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Demon City Shinjuku: The Complete Edition (Novel) Kindle Edition
The year is now 2030. A powerful warlock hiding out in Shinjuku attempts to assassinate the secretary general of the Earth Federation, bringing the planet to the brink of disaster. Wielding the fearsome and mysterious martial art of nenpo, high school student Kyoya Izayoi may be the only person capable of resisting the rising forces of evil.
The legendary series now springs back to life in this new omnibus edition!
- LanguageEnglish
- Publication dateAugust 28, 2012
- File size3746 KB
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Product details
- ASIN : B0093OPHDY
- Publisher : Digital Manga Publishing (August 28, 2012)
- Publication date : August 28, 2012
- Language : English
- File size : 3746 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 432 pages
- Best Sellers Rank: #1,638,055 in Kindle Store (See Top 100 in Kindle Store)
- #5,201 in Horror Manga (Books)
- #33,327 in Horror (Kindle Store)
- #70,462 in Horror Literature & Fiction
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It's for good reason that Kikuchi abandoned all the characters that show up in this work aside from the brilliant Dr. Mephisto since you can find their ilk in any volume of action oriented boys manga, but those same reasons have undoubtedly inspired him to include his unintentionally ironic vision of what at the time was near-future Shinjuku in something like 2/3 of his written works.
Unfortunately the lousy localization job that Digital Manga Publishing did on this book took it from the relatively mediocre (compared to Kikuchi's later works) to the outright abysmal, and their slapdash efforts with Yashakiden (see my lamentation of a review of the 5th and final volume of that series for more details) have quite possibly consigned the rest and best of Demon City Shinjuku to the other side of the Pacific for good.
At this point in the review I almost hate to pick up picking on Eugene Woodbury, the translator, from my review of Yashakiden volume 5 (which I wrote a couple hours ago), but even though his background gives me no reason to doubt his intimacy with either the Japanese or English languages, and at that rate the caliber of human being he must be, the projects he's worked on with DMP leave me questioning his ability to put his own ego as a writer aside to the degree required to pleasantly render Kikuchi into English.
I myself am not even enough of a linguist to accurately convey the quandaries that Kikuchi places his prospective translators into, but hopefully if I say it comes down to the difference between relaying what someone is saying and trying to explain WHY they might have said it in the first place you'll be able to comprehend the issues Kikuchi presents. Put another way, Kikuchi's dialogue is by no means his strength, but at the same time it's by far the most straight forward part of his works to translate (making the incoherent dialogue in DMP's English rendition of this work all the more mind boggling). On the other hand Kikuchi's prosaic narrative passages, his descriptions both of the engaging atmosphere his beguiling characters are ignoring the majesty of and the intense violence which functions as the engine that propels his works to greatness, are at once what define him as a writer and prove to be the stoutest obstacles to rendering his works in English. Of course the greatest irony of all this is that Kikuchi has far more western sensibilities than the average Japanese writer. I'm at a loss to compare him to a modern English writer (definitely not Stephen King, if anybody's the Japanese version of King it's probably Banana Yoshimoto), but even though I've been called crazy for making the comparison, Kikuchi always puts me in mind of Byron, only better.
I would say the opposite, that their strength is dialogue and their weakness is imagery, of just about any other Japanese writer that's found popularity in English. Haruki Murakami (who in the first place is probably the most American man to ever emerge from Japan's "student protests" scene) in particular essentially writes glorified monologues that work even more brilliantly in English than they do in Japanese DESPITE how hard Jay Rubin tries to inject himself into the translations (if you have money to burn grab his nearly unreadable translated collection of works by Akutagawa to see what I mean, I like Alfred Birnbaum's translation efforts just fine by the way, not least of which since back in the day he managed to make Pinball 1973 into something that's actually worth reading).
Having firmly gotten off the topic of the work I ostensibly set out to review, I'll conclude by saying that not unlike Haruki Murakami's debut work Hear the Wind Sing, the only people who this book can possibly entertain are die-hard Kikuchi fanatics who grew to appreciate him due through Vampire Hunter D since the contrast between the two projects is positively stunning, but the qualities that Kikuchi has since gone on to master still manage to shine through in spite of the low quality English localization.
Also check this out if, like another reviewer here on Amazon, you actually managed to enjoy its anime adaptation. Come to think of it, the stuff that Streamline Pictures did to the anime adaptations of Kikuchi's works in the late 80s and early 90s is not entirely unlike what DMP is doing to his novels (with the exception of the joint publication of the Vampire Hunter D series that Kevin Leahy's adoration and Darkhorse's firm hand have been able to deliver to us more or less intact) now.
Oh man. Seriously. I used to laugh every time I saw the word "gorgeous," and phrases like "D's sword limned an arc" and "paraffin white skin" re-used ad nauseum in all the volumes of Vampire Hunter D that Kevin Leahy has translated, but reading THIS THING actually succeeded in making me long for the idiosyncrasies of that particular translation project...
What's important to know about this book is that it not only contains DEMON CITY SHINJUKU but also its first sequel, DEMON PALACE BABYLON (both books have also been adapted into manga form by Shinichi Hosoma and an English translation was published by ADV Manga in 2003/2004). You also get a total of three afterwords, the original ones from the books' seperate releases and the one written for the collected omnibus volume.
The writing style of DEMON CITY SHINJUKU and DEMON PALACE BABYLON is closer to WICKED CITY than to the VAMPIRE HUNTER D novels and makes for a brisk, fun read. As usual with books where one is already so familiar with the movie version, it's fascinating to note the little differences here and there. I'm not going to spoil the fun of discovering those for yourselves, though.
Reviewed in the United States on October 17, 2011
What's important to know about this book is that it not only contains DEMON CITY SHINJUKU but also its first sequel, DEMON PALACE BABYLON (both books have also been adapted into manga form by Shinichi Hosoma and an English translation was published by ADV Manga in 2003/2004). You also get a total of three afterwords, the original ones from the books' seperate releases and the one written for the collected omnibus volume.
The writing style of DEMON CITY SHINJUKU and DEMON PALACE BABYLON is closer to WICKED CITY than to the VAMPIRE HUNTER D novels and makes for a brisk, fun read. As usual with books where one is already so familiar with the movie version, it's fascinating to note the little differences here and there. I'm not going to spoil the fun of discovering those for yourselves, though.
Top reviews from other countries
Como obra no está mal pero tampoco es maravilloso.