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Zootopia
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Genre | Animation |
Format | NTSC, Subtitled, Widescreen |
Contributor | John DiMaggio, Maurice LaMarche, Phil Johnston, Don Lake, Tommy Chong, Byron Howard, Jenny Slate, Alan Tudyk, Ginnifer Goodwin, Raymond S. Persi, Rich Moore, Shakira, Della Saba, Jason Bateman, Jared Bush, Idris Elba, J.K. Simmons, Jesse Corti, Fuschia!, Bonnie Hunt, Gita Reddy, Katie Lowes, Octavia Spencer, Nate Torrence, Tiny Lister See more |
Language | English, Spanish, French |
Runtime | 2 hours |
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From the manufacturer
Zootopia
From the largest elephant to the smallest shrew, the city of Zootopia is a mammal metropolis where various animals live and thrive. When Judy Hopps becomes the first rabbit to join the police force, she quickly learns how tough it is to enforce the law. Determined to prove herself, Judy jumps at the opportunity to solve a mysterious case. Unfortunately, that means working with Nick Wilde, a wily fox who makes her job even harder.
The film received widespread critical acclaim with many praise going towards the film's animation, voice acting, characters, humor, screenplay, and themes about discrimination and social stereotypes. The film was also a massive box office success, grossing $1.023 billion worldwide against it's $150 million budget.
It ranks as the second highest-grossing Walt Disney Animation Studios film.
Product Description
From Walt Disney Animation Studios comes a comedy-adventure set in the modern mammal metropolis of ZOOTOPIA. Determined to prove herself, Officer Judy Hopps, the first bunny on Zootopia's police force, jumps at the chance to crack her first case -- even if it means partnering with scam-artist fox Nick Wilde to solve the mystery. Bring home this hilarious adventure full of action and heart. It's big fun for all shapes and species!
Product details
- Aspect Ratio : 2.40:1
- Is Discontinued By Manufacturer : No
- MPAA rating : PG (Parental Guidance Suggested)
- Product Dimensions : 0.5 x 5.4 x 6.7 inches; 0.8 ounces
- Item model number : 35437824
- Director : Byron Howard, Rich Moore
- Media Format : NTSC, Subtitled, Widescreen
- Run time : 2 hours
- Release date : June 7, 2016
- Actors : Ginnifer Goodwin, Jason Bateman, Idris Elba, Jenny Slate, Nate Torrence
- Dubbed: : French, Spanish
- Subtitles: : French, Spanish, English
- Language : French (Dolby Digital 5.1), Spanish (Dolby Digital 5.1), English (DTS-HD High Res Audio)
- Studio : Walt Disney Studios
- ASIN : B01B2CX0LU
- Writers : Jared Bush, Phil Johnston
- Country of Origin : USA
- Number of discs : 2
- Best Sellers Rank: #14,396 in Movies & TV (See Top 100 in Movies & TV)
- #441 in Kids & Family Blu-ray Discs
- Customer Reviews:
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However, upon arrival, she is assigned parking duty by Chief Bogo, an African buffalo, who doubts her potential due to her being a rabbit and thus smaller than most of the large animals on the force. During one of her shifts, she meets Nick Wilde, a con artist fox.
Hopps abandons her shift to arrest a thief, Duke Weaselton. She is reprimanded by Bogo and nearly fired until Mrs. Otterton, an otter, arrives pleading for help locating her missing husband - one of many animals recently missing in Zootopia. To Bogo's dismay, Hopps volunteers and agrees to resign if she cannot solve the case within 48 hours. She sees Wilde in the last known photo of Otterton and tracks him down, coercing him into to assisting her with the investigation.
After acquiring Mr. Otterton's license plate number, Hopps and Wilde track the vehicle to Mr. Big, an Arctic shrew crime boss. Mr. Big informs the pair that Otterton, his florist, had gone savage and attacked his chauffeur Manchas, a black jaguar. Hopps and Wilde locate Manchas, who mentions "night howlers" were responsible for attacking him before he goes savage and chases the pair out of his home. When Bogo and his reinforcements arrive, Manchas disappears. Bogo demands Hopps resign, but Wilde takes a stand, insisting they have 10 more hours to solve the case. As the pair leaves, Hopps learns from Wilde that he was bullied by prey animals as a pup and became a criminal, believing he would be stereotyped as one no matter what due to being a fox.
Wilde realizes that the city's traffic camera system may have captured Manchas's disappearance, and the pair consult Assistant Mayor Bellwether, a sheep. They identify the captors as wolves, hence "night howlers". Hopps and Wilde locate the missing mammals (including Mr. Otterton) at Hillside Asylum. All are predators, and all have gone savage like Manchas. The two discover Mayor Lionheart consulting with a doctor about the predators' condition. The pair escape with the evidence and the police swarm the area, arresting Lionheart.
Having developed a friendship with Wilde throughout the case, Hopps requests that he joins the Zootopia Police Department and become her partner, which Wilde happily considers. However, during a press conference, Hopps mentions that the savage animals are predators and argues they have gone back to their "natural state." Wilde is hurt and angrily walks out on her offer. Fear and discrimination against predators spreads across Zootopia, and a guilt-ridden Hopps resigns. During this time, pop singer Gazelle holds a peaceful protest and publicly asks for the harmonious Zootopia she loves to be restored.
Back in Bunnyburrow, Hopps learns that "night howlers" are flowers that have a severe psychotropic effects on mammals. Hopps returns to Zootopia and reconciles with Wilde. They locate Weaselton and learn that he has been collecting night howlers for a secret laboratory. The pair discover the lab and find ram scientists creating a night howler serum, which has been injected into predators via dart guns. Hopps and Wilde race to the ZPD with the evidence, but the rams pursue them.
Just short of the ZPD, the pair encounters Bellwether, who tries to take the evidence. Realizing Bellwether is the mastermind of a species-supremacist conspiracy, Hopps and Wilde try to flee, but Bellwether shoots a dart at Wilde and calls the ZPD for help. Wilde becomes savage and corners Hopps, but it turns out the pair were acting and had swapped out Bellwether's darts for blueberries. With Bellwether's confession recorded on Hopps's carrot pen, the two have enough evidence to unravel the conspiracy.
Some months later, Hopps is reinstated into the ZPD. The savaged mammals are cured. Lionheart is cleared of all charges and is reinstated as mayor. Wilde joins the ZPD as the first fox officer and Judy's new partner. In the final scene, all of Zootopia enjoys a performance by Gazelle, who dances with four tigers.
Fantasy films aimed at kids don’t have to have political messages, but when they do, they should either be internally consistent, or work through the contradictions in terms that kids can apply to the real world. “Zootopia,” a fantasy set in a city where predators and prey live together in harmony, is a funny, beautifully designed kids’ film with a message that it restates at every turn. But if you think about that message for longer than five minutes, it doesn’t merely fall apart, it invites a reading that is almost surely contrary to the movie’s seemingly enlightened spirit: discrimination is wrong, but stereotypes are stereotypes for a reason, and it’s not easy for members of a despised class to overcome the reasons why the majority despises them, so you gotta be patient.
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Ginnifer Goodwin (“Big Love”) voices Bunny Hops, a small town rabbit who’s told that she can’t be a police officer in Zootopia because there’s never been a rabbit police officer. (The job tends to be done by predators and large herbivores—like a water buffalo that’s become a police captain, voiced by Idris Elba.) Hops makes it through police training anyway and gets assigned to meter maid duty, to the relief of her carrot farmer parents (Bonnie Hunt and Don Lake), who gave her fox repellent as a going-away present. They had good reason to give her fox repellent: the fox is one of the rabbit’s mortal enemies, and when Judy was child, a fox cornered her at a county fair, insulted her for being a bunny, and slashed her face with his paw. (This is a slightly more intense kid-flick than you might expect, given how many adorable animals are in it.)
Of course Hops ends up partnered with a red fox named Nick Wilde (Jason Bateman), a small-time hustler who reluctantly helps her investigate the disappearances of a dozen predators. I won’t reveal exactly what the mystery is here (it’s a pretty good one) except to say that it invites kids and parents to talk about nature versus nurture, and the origins and debilitating effect of stereotypes.
But this turns out to be not such a great thing once you get deeper into the movie. Because people are not animals, I dread thinking about the “logical” conclusions to which such conversations will lead. The film isn’t wrong to say that carnivores are biologically inclined to want to eat herbivores, that bunnies reproduce prolifically, the sloths are slow-moving (they work at the DMV here), that you can take the fox out of the forest but you can’t take forest out of the fox, and so on. If you think about all this as an analogy for the world we live in (particularly if we live in a melting-pot big city like Zootopia) and and then ask yourself which racial or ethnic or societal groups (cops, businesspeople, city bureaucrats) are “predators” and which are “prey” (for purposes of metaphor translation), you see the problem. "Zootopia" pretty much rubber-stamps whatever worldview parents want to pass on to their kids, however embracing or malignant that may be. I can imagine an anti-racist and a racist coming out of this film, each thinking it validated their sense of how the world works.
“Zootopia” is constantly asking its characters to look past species stereotypes, and not use species-ist language or repeat hurtful assumptions. “Only a bunny can call another bunny ‘cute,’” Hops warns a colleague It’s filled with moments that are about overcoming or enduring discrimination. “Never let them see that they get to you,” Wilde advises Hops. And there are acknowledgments of the destructive self-hatred that discrimination can cause. Many of the animals make self-deprecating jokes at the expense of stereotypes about their species (such as Hops volunteering to do math for Wilde, telling him, "If there's one thing we bunnies are good at, it's multiplying"), and there's a fairly intense flashback which reveals that Wilde became a hustler because other animals hazed him as a pup while repeating anti-fox stereotypes, and responded by embracing his species' caricature and becoming the foxiest fox anyone had seen. This all seems clever and noble until you realize that all the stereotypes about various animals are to some extent true, in particular the most basic one: carnivores eat herbivores because it's in their nature. (Yes, readers, I know, there are tigers who've been taught to snuggle with lambs, and I've seen the same memes with cats and dogs snuggling that you have; I mean in general.)
It might seem weird that I’m dwelling on this aspect of “Zootopia,” which is directed by Byron Howard & Rich Moore and co-directed by Jared Bush, because the movie is entertaining. The thriller plot, which borrows rather generously from “48 HRS” and every cop drama involving governmental conspiracy, is smartly shaped It’s hard to imagine any child or adult failing to be amused and excited by parts of it. The compositions and lighting are more thoughtful than you tend to get in a 3-D animated film starring big-eyed animals who speak with the voices of celebrities. And there are a few sections that are transportingly lovely, in particular any sequence involving the pop star Gazelle (voiced by Shakira), and Hops' high-speed train ride towards and through Zootopia, which introduces the city's different terrains (including frozen tundra and misty rainforest) while leaving room for subsequent bits of spelunking (a foot chase through rodent town lets Hops know what it feels like to be a giant). Some of the biggest laughs come from obvious gags that you know the writers couldn't resist, such as the bit where Idris' water buffalo captain says they can't start the morning briefing without acknowledging the elephant in the room. If you decide not to think about the metaphor that the film is built around, it's an enjoyable diversion, made with great skill.
Still: is it too much to ask that a film that wears its noble intentions like a jangling neck collar be able to withstand scrutiny? If "Zootopia" were a bit vaguer, or perhaps dumber and less pleased with itself, it might have been a classic, albeit of a very different, less reputable sort. As-is, it's a goodhearted, handsomely executed film that doesn't add up in the way it wants to.
Top reviews from other countries
Incluye dos discos (sin arte. Un disco blanco para el DVD y azul para el Blu-ray) y una copia digital que, no solo no es válida fuera de Estados Unidos, si no que al parecer ya está vencida, pero no me molesta porque nunca canjeo las copias digitales.
Reviewed in Mexico on August 3, 2021
Incluye dos discos (sin arte. Un disco blanco para el DVD y azul para el Blu-ray) y una copia digital que, no solo no es válida fuera de Estados Unidos, si no que al parecer ya está vencida, pero no me molesta porque nunca canjeo las copias digitales.