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The House at Belle Fontaine: Stories Hardcover – April 23, 2013
The elegantly conceived, intimate stories of The House at Belle Fontaine span the better part of the twentieth century and almost every continent, revealing apprehensions, passions, secrets, and tragedies among lovers, spouses, landlords and tenants, and lifelong friends. In her crisp and penetrating prose, Tuck delicately probes at the lives of her characters as they navigate exotic locales and their own hearts: an artist learns that her deceased husband had an affair with their young houseguest; a retired couple strains to hold together their forty-year-old marriage on a ship bound for Antarctica; and a French family flees to Lima in the 1940s with devastating consequences for their daughter’s young nanny.
All published or soon to be in prestigious literary quarterlies including the PEN/O. Henry Prize Stories 2011, these tales make up a crowning collection by one of our most revered American authors.
- Print length160 pages
- LanguageEnglish
- PublisherAtlantic Monthly Press
- Publication dateApril 23, 2013
- Dimensions5.25 x 0.75 x 7.5 inches
- ISBN-100802120164
- ISBN-13978-0802120168
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Editorial Reviews
Review
"Impressive . . . Evocative stories of beautiful language and masterful economy . . . Tuck [has an] unflinching eye for detail and faithful ear for dialogue bring. . . . These striking, compact narratives are reminiscent of the exquisite short stories of Edith Pearlman . . . [and feature] a rich complexity the magnetically draws in the reader. We become intimate witnesses to these private lives falling apart and, in some cases, coming back together."The Boston Globe
"For me, the most thrilling short stories conjure the psychological depth and chronological sweep typical of the novel. The ten stories in Lily Tuck's The House at Belle Fontaine all do this, their remorseless sentences meticulously deploying the powers of implication. . . . Her stories explain no coincidence, justify no twist of fate, and let no character escape the absurd workings of memory, whim, and desire. . . . Writers adamant about proportions are too unusual these days, all the more reason to celebrate The House at Belle Fontaine."The Plain Dealer (Cleveland)
"Tuck proves she is gifted in the short form with stories reaching far into the physical and emotional senses. . . . Tuck's agility and grace as a storyteller are quietly evident throughout her impressive collection. This is a writer at the top of her form."Library Journal (starred review)
"Compact, intense, and finely crafted . . . Packs a punch . . . Tuck opens private windows into the lives of women in foreign lands. . . . These women, unsatisfied with their lives, go searching for answers to their longing, and though they do not find them, the reader understands that the act of striking out away from the known is somehow, itself, enough."Publishers Weekly (starred review)
"Tuck's fiction is filled with strong worldly women who travel or live wherever they wantwhether their men join them or not. Her work is always elegantly concise, capturing intimacies and emotions with just a few words of description and telling dialogue. . . . Tuck's fundamental focus [is] on the vicissitudes of relationships between men and womenand in this she is a master."Shelf Awareness
Remarkable for its technical expertise . . . Impressive work from a virtuoso.”Kirkus Reviews
About the Author
Product details
- Publisher : Atlantic Monthly Press (April 23, 2013)
- Language : English
- Hardcover : 160 pages
- ISBN-10 : 0802120164
- ISBN-13 : 978-0802120168
- Item Weight : 11 ounces
- Dimensions : 5.25 x 0.75 x 7.5 inches
- Best Sellers Rank: #6,712,706 in Books (See Top 100 in Books)
- #54,291 in Short Stories Anthologies
- #91,772 in Short Stories (Books)
- #256,136 in American Literature (Books)
- Customer Reviews:
About the author
Lily Tuck was born in Paris and is the author of four previous novels – Interviewing Matisse, The Woman Who Walked on Water, the PEN/Faulkner award finalist Siam and The News From Paraguay, which won the National Book Award – as well as a collection of stories, Limbo, and Other Places I Have Lived. Her fiction has appeared in the New Yorker and the Paris Review. She lives in New York City.
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As well, as my title for this review states; many of the stories were a bit irritating in that they only provided a "glimpse" into the middle of a story, and when the chapter was finished on that tale, there was no conclusion to the events - the reader is left to wonder, "Well, what happened?" That device of denouement just didn't work for me in those stories because the basic plot wasn't strong enough in the first place to give the reader lots of exciting scenarios to ponder. They were mostly ordinary events, and perhaps that was the author's intention - for the reader to glimpse ordinary life & its unanswered questions. But frankly, I can experience that by sitting at a cafe & watching someone argue with a friend and wonder "Hmm, what was that all about?". Two minutes later, I won't care. I felt "cheated" when the author gave me the opportunity to "glimpse" the same type of thing in a short story, but then (as in life), she leaves me hanging. And that made them largely forgettable.
I think all the stories deal with "angst" and maybe "unfinished business", and that might tie them together thematically, but again, for me it just left me irritated. The author's writing style was excellent, but I'd like to have had more cohesion and plot fulfillment.
My Personal Favorites:
-Lucky *****
-My Flame
- The Riding Teacher
They all could have kept going.
In the title story, a young woman has come to France after her divorce. She is renting a cottage from an elderly man who has both a name recognized in society and a fortune he made in business. He lives next door in a mansion he had built but this is the house he grew up in and lived in with his wife. He invites the woman to dinner and she goes where she learns about the history of the house and his life.
These stories demonstrate the difficulty of finding and maintaining a relationship. These couples are either in the throes of ending a relationship or have done so. Sometimes the end is dramatic, sometimes boredom sets in and kills the love that existed. There are affairs and deceit but through it all Tuck writes the truth as she sees it. Her writing style is spare yet eloquent and readers will be intrigued by these differing views of doomed relationships. This book is recommended for literary fiction readers.