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American Horror Project: Vol. 1
special_edition, Special Edition
Additional Blu-ray options | Edition | Discs | Price | New from | Used from |
Blu-ray
November 10, 2020 "Please retry" | 3-Disc Standard Special Edition | 3 | $37.33 | $37.27 |
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October 12, 2020 "Please retry" | — | 3 | $25.38 | $25.25 |
Blu-ray
February 23, 2016 "Please retry" | special_edition | 1 | $95.74 | — | $95.11 |
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Product Description
Everyone knows the classic American horror titles: Night of the Living Dead, The Texas Chain Saw Massacre and A Nightmare on Elm Street, to name but a few. But we want to tell you a different story a story of the unsung heroes of American terror... Whether it s a film that has languished in obscurity, or a movie that s at risk of being lost due to lack of source materials, American Horror Project is here to ensure that these unique slices of the American Nightmare are brought back into the public consciousness and preserved for all to enjoy.
Volume I of this series presents three tales of violence and madness from the 1970s. Malatesta s Carnival of Blood (Christopher Speeth, 1973) sees a family arrive at a creepy, dilapidated fairground in search of their missing daughter, only to find themselves at the mercy of cannibalistic ghouls lurking beneath the park. Meanwhile, The Witch Who Came from the Sea (Matt Cimber, 1976), stars Mollie Perkins (The Diary of Anne Frank) as a young woman whose bizarre and violent fantasies start to bleed into reality literally. Lastly, every parent s worst nightmare comes true in The Premonition (Robert Allen Schnitzer, 1976), a tale of psychic terror in which five-year-old Janie is snatched away by a strange woman claiming to be her long-lost mother.
Newly remastered from the best surviving elements and contextualised with brand new supplementary material, with American Horror Project we can re-evaluate an alternative history of American horror and film heritage.
LIMITED EDITION CONTENTS
- Brand new 2K restorations of the three features
- High Definition Blu-ray (1080p) and Standard DVD presentations
- English subtitles for the deaf and hard of hearing
- Reversible sleeves for each film featuring original and newly-commissioned artwork by the Twins of Evil
- American Horror Project Journal Volume I - Limited Edition 60-page booklet featuring new articles on the films from Kim Newman (Nightmare Movies), Kier-La Janisse (House of Psychotic Women) and Brian Albright (Regional Horror Films, 1958-1990)
MALATESTA S CARNIVAL OF BLOOD - SPECIAL EDITION CONTENTS
- Brand new interview with director Christopher Speeth
- Brand new interview with writer Werner Liepolt
- Draft Script (BD/DVD-ROM content)
- Production stills gallery
THE WITCH WHO CAME FROM THE SEA - SPECIAL EDITION CONTENTS
- Audio commentary with director Matt Cimber, actress Millie Perkins and director of photography Dean Cundey
- Brand new interview with director Matt Cimber
- Brand new interview with Dean Cundey
- Brand new interview with actor John Goff
THE PREMONITION - SPECIAL EDITION CONTENTS
- Audio commentary with director-producer Robert Allen Schnitzer
- Brand new interview with composer Henry Mollicone
- Interview with actor Richard Lynch
- Three Robert Allen Schnitzer short films: Vernal Equinox , Terminal Point and A Rumbling in the Land
- 4 Peace Spots
- Trailers and TV Spots
PLUS MORE TO BE ANNOUNCED!
Product details
- Is Discontinued By Manufacturer : No
- MPAA rating : R (Restricted)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 1.12 Pounds
- Director : Matt Cimber, Christopher Speeth, Robert Allan Schnitzer
- Media Format : Anamorphic, NTSC, Dolby, Widescreen
- Run time : 4 hours and 11 minutes
- Release date : February 23, 2016
- Actors : Millie Perkins, Lonny Chapman, Janie Carazo, Herve Villechaize, Sharon Farrell
- Studio : Arrow Video
- ASIN : B017RL91JK
- Number of discs : 1
- Best Sellers Rank: #214,492 in Movies & TV (See Top 100 in Movies & TV)
- #5,917 in Horror (Movies & TV)
- Customer Reviews:
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I never thought I'd see THE WITCH WHO CAME FROM THE SEA get a blu-ray release in Criterion-style; yet here it is. And I can die happy now.
Bear in mind, there are only so many undiscovered horror gems left to polish. In fact, each film in the set stretches the definition of horror to the breaking point; more than a few fans will find them too artistic, inept or obtuse for their tastes altogether. But for those with an open mind - and an adventurous film collection - Arrow Video's limited edition will expand your horror horizons.
Malatesta's Carnival of Blood (1973) is certainly the most difficult of the group to put into words. Shot on a shoestring in a run-down Philadelphia fairground, director Christopher Speeth blends everything from performance art to kitschy set design to cannibal gore effects. The story, what there is of one, centers around nocturnal ghouls who emerge from secret caverns beneath the carnival at the bidding of their mysterious Master. Malatesta's best moments are of the experimental sort, including the use of rear-projection, an illogical narrative and a discordantly memorable soundtrack. Whether all of it was intentional or just regional schlock filmmaking at its worst is up for debate.
The Witch Who Came from the Sea (1976) is a much more confident piece of filmmaking that winds up being just as challenging. A victim of repressed childhood sexual abuse, Molly (Millie Perkins) begins to disassociate from real world and take out her vengeance on male celebrities, castrating them in a dream state that leaves the viewer questioning where fantasy ends and reality begins. While sharing some similarities with the rape/revenge cycle of the time, Witch is much more complicated in the deconstruction its main character, brilliantly played by Perkins who shares a few of the same qualities as Norman Bates. Director Matt Cimber adeptly switches channels between Molly's fragile mental state, her unintended victims, and the tragic abuse that brought them all together. Watch for some excellent early anamorphic cinematography by Dean Cundey (Halloween, Jurassic Park).
A mentally unbalanced mother's attempt to steal back the daughter she gave up for adoption - even from beyond the grave - is the story behind The Premonition (1976), which had the widest release of all the films presented here. Richard Lynch (The Sword and the Sorcerer) is a familiar face, playing a co-conspirator in the kidnapping that goes sour, resulting in little Janie missing while her parents debate over the use of paranormal methods to help track her down. There are echoes of the spiritual debate from Audrey Rose, but here director Robert Allen Schnitzer has no qualms about trying to convince his audience there are untapped forces at work in the universe. And his film manages to be eerie and technically informative at the same time.
Limited to 3000 copies, Arrow has made sure the set is worth your while. While none of the transfers are spotless (Witch had no surviving negative to pull from), they're all another example of the company's top-notch 2K work, sharing a cool '70s faded phone-filter appeal. And the extras, as you might expect are extensive, but not overwhelming (see sidebar for details) with the extra short films and screenplays of particular note, along with a 60-page booklet and newly commissioned artwork.
It seems as if the fine folks at Arrow Video and MVD Distribution keep trying to “one up” themselves. Every title they release seems to be better than the last. Some of these classics are well known, while others have been swimming in purgatory for so long that many people have forgotten about them. The AMERICAN HORROR PROJECT is Arrow and MVD’s attempt to preserve some of these rare gems for future generations to enjoy. And I have to tell you: they have found some way, way out there titles to start us off with!
This is certainly not a negative, either. I will confess I had never heard of any of these films prior to receiving them in this collection. But I’m sure glad I got the opportunity to watch them; they are an interesting glimpse into old-school, low-budget horror that every fan of the genre should experience.
There’s so much to like about this collection: the artwork, the Special Features, and, of course, the films themselves. I can’t wait to see what Volume 2 will bring, but for now we can feast on these three treasures from the 70s.
Each film has its merits and downfalls, but all three are entertaining in their own ways. MALATESTA’S CARNIVAL OF BLOOD is very low-budget, and the acting is not good at all…but the film has quite a bit of gore, and it looks good for the most part. THE WITCH WHO CAME FROM THE SEA has a very misleading title…but the story is engrossing and disturbing. THE PREMONITION is just plain odd…but it is fun, regardless.
These films look dated (and obviously, they are), yet the HD transfer for each looks excellent. There are a few grainy spots evident in each, but that cannot be helped, given the state of the source material. The sound quality is also very good. I had no trouble understanding any of the dialogue, and the ambient sound is decent.
My favorite film of the three has to be THE WITCH WHO CAME FROM THE SEA. While not traditional horror (it’s more of a thriller with some horrific elements), the mystery of the plot kept me enthralled. As the movie concluded, I couldn’t tell if what I had just witnessed was a fever dream, or if it actually happened (from the character’s point of view). This ambiguity stayed with me, for some reason, and the resulting consideration left me pleased.
AMERICAN HORROR PROJECT, VOLUME 1 is a huge win for me, and I cannot wait to see what comes next.