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The Fireman: The chilling horror thriller from the author of NOS4A2 and THE BLACK PHONE Kindle Edition
This gripping thriller about a supernatural pandemic is one you will not want to put down.
Sometimes you can only fight fire with fire
Nobody knew where the virus came from. FOX News said it had been set loose by ISIS, using spores that had been invented by the Russians in the 1980s. MSNBC said sources indicated it might've been created by engineers at Halliburton and stolen by culty Christian types fixated on the Book of Revelation. CNN reported both sides. And while every TV station debated the cause, the world burnt.
Pregnant school nurse, HARPER GRAYSON, has seen lots of people burn on TV, but the first person she saw burn for real was in the playground behind her school. But when she realises she has become infected, she is determined to find a way to survive - at least long enough to see her child born. No matter what is left of the world for them to live in.
With the epic scope of THE PASSAGE and the emotional impact of THE ROAD, this is one woman's story of survival at the end of the world.
Readers love THE FIREMAN:
'The Fireman was an epic tale, populated with characters you love and hate, highlighting what's both good and bad in society today. Somehow, though, I came out of the experience with a sense of hope and also a sense of excitement regarding what Joe Hill will do next' - Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐
'This is a perfect book' - Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐
'This book was out of this world AMAZING'- Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐
'There aren't enough stars in the Goodreads rating system for this one! What a great book!' - Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐
'Pitch perfect and full of wit and wisdom, The Fireman is quite simply brilliant' - Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐
'And Joe Hill does it again! This book is absolutely freaking mind blowingly AMAZING. I haven't devoured a book like I did this one for a LONG time' - Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐
- LanguageEnglish
- PublisherGollancz
- Publication dateMay 17, 2016
- File size2315 KB
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“Original and gripping, a page-turner.” — George R. R. Martin on THE FIREMAN
“[A] superb supernatural thriller . . . a tremendous, heartrending epic of bravery and love set in a fully realized and terrifying apocalyptic world, where hope lies in the simplest of gestures and the fullest of hearts.” — Publishers Weekly (starred review) on THE FIRMAN
“Hill has a talent for depicting fascinating characters caught in terrible situations. . . . With a full cast of characters and multiple story lines to keep the reader hooked, Hill’s enthralling fourth thriller hits another home run.” — Library Journal (starred review) on THE FIREMAN
“Joe Hill has always been good, but he’s created something incandescent here, soaring and original. He’s a master storyteller who writes with fire in his veins.” — Lauren Beukes, author of BROKEN MONSTERS on THE FIREMAN
“Fascinating and utterly engaging, this novel is sure to leave readers wanting more. One thing is for certain, however. After reading this book, readers will never hear Christmas carols in quite the same way again.” — Library Journal (starred review) on NOS4A2
“[An] undeniably readable work.” — Booklist (starred review) on NOS4A2
“Read it with the lights on and your children locked in a closet.” — BookRiot.com on NOS4A2
[Hill]’s got horror down pat, and his debut is hair-raising fun.” — Kirkus on HEART-SHAPED BOX
“[A] wrenching and effective ghost story . . . reads like good, early King mixed with some of the edgier splatterpunk sensibilities of David J. Schow . . . [HEART-SHAPED BOX] has genuinely touching emotional moments as well as action-packed confrontations with the dead.” — Library Journal (starred review) on HEART-SHAPED BOX
“A genuinely scary novel filled with people you care about; the kind of book that still stays in your mind after you’ve turned over the final page. I loved it unreservedly.” — Neil Gaiman, author of THE OCEAN AT THE END OF THE LANE on HEART-SHAPED BOX
“[HORNS is] a creepy murder mystery, a tragic love triangle, and a sweetly wistful coming-of-age story. It’s the kind of book that has you laughing on one page, crying on another and making sure the doors and windows are safely locked on a third.” — Miami Herald on HORNS
“[Horns is] devilishly good. . . . Hill is a terrific writer with a great imagination. He has a special talent for taking us and his characters to very weird places.” — USA Today on HORNS
From the Back Cover
A terrifying new plague is striking cities one by one. Dragonscale is a highly contagious, deadly spore that marks its hosts with beautiful black and gold marks across their bodies—before causing them to burst into flames. Millions are infected; blazes erupt everywhere. There is no cure. No one is safe.
Harper Grayson, a dedicated nurse, treated hundreds of infected patients before her hospital burned to the ground. Now she’s discovered the telltale gold-flecked marks on her skin. When the outbreak first began, she and her husband, Jakob, had made a pact: they would take matters into their own hands if they became infected. To Jakob’s dismay, Harper wants to live—at least until the fetus she is carrying comes to term.
Convinced that his wife has made him sick, Jakob abandons her as their placid New England community collapses in terror. The chaos gives rise to armed, self-appointed posses roaming the streets and woods to exterminate those who they believe carry the spore. But Harper isn’t as alone as she fears: a mysterious stranger in a dirty yellow firefighter’s jacket, carrying a hooked iron bar, straddles the abyss between insanity and death. Known as The Fireman, he strolls the ruins of New Hampshire, a madman afflicted with Dragonscale who has learned to control the fire within himself, using it as a shield to protect the hunted . . . and as a weapon to avenge the wronged.
Harper must learn The Fireman’s secrets before her life—and that of her unborn child—goes up in smoke.
About the Author
Joe Hill is the #1 New York Times bestselling author of the novels The Fireman, NOS4A2, Horns, and Heart-Shaped Box; Strange Weather, a collection of novellas; and the acclaimed story collections Full Throttle and 20th Century Ghosts. He is also the Eisner Award–winning writer of a seven-volume comic book series, Locke & Key. Much of his work has been adapted for film and TV, including NOS4A2 (AMC), Locke & Key (Netflix), In the Tall Grass (Netflix), and The Black Phone (Blumhouse).
Product details
- ASIN : B016P01YCQ
- Publisher : Gollancz (May 17, 2016)
- Publication date : May 17, 2016
- Language : English
- File size : 2315 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 799 pages
- Best Sellers Rank: #1,286,642 in Kindle Store (See Top 100 in Kindle Store)
- #3,441 in Conspiracy Thrillers (Kindle Store)
- #11,126 in Post-Apocalyptic Science Fiction (Kindle Store)
- #14,220 in Science Fiction Adventure
- Customer Reviews:
About the author
Joe Hill is the #1 New York Times bestselling author of Heart-Shaped Box, The Fireman, and Full Throttle. He won the Eisner Award for Best Writer for his long-running comic book series, Locke & Key, co-created with artist Gabriel Rodriguez. Much of his work has been adapted for movies and television. His second novel, Horns, was translated to film in 2014 and starred Daniel Radcliffe. His third novel, NOS4A2, is now a hit series on AMC, starring Zachary Quinto. The first season of Locke & Key was released on Netflix in early 2020 and became an overnight smash. His story, "In The Tall Grass," co-written with Stephen King, was made into a feature for Netflix, and became a mind-bending cult horror sensation. Most recently, Hill has returned to graphic novels -- his latest comics include Basketful of Heads and Plunge for D.C., and Dying is Easy for IDW.
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And those people couldn’t be more wrong if they tried, because to say that Hill is just copying his father is to ignore the boundless imagination on display, the willingness to push boundaries, to constantly let his stories evolve and change in front of your eyes. Because, sure, The Fireman is a piece of horror about the end of the world and the communities that spring up as a way of staying alive and maintaining hope. But that’s about where the similarities end, and where Hill’s astonishing creativity comes into play.
The Fireman is about a horrific plague spreading across the country, one that causes people to burst into flames spontaneously, and only seems to be spreading unabated. Exactly what causes this, as well as the more…unusual…effects will become clear over the course of the book; indeed, part of what makes the book great is the way Hill constantly lets our understanding of the illness evolve over the course of the book, all while never letting us forget about the nightmarish death that awaits those infected. But as the novel opens, the disease is just getting started; before long, the country is falling apart, people are in a panic, and the infected are hiding in an effort to stay alive.
I don’t want to say too much more about the plot of the novel; one of the great joys of the book is the way that Hill is constantly reinventing it, changing it from one type of a story to another. It’s a horror story, and then a survival tale, and then it’s a community tale, and then a Shirley Jackson-esque tale of paranoia (and I love the nods to Jackson throughout the book, including a great reference to The Haunting of Hill House), and then…well, you’ll see. Whatever the case, The Fireman isn’t what you expect it to be, and every time you get settled into one kind of story, Hill’s going to toss you a curveball and put you somewhere else.
That willingness to blow up the story and change directions makes The Fireman incredibly engaging, absolutely riveting, and astonishingly intense. There’s a constant sense of danger running throughout the book, an awareness that Hill doesn’t seem to play by the rules, and we could lose anything at any point. It gives every scene, every showdown, an added menace and unease, and keeps the reader guessing as to what’s next. It also makes his villains truly dangerous and horrifying; it’s worth noting here that The Fireman contains one of the characters I’ve hated more than any character in recent memory, and whose death I couldn’t have rooted for more.
And yet, even those villains are given complex stories, detailed personalities, and come to life wholly. Hill makes every character come to life, no matter how minor, and creates a vivid world out of these personalities, letting the story be driven by his characters, not the machinations of the author. Whether it’s a sneering talk-radio host, a benevolent father figure, a religious zealot, or our protagonist’s husband, Hill gives every character depth, shading, nuance, and shades of gray, to where even that detestable villain is almost pathetic with psychological damage.
More than anything else, though, there’s Harper, our heroine. An elementary school nurse turned expectant mother, Harper is a rich female character, something that Hill seems to do a better job with than most. In a genre where women either become cannon fodder or the “Final Girl,” Hill brings his heroines to vivid, fully realized life, letting them be people as capable of agency as any other, and letting their gender inform the story while rarely making it pure text. Indeed, Hill avoids easy dichotomies; for every MRA-type villain, he tosses in a genuinely good man; for every religious zealot, there’s a reminder of what church and religion should be.
It all makes for satisfying fiction, not only as a reader who appreciates depth and complexity, but one who loves horror and thrills. Because trust me – when things start going bad, Hill more than delivers, with an extended showdown ending up as one of the most intense and riveting showpieces in recent memory, one that rivals the famed “Halloween Night” section of his father’s 11/22/63. How good is it? I needed a break after reading it just to catch my breath and calm down. Seriously.
The short version is, The Fireman is incredible. It’s absolutely riveting, constantly imaginative, filled with rich characters, written beautifully, and surprisingly emotionally complex, all while still being a solid piece of apocalyptic fiction with elements of horror in it. In short, it’s the best thing Joe Hill has written yet – and when your works include NOS4A2, Locke and Key, and 20th Century Ghosts, that’s no small feat. Miss this one at your own peril, people.
The Fireman is an epic adventure revolving around a plague, Dragonscale, which results in spontaneous combustion for most of the infected. The spore is a true plague, threatening all of humanity, and instilling fear and madness to those who are not yet infected. The story centers around a holdout group that has somehow managed to defy the end game, offering a community for those able to manage the spore. Hill deftly creates both character and story, combining them into a terrific read with depth, complexity, humor, and horror. Yeah... try that.
Admittedly, there are some points that don't flow as well as others, places where the story loses its rhythm. However, when taken in context of the *whole* of the story, those instances of pacing issues pale in comparison to the areas he got right. There are sections that are absolute page turners, causing the reader - if you're a night reader like me - to show up to work the following day a little red-eyed because you just can't put it down.
You can clearly see where Hill has found inspiration, both from other authors, and from his upbringing in Maine (and NH... close enough). This is not to say that he has over-borrowed, but I can see influences from other authors, other stories, that have made an impact upon him - much the same way they have impacted me. Hill has his own distinct style of writing, and it's only going to get better with time.
Taking on such an epic piece of writing is not easily done, even by experienced authors. Hill does not back down, writing rich characters and a suspenseful storyline. No spoilers, but there were parts in the story that were so jolting, so well-written, that it makes you wonder a little bit about how a well-adjusted person could write them. Surely this must come from the mind of a psychopath. Or... it could be the work of Joe Hill. I've only been able to say that about one other author; I'm thrilled to have found another.
It's time that we stop looking at Hill's pedigree and see him as a standout author in his own right. I'm thrilled to find another story teller who can take his readers on a fabulous, macabre journey for decades to come. Joe Hill will certainly be one of the eminent (and I hope prolific) writers of the twenty-first century. I will be his Constant Reader, one of many.
Top reviews from other countries
1. It was very dry - there was a lack of real emotion or proper description of what the top characters were feeling... it was almost too factual.
2. At the end of most chapters you were directly told about events that would play out in the plot (who died, who went, who came etc)... which was unnecessary and extremely annoying (like a friend giving you spoilers all throughout the story)
3. The Fireman isn't even really the main character, he participates in various important parts but Harper is definitely the main POV depicted
4. What is it with the old fashioned Mr X and Mrs Y all the time with key characters that have close relationships with each other and using full names through various parts of the story... also unecessary and unrealistic. It sound like everyone talked like Mary Poppins and lets face it, that is only acceptable in old b&w films and books and by Mary Poppins and other stories during that period... it was annoying in a post apocalyptic story....
Sudden twists and deaths will keep you surprised throughout