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The Panasonic G7KS a nice addition to their G series lineup, and it feels like they've really hit a home run this time. It sits in that perfect spot – powerful enough to handle a variety of tasks, but still compact and affordable. While it's categorized as a mid-level camera, its capabilities rival some higher-end models.
Here's what impressed me most:
Image Quality: The 16MP sensor delivers impressive high ISO performance, and the RAW files are easy to edit for even more creative control.
Stellar Video: The headline feature, 4K video, is amazing! However, it's worth noting that manual controls are limited for videography.
Superb Handling: This camera is a dream to use. It's packed with dials, buttons, and levers reminiscent of the earlier G1 and G2 models, making everything readily accessible and intuitive. The grip is fantastic – easily the best I've experienced.
Fast and Accurate Focus: Autofocus is snappy and dependable, although lens choice can also play a role here.
Now, let's talk about some potential downsides:
Mostly Plastic Build: While the overall build quality feels solid, the materials used are primarily plastic.
No In-Body Stabilization (IBIS): This might be a dealbreaker for some shooters, but honestly, it wasn't a major issue for me.
No Weather Sealing: Remember, this is a mid-range camera. If you need all the bells and whistles like weather sealing, you'll likely be looking at a higher price tag. That being said, Pentax manages to include weather sealing in all their bodies, so it is possible, Panasonic!
Overall, considering the price tag, the Panasonic G7KS is a tough act to beat. It's a fantastic value and highly recommended! Invest the money you save on some quality lenses – after all, great glass makes a world of difference in image quality. Many people upgrade to a new camera expecting a drastic improvement, only to be disappointed because they're still using the basic kit lens.
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From the manufacturer
The Next-Generation Mirrorless Camera
LUMIX G7 is built on the next generation mirrorless interchangeable lens camera standard (Micro Four Thirds) pioneered by Panasonic. Its design enables a lighter, more compact camera body.
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A Better Choice for High Image QualityA 16-megapixel sensor features a next-generation intelligent image processor that produces video and photos free from artifacts that degrade image quality. |
4K PHOTO — Unmissable MomentsSpecial moments are missed because you did not press the shutter at the right moment. LUMIX G7 featuring 4K video technology can pause and extract that perfect photo moment in time from 4K video. |
4K Video Recording4K video provides nearly 4X times the number of pixels than Full HD video. Video will feature superior definition and crisper detail than those recorded in Full HD with a camcorder. |
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Three 4K Photo Modes
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Intuitive ControlsSmaller and lighter than traditional DSLRs, yet still provides intuitive, easy access to common functions. Easily control aperture and shutter settings with the front and rear dials. |
High-Visibility View FinderA high-resolution (2,360k-dot) OLED Live View Finder with 10,000:1 contrast for high visibility—even under direct sunlight. Plus, the tilt/swivel touch-display adjusts for optimum clarity. |
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Fast and Precise AF TrackingIntelligent auto focusing [AF] tracks the color, size, and motion vector of the subject, enabling quick and precise focus lock. So you’ll shoot with confidence without worrying about blurry results. |
High Speed AF with DFD TechnologyPanasonic’s exclusive Depth-From-Defocus (DFD) Auto Focus (AF) technology calculates the distance to subjects, then quickly adjusts the focus. Enjoy continuous Auto Focus up to 6 frames per second. |
Focus PeakingA manual “focus peaking” color outline indicates the exact in-focus area along with depth-of-field distance. |
Silent ShootingShoot silently in hushed settings with a quiet and fast AF System and with no shutter noise. |
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Starlight AF4EV low light auto focus lets you clearly capture subjects using only moonlight as a light source. |
Unwire Your Creativity via Wi-FiThe Panasonic Image App connects by Wi-Fi to the camera and grants control over various functions via a smartphone or tablet device. |
Expandability OptionsExpand with optional accessories like the DMW-FL580L External Flash and DMW-MS2 Stereo/Shotgun Microphone. |
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This Item  Panasonic LUMIX G7KS 4K Mirrorless Camera, 16 Megapixel Digital Camera, 14-42 mm Lens Kit, DMC-G7KS |  |  |  |  |  | |
| Price | -29% $497.99 List: $697.99 | $592.99 | -20% $797.99 List: $999.99 | $609.95 | -18% $408.99 New Price: $499.00 | -17% $499.00 List: $599.99 |
| Delivery | Get it as soon as Saturday, May 4 | Get it as soon as Thursday, May 2 | Get it as soon as Saturday, May 4 | Get it as soon as Tuesday, Apr 30 | Get it as soon as Saturday, May 4 | Get it as soon as Saturday, May 4 |
| Customer Ratings | ||||||
| Picture quality | ||||||
| Image stabilization | ||||||
| Auto focus | ||||||
| Sold By | Amazon.com | ThePixelConnection | Amazon.com | 6ave | GLOBAL BARGAIN | Amazon.com |
| display type | LCD | LCD | OLED | LCD | LCD | LCD |
| display size | 3 inches | 3 inches | — | 3 inches | 3 inches | 3 inches |
| lens type | mirror-lens | — | Telephoto | Micro Four Thirds | Telephoto | Telephoto |
| zoom type | digital | — | Digital Zoom | — | Optical Zoom | Optical Zoom |
| shooting modes | 10 | Automatic | Automatic | Portrait, Landscape, Sports, Manual, Movie | Automatic | Automatic |
| connectivity tech | Wi-Fi | Wi-Fi | wired, wireless | USB, Micro HDMI | Bluetooth, Wi-Fi, USB | Bluetooth, Wi-Fi, USB |
| video resolution | 4K UHD 2160p | 2160p | 2160p | 2160p | 2160p | 2160p |
| optical zoom | 3 multiplier x | 0.7 multiplier x | — | 3 multiplier x | 0 multiplier x | 0 multiplier x |
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The One Lens Everyone Should Own - Olympus 45mm f1.8 M43
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Panasonic Lumix G7 Camera Review (WATCH BEFORE YOU BUY)
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Panasonic Lumix G7 - Watch Before You Buy
Tech Through The Lens
Reviews with images
Love this Camera
I am still learning how to use it fully, but from the get go it has been taking great photos and video. I tried uploading some examples of pics of my cats, which also came out great but these are some examples of what I have taken so far.
Top reviews from the United States
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Reviewed in the United States on June 30, 2015
Style: 14-42mmColor: BlackVerified Purchase
EDITED 8/17/2015:
I recently received a Panasonic G7 from Amazon, and I have already shot over 20,000 frames with it during the seven weeks I've had it (with many different lenses, and with mostly using the electronic shutter), plus a few video tests. Since I already own the Panasonic G5, and GH4 (and I also had the G6), and have shot over 125,000(!) photos with these MFT cameras, I was familiar with Panasonic cameras, and also with the menu settings changes I generally make to get what I want in the images. The G7 fits “neatly” between the very small and light G5/6 bodies and the considerably larger and heavier GH4 (although that one is still relatively compact compared with most dSLRs, and its MFT lenses are also generally very compact and light – and this gear is FUN to carry and use!). I value the GH4 for its excellent EVF, great grip (it is easy and secure to use one-handed), its excellent set of useful external controls, its wide range of useful options in its easily-used menus, the excellence of its stills-quality (with selected type and sample of lenses, and with customized menu settings), and its great video capabilities. I value the G5 for its sharp EVF (the one on the G6 has better color and contrast, but it is not as sharp), its miniscule size and weight, its very good external controls and menus, and the excellence of its stills and video (although the G5, unlike the G6, has no external mic input, and it is without focus-peaking).
The G7 is a nice combination of the good qualities of both the G5/6 and the GH4, at a lower price in size, weight, and cost compared with the GH4 - although it is without weather-sealing and high data-rate and slow-motion 1080 video options (but it does have 100Mbps 4K-24/30P video plus “4K-Photo” options). The excellent EVF is similar to the one in the GH4, the grip is almost as good, the external controls (both buttons and knobs) are unusually numerous and useful, and the menus are similar to, and consistent with, those of the other models in the line. A few items have been added to what the G5 had: 4K-Photo/Video, the tone-curve adjustment shared with the GX7/8 and GH4 (I find this very useful!), “Diffraction Compensation” (I briefly tried this and decided to leave it “Off” – it progressively sharpens the image as the lens is stopped down to its smallest stops to offset the softening normally resulting from diffraction, but this can result in excessive noise even in good light - and this sharpening can be done better during editing), and an external mic input similar to the one on the G6 (but missing on the G5 and GX7). Using the G7's electronic shutter, leaving the EVF and camera always-on during shooting sessions, and using no flash, I get well over 600 JPG highest-quality frames per battery charge.
As for color and other photo characteristics, I appreciate having the ability to adjust EVERYTHING on these Panasonic MFT cameras (color balance and saturation, contrast, color-curves, sharpening and noise-reduction levels, etc.) - and I also appreciate being able to match surprisingly well the EVF's characteristics with those of my reference computer monitor so that I get very useful and accurate previewing while using the EVF (with a floppy wide-brimmed hat worn while outdoors to shade the EVF). These cameras are a "tweaker's" (read, "perfectionist's"...;-) dream come true...!
Overall, I have no real complaints with the G7, although a few things bothered me very slightly at first. As with the GH4, the rear “dial” (which on the G7 is a circle of buttons as with the G5, rather than a wheel as with the GH4) gets somewhat “hidden” below the rear surface of the camera toward the “dial’s” upper right – but this is to keep it from being unintentionally pressed/moved by the right hand gripping the camera. It took me a bit of time to remember the new way to access exposure bias adjustment (I generally use A-Priority, setting the aperture for best lens performance with each lens and/or for best DOF for what I want in the image – and I often adjust exposure-bias as I shoot, using the excellent EVF as a guide), and it required a button-push to access this on the G7 (the G5/6 and GH4 can be left with the rear thumb-wheel needing only to be moved in order to adjust exposure bias). But, I discovered that with going into "Dial Set" in the menus, I was able to enable exposure biasing with a simple turn of the rear wheel (no button press required!;-). Also, the image resolution is very slightly smaller than that of the other Panasonic cameras I've used, but this is of little practical consequence. And, as others have noticed, the G7's (and also my GH4's) serial number tends to "evaporate" - and with my G7, there is now no trace remaining of that number. Panasonic has recognized this issue, and if both the box label with the serial number and the purchase invoice are retained, and if the camera is registered with Panasonic, the warranty will be honored.
Bottom line: this is one HECK of a nice camera, at a very decent price! Highly recommended! (A few photos taken with the G7 are attached...)
--DR
I recently received a Panasonic G7 from Amazon, and I have already shot over 20,000 frames with it during the seven weeks I've had it (with many different lenses, and with mostly using the electronic shutter), plus a few video tests. Since I already own the Panasonic G5, and GH4 (and I also had the G6), and have shot over 125,000(!) photos with these MFT cameras, I was familiar with Panasonic cameras, and also with the menu settings changes I generally make to get what I want in the images. The G7 fits “neatly” between the very small and light G5/6 bodies and the considerably larger and heavier GH4 (although that one is still relatively compact compared with most dSLRs, and its MFT lenses are also generally very compact and light – and this gear is FUN to carry and use!). I value the GH4 for its excellent EVF, great grip (it is easy and secure to use one-handed), its excellent set of useful external controls, its wide range of useful options in its easily-used menus, the excellence of its stills-quality (with selected type and sample of lenses, and with customized menu settings), and its great video capabilities. I value the G5 for its sharp EVF (the one on the G6 has better color and contrast, but it is not as sharp), its miniscule size and weight, its very good external controls and menus, and the excellence of its stills and video (although the G5, unlike the G6, has no external mic input, and it is without focus-peaking).
The G7 is a nice combination of the good qualities of both the G5/6 and the GH4, at a lower price in size, weight, and cost compared with the GH4 - although it is without weather-sealing and high data-rate and slow-motion 1080 video options (but it does have 100Mbps 4K-24/30P video plus “4K-Photo” options). The excellent EVF is similar to the one in the GH4, the grip is almost as good, the external controls (both buttons and knobs) are unusually numerous and useful, and the menus are similar to, and consistent with, those of the other models in the line. A few items have been added to what the G5 had: 4K-Photo/Video, the tone-curve adjustment shared with the GX7/8 and GH4 (I find this very useful!), “Diffraction Compensation” (I briefly tried this and decided to leave it “Off” – it progressively sharpens the image as the lens is stopped down to its smallest stops to offset the softening normally resulting from diffraction, but this can result in excessive noise even in good light - and this sharpening can be done better during editing), and an external mic input similar to the one on the G6 (but missing on the G5 and GX7). Using the G7's electronic shutter, leaving the EVF and camera always-on during shooting sessions, and using no flash, I get well over 600 JPG highest-quality frames per battery charge.
As for color and other photo characteristics, I appreciate having the ability to adjust EVERYTHING on these Panasonic MFT cameras (color balance and saturation, contrast, color-curves, sharpening and noise-reduction levels, etc.) - and I also appreciate being able to match surprisingly well the EVF's characteristics with those of my reference computer monitor so that I get very useful and accurate previewing while using the EVF (with a floppy wide-brimmed hat worn while outdoors to shade the EVF). These cameras are a "tweaker's" (read, "perfectionist's"...;-) dream come true...!
Overall, I have no real complaints with the G7, although a few things bothered me very slightly at first. As with the GH4, the rear “dial” (which on the G7 is a circle of buttons as with the G5, rather than a wheel as with the GH4) gets somewhat “hidden” below the rear surface of the camera toward the “dial’s” upper right – but this is to keep it from being unintentionally pressed/moved by the right hand gripping the camera. It took me a bit of time to remember the new way to access exposure bias adjustment (I generally use A-Priority, setting the aperture for best lens performance with each lens and/or for best DOF for what I want in the image – and I often adjust exposure-bias as I shoot, using the excellent EVF as a guide), and it required a button-push to access this on the G7 (the G5/6 and GH4 can be left with the rear thumb-wheel needing only to be moved in order to adjust exposure bias). But, I discovered that with going into "Dial Set" in the menus, I was able to enable exposure biasing with a simple turn of the rear wheel (no button press required!;-). Also, the image resolution is very slightly smaller than that of the other Panasonic cameras I've used, but this is of little practical consequence. And, as others have noticed, the G7's (and also my GH4's) serial number tends to "evaporate" - and with my G7, there is now no trace remaining of that number. Panasonic has recognized this issue, and if both the box label with the serial number and the purchase invoice are retained, and if the camera is registered with Panasonic, the warranty will be honored.
Bottom line: this is one HECK of a nice camera, at a very decent price! Highly recommended! (A few photos taken with the G7 are attached...)
--DR
Images in this review
Reviewed in the United States on January 1, 2024
Style: 14-42mm & 45-150mmColor: BlackVerified Purchase
Top reviews from other countries
Daniel P.
Excelente camara
Reviewed in Mexico on October 26, 2023Style: 14-42mmColor: SilverVerified Purchase
Jose A. Corona
Probablemente la mejor cámara por el precio. Lumix G7 vs Canon Rebel T5i.
Reviewed in Mexico on February 9, 2019Style: 14-42mmColor: BlackVerified Purchase
Jose A. Corona
Reviewed in Mexico on February 9, 2019
Principales diferencias entre la G7 y la Rebel T5i:
TAMAÑO Ganador: Lumix G7 - La G7 es mirrorless por lo que es mas chica de tamaño y mas ligera . Ademas usa sensor micro cuatro tercios por lo que los lentes son mas compactos comparados con los de la Canon.
CALIDAD EN FOTOGRAFIA Ganador: Lumix G7 - Usamos tanto la Canon T5i como la Lumix G7 para tomar fotografia de comida y creemos que la G7 es mejor que la T5i por la viveza de los colores. El unico punto negativo de la G7 es que las fotos son en tamaño 16MB y las de la Canon T5i es de 18MB.
CALIDAD EN VIDEO Ganador: Lumix G7 - La G7 graba en 4K por lo que no hay punto de comparación. En video la T5i no tiene nada que hacer contra la G7.
FUNCIONES EXTRAS: Ganador: Lumix G7 - Aun no termino de descubrir al 100% la camara, pero hasta ahora he visto dos funciones muy practicas que no tiene la T5i. La primera es foto en 4K; basicamente te permite grabar pequeños clips de video y de ahi sacar fotos 4K de excelente calidad de 8MB. Y la otra funcion es la de timelapse: se pueden crear los efectos de timelapse muy fácilmente.
FACILIDAD DEL SOFTWARE: Ganador: Canon T5i - Quiza es porque aun no me acostumbro al sistema de Panasonic, pero se me hacia mas facil el sistema Canon. Pero igual aquí es cuestión de acostumbrarse.
Creo que las camaras Reflex ya van de salida. Si vas a comprar una camara te recomiendo una mirrorless. Y si estas comparando entre la Canon T5i y la Lumix G7, te puedo decir con seguridad que la Lumix G7 es mucho mejor. Tiene mas funciones y podrás grabar video en 4K.
Images in this review
SHARMA K.S.
Camera with tonnes of options ....
Reviewed in India on November 11, 2019Style: 14-42mmColor: BlackVerified Purchase
Shawn
Simply Awesome Camera
Reviewed in Canada on January 26, 2016Style: 14-42mmColor: BlackVerified Purchase
Emilio Alcolea
¡Una cámara liviana que golpea como un peso pesado!
Reviewed in Mexico on October 23, 2019Style: 14-42mmColor: SilverVerified Purchase
