN-13 ‏ : ‎ 978-1481424288
  • Item Weight ‏ : ‎ 1.25 pounds
  • Dimensions ‏ : ‎ 5.5 x 1.8 x 8.25 inches
  • Customer Reviews:
    4.2 4.2 out of 5 stars 3,362 ratings

About the author

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Ken Liu
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Ken Liu (http://kenliu.name) is an American author of speculative fiction. A winner of the Nebula, Hugo, and World Fantasy awards for his fiction, he has also won top genre honors abroad in Japan, Spain, and France.

Liu’s most characteristic work is the four-volume epic fantasy series, The Dandelion Dynasty, in which engineers, not wizards, are the heroes of a silkpunk world on the verge of modernity. His debut collection of short fiction, The Paper Menagerie and Other Stories, has been published in more than a dozen languages. A second collection, The Hidden Girl and Other Stories, followed. He also penned the Star Wars novel, The Legends of Luke Skywalker.

He’s often involved in media adaptations of his work. Recent projects include “The Message,” under development by 21 Laps and FilmNation Entertainment; “Good Hunting,” adapted as an episode in season one of Netflix’s breakout adult animated series Love, Death + Robots; and AMC’s Pantheon, with Craig Silverstein as executive producer, adapted from an interconnected series of Liu’s short stories.

Prior to becoming a full-time writer, Liu worked as a software engineer, corporate lawyer, and litigation consultant. He frequently speaks at conferences and universities on a variety of topics, including futurism, machine-augmented creativity, history of technology, bookmaking, and the mathematics of origami.

Liu lives with his family near Boston, Massachusetts.

Customer reviews

4.2 out of 5 stars
4.2 out of 5
3,362 global ratings
Print in paperback too tiny to read
2 Stars
Print in paperback too tiny to read
This review is for the physical quality of the mass paperback version only, which was just released February 2016. I hope those who order it are not as unpleasantly surprised by the typeface as I was. It looks as if the publisher used the same plates as the hardback version and shrunk them down to fit a 4 x 7.5" paperback, with wide margins.The print is so tiny that I don't think I will be able to read the book without suffering extreme fatigue. I was able to tell it was Palatino only by photographing the copyright page and enlarging it. Looks like just barely 6 point type (2 mm capital letters,1 mm lower case). Most of my thousands of books are at least 8 point. This is the first one that truly shocked me when I opened it.I have no problem reading the newspaper or other everyday examples of small print. I have a brand new pair of excellent progressive eyeglasses and I'm not afraid to use them. I shouldn't have to start buying the ebook versions before my eyesight is truly uncorrectable.Including a photo with penny for comparison.
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Top reviews from the United States

Reviewed in the United States on August 23, 2022
“Emperor, king, general, duke,” he whispered to himself. “These are just labels. Climb up the family tree of any of them high enough and you’ll find a commoner who dared to take a chance.”

It’s always interesting seeing a book you loved have such mixed reviews. I understand why some people wouldn’t like this, but it worked so well for me.

The Grace of Kings is about these two men, Kuni and Mata, who start off as friends and allies in the fight against the emperor. As time goes on though, they find themselves on opposite sides as they fight one another to see their vision of Dara be the one that comes true.

This is such an intricate and super political fantasy, which is right up my alley. This book is full of strategy and planning; it is like moving pieces around on a chess board. Dara is a land that is going through so much turmoil and war during this first book and it’s basically these leaders and Gods controlling it all. I was so impressed that for a book with this much political intrigue, I never was bored. The story just continues to build as it goes on and all of the characters play such important parts in the overarching story.

There are quite a few characters but the main two are Kuni and Mata. Kuni starts off as a poor troublemaker who has a lot of potential. However, he’s not necessarily a bad person. He actually does care about people and wants what’s best for Dara. Along the way of his journey, he meets this wealthy woman named Jia. Against her parents' warning, Jia decides to marry Kuni.

Kuni and Jia together were a force. I loved seeing this relationship because it was realistic and I honestly felt like they compliment each other so well. Jia is extremely intelligent and she’s resourceful. She doesn’t bow down to Kuni and she is really necessary in his attempt to take down his enemies. With Jia, Kuni also becomes a better person. While they love each other, their relationship isn’t perfect. As the story progresses, you begin to see how they struggle at different times with being together and not letting time apart and war tear them apart.

“A little self-doubt is a good thing," said Jia, "but not excessive doubt. Sometimes we live up to the stories others tell about us.”

Then we have Mata, who since the beginning of the book, said that the current emperor was his enemy. Mata is convinced that he should be emperor and he is determined to make that a reality. Mata is a complicated character. In the beginning, I didn’t always agree with him, but I understood him. As the story went on however, I found myself questioning him and his decisions more and more. He later meets someone that once again makes you look at him differently. I still don’t know how to feel about him honestly.

Like I mentioned earlier, Kuni and Mata used to be friends. A part of this book is how their friendship deteriorated and how they became enemies. While this book is heavy on the politics, the other large part of this is the characters, their relationships with each other, and how they change throughout the story. If you like seeing character development in your fantasy, this is one for you.

A large part of this book is how feminist it is. Ken Liu made sure that the women of this story stood on their own and were just as dynamic, maybe even more, than the men. Jia is one of my favorite characters and a lot of that has to do with the way Liu wrote her. She doesn’t fade into the background of her husband’s story, in fact, she is the most important part. The sacrifices she makes are not just to benefit Kuni, but also to help her in the future and I loved that. Kuni himself also stands up for the women and I just loved it.

“By custom, we wield the sword and wear the armor, but who among you does not know a mother, sister, daughter, friend, who exceeds you in courage and fortitude?
So let us no more think of being compared to women as an insult.”

There is also this other female character that is introduced about halfway through the book and she is a boss. She might be a problem in future books, but she was so amazing in this first book. There is also a secondary character, who I can’t reveal due to spoilers, who seemed a little weaker in this book, but something tells me she will find her footing in the next book.

There were also these cool war inventions that aided the different sides in the war. I found these instruments of war so interesting. The other part of this story that worked for me was the writing itself. In a lot of ways this felt like one of those epic poems. I think this is where Silkpunk comes into play. From my understanding Silkpunk is the combination of technology and language or poetry. The technology here is almost like a language in its own way. The submarines and the airships. I’ve never seen anything quite like it in fantasy.

Also, did I mention that there are meddling Gods? I kind of wish we had seen more of them since I love that trope. Hopefully, they’ll be more present in future books.

I could really go on and on about this book, but I will leave it here by saying this is one of the best fantasy books I’ve had the pleasure of reading and when the perfect reader finds this at the perfect time, I think they’d have a hard time disagreeing with me.

CW for violence, suicide and the dismembering of children.
20 people found this helpful
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Reviewed in the United States on July 30, 2016
Grace of Kings is a really good book, almost great, but certainly really good. It is epic fantasy, without a lot of magic and to be honest not really a lot of fantasy, set in an Asian, mostly Chinese setting. There seems to be a lot of historical influence from the end of the rule of the Qin Dynasty, Qin Shihuagndi and the rise of the Han Dynasty. It is epic fantasy, the opening book in a new series, that I am not sure how many books are planned. It is well written and reads very fast. To be honest it was almost historical fiction to me and not as much of a fantasy element. There was some interactions with gods and some steam punk elements, but there really was not much magic or to be honest much fantasy. There is also clearly influence of the epic Chinese story the Three Kingdoms. The writing is really good and the story flows very nicely. If you like Game of Thrones type fantasy it seems that this could be a book you like but instead of a traditional European setting, it takes place in East Asia on some lands that are clearly China, maybe Vietnam, maybe Japan, maybe some of the smaller Island nations in East Asia. Unlike George RR Martin, Ken Liu's series is very PG. So, another reason I will give this 4 stars and not 5, is that I really enjoy a good adult, R rated epic fantasy like Game of Thrones. Grace of Kings was way to PG, reminding me a bit of Brandon Sanderson in that way, another great writer, just a bit too PG and safe, where George RR Martin took his stories in a different and very adult direction. I have also read some reviews debating how this book treated female characters, I guess part of this whole new PC sad puppies debate going on in Sci-Fi and Fantasy literature these days. I could care less which characters where male or female, the bottom the line is that these were very interesting well written characters that I actually did care about. This was a great opening book in what seems to be a great new series. As I have written on previous reviews, the first three Game of Thrones books are so good that they set the bar so high for epic fantasy that pretty much everything else pales when compared. Even George RR, can't write as good as he did in those first three books. Grace of Kings comes closer than most of the other fantasy I have read since Game of Thrones, but to me was just held back by a lack of fantasy elements and being a bit too PG.
4 people found this helpful
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Reviewed in the United States on March 19, 2024
Just an amazing book. Kuni and Mata are such a great pair of deuteragonists and the supporting cast is excellent as well. The fantastic character arcs, vibrant world-building, absurdity, tragedy, bittersweet triumphs....10/10

Top reviews from other countries

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Amazon Customer
5.0 out of 5 stars Delightful writing
Reviewed in Brazil on May 30, 2023
What can I say about this book? It's definitely not for everyone, but it is indeed for me. The writing is delightful and the story is so interesting! I had a great time reading it!
Kleiner Troll
5.0 out of 5 stars Gut
Reviewed in Germany on April 24, 2024
Geschenk kam gut an
Katjia Mirri
2.0 out of 5 stars grossi problemi di credibilità
Reviewed in Italy on August 17, 2022
Questo libro ha diversi problemi che rovinano l'esperienza di lettura.
Il primo che ho incontrato è stata la non-descrizione delle macchine volanti.
Essendo all'inizio del libro, la mancanza della descrizione del meccanismo che le rende in grado di volare si riversa sull'inquadrare l'avanzamento tecnologico della popolazione. Il lettore si domanda se volino grazie a propulsione (e allora si immagina una popolazione futuribile), o se volino con delle eliche (e allora potrebbe essere una tecnologia contemporanea) oppure in qualche altro modo. Il mistero viene svelato molto più avanti, e qui sorge il secondo problema: la descrizione non è credibile. Non è possibile progettare navi enormemente pesanti, che trasportano oltre cinquanta persone più le armi, se quello che le tiene a galla è un gas più leggero dell'aria (inodore e inerte, quindi non è idrogeno. Ma l'elio è raro, e non si forma dalle acque dei laghi) di cui ne basta talmente poco (basta fare due calcoli per capire che è un assunto assurdo) che si immagazzina nella chiglia delle navi (altro errore).
La chiglia sta sotto al baricentro; un oggetto con la parte sotto che, essendo più leggera dell'aria, spinge verso l'alto, fa una cosa sola: si ROVESCIA! E invece nel libro non succede, l'autore pretende che le navi volanti stiano in aria dritte.
Inoltre il gas verrebbe conservato dentro vesciche di pelle e compresso per fare atterrare le navi. Io lo voglio davvero vedere come le comprimono queste vesciche, con che forza e come caspita fanno a non saltare le cuciture. Fateli un paio di calcoli con la legge dei gas perfetti, poi ridiamo.
Capisco il racconto, ma sovvertire così le più fondamentali leggi della natura è insensato, il lettore viene cacciato via a calci dal racconto. Non torna nulla!

Inoltre per il primo 30% del libro non succede nulla, ci si annoia. Non si capisce neppure se ci siano dei personaggi principali e chi siano. Ci sono anche un gran numero di personaggi, e di divinità. Troppi e con nomi che non si ricordano facilmente, per cui si fa fatica anche per quel motivo a seguire il racconto. Ci si perde e non si sa più se il tizio di cui stiamo leggendo ha fatto una cosa o l'altra.
Poi un po' l'azione parte, ma leggerlo è davvero una fatica.

Altra cosa poco credibile: un personaggio sanguina sulle corde che lo tengono stretto e questo sangue secondo l'autore fungerebbe da LUBRIFICANTE, quando si sa che la prima cosa che il sangue fa, esposto all'aria, è coagulare. Lo usavano come cemento, nell'antichità. Inoltre non mi risulta che una corda di canapa, bagnata, scorra meglio di una corda asciutta, anzi!

Insomma: ci sono moltissimi problemi che rendono il libro poco credibile e quindi poco apprezzabile. Mi dispiace mettere poche stelle, però sono più di quanto in coscienza avrei dato per l'impegno a dir poco carente nel comprendere il mondo che circonda le persone ogni santo giorno e per la fatica che si fa ad avanzare pagina dopo pagina.
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Michael
5.0 out of 5 stars Like reading one of the great epics with modern storytelling
Reviewed in Canada on January 11, 2018
After reading Ken Liu's translation of the Three Body Problem, I knew I had to get his debut novel as well.

Setting it apart from almost all fantasies, instead of restricting itself to the boring and overdone world of medieval european countries with names changed up and dwarves/elves, it keeps itself completely human, allowing the story to explore relative and real historical issues. It taps into asian myths and legends with many characters being inspired by great classics.

Liu's method of description is poetic and detailed all the while keeping itself fast-paced enough to not stall the story. Dialogue is emotional and simple for the most part, making conversations feel life-like. When world building, there is a common bad habit of doing all the explanation at once. In the Grace of Kinds however, the lore and history of the world is explored bit by bit as we enter different locations or meet new people through the story.

This is one of the best if not the best fantasy series I've read in the last few years and I can't wait to see more of Liu's work in the future.
2 people found this helpful
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Jordi Martinez Subias
3.0 out of 5 stars Decepcionante
Reviewed in Spain on July 18, 2017
A pesar de que, atendiendo a lo que se percibe, el autor debe tener muchos lectores, la lectura me resultó pesada porque el estilo del autor es bastante plano: no hay énfasis, no hay tensión, sino que se explican los acontecimientos uno tras otro como si nos contaran un cuento, en lugar de vivirlos como logran, por ejemplo, George RR Martin en "Canción de Hielo y Fuego".

Como punto positivo, el argumento es entretenido (ocurren muchas cosas) y el autor no pierde el tiempo en acontecimientos o descripciones secundarias.