$25.00$25.00
FREE delivery May 21 - 30
Ships from: Prime Goods Outlet Sold by: Prime Goods Outlet
$9.99$9.99
Ships from: Amazon Sold by: Jenson Books Inc
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
OK
Audible sample Sample
Love Is the Drug Hardcover – September 30, 2014
Purchase options and add-ons
- Print length352 pages
- LanguageEnglish
- PublisherArthur A. Levine Books
- Publication dateSeptember 30, 2014
- Grade level9 and up
- Reading age14 years and up
- Dimensions6 x 1.25 x 8.5 inches
- ISBN-100545417813
- ISBN-13978-0545417815
- Lexile measure840L
Books with Buzz
Discover the latest buzz-worthy books, from mysteries and romance to humor and nonfiction. Explore more
Customers who viewed this item also viewed
Editorial Reviews
Review
About the Author
Product details
- Publisher : Arthur A. Levine Books (September 30, 2014)
- Language : English
- Hardcover : 352 pages
- ISBN-10 : 0545417813
- ISBN-13 : 978-0545417815
- Reading age : 14 years and up
- Lexile measure : 840L
- Grade level : 9 and up
- Item Weight : 1.05 pounds
- Dimensions : 6 x 1.25 x 8.5 inches
- Best Sellers Rank: #2,286,890 in Books (See Top 100 in Books)
- Customer Reviews:
About the author
Alaya Dawn Johnson is an award-winning short story writer and the author of seven novels for adults and young adults. Her most recent novel for adults, Trouble the Saints, won the 2021 World Fantasy Award for best novel. Her debut short story collection, Reconstruction, was an Ignyte Award and a Hurston/Wright Legacy Award finalist. Her debut YA novel The Summer Prince was longlisted for the National Book Award for Young People's Literature, and the follow-up Love Is the Drug was awarded the Andre Norton Nebula Award. Her short stories have appeared in many magazines and anthologies, most notably the title story in The Memory Librarian, in collaboration with Janelle Monáe. She lives in Oaxaca, Mexico.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
I adore the main character, Emily Bird, and I adore her drug-dealing crush, who goes by the nickname Coffee, and I want to run over the main antagonist with a truck except that I'm so scared of him I would run away. Johnson blends so many strands so beautifully: a mysterious viral outbreak; Emily's relationships with her family, friends, and frenemies; the developing, sometimes contentious relationship she has with Coffee; and Emily's own journey of self-discovery, reinvention, and resistance. Looking back, I can't believe how much stuff is in this book and how neatly it all fits. Gorgeous book, should be far better known.
Diversity note: Author Johnson and narrator Missick are both women of color.
I expected more intrigue and urgency given the global outbreak of a virus that's decimating the population with some martial law tossed in but this book was surprisingly low-key. I stayed with the story because I was very interested in the characters, most specifically Bird (Emily), Coffee (Alonso), Aaron, Marella, Nicky and even the villainous Roosevelt. I was confused by Bird's parents, Carol and Greg. I suppose that was to be expected as Bird is afraid of her mother (with good reason and so was I) and distant from her father but as this story is told in shifting POVs and not told strictly in Bird's voice, I feel there could have been more provided for clarity with the family dynamic. Aaron was the best kid I've had the pleasure to read in a while and I even liked Nicky. While he may not be a paragon of success, he worked consistently to provide for his family, wasn't in any way a criminal and his children knew they were loved. He treated Bird like a second daughter and made her feel a part of a family. One more reason for me to put Carol Bird on ignore. Marella won all the true BFF points and I was pulling for her too. If there's ever a sequel to Love is the Drug or a Marella in Paris story, I'd read that.
By book's end, while the answer to how Bird was drugged and why is given, it was revealed in a way that didn't deliver a punch given all the build up. Again, the urgency was just about non-existent. I thought the relationship between Bird and Coffee was well done and I really liked that this story allowed her to grow on her own so she could save herself and the boy she loved. Bird also didn't display any characteristics or abilities out of the blue to solve her problems and I was glad of that. No insta-solutions or insta-love here and if I could find more YA like this, I'd read them. Another thing that was refreshing was to have Bird be told by Marella and those who were supposed to be her friends before, that she (Bird) either wasn't holding up her end of the friend ship or she wasn't trustworthy. It's not often you have a main character girl in YA who isn't universally & inexplicably loved by all when she does nothing to draw those feelings. Bird had to earn them and improve herself. Well done, ADJ. Points also to the author for the Jack and Jill mentions. I can't recall the last time I came across that in a novel. I also liked the conflict in Bird, a privileged girl of color, on how to be Black in a world where her parents want her to be a proud and accomplished African American but "not too black" so as to single her out in the profoundly white world they've raised her in. This extends to something as simple as how she wears her hair. The socially acceptable pod of other African American teens she's around also exercise a certain amount of pressure to conform and it was interesting how they felt mostly sequestered off from white students (Charlotte notwithstanding). Making the chemist/drug dealer, conspiracy theorist, the root worthy character, is a hell of a feat to pull off but the author does so here and it's believable. He and Marella (who was Black & openly gay, so had her own outcast issues from the "socially acceptable" groups) were the only people who seemed able to accept Bird for who she was & wanted to be.
The way this ends, I could envision a sequel because the danger is still out there. Bird, Coffee & Marella globe trekking, just a step ahead of the enemy could be fun & hopefully have a high-octane feel now that they're out of high school. Recommended.
This thought-provoking near-future story is a distinctive and successful blend of thriller, love story, and YA coming-of-age story. While some of the characters are close to two-dimensional, the principals are fully realized and compelling. The prose is lovely, often almost poetic.
Above all else, this is a story about relationships, familial and otherwise, and readers may well end up reexamining and reevaluating some of their own relationships.