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The Walrus and the Elephants: John Lennon's Years of Revolution Hardcover – Illustrated, December 3, 2013
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House considered Lennon a threat; a plan was devised to deport the singer prior to the election as a "strategic counter-measure" to preserve Richard Nixon's presidency in 1972.
The Walrus and the Elephants is told by the unlikely cast of friends, including the musicians of Elephant's Memory, who were among the few with a chance to see the man behind the Beatle. Exclusive interviews include writer and feminist leader Gloria Steinem; congressional black caucus cofounder Ron Dellums; "Chicago Seven" veteran Rennie Davis; immigration attorney Leon Wildes; and legendary poet-activist John Sinclair, whose imprisonment for marijuana--a ten-year sentence for two joints--kicked off Lennon's American journey.
It was a busy year of making albums, controversial TV appearances and what would be Lennon's last full-length concert at Madison Square Garden; it was a time of great change in America, the confrontations that began brewing in the sixties reaching an end for many movements . . . and the beginning of a new era. John Lennon fought for peace and was treated with scorn by some, suspicion by others--including a government wishing to silence the singer. The Walrus and the Elephants is a look back by those who fought the fight; he was a dreamer, but he wasn't the only one.
- Print length272 pages
- LanguageEnglish
- PublisherSeven Stories Press
- Publication dateDecember 3, 2013
- Dimensions5.74 x 1.03 x 8.55 inches
- ISBN-101609804678
- ISBN-13978-1609804671
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Editorial Reviews
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“This book serves as a backstage pass to the missing link between Lennon’s music and his activism, ranging from decriminalization of marijuana to termination of undeclared war -- both ends of that spectrum fueled by the government’s misuse of power without compassion -- revealing how the Nixon administration tried to silence him.”
—Paul Krassner, author of Confessions of a Raving, Unconfined Nut: Misadventures in the Counterculture
"James Mitchell carefully and lovingly has reconstructed an inspiring and poignant chapter both in John Lennon's odyssey and in the tangled flow of the American anti-war and other protest movements of the late nineteen sixties and early seventies. The Walrus and The Elephants is an indispensable window into an amazing time in American history and the history of rock and roll."
—Danny Goldberg, author of Bumping Into Geniuses
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
“We came here . . . not only to help John and to spotlight what’s going on . . . but also to show and to say to all of you that apathy isn’t it, and that we can do something.” —John Lennon, (Ann Arbor, MI, December 1971)
IN DECEMBER 1971 John Lennon stood onstage to sing and speak on behalf of John Sinclair, a radical leader who was serving a ten-year prison sentence for possession of two joints of marijuana. Sinclair had been incarcerated for more than two years when Lennon pleaded his case. The decade of the sixties was over. A new decade was beginning.
Two days after Lennon sang, “Let him be, set him free,” a state circuit court reversed a previous decision and Sinclair walked out of prison.
With the nation reeling after years of political turmoil, America needed a new kind of leader. The recently turned ex-Beatle was one of the most famous and influential people on the planet. If he could get a man out of prison, what else might he do?
A government eager to silence enemies asked the same question. They thought Lennon might use his considerable clout to, in their words, “sway” the upcoming presidential election. It would be better for some people if he just went back to England, and the Nixon administration tried to make that happen through methods legal and otherwise.
“So flower power didn’t work,” Lennon said from the stage between songs that night. “So what? We start again.”
***
JOHN LENNON FELT like a newcomer to New York in the summer of 1971. He’d been to the city before, of course, but those were whirlwind Beatles visits, frantic tours where Manhattan was seen from limousines and hotel rooms. Lennon sought a lower-profile life, ironically in the very place where, seven years earlier, he had launched the “British invasion” of English rock and everything that followed. Back then all it took was an electric guitar, a smart-ass grin, and “Yeah, yeah, yeah.”
But this time there were no teenage screams to drown out the music, no mobs of girls desperate for a glimpse at a Beatle. It wasn’t the sixties anymore, a decade of war and assassinations, flower power and protests. Lennon was no longer one of the “Fab Four,” a point he made often.
“Tried to shake our image just a cycling through the Village,” Lennon wrote in “New York City,” among a fresh batch of songs inspired by his new home. He and wife Yoko Ono had stayed first in Midtown’s St. Regis hotel before settling that fall at 105 Bank Street on the west side of Greenwich Village, a space formerly occupied by drummer Joe Butler of the Lovin’ Spoonful. The downtown neighborhood suited Lennon’s frame of mind: a gritty yet colorful free-for-all of music, radical politics, art, and dope smoked openly on the streets; an atmosphere worthy of the finest psychedelic “Sgt. Pepper” vibes.
The apartment was modest by New York standards, barely two rooms more functional than spacious. It was worlds apart from Tittenhurst, the English estate Lennon left behind, a home that made an ironic setting in the eyes of more than a few critics of the Imagine promotional film (“imagine no possessions”). Lennon was apparently embarrassed by his wealth, among other by-products of Beatlemania. He told authors Peter McCabe and Robert Schonfield, who that summer had been researching a book on the Beatles’ breakup, Apple to the Core, “I can’t really go on the road and take a lot more money. What am I going to do with it? I’ve got all the fucking bread I need.”
Product details
- Publisher : Seven Stories Press; Illustrated edition (December 3, 2013)
- Language : English
- Hardcover : 272 pages
- ISBN-10 : 1609804678
- ISBN-13 : 978-1609804671
- Item Weight : 1 pounds
- Dimensions : 5.74 x 1.03 x 8.55 inches
- Best Sellers Rank: #4,853,750 in Books (See Top 100 in Books)
- #7,823 in Rock Band Biographies
- #28,779 in Political Ideologies & Doctrines (Books)
- #43,115 in Historical Study (Books)
- Customer Reviews:
About the author
James A. Mitchell is the author of "The Walrus and the Elephants: John Lennon's Years of Revolution" (2013, Seven Stories Press); "But for the Grace: Profiles in Peace from a Nation at War" (2009, Mansion Field); "It Was All Right: Mitch Ryder's Life in Music" (2008, Wayne State University Press); and "Applegate: Freedom of the Press in a Small Town (2002, University Press of America). A reporter and editor for more than thirty years in New York, Michigan, and as a US Army soldier-journalist, Mitchell's works on a wide range of subjects have appeared in dozens of newspapers and magazines.
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James Mitchell has written a fascinating story of Lennon's radical politics and his fight to remain in the U.S. He interviewed remaining members of the radical NY band Elephants Memory. ( A good companion to this book is the more academic study by Jon Weiner on Lennon's politics as well as the film from a few years ago on Lennon and the FBI.) This book is part music history, part politics and part cultural history. Lennon's humanity is evident in the book as well as his playfulness. In one antecdote Lennon shows up for a rally in Anne Arbor Michigan and when he finds out that Stevie Wonder is there he is star struck. He said" You have to understand. Stevie Wonder is my Beatles." If you are interested in the 60's and 70's,politics, the Beatles and particularly John Lennon this is a must read. If you are familiar with the abuses of Wayergate this story of a government's fear of a musician will capture your attention.
This statement, with a little paraphrase, is the underlying message of James A. Mitchell’s “The Walrus & the Elephants: John Lennon’s Years of Revolution”. The government – clarify that to be “the Nixon Administration” – was very concerned about former Beatle John Lennon’s attempts at activism, as well as his potential influence among the 18-20 year olds who had just won the right to vote. He, along with so many others, made his way to Nixon’s infamous Enemies list. As such, the government spent a lot of time, money, and effort tracking his movements and building a case for his deportation – often sloppily, and in the end, ineffectually.
The main story, however, is about John Lennon, the man, and his days after the break-up of the Beatles. It talks about his desire to pursue music for music’s sake – as he no longer needed to do it purely for the money. It talks about his wanting to make a difference in society, to help right wrongs and to bring awareness to causes. And, it talks about his friends, both real and hangers-on, transient and permanent, that entered his life in the 70s.
The book provides an entertaining and an enlightening read, and I recommend it to all, with possible exception of fans of Richard Nixon or J. Edgar Hoover.
RATING: 4 stars
DISCLOSURE: I received this book at no cost as part of the Goodreads FirstRead program. There was no charge, but a fair and unbiased review is always an implied request as a part of that ongoing giveaway.