From School Library Journal
YA-Combining time travel, archaeological exploration, and a power struggle in medieval France, this action-packed story will grab teens' attention from the very first page. ITC, a company located in the New Mexico desert, is at the forefront of the new science of quantum technology. It has secretly developed a means of transporting humans back in time. In the Dordogne region of southwest France, a team of company-sponsored archaeologists and historians is unearthing the remains of a medieval castle, village, and monastery with the goal of developing a major tourist attraction. The words "HELP ME" followed by "4/7/1357" written in ink and on paper used in the 14th century are found at the site. It seems that Professor Johnston, the team leader, demanded that he be transported back to the settlement, and obviously he is in danger there. A rescue effort is launched, and five people are transported back to April 1357: two escorts from ITC and three historians from the Dordogne project. Their time machine allows them 37 hours for the rescue, but within minutes of their arrival, the escorts are killed by a band of horsemen. The three survivors set out to find the missing man, and their race against time results in a gripping tale. YAs will be fascinated by this juxtaposition of modern-day physics with details of a medieval siege.
Molly Connally, Kings Park Library, Fairfax County, VA
Copyright 2000 Reed Business Information, Inc.
From Library Journal
With Timeline, Crichton has written his best book since Jurassic Park. Sometime in the future, a group of students is studying an archaeological site in France when the professor in charge disappears. While uncovering 600-year-old documents from the remains of a monastery, they discover a note dated April 7, 1357, and written in the professor's hand that says "Help me." Three people then embark on a journey back in time to rescue the professor. The first third of the book sets up the plot and discusses quantum technology. The rest of the story is a heart-pounding adventure in 14th-century France. Crichton is a master at explaining complex concepts in simple terms. As in most of his novels, the characters are forgettable and overshadowed by ideas, but who reads Crichton for his characters? His plot is intriguing, and his well-researched history and science are certain to prompt discussions. Highly recommended.
---Jeff Ayers, Seattle P.L.
Copyright 1999 Reed Business Information, Inc.
From Kirkus Reviews
So you think, along with all those benighted scientists, that the physical world has been pretty completely explained, and theres not likely to be anything new under the sun? Well, then, suggests blockbuster king Crichton, how about something old- and-newspecifically, quantum teleportation back to medieval France? Readers who checked under the bed for raptors after finishing The Lost World (1995), and whoever else remains ignorant of the hundreds of time-travel fantasies by non-bestselling authors, will be happily scared to know that the perils of journeying through time are just as great even if its a bunch of modern investigators of a contemporary mystery, rather than sleeping dinosaur DNA, making the trip. (First printing of 1,500,000; Literary Guild Main Selection) -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.
Review
"COMPULSIVE READING . . . BRILLIANTLY IMAGINED."
--Los Angeles Times
"EXCITING . . . CLASSIC ADVENTURE . . . [A] SWASHBUCKLING NOVEL . . . CRICHTON DELIVERS."
--USA Today
"MORE SCREAMS PER PAGE . . . THAN JURASSIC PARK AND THE LOST WORLD COMBINED. . . . THE PACE WILL LEAVE MANY BREATHLESSLY GRASPING FOR OXYGEN MASKS."
--San Diego Union-Tribune
From the Paperback edition.
About the Author
Michael Crichton was born in Chicago, in 1942. His novels include The Andromeda Strain, The Great Train Robbery, Congo, Jurassic Park, Rising Sun, Disclosure, The Lost World, and Airframe. He is also the creator of the television series ER.
Excerpt. © Reprinted by permission. All rights reserved.
He should never have taken that shortcut.
Dan Baker winced as his new Mercedes S500 sedan bounced down the dirt road, heading deeper into the Navajo reservation in northern Arizona. Around them, the landscape was increasingly desolate: distant red mesas to the east, flat desert stretching away in the west. They had passed a village half an hour earlier- dusty houses, a church and a small school, huddled against a cliff- but since then, they'd seen nothing at all, not even a fence. Just empty red desert. They hadn't seen another car for an hour. Now it was noon, the sun glaring down at them. Baker, a forty-year old building contractor in Phoenix, was beginning to feel uneasy. Especially since his wife, an architect, was one of those artistic people who wasn't practical about things like gas and water. His tank was half-empty. And the car was starting to run hot.
"Liz," he said, "are you sure this is the way?"
Sitting beside him, his wife was bent over the map, tracing the route with his finger. "It has to be," she said. "The guide-book said four miles beyond the Corazon Canyon turnoff."
"But we passed Corazon Canyon twenty minutes ago. We must have missed it."
"How could we miss the trading post?" she said.
"I don't know." Baker stared at the road ahead. "But there's nothing out here. Are you sure you want to do this? I mean, we can get great Navajo rugs in Sedona. They sell al kinds of rugs in Sedona."
"Sedona," she sniffed, "is not authentic."
"Of coarse it's authentic, honey. A rug is a rug."
"Weaving."
"Okay." He sighed. "A weaving."
"And no, it's not the same," she said. "Those Sedona stores carry tourist junk- they're acrylic, not wool. I want the weavings that they sell on the reservation. And supposedly the trading post has an old Sandpainting weaving from the twenties, by Hosteen Klah. And I want it."
"Okay Liz." Personally, Baker didn't see why they needed another Navajo rug-weaving- anyway. They already had two dozen. She had them all over the house. And packed away in closets, too.
They drove on in silence. The road ahead shimmered in the heat so it looked like a silver lake. And there were mirages, houses or people rising up on the road, but always when you came closer, there was nothing there.
Dan Baker sighed again. "We must've passed it."
"Let's go a few more miles," his wife said.
"How many more?"
"I don't know. A few more."
"How many, Liz? Let's decide how far we'll go with this thing.
"Ten more minutes," she said.
"Okay," he said, "ten minutes."
He was looking at his gas gauge when Liz threw her hand to her mouth and said, "Dan!" Baker turned back to the road just in time to see a shape flash by-a man, in brown, at the side of the road- and hear a loud thump from the side of the car.
"Oh my God!" she said. "We hit him!"
"What?"
"We hit that guy."
"No, we didn't. We hit a pothole."
In the rearview mirror, Baker could see the man still standing at the side of the road. A figure in brown, rapidly disappearing in the dust cloud behind the car as they drove away.
"We couldn't have hit him," Baker said. "He's still standing."
"Dan. We hit him. I saw it."
"I don't think so, honey."
Baker looked again in the rearview mirror. But now he saw nothing except the cloud of dust behind the car.
"We better go back," she said.
"Why?"
Baker was pretty sure that his wife was wrong and that they hadn't hit the man on the road. But if they had hit him, and if he was even slightly injured- just a head cut, a scratch- then it was going to mean a very long delay in their trip. They'd never get to Phoenix by nightfall. Anybody out here was undoubtedly a Navajo; they'd have to take him to a hospital, or at least to the nearest big town, which was Gallup, and that was out of their way-
"I thought you wanted to go back,: she said.
"I do."
"Then let's go back."
"I just don't want any problems, Liz."
"Dan. I don't believe this."
He sighed, and slowed the car. "Okay, I'm turning. I'm turning."
And he turned around, being careful not to get stuck in the red sand at the side of the road, and headed back the way they had come.
"Oh Jesus."
Baker pulled over, and jumped out into the dust cloud of his own car. He gasped as he felt the blast of heat on his face and body. It must be 120 degrees out here, he thought.
As the dust cleared, he saw the man lying down at the side of the road, trying to raise himself up on his elbow. The guy was shaky, about seventy, balding and bearded. His skin was pale; he didn't look Navajo. His brown clothes were fashioned into long robes. Maybe he's a priest, Baker thought.
"Are you all right?" Baker said as he helped the man to sit up on the dirt road.
The old man coughed. "Yeah. I'm all right."
"Do you want to stand up?" he said. He was relieved not to see any blood.
"In a minute."
Baker looked around. "Where's your car?" he said.
The man coughed again. Head hanging limply, he stared at the dirt road.
"Dan, I think he's hurt," his wife said.
"Yeah," Baker said. The old guy certainly seemed to be confused. Baker looked around again: there was nothing but flat desert in all directions, stretching away into shimmering haze.
No car. Nothing.
"How'd he get out here?" Baker said.
"Come on," Liz said, "we have to take him to the hospital."
Baker put his hands on under the man's armpits and helped the old guy to his feet. The man's clothes were heavy, made of a material like felt, but he wasn't sweating in the heat. In fact, his body felt cool, almost cold.
The old guy leaned heavily on Baker as they crossed the road. Liz opened the back door. The old man said, "I can walk. I can talk."
"Okay. Fine." Baker eased him into the back seat.
The man lay down on the leather, curling into a fetal position. Underneath his robes, he was wearing ordinary clothes: jeans, a checked shirt, Nikes. He closed the door, and Liz got back in the front seat. Baker hesitated, remaining outside in the heat. How was it possible the old guy was out here all alone? Wearing all those clothes and not sweating?
It was as if he had just stepped out of a car.
So maybe he's been driving, Baker thought. Maybe he's fallen asleep. Maybe his car ...
Professor Johnston often said that if you didn’t know history, you didn’t know anything. You were a leaf that didn’t know it was part of a tree.Highlighted by 729 Kindle readers
