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The Hateful Eight [Blu-ray]
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Additional Blu-ray options | Edition | Discs | Price | New from | Used from |
Blu-ray
May 9, 2016 "Please retry" | — | 1 |
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| $12.24 | $13.99 |
Blu-ray
October 4, 2016 "Please retry" | — | 1 |
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| $24.75 | $3.98 |
Blu-ray
June 7, 2016 "Please retry" | — | 2 |
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| — | $11.77 |
Blu-ray
December 6, 2016 "Please retry" | — | 2 |
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| — | $91.13 |
Watch Instantly with | Rent | Buy |
Purchase options and add-ons
Genre | Western |
Format | NTSC |
Contributor | Bruce Dern, Tim Roth, Stacey Sher, Channing Tatum, Richard Gladstein, Walton Goggins, James Parks, Zoë Bell, Michael Madsen, Kurt Russell, Jennifer Leigh, Dana Gourrier, Quentin Tarantino, Shannon McIntosh, Visiona Romantica, Inc., Demian Bichir, Samuel Jackson See more |
Language | English |
Runtime | 2 hours and 48 minutes |
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From the manufacturer
The Hateful Eight (Blu-ray + DVD + Digital Copy)
New-The Hateful Eight [Blu-ray] 'The Hateful 8' is set 6 or 8 or 12 years after the Civial War in wintery Wyoming, and a blizzard is coming. Bounty Hunter John Ruth is trying to get his bounty, Ms. Daisy Domergue (Dah-mer-goo), to the town of Red Rock where she's scheduled to be brought to justice. Along the way he and his wagon driver Olie pick up two strangers; another bounty hunter and former union soldier, Major Marquis Warren, and a former union soldier, Major Marquis Warren, and a former southern renegade who clalims to be the new mayor of Red Rock, Chris Mannix. The impending storm has forced them to stop at Minnie's Haberdashery, a stagecoach stopover on a mountain pass. When they arrive at Minnie's, they are not greeted by the proprietor but by four strangers. As the storm takes over the mountainside cabin our eight travelers come to learn they may not make it to Red Rock after all.
Customer Reviews |
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Original Languages | English |
Actors | Samuel L. Jackson, Bruce Dern, Jennifer Jason Leigh, Demian Birchir, Kurt Russell, Channing Tatum, Michael Madsen |
Studio & Production Company | Anchor Bay Entertainment |
Colour | Y |
Record Label | Anchor Bay Entertainment |
Brand | TCFHE/ANCHOR BAY/STARZ |
Movie Genre | Blu-Ray - CONTEMPORARY |
Assembled Product Weight | 0.22 Pounds |
Assembled Product Dimensions (L x W x H) | 0.45 x 6.70 x 5.64 Inches |
Release Date | 12/31/2016 |
Product Description
The Hateful 8 is set 6 or 8 or 12 years after the Civil War in wintery Wyoming, and a blizzard is coming. Bounty Hunter John Ruth is trying to get his bounty, Ms. Daisy Domergue (Dah-mer-goo), to the town of Red Rock where she’s scheduled to be brought to justice. Along the way he and his wagon driver Olie pick up two strangers; another bounty hunter and former union soldier, Major Marquis Warren, and a former southern renegade who claims to be the new mayor of Red Rock, Chris Mannix. The impending storm has forced them to stop at Minnie’s Haberdashery, a stagecoach stopover on a mountain pass. When they arrive at Minnie’s, they are not greeted by the proprietor but by four strangers. As the storm takes over the mountainside cabin our eight travelers come to learn they may not make it to Red Rock after all.
Product details
- Is Discontinued By Manufacturer : No
- MPAA rating : R (Restricted)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 2.4 ounces
- Audio Description: : English
- Item model number : 35335918
- Director : Quentin Tarantino
- Media Format : NTSC
- Run time : 2 hours and 48 minutes
- Release date : March 29, 2016
- Actors : Kurt Russell, Samuel Jackson, Jennifer Leigh, Tim Roth, Michael Madsen
- Producers : Richard Gladstein, Stacey Sher, Shannon McIntosh
- Studio : The Weinstein Company
- ASIN : B01A53WR3Y
- Country of Origin : USA
- Number of discs : 2
- Best Sellers Rank: #312 in Movies & TV (See Top 100 in Movies & TV)
- #4 in Westerns (Movies & TV)
- Customer Reviews:
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The plot is a mashup of a paperback western and Agatha Christie, as it most of the action takes place on a stagecoach traveling the Wyoming countryside, and at a way station called Minnie’s Haberdashery, in fact, almost all the action takes place at the latter during a furious snow storm. The film opens with a stagecoach carrying Kurt Russell and Jennifer Jason Leigh, he plays the lawman, John Ruth, and she is his prisoner, Daisy Domergue, a vicious gang leader Ruth is taking to town of Red Rock to hang. On the way they pick up two strangers, Major Marquis Warren, played by Samuel L. Jackson, a bounty hunter who brings them in dead rather than alive, and Walton Goggins, as Chris Mannix, a Confederate veteran, who claims to be on his way to Red Rock to be the new sheriff. The weather turns bad and the stage is forced to ride it out at Minnie’s, where they find four strangers in charge, played by Tim Roth, Bruce Dern, Michael Madsen, and Damien Bicher, all of whom, may or may not be who they claim to be. None of them really trust each other, as Ruth suspects that some of Daisy’s gang are going to try and free her, while Northern veteran Warren is wary of Southerners Mannix and and Dern’s General Smithers. Tensions simmer and boil, and the bad side of everyone comes out, and all the characters get a chance to prove just how “hateful” they truly are before they meet their end.
The first instance of Tarantino being indulgent comes in the opening sequence on the stage, which runs nearly a half hour, where introductions are made as the characters, talk, and talk, and talk, and lots and lots and lots of exposition heavy dialogue is exchanged. Even if a lot of it is delivered in great Southern accents by Russell and Goggins, it plays incredibly slow, especially on a second viewing. Even worse is the pause in the middle of the film, which tells its story in “chapters,” where we hit reverse, and it is revealed what happened before the stage arrived, including a bunch of gruesome killings, the introduction of a totally new character, and way more exposition. Nothing is left to the viewer to figure out; everything is foreshadowed to death, and at three hours and change running time, that’s a lot of explaining. And a lot of excess, especially when it comes to the nihilism at the dark center of this story, where everyone lives down to their worst aspects, as at the end, when the racist former Confederate, Mannix, and the black former Union officer, Warren, unite in the their mutual hatred of Daisy Domergue to string her up by a rope, and calmly watch her choke to death, even as they breathe their last. There is always a dark heart at the center of Tarnatino’s films, where even those we root for are sadists who show no mercy, where any and all moral codes are utterly ignored, where vengeance is a religion. But in HATEFUL EIGHT, it is taken so far that even heretofore avid Tarantino supporters like myself, question whether he has not only gone to the well once too often, but dug this particular well way too deep to start with.
Still, speaking strictly as a cinephile, my admiration for Tarantino knows no bounds, for no director working today knows what he wants better, and gets it all right up there on the movie screen. I love how he shot in 70 MM, creating wide vistas even while keeping the action indoors, letting some of the protagonists take center stage in some scenes, reducing others to be merely extras. Nobody sets a mood better, and HATEFUL EIGHT hits the right note in the opening credit sequence set to Ennio Moriconne’s magnificent Oscar winning score, which is more suitable for a horror film than a western, and right off the bat begins to build tension. This is great visual storytelling without uttering a word, and if I complained about too much dialogue, that doesn’t mean it is not worth listening to, as most of the protagonists are revealed to be liars who can’t be trusted, or as in the case of Major Marquis Warren, a very unreliable narrator – see his story about the Lincoln letter or his tale to General Smithers about the fate of the General’s son. There are the little ways characters are revealed, as when Roth’s Mobray drops his proper British accent when he is shot, and reverts to a cockney one. Tarantino has built himself something of a stock company, which now must include Jennifer Jason Leigh, who gives a fearless performance as Daisy, a hate filled bitch, who in the course of the film, is punched in the face, and then has blood, brains and puke splattered across it. Tarantino’s choice of music to punctuate the story is still spot on, here using the long forgotten Roy Orbison tune, “There Won’t be Many Coming Home” perfectly. Even in this overlong movie, the actors clearly got in rhythm with each other, even those like Dern, whose taciturn charater has less to say when compared with the others. I do admire the way Tarantino does not bow to his SJW critics; he makes sure his characters talk as hateful as they act, and how he doesn’t make Jackson’s character, the lone black among a bunch Reconstruction Era whites, into some kind of heroic avenger, he may not be the worst among this eight, but not by much.
And best of all, I enjoy the homage to (or theft from) great film makers of the past; in THE HATEFUL EIGHT we see the clear influence of John Ford’s STAGECOACH, Budd Boetticher’s THE TALL T, and Sergio Corbucci’s THE BIG SILENCE. I wonder if I am the only one who thought the name of the character Jackson plays was a shout to Charles Marquis Warren, the ubiquitous producer of many a TV western, such as RAWHIDE, from back in the day.
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Languages: English 5.1 DTS-HD Master Audio, Spanish 5.1 Dolby Digital Audio
Subtitles: English SDH (deaf or hard hearing) and spanish
Screen format: 2.76:1